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The Afterlife of Toyotomi Hideyoshi
Historical Fiction and Popular Culture in Japan
Susan Westhafer Furukawa
Harvard University Press, 2022

Popular representations of the past are everywhere in Japan, from cell phone charms to manga, from television dramas to video games to young people dressed as their favorite historical figures hanging out in the hip Harajuku district. But how does this mass consumption of the past affect the way consumers think about history and what it means to be Japanese?

By analyzing representations of the famous sixteenth-century samurai leader Toyotomi Hideyoshi in historical fiction based on Taikōki, the original biography of him, this book explores how and why Hideyoshi has had a continued and ever-changing presence in popular culture in twentieth- and twenty-first-century Japan. The multiple fictionalized histories of Hideyoshi published as serial novels and novellas before, during, and after World War II demonstrate how imaginative re-presentations of Japan’s past have been used by various actors throughout the modern era.

Using close reading of several novels and short stories as well as the analysis of various other texts and paratextual materials, Susan Furukawa discovers a Hideyoshi who is always changing to meet the needs of the current era, and in the process expands our understanding of the powerful role that historical narratives play in Japan.

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logo for Harvard University Press
The Afterlife of Toyotomi Hideyoshi
Historical Fiction and Popular Culture in Japan
Susan Westhafer Furukawa
Harvard University Press, 2022

Popular representations of the past are everywhere in Japan, from cell phone charms to manga, from television dramas to video games to young people dressed as their favorite historical figures hanging out in the hip Harajuku district. But how does this mass consumption of the past affect the way consumers think about history and what it means to be Japanese?

By analyzing representations of the famous sixteenth-century samurai leader Toyotomi Hideyoshi in historical fiction based on Taikōki, the original biography of him, this book explores how and why Hideyoshi has had a continued and ever-changing presence in popular culture in twentieth- and twenty-first-century Japan. The multiple fictionalized histories of Hideyoshi published as serial novels and novellas before, during, and after World War II demonstrate how imaginative re-presentations of Japan’s past have been used by various actors throughout the modern era.

Using close reading of several novels and short stories as well as the analysis of various other texts and paratextual materials, Susan Furukawa discovers a Hideyoshi who is always changing to meet the needs of the current era, and in the process expands our understanding of the powerful role that historical narratives play in Japan.

[more]

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Hideyoshi
Mary Elizabeth Berry
Harvard University Press, 1982

Here is the first full-length biography in English of the most important political figure in premodern Japan.

Hideyoshi—peasant turned general, military genius, and imperial regent of Japan—is the subject of an immense legendary literature. He is best known for the conquest of Japan’s sixteenth-century warlords and the invasion of Korea. He is known, too, as an extravagant showman who rebuilt cities, erected a colossal statue of the Buddha, and entertained thousands of guests at tea parties. But his lasting contribution is as governor whose policies shaped the course of Japanese politics for almost three hundred years.

In Japan’s first experiment with federal rule, Hideyoshi successfully unified two hundred local domains under a central authority. Mary Elizabeth Berry explores the motives and forms of this new federalism which would survive in Japan until the mid-nineteenth century, as well as the philosophical question it raised: What is the proper role of government? This book reflects upon both the shifting political consciousness of the late sixteenth century and the legitimation rituals that were invoked to place change in a traditional context. It also reflects upon the architect of that change—a troubled parvenu who acted often with moderation and sometimes with explosive brutality.

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