For those who lived in the wake of the French Revolution, from the storming of the Bastille to Napoleon’s final defeat, its aftermath left a profound wound that no subsequent king, emperor, or president could heal. Children of the Revolution follows the ensuing generations who repeatedly tried and failed to come up with a stable regime after the trauma of 1789. The process encouraged fresh and often murderous oppositions between those who were for, and those who were against, the Revolution’s values. Bearing the scars of their country’s bloody struggle, and its legacy of deeply divided loyalties, the French lived the long nineteenth century in the shadow of the revolutionary age.
Despite the ghosts raised in this epic tale, Robert Gildea has written a richly engaging and provocative book. His is a strikingly unfamiliar France, a country with an often overwhelming gap between Paris and the provinces, a country torn apart by fratricidal hatreds and a tortured history of feminism, the site of political catastrophes and artistic triumphs, and a country that managed—despite a pervasive awareness of its own fall from grace—to fix itself squarely at the heart of modernity. Indeed, Gildea reveals how the collective recognition of the great costs of the Revolution galvanized the French to achieve consensus in a new republic and to integrate the tumultuous past into their sense of national identity. It was in this spirit that France’s young men went to the front in World War I with a powerful sense of national confidence and purpose.
In a dazzling new interpretation of four hundred years of modern French history, Charles Tilly focuses not on kings and courtiers but on the common people of village and farm buffeted by the inexorable advance of large-scale capitalism and the consolidation of a powerful nation-state. Tilly, author of The Vendée and many other books, chooses the contention of the masses as his medium in painting this vivid picture of the people's growing ability and willingness to fight injustice, challenge exploitation, and claim their own place in the hierarchy of power.
Contention is not necessarily disorder. The more we look at contention, says Tilly, the more we discover order created by the rooting of collective action in everyday social life through a continuous process of signaling, negotiation, and struggle. In seventeenth-century France, ordinary people did not know how to demonstrate, rally, or strike, but they had standard procedures for expelling a tax collector, undermining a corrupt official, and shaming moral offenders. By the end of the eighteenth century, French people were experimenting with delegations, public meetings, and popular justice. Through the nineteenth century, with the growth of an industrial proletariat, they developed an extensive repertoire of strikes, demonstrations, and direct attacks on landlords and capitalists, as well as conflicts setting worker against worker. In the twentieth century, scenarios of protest expanded to even larger-scale forms such as mass meetings, electoral campaigns, and broad-based social movements.
Rather than arguing these developments in the abstract, The Contentious French provides lively descriptions of real events, with pauses to make sense of their patterns. The result is a view of politics with the common struggle for power at its core and the changing structure of power as its envelope.
The Contentious French is bound to be controversial, and therefore required reading for specialists in European history, social movements, and collective action. Its fresh approach will also appeal to students and general readers.
One of the livelier debates amongst historians concerns the dates of the beginning and, particularly, the end of Prussian history. Eminent historian Gordon A. Craig explores the slow death of Prussia by examining several key individuals and their actions at four distinct periods of Prussian history.
"Simply said, the book is a beautiful piece. Insightful and lucid. . . . The End of Prussia has the rare quality of being suitable for both the specialist and the more casual student of German history."—Wisconsin Academy Review
As much a portrait of his time as a biography of the man, Karl Marx: Greatness and Illusion returns the author of Das Kapital to his nineteenth-century world, before twentieth-century inventions transformed him into Communism’s patriarch and fierce lawgiver. Gareth Stedman Jones depicts an era dominated by extraordinary challenges and new notions about God, human capacities, empires, and political systems—and, above all, the shape of the future.
In the aftermath of the Battle of Waterloo, a Europe-wide argument began about the industrial transformation of England, the Revolution in France, and the hopes and fears generated by these occurrences. Would the coming age belong to those enthralled by the revolutionary events and ideas that had brought this world into being, or would its inheritors be those who feared and loathed it? Stedman Jones gives weight not only to Marx’s views but to the views of those with whom he contended. He shows that Marx was as buffeted as anyone else living through a period that both confirmed and confounded his interpretations—and that ultimately left him with terrible intimations of failure.
Karl Marx allows the reader to understand Marx’s milieu and development, and makes sense of the devastating impact of new ways of seeing the world conjured up by Kant, Hegel, Feuerbach, Ricardo, Saint-Simon, and others. We come to understand how Marx transformed and adapted their philosophies into ideas that would have—through twists and turns inconceivable to him—an overwhelming impact across the globe in the twentieth century.
A compelling new biography that recasts the most important European statesman of the first half of the nineteenth century, famous for his alleged archconservatism, as a friend of realpolitik and reform, pursuing international peace.
Metternich has a reputation as the epitome of reactionary conservatism. Historians treat him as the archenemy of progress, a ruthless aristocrat who used his power as the dominant European statesman of the first half of the nineteenth century to stifle liberalism, suppress national independence, and oppose the dreams of social change that inspired the revolutionaries of 1848. Wolfram Siemann paints a fundamentally new image of the man who shaped Europe for over four decades. He reveals Metternich as more modern and his career much more forward-looking than we have ever recognized.
Clemens von Metternich emerged from the horrors of the Revolutionary and Napoleonic wars, Siemann shows, committed above all to the preservation of peace. That often required him, as the Austrian Empire’s foreign minister and chancellor, to back authority. He was, as Henry Kissinger has observed, the father of realpolitik. But short of compromising on his overarching goal Metternich aimed to accommodate liberalism and nationalism as much as possible. Siemann draws on previously unexamined archives to bring this multilayered and dazzling man to life. We meet him as a tradition-conscious imperial count, an early industrial entrepreneur, an admirer of Britain’s liberal constitution, a failing reformer in a fragile multiethnic state, and a man prone to sometimes scandalous relations with glamorous women.
Hailed on its German publication as a masterpiece of historical writing, Metternich will endure as an essential guide to nineteenth-century Europe, indispensable for understanding the forces of revolution, reaction, and moderation that shaped the modern world.
In this inventive book, Peter Fritzsche explores how Europeans and Americans saw themselves in the drama of history, how they took possession of a past thought to be slipping away, and how they generated countless stories about the sorrowful, eventful paths they chose to follow.
In the aftermath of the French Revolution, contemporaries saw themselves as occupants of an utterly new period. Increasingly disconnected from an irretrievable past, worried about an unknown and dangerous future, they described themselves as indisputably modern. To be cast in the new time of the nineteenth century was to recognize the weird shapes of historical change, to see landscapes scattered with ruins, and to mourn the remains of a bygone era.
Tracing the scars of history, writers and painters, revolutionaries and exiles, soldiers and widows, and ordinary home dwellers took a passionate, even flamboyant, interest in the past. They argued politics, wrote diaries, devoured memoirs, and collected antiques, all the time charting their private paths against the tremors of public life. These nostalgic histories take place on battlefields trampled by Napoleon, along bucolic English hedges, against the fairytale silhouettes of the Grimms' beloved Germany, and in the newly constructed parlors of America's western territories.
This eloquent book takes a surprising, completely original look at the modern age: our possessions, our heritage, and our newly considered selves.
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