A SCHOLARLY BOOK REPOSITORY55 start with S start with S
In the mid-seventeenth century, Shabbatai Zvi, a rabbi from Izmir, claimed to be the Jewish messiah, and convinced a great many Jews to believe him. The movement surrounding this messianic pretender was enormous, and Shabbatai's mission seemed to be affirmed by the numerous supporting prophecies of believers. The story of Shabbatai and his prophets has mainly been explored by specialists in Jewish mysticism. Only a few scholars have placed this large-scale movement in its social and historical context.
Matt Goldish shifts the focus of Sabbatean studies from the theology of Lurianic Kabbalah to the widespread seventeenth-century belief in latter-day prophecy. The intense expectations of the messiah in Christianity, Judaism, and Islam form the necessary backdrop for understanding the success of Sabbateanism. The seventeenth century was a time of deep intellectual and political ferment as Europe moved into the modern era. The strains of the Jewish mysticism, Christian millenarianism, scientific innovation, and political transformation all contributed to the development of the Sabbatean movement.
By placing Sabbateanism in this broad cultural context, Goldish integrates this Jewish messianic movement into the early modern world, making its story accessible to scholars and students alike.
This bold, innovative book promises to radically alter our understanding of the Atlantic slave trade, and the depths of its horrors. Stephanie E. Smallwood offers a penetrating look at the process of enslavement from its African origins through the Middle Passage and into the American slave market.
Smallwood's story is animated by deep research and gives us a startlingly graphic experience of the slave trade from the vantage point of the slaves themselves. Ultimately, Saltwater Slavery details how African people were transformed into Atlantic commodities in the process. She begins her narrative on the shores of seventeenth-century Africa, tracing how the trade in human bodies came to define the life of the Gold Coast. Smallwood takes us into the ports and stone fortresses where African captives were held and prepared, and then through the Middle Passage itself. In extraordinary detail, we witness these men and women cramped in the holds of ships, gasping for air, and trying to make sense of an unfamiliar sea and an unimaginable destination. Arriving in America, we see how these new migrants enter the market for laboring bodies, and struggle to reconstruct their social identities in the New World.
Throughout, Smallwood examines how the people at the center of her story-merchant capitalists, sailors, and slaves-made sense of the bloody process in which they were joined. The result is both a remarkable transatlantic view of the culture of enslavement, and a painful, intimate vision of the bloody, daily business of the slave trade.
Cedric Cowing demonstrates that there were two Englands, one evangelistic and one rationalistic. In the northwest of the British Isles was a society that was pastoral, westering, otherworldly, and revivalist--in the southeast was another, more established and mercantile. These two strains set the stage and powered the action for the biggest religious event of the eighteenth century--the Great Awakening.
The leaders of the New Light in the Great Awakening were the Saving Remnant, mostly ministers with liberal education who retained their evangelical and seeker religiosity. The clearly identifiable regional religious parallels between old England and New are still discernable today and give a new slant to heretofore unresolved historiographical issues. Cowing shows how regionalism influenced the nature of New England Puritanism and how the presence of a strong and persistent link between regional origins and religious behavior led to the inevitability of the Salem witch trials.
As recounted here with relish by Ingrid D. Rowland, Curzio preyed on the Italian fixation with ancestry to forge an array of ancient Latin and Etruscan documents. For authenticity's sake, he stashed the counterfeit treasure in scarith (capsules made of hair and mud) near Scornello. To the seventeenth-century Tuscans who were so eager to establish proof of their heritage and history, the scarith symbolized a link to the prestigious culture of their past. But because none of these proud Italians could actually read the ancient Etruscan language, they couldn't know for certain that the documents were frauds. The Scarith of Scornello traces the career of this young scam artist whose "discoveries" reached the Vatican shortly after Galileo was condemned by the Inquisition, inspiring participants on both sides of the affair to clash again—this time over Etruscan history.
An expert on the Italian Renaissance and one of only a few people in the world to work with the Etruscan language, Rowland writes a tale so enchanting it seems it could only be fiction. In her investigation of this seventeenth-century caper, Rowland will captivate readers with her sense of humor and obvious delight in Curzio's far-reaching prank. And even long after the inauthenticity of Curzio's creation had been established, this practical joke endured: the scarith were stolen in the 1980s by a thief who mistook them for the real thing.
A decade ago in the Times Literary Supplement, Roderick Conway Morris claimed that “almost everything that was going to happen in book publishing—from pocket books, instant books and pirated books, to the concept of author’s copyright, company mergers, and remainders—occurred during the early days of printing.” Ian Maclean’s colorful survey of the flourishing learned book trade of the late Renaissance brings this assertion to life.
The story he tells covers most of Europe, with Frankfurt and its Fair as the hub of intellectual exchanges among scholars and of commercial dealings among publishers. The three major religious confessions jostled for position there, and this rivalry affected nearly all aspects of learning. Few scholars were exempt from religious or financial pressures. Maclean’s chosen example is the literary agent and representative of international Calvinism, Melchior Goldast von Haiminsfeld, whose activities included opportunistic involvement in the political disputes of the day. Maclean surveys the predicament of underfunded authors, the activities of greedy publishing entrepreneurs, the fitful interventions of regimes of censorship and licensing, and the struggles faced by sellers and buyers to achieve their ends in an increasingly overheated market.
The story ends with an account of the dramatic decline of the scholarly book trade in the 1620s, and the connivance of humanist scholars in the values of the commercial world through which they aspired to international recognition. Their fate invites comparison with today’s writers of learned books, as they too come to terms with new technologies and changing academic environments.
Science in seventeenth- and eighteenth-century Istanbul, Harun Küçük argues, was without leisure, a phenomenon spurred by the hyperinflation a century earlier when scientific texts all but disappeared from the college curriculum and inflation reduced the wages of professors to one-tenth of what they were in the sixteenth century. It was during this tumultuous period that philosophy and theory, the more leisurely aspects of naturalism—and the pursuit of “knowledge for knowledge’s sake”—vanished altogether from the city. But rather than put an end to science in Istanbul, this economic crisis was transformative, turning science into a practical matter, into something one learned through apprenticeship and provided as a service. In Science without Leisure, Küçük reveals how Ottoman science, when measured against familiar narratives of the Scientific Revolution, was remarkably far less scholastic and philosophical and far more cosmopolitan and practical. His book explains why as practical naturalists deployed natural knowledge to lucrative ends without regard for scientific theories, science in the Ottoman Empire over the long term ultimately became the domain of physicians, bureaucrats, and engineers rather than of scholars and philosophers.
The anthology features classic and prize-winning articles by renowned scholars, including "Totius in verba: Rhetoric and Authority in the Early Royal Society," by Peter Dear; "The Melanchthon Circle, Rheticus, and the Wittenberg Interpretation of the Copernican Theory," by Robert S. Westman; "Laboratory Design and the Aim of Science," by Owen Hannaway; "Geography as Self-Definition in Early Modern England," by Lesley B. Cormack; "What Happened to Occult Qualities in the Scientific Revolution?" by Keith Hutchison; and "Galileo, Motion, and Essences," by Margaret J. Osler.
Also, "Scientific Patronage: Galileo and the Telescope," by Richard S. Westfall; "The Telescope in the Seventeenth Century," by Albert Van Helden; "Descartes on Refraction," by Bruce S. Eastwood; "Early Seventeenth-Century Atomism," by Christoph Meinel; "Robert Boyle and Structural Chemistry in the Seventeenth Century," by Thomas S. Kuhn; "Newton's Alchemy and His Theory of Matter," by B. J. T. Dobbs; "The House of Experiment in Seventeenth-Century England," by Steven Shapin; and "Maria Winkelmann at the Berlin Academy," by Londa Scheibinger.
This carefully structured collection will help readers approach complex questions—involving argument and experiment, audience and agency, authority and institutions.
The scientific article has been a hallmark of the career of every important western scientist since the seventeenth century. Yet its role in the history of science has not been fully explored. Joseph E. Harmon and Alan G. Gross remedy this oversight with The Scientific Literature, a collection of writings—excerpts from scientific articles, letters, memoirs, proceedings, transactions, and magazines—that illustrates the origin of the scientific article in 1665 and its evolution over the next three and a half centuries.
Featuring articles—as well as sixty tables and illustrations, tools vital to scientific communication—that represent the broad sweep of modern science, The Scientific Literature is a historical tour through both the rhetorical strategies that scientists employ to share their discoveries and the methods that scientists use to argue claims of new knowledge. Commentaries that explain each excerpt’s scientific and historical context and analyze its communication strategy accompany each entry.
A unique anthology, The Scientific Literature will allow both the scholar and the general reader to experience first hand the development of modern science.
The Scots Irish were one of early Pennsylvania’s largest non-English immigrant groups. They were stereotyped as frontier ruffians and Indian haters. In The Scots Irish of Early Pennsylvania, historian Judith Ridner insists that this immigrant group was socio-economically diverse. Servants and free people, individuals and families, and political exiles and refugees from Ulster, they not only pioneered new frontier settlements, but also populated the state’s cities—Philadelphia and Pittsburgh—and its towns, such as Lancaster, Easton, and Carlisle.
Ridner provides a much-overdue synthesis and reassessment of this immigrant group, tracing a century of Scotch-Irish migration from 1720 to 1820. These men and women brought their version of Ulster to the colonies in their fierce commitments to family, community, entrepreneurship, Presbyterianism, republican politics, and higher education. The settlements they founded across the state, including many farms, businesses, meetinghouses, and colleges, ensured that Pennsylvania would be their cradle in America, and these settlements stand as powerful testaments to their legacy to the state’s history and development.
Contemporary understandings of secularism, Cooper contends, have been shaped by a limited understanding of it as a shift from vulnerability to power. But the works of the foundational thinkers of secularism tell a different story. Analyzing the writings of Hobbes, Spinoza, and Rousseau at the moment of secularity’s inception, she shows that all three understood that acknowledging one’s limitations was a condition of successful self-rule. And while all three invited humans to collectively build and sustain a political world, their invitations did not amount to self-deification. Cooper establishes that secular politics as originally conceived does not require a choice between power and vulnerability. Rather, it challenges us—today as then—to reconcile them both as essential components of our humanity.
Using the ethnography of Pueblo peoples and seventh-century European manuals of metallurgy, Thomas addresses how the situated agency of indigenous practitioners incorporated within colonial industries shaped the metallurgy industry in the Spanish colonial period. The resulting analysis investigates how economic, technical, and social knowledge was communicated, contested, and transformed across the social and cultural boundaries present in early colonial communities. Viewing these transformations through an ethnohistorical lens, Thomas builds a social and historical context within which to understand the decisions made by colonial actors at the time.
Wilbourne considers a series of case studies structured around the most important and widely explored operas of the period: Monteverdi’s lost L’Arianna, as well as his Il Ritorno d’Ulisse and L’incoronazione di Poppea; Mazzochi and Marazzoli’s L’Egisto, ovvero Chi soffre speri; and Cavalli’s L’Ormindo and L’Artemisia. As she demonstrates, the sound-in-performance aspect of commedia dell’arte theater—specifically, the use of dialect and verbal play—produced an audience that was accustomed to listening to sonic content rather than simply the literal meaning of spoken words. This, Wilbourne suggests, shaped the musical vocabularies of early opera and facilitated a musicalization of Italian theater.
Highlighting productive ties between the two worlds, from the audiences and venues to the actors and singers, this work brilliantly shows how the sound of commedia performance ultimately underwrote the success of opera as a genre.
Combining feminist and historical approaches with attention to the "matter" of language as well as of race and gender, Parker's brilliant "edification from the margins" illuminates much that has been overlooked, both in Shakespeare and in early modern culture. This book, a reexamination of popular and less familiar texts, will be indispensable to all students of Shakespeare and the early modern period.
Despite the obvious differences between our theater and Shakespeare's, sixteenth-century testimony suggests that the experience of acting has not changed much over the centuries. Beginning with a psychoanalytically informed account of acting today, Skura shows how this intense and ambivalent experience appears not only in literal references to acting in Shakespearean drama but also in recurring narrative concerns, details of language, and dramatic strategies used to engage the audience. Looking at the plays in the context of both public and private worlds outside the theater, Skura rereads the canon to identify new configurations in the plays and new ways of understanding theatrical self-consciousness in Renaissance England. Rich in theatrical, psychoanalytic, biographical, and historical insight, this book will be invaluable to students of Shakespeare and instructive to all readers interested in the dynamics of performance.
Michael Mooney draws on the work of East German critic Robert Weimann and his concept of figurenposition—the correlation between an actor’s stage location and the speech, action, and stylization associated with that position—to understand the actor/stage location relationship in Shakespeare’s plays. In his examination of the original staging of Shakespeare’s tragedies, Mooney looks at the traditional interplay between a downstage “place” and upstage “location” to describe the difference between non-illusionistic action (often staged near the audience) and the illusionistic, localized action that characterizes mimetic art.
The innovative and insightful approach of Shakespeare’s Dramatic Transactions brings together the techniques of performance criticism and the traditional literary study of Shakespearean tragedy. In showing how the distinctions of stage location illuminate the interaction among language, representation, Mooney’s compelling argument enhances our understanding of Shakespeare and the theater.
As Seth Lerer shows in this pioneering book, Shakespeare’s late plays invite us to contemplate that very question, offering up lyric as a displaced and sometimes desperate antidote to situations of duress or powerlessness. Lerer argues that the theme of lyric misalignment running throughout The Tempest, The Winter’s Tale, Henry VIII, and Cymbeline serves a political purpose, a last-ditch effort at transformation for characters and audiences who had lived through witch-hunting, plague, regime change, political conspiracies, and public executions.
A deep dive into the relationship between aesthetics and politics, this book also explores what Shakespearean lyric is able to recuperate for these “victims of history” by virtue of its disjointed utterances. To this end, Lerer establishes the concept of mythic lyricism: an estranging use of songs and poetry that functions to recreate the past as present, to empower the mythic dead, and to restore a bit of magic to the commonplaces and commodities of Jacobean England. Reading against the devotion to form and prosody common in Shakespeare scholarship, Lerer’s account of lyric utterance’s vexed role in his late works offers new ways to understand generational distance and cultural change throughout the playwright’s oeuvre.
In essays looking at Julius Caesar, Othello, and The Merchant of Venice, Bloom shows how Shakespeare presents a picture of man that does not assume privileged access for only literary criticism. With this claim, he argues that political philosophy offers a comprehensive framework within which the problems of the Shakespearean heroes can be viewed. In short, he argues that Shakespeare was an eminently political author. Also included is an essay by Harry V. Jaffa on the limits of politics in King Lear.
"A very good book indeed . . . one which can be recommended to all who are interested in Shakespeare." —G. P. V. Akrigg
"This series of essays reminded me of the scope and depth of Shakespeare's original vision. One is left with the impression that Shakespeare really had figured out the answers to some important questions many of us no longer even know to ask."-Peter A. Thiel, CEO, PayPal, Wall Street Journal
Allan Bloom was the John U. Nef Distinguished Service Professor on the Committee on Social Thought and the co-director of the John M. Olin Center for Inquiry into the Theory and Practice of Democracy at the University of Chicago. Harry V. Jaffa is professor emeritus at Claremont McKenna College and Claremont Graduate School.
To be sure, Renaissance playwrights rarely sermonized in their plays, which seemed preoccupied with sex, violence, and crime. During a time when acting was regarded as a kind of vice, many theater professionals used their apparent godlessness to advantage, claiming that it enabled them to save wayward souls the church could not otherwise reach. The stage, they argued, made possible an ecumenical ministry, which would help transform Reformation England into a more inclusive Christian society.
Drawing on a variety of little-known as well as celebrated plays, along with a host of other documents from the English Renaissance, Shakespeare's Tribe changes the way we think about Shakespeare and the culture that produced him.
Winner of the Best Book in Literature and Language from the Association of American Publishers' Professional/Scholarly division, the Conference on Christianity and Literature Book Award, and the Roland H. Bainton Prize for Literature from the Sixteenth Century Society and Conference.
The cultural battle known as the Quarrel of the Ancients and Moderns served as a sly cover for more deeply opposed views about the value of literature and the arts. One of the most public controversies of early modern Europe, the Quarrel has most often been depicted as pitting antiquarian conservatives against the insurgent critics of established authority. The Shock of the Ancient turns the canonical vision of those events on its head by demonstrating how the defenders of Greek literature—rather than clinging to an outmoded tradition—celebrated the radically different practices of the ancient world.
At a time when the constraints of decorum and the politics of French absolutism quashed the expression of cultural differences, the ancient world presented a disturbing face of otherness. Larry F. Norman explores how the authoritative status of ancient Greek texts allowed them to justify literary depictions of the scandalous. The Shock of the Ancient surveys the diverse array of aesthetic models presented in these ancient works and considers how they both helped to undermine the rigid codes of neoclassicism and paved the way for the innovative philosophies of the Enlightenment. Broadly appealing to students of European literature, art history, and philosophy, this book is an important contribution to early modern literary and cultural debates.
The texts available here in English for the first time open a window into the lives of three early modern Frenchwomen as they explore the common themes of family, memory, sin, and salvation. The Regrets of Marguerite d’Auge (1600), the Memoirs of Renée Burlamacchi (1623), and the Genealogy of Jeanne du Laurens (1631), taken from different genres of historical writings, raise important questions: Why and how did female authorship find its way into the historical record? How did these voices escape the censorship and prejudice against female publication? In a time of extreme religious conflict, how did these women convey their views on controversial issues such as primacy of grace, indulgences, and salvation without disrupting the gender expectations of the era?
Contributors. Max Cavitch, Brian Connolly, Matthew Crow, John J. Garcia, Christopher Looby, Michael Meranze, Mark J. Miller, Justine S. Murison, Britt Rusert, Ana Schwartz, Joan W. Scott, Jordan Alexander Stein
In A Social History of Truth, Shapin engages these universal questions through an elegant recreation of a crucial period in the history of early modern science: the social world of gentlemen-philosophers in seventeenth-century England. Steven Shapin paints a vivid picture of the relations between gentlemanly culture and scientific practice. He argues that problems of credibility in science were practically solved through the codes and conventions of genteel conduct: trust, civility, honor, and integrity. These codes formed, and arguably still form, an important basis for securing reliable knowledge about the natural world.
Shapin uses detailed historical narrative to argue about the establishment of factual knowledge both in science and in everyday practice. Accounts of the mores and manners of gentlemen-philosophers are used to illustrate Shapin's broad claim that trust is imperative for constituting every kind of knowledge. Knowledge-making is always a collective enterprise: people have to know whom to trust in order to know something about the natural world.
This is the third of a four-volume history of philosophy . . . on ancient, medieval, modern, and contemporary philosophy. After the fourth volume is produced in paper, a one-volume clothbound edition, containing all four paperbound editions, will be published.
Kreeft focuses on the “big ideas” that have influenced present people and present times, and includes relevant biographical data, proportionate to its importance for each thinker. Moreover, the aim of the work is to stimulate philosophizing, controversy, and argument. It uses ordinary language and logic, not jargon and symbolic logic, and it is commonsensical (like Aristotle) and existential in the sense that it sees philosophy as something to be lived and experienced in life. Philosophy, after all, is not about philosophy but reality . . . about wisdom, life and death, good
and evil, and God.
Kreeft seeks to be simple and direct and clear. But it is not dumbed down and patronizing. It will stretch the reader, but it is meant for beginnings, not just scholars. It can be used for college classes or do-it-yourselfers. It emphasizes surprises; remember, “philosophy begins in wonder.” And it includes visual aids: charts, cartoons, line drawings, and drawings of each philosopher.
In the first group of essays, David Norbrook, Annabel Patterson, John Guillory, Rosemary Kegl, and Stephen Orgel explore the various ways in which a text can be "political." Next, Arthur Marotti, Jane Tylus, and Jonathan Goldberg consider the circumstances of textual production and reception in the seventeenth century. Finally, Stanley Fish, Gordon Braden, Michael C. Schoenfeldt, and Maureen Quilligan discuss the particular forms of anxiety that result when seventeenth-century poets modify the traditional rhetoric of sexual desire to serve what seem to be erotic or religious purposes.
These essays, accompanied by an extensive editors' introduction, intersect less in their shared enthusiasm for particular authors or interpretative methods than in a common interest in particular critical issues. They present the most exciting work by critics redefining Renaissance studies.
In Some Intellectual Consequences of the English Revolution, Christopher Hill takes up themes that have emerged from a lifetime’s investigation into the causes of the English Revolution. However, Hill does more than analyze the origins of the Revolution. He examines the ways the seeds of change sown during the revolution, grew into transformative politics in the period following the restoration of the monarchy in 1660.
Hill argues that the intellectual heritage of the English Revolution was mixed. While he acknowledges its achievements, he also depicts some of its failings. Consequently, he challenges the view that radical notions faded with the Restoration, suggesting instead, that they continued in pervasive and subtle ways throughout the course of English and American history. The apparent similarity between the England of 1640 and that of 1660 is shown to be illusory. Each period’s institutions survived but the social context had changed. In this way, Hill demonstrates how intellectual consequences cannot be separated from the social and economic factors of the nation that produced them. He concludes that historians should turn their attention to the “unofficial” radical heritage that is less easy to comprehend, though no less important.
This is a highly readable and provocative account by one of the world’s foremost historians.
Mexico’s leading poet, essayist, and cultural critic writes of a Mexican poet of another time and another world, the world of seventeenth-century New Spain. His subject is Sor Juana Inés de la Cruz, the most striking figure in all of Spanish-American colonial literature and one of the great poets of her age.
Her life reads like a novel. A spirited and precocious girl, one of six illegitimate children, is sent to live with relatives in the capital city. She becomes known for her beauty, wit, and amazing erudition, and is taken into the court as the Vicereine’s protégée. For five years she enjoys the pleasures of life at court—then abruptly, at twenty, enters a convent for life. Yet, no recluse, she transforms the convent locutory into a literary and intellectual salon; she amasses an impressive library and collects scientific instruments, reads insatiably, composes poems, and corresponds with literati in Spain. To the consternation of the prelates of the Church, she persists in circulating her poems, redolent more of the court than the cloister. Her plays are performed, volumes of her poetry are published abroad, and her genius begins to be recognized throughout the Hispanic world. Suddenly she surrenders her books, forswears all literary pursuits, and signs in blood a renunciation of secular learning. The rest is silence. She dies two years later, at forty-six.
Octavio Paz has long been intrigued by the enigmas of Sor Juana’s personality and career. Why did she become a nun? How could she renounce her lifelong passion for writing and learning? Such questions can be answered only in the context of the world in which she lived. Paz gives a masterly portrayal of the life and culture of New Spain and the political and ideological forces at work in that autocratic, theocratic, male-dominated society, in which the subjugation of women was absolute.
Just as Paz illuminates Sor Juana’s life by placing it in its historical setting, so he situates her work in relation to the traditions that nurtured it. With critical authority he singles out the qualities that distinguish her work and mark her uniqueness as a poet. To Paz her writings, like her life, epitomize the struggle of the individual, and in particular the individual woman, for creative fulfillment and self-expression.
In October 1656 James Nayler, a prominent Quaker leader--second only to George Fox in the nascent movement--rode into Bristol surrounded by followers singing hosannas in deliberate imitation of Jesus' entry into Jerusalem. In Leo Damrosch's trenchant reading this incident and the extraordinary outrage it ignited shed new light on Cromwell's England and on religious thought and spirituality in a turbulent period.
Damrosch gives a clear picture of the origins and early development of the Quaker movement, elucidating the intellectual foundations of Quaker theology. A number of central issues come into sharp relief, including gender symbolism and the role of women, belief in miraculous cures, and--particularly in relation to the meaning of the entry into Bristol--"signs of the in-dwelling spirit." Damrosch's account of the trial and savage punishment of Nayler for blasphemy exposes the politics of the Puritan response, the limits to Cromwellian religious liberalism.
The Sorrows of the Quaker Jesus is at once a study of antinomian religious thought, of an exemplary individualist movement that suddenly found itself obliged to impose order, and of the ways in which religious and political ideas become intertwined in a period of crisis. It is also a vivid portrait of a fascinating man.
A classic resource on the struggle for dominance in southern North America during the colonial period
This volume recounts the clashes and intrigues that played out over the landscape of the Old Southwest and across six decades as the Spanish, French, British, and ultimately Americans vied for control. Rivalry began soon after initial discovery, mapping, and exploration as the world powers, particularly England and France, competed for control of the lucrative fur trade in the Mississippi valley. The French attempted to establish trade networks stretching from the Atlantic Ocean inland to the Mississippi River and northward from ports on the Gulf of Mexico to the Ohio River. But they found the British already entrenched there.
Verner Crane guides us through this multinational struggle and navigates the border wars and diplomatic intrigues that played crucial roles in the settlement of the South by Euro-Americans. In his new introduction, Steven Hahn places the work in the context of its time, sketches its publication history, and provides biographical information on Crane.
Winner, Katherine Singer Kovacs Prize, Modern Language Association, 2010
The Spectacular City, Mexico, and Colonial Hispanic Literary Culture tracks the three spectacular forces of New World literary culture—cities, festivals, and wonder—from the sixteenth to the seventeenth century, from the Old World to the New, and from Mexico to Colombia, Peru, and Bolivia. It treats a multitude of imperialist and anti-imperialist texts in depth, including poetry, drama, protofiction, historiography, and journalism. While several of the landmark authors studied, including Hernán Cortés and Sor Juana Inés de la Cruz, are familiar, others have received remarkably little critical attention. Similarly, in spotlighting creole writers, Merrim reveals an intertextual tradition in Mexico that spans two centuries. Because the spectacular city reaches its peak in the seventeenth century, Merrim's book also theorizes and details the spirited work of the New World Baroque. The result is the rich examination of a trajectory that leads from the Renaissance ordered city to the energetic revolts of the spectacular city and the New World Baroque.
We are used to thinking of ourselves as living in a time when more information is more available than ever before. In The Specter of the Archive, Nicholas Popper shows that earlier eras had to grapple with the same problem—how to deal with too much information at their fingertips.
He reveals that early modern Britain was a society newly drowning in paper, a light and durable technology whose spread allowed statesmen to record drafts, memoranda, and other ephemera that might otherwise have been lost, and also made it possible for ordinary people to collect political texts. As original paperwork and copies alike flooded the government, information management became the core of politics. Focusing on two of the primary political archives of early modern England, the Tower of London Record Office and the State Paper Office, Popper traces the circulation of their materials through the government and the broader public sphere. In this early media-saturated society, we find the origins of many issues we face today: Who shapes the archive? Can we trust the pictures of the past and the present that it shows us? And, in a more politically urgent vein: Does a huge volume of widely available information (not all of it accurate) risk contributing to polarization and extremism?
Hobbes believed that by recasting geometry in a materialist mold, he could solve any geometric problem and thereby demonstrate the power of his materialist metaphysics. Wallis, a prominent Presbyterian divine as well as an eminent mathematician, refuted Hobbes's geometry as a means of discrediting his philosophy, which Wallis saw as a dangerous mix of atheism and pernicious political theory.
Hobbes and Wallis's "battle of the books" illuminates the intimate relationship between science and crucial seventeenth-century debates over the limits of sovereign power and the existence of God.
Star Chamber Matters details some of the fascinating, tragic, and startling cases brought before the Star Chamber, an English court that sat at the Royal Palace of Westminster from the late fifteenth century to the mid-seventeenth century. Through close examination of the breadth and depth of cases brought before the court in its day, readers will experience the trials and tribulations of life, love, and death in Tudor Britain. These cases touch on changing gender roles, shifting religious views, and more. Star Chamber Matters witnesses the birth of English common and civil law as we know it today.
Relating subjectivity to the nature of language, Grossman uses the theories of Lacan to analyze the concept of the self as it encounters a transforming environment. He shows how ideological tensions arose from the reorganization and "modernization" of social life in revolutionary England and how the major poets of the time represented the division of the self in writings that are suspended between lyric and narrative genres. Beginning with the portrayals of the self inherited from Augustine, Dante, and Petrarch, he describes the influence of historic developments such as innovations in agricultural technology, civil war and regicide, and the emergence of republican state institutions on the changing representation of characters in the works of Spenser, Donne, Marvell, and Milton. Furthering this psychoanalytic critique of literary history, Grossman probes the linguistic effects of social and personal factors such as Augustine’s strained relationship with his mother and the marital disharmony of Milton and Mary Powell. With its focus on these and other "literary historical events," The Story of All Things not only proposes a new structural theory of narrative but constitutes a significant challenge to New Historicist conceptions of the self.
In 1733, General James Edward Oglethorpe officially established the colony of Georgia, and within three years had fortified the coast southward toward St. Augustine. Although this region, originally known as the provinces of Guale and Mocama, had previously been under Spanish control for more than a century, territorial fighting had emptied the region of Spanish missionaries, soldiers, and their Indian allies. Spanish officials maintained that the long history of Spanish authority over the territory guaranteed Spain the right to defy and repel the English intruders. By 1739, with diplomatic negotiations failing and the potential for war imminent, King Philip V requested that Don Manuel de Montiano, Governor of Spanish Florida, provide him with every document from both governmental and ecclesiastical sources that would demonstrate prior Spanish presence and control over the region. Original documents and translations were delivered within the year and safely filed for future use--then forgotten. With the outbreak of open war six months earlier, the diplomatic utility of the documents had passed.
For over 250 years, the documents languished safely in the Archive of the Indies in Seville until recognized, recovered, translated, and published by John Worth. Within this volume, Worth brings to light the history of the documents, provides complete translations and full explanations of their contents and a narrative exposition of the Spanish presence along the Atlantic coast never before fully understood. David Hurst Thomas provides an introduction that places Worth's translations and his historical overview into the context of ongoing archaeological excavations on the Georgia coast. With the publication of this volume, one of the least known chapters of Georgia history is finally examined in detail.
Subject/Object and Beyond brings together essays by established and emerging scholars to honor the exceptionally rich contributions and career of scholar Colette H. Winn. It also celebrates fifty years of sustained scholarship on early modern women, along with the foundation of Women’s Studies as a recognized academic discipline in North America. The collection comprises seventeen articles that explore multiple perspectives on early modern women, including their writings, translations, reception, and contributions to various fields, including literature, music, politics, religion, and science.
Contemporary scholars have critiqued the modern rights paradigm for its failure to acknowledge the ways in which individual rights depend upon state protection and national belonging. Through a reappraisal of early modern French tragedy, Rosensweig provides a corrective to accounts of human rights that begin with the French Revolution, exploring previously unrecognized models for collective action that had emerged during the religious wars. Subjects of Affection reveals how French tragedy sustained these models of collective action by binding together individuals and groups through affect. Rosensweig places sixteenth-century political treatises in dialogue with dramas by Robert Garnier, Jean Rotrou, Pierre Corneille, and Jean Racine that were performed and published between 1550 and 1700. In so doing, she demonstrates how these tragedies, through their poetics and performance potential, stage a subject of rights whose collective constitution differs from the individualism of our modern rights framework. Through fresh insights and incisive readings, Subjects of Affection explores a form of political subjectivity that locates political power in connection to others—from staged characters and choruses to unseen collectives.
Between 1650 and 1750, four Catholic churches were the best solar observatories in the world. Built to fix an unquestionable date for Easter, they also housed instruments that threw light on the disputed geometry of the solar system, and so, within sight of the altar, subverted Church doctrine about the order of the universe.
A tale of politically canny astronomers and cardinals with a taste for mathematics, The Sun in the Church tells how these observatories came to be, how they worked, and what they accomplished. It describes Galileo's political overreaching, his subsequent trial for heresy, and his slow and steady rehabilitation in the eyes of the Catholic Church. And it offers an enlightening perspective on astronomy, Church history, and religious architecture, as well as an analysis of measurements testing the limits of attainable accuracy, undertaken with rudimentary means and extraordinary zeal. Above all, the book illuminates the niches protected and financed by the Catholic Church in which science and mathematics thrived.
Superbly written, The Sun in the Church provides a magnificent corrective to long-standing oversimplified accounts of the hostility between science and religion.
Winner of the 2023 Leo Gershoy Award
2023 Winner of The David H. Pinkney Prize
Honorable Mention for The Mediterranean Seminar Best Book Prize 2023
Winner of the 2022 Kenshur Prize
Shortlisted for Apollo Magazine's 2022 Book of the Year
This richly illustrated volume, the first devoted to maritime art and galley slavery in early modern France, shows how royal propagandists used the image and labor of enslaved Muslims to glorify Louis XIV.
Mediterranean maritime art and the forced labor on which it depended were fundamental to the politics and propaganda of France’s King Louis XIV (r. 1643–1715). Yet most studies of French art in this period focus on Paris and Versailles, overlooking the presence or portrayal of galley slaves on the kingdom’s coasts. By examining a wide range of artistic productions—ship design, artillery sculpture, medals, paintings, and prints—Meredith Martin and Gillian Weiss uncover a vital aspect of royal representation and unsettle a standard picture of art and power in early modern France.
With an abundant selection of startling images, many never before published, The Sun King at Sea emphasizes the role of esclaves turcs (enslaved Turks)—rowers who were captured or purchased from Islamic lands—in building and decorating ships and other art objects that circulated on land and by sea to glorify the Crown. Challenging the notion that human bondage vanished from continental France, this cross-disciplinary volume invites a reassessment of servitude as a visible condition, mode of representation, and symbol of sovereignty during Louis XIV’s reign.
Mediation, monarchy, and Louis XIV's attempts to legitimize his reign
In order to assert his divine right, Louis XIV missed no opportunity to identify himself as God’s representative on earth. However, in Sunspots and the Sun King Ellen McClure explores the contradictions inherent in attempting to reconcile the logical and mystical aspects of divine right monarchy. McClure analyzes texts devoted to definitions of sovereignty, presents a meticulous reading of Louis XIV’s memoirs to the crown prince, and offers a novel analysis of diplomats and ambassadors as the mediators who preserved and transmitted the king’s authority. McClure asserts that these discussions, ranging from treatises to theater, expose incommensurable models of authority and representation permeating almost every aspect of seventeenth-century French culture.
In 1967 the world of Milton studies was divided into two armed camps: one proclaiming (in the tradition of Blake and Shelley) that Milton was of the devil's party with or without knowing it, the other proclaiming (in the tradition of Addison and C. S. Lewis) that the poet's sympathies are obviously with God and the angels loyal to him.
The achievement of Stanley Fish's Surprised by Sin was to reconcile the two camps by subsuming their claims in a single overarching thesis: Paradise Lost is a poem about how its readers came to be the way they are--that is, fallen--and the poem's lesson is proven on a reader's impulse every time he or she finds a devilish action attractive or a godly action dismaying.
Fish's argument reshaped the face of Milton studies; thirty years later the issues raised in Surprised by Sin continue to set the agenda and drive debate.
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