front cover of George Inness and the Science of Landscape
George Inness and the Science of Landscape
Rachael Ziady DeLue
University of Chicago Press, 2005
George Inness (1825-94), long considered one of America's greatest landscape painters, has yet to receive his full due from scholars and critics. A complicated artist and thinker, Inness painted stunningly beautiful, evocative views of the American countryside. Less interested in representing the details of a particular place than in rendering the "subjective mystery of nature," Inness believed that capturing the spirit or essence of a natural scene could point to a reality beyond the physical or, as Inness put it, "the reality of the unseen."

Throughout his career, Inness struggled to make visible what was invisible to the human eye by combining a deep interest in nineteenth-century scientific inquiry—including optics, psychology, physiology, and mathematics—with an idiosyncratic brand of mysticism. Rachael Ziady DeLue's George Inness and the Science of Landscape—the first in-depth examination of Inness's career to appear in several decades—demonstrates how the artistic, spiritual, and scientific aspects of Inness's art found expression in his masterful landscapes. In fact, Inness's practice was not merely shaped by his preoccupation with the nature and limits of human perception; he conceived of his labor as a science in its own right.

This lavishly illustrated work reveals Inness as profoundly invested in the science and philosophy of his time and illuminates the complex manner in which the fields of art and science intersected in nineteenth-century America. Long-awaited, this reevaluation of one of the major figures of nineteenth-century American art will prove to be a seminal text in the fields of art history and American studies.
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front cover of John Xántus
John Xántus
The Fort Tejon Letters, 1857–1859
Ann Zwinger
University of Arizona Press, 1986
John Xántus was a bit of a charlatan; of that there is little doubt. He lied about his exploits, joined the U.S. Army under an assumed name, and managed to alienate most of the people he met. Yet this Hungarian immigrant became one of the Smithsonian Institution’s most successful collectors of natural history specimens in the mid-nineteenth century, and he is credited with the discovery of many new species in the American West.
 
From his station at Ft. Tejon in California’s Tehachapi Mountains, Xántus carried on a lengthy correspondence with Spencer Baird at the Smithsonian, to whom he shipped the specimens he had trapped or shot in the surrounding sierra and deserts. A prolific letter writer, Xántus faithfully reported his findings as he bemoaned his circumstances and worried about his future.
 
Working from Smithsonian archives, natural history writer Ann Zwinger has assembled Xántus’s unpublished letters into a book that documents his trials and triumphs in the field and reveals much about his dubious character. The letters also bring to life a time and place on the western frontier from which Xántus was able to observe a broad panorama of American history in the making.
 
Zwinger’s lively introduction sets the stage for Xántus’s correspondence and examines the apparent contradictions between the man’s personal and professional lives. Her detailed notes to the letters further clarify his discoveries and shed additional light on his checkered career.
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front cover of A Player and a Gentleman
A Player and a Gentleman
The Diary of Harry Watkins, Nineteenth-Century U.S. American Actor
Edited by Amy E. Hughes and Naomi J. Stubbs
University of Michigan Press, 2018

Hardworking actor, playwright, and stage manager Harry Watkins (1825–94) was also a prolific diarist. For fifteen years Watkins regularly recorded the plays he saw, the roles he performed, the books he read, and his impressions of current events. Performing across the U.S., Watkins collaborated with preeminent performers and producers, recording his successes and failures as well as his encounters with celebrities such as P. T. Barnum, Junius Brutus Booth, Edwin Forrest, Anna Cora Mowatt, and Lucy Stone. His is the only known diary of substantial length and scope written by a U.S. actor before the Civil War—making Watkins, essentially, the antebellum equivalent of Samuel Pepys. Theater historians Amy E. Hughes and Naomi J. Stubbs have selected, edited, and annotated excerpts from the diary in an edition that offers a vivid glimpse of how ordinary people like Watkins lived, loved, struggled, and triumphed during one of the most tumultuous periods in U.S. history. The selections in A Player and a Gentleman are drawn from a more expansive digital archive of the complete diary. The book, like its digital counterpart, will richly enhance our knowledge of antebellum theater culture and daily life in the U.S. during this period.

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