front cover of American Socialist Triptych
American Socialist Triptych
The Literary-Political Work of Charlotte Perkins Gilman, Upton Sinclair, and W. E. B. Du Bois
Mark W. Van Wienen
University of Michigan Press, 2014

American Socialist Triptych: The Literary-Political Work of Charlotte Perkins Gilman, Upton Sinclair, and W. E. B. Du Bois explores the contributions of three writers to the development of American socialism over a fifty--year period and asserts the vitality of socialism in modern American literature and culture.

Drawing upon a wide range of texts including archival sources, Mark W. Van Wienen demonstrates the influence of reform-oriented, democratic socialism both in the careers of these writers and in U.S. politics between 1890 and 1940. While offering unprecedented in-depth analysis of modern American socialist literature, this book charts the path by which the supposedly impossible, dangerous ideals of a cooperative commonwealth were realized, in part, by the New Deal.

American Socialist Triptych provides in-depth, innovative readings of the featured writers and their engagement with socialist thought and action. Upton Sinclair represents the movement's most visible manifestation, the Socialist Party of America, founded in 1901; Charlotte Perkins Gilman reflects the socialist elements in both feminism and 1890s reform movements, and W. E. B. Du Bois illuminates social democratic aspirations within the NAACP. Van Wienen's book seeks to re-energize studies of Sinclair by treating him as a serious cultural figure whose career peaked not in the early success of The Jungle but in his nearly successful 1934 run for the California governorship. It also demonstrates as never before the centrality of socialism throughout Gilman's and Du Bois's literary and political careers.

More broadly, American Socialist Triptych challenges previous scholarship on American radical literature, which has focused almost exclusively on the 1930s and Communist writers. Van Wienen argues that radical democracy was not the phenomenon of a decade or of a single group but a sustained tradition dispersed within the culture, providing a useful genealogical explanation for how socialist ideas were actually implemented through the New Deal.

American Socialist Triptych also revises modern American literary history, arguing for the endurance of realist and utopian literary modes at the height of modernist literary experimentation and showing the importance of socialism not only to the three featured writers but also to their peers, including Edward Bellamy, Hamlin Garland, Jack London, Edna St. Vincent Millay, and Claude McKay. Further, by demonstrating the importance of social democratic thought to feminist and African American campaigns for equality, the book dialogues with recent theories of radical egalitarianism. Readers interested in American literature, U.S. history, political theory, and race, gender, and class studies will all find in American Socialist Triptych a valuable and provocative resource.

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front cover of Show Us How You Do It
Show Us How You Do It
Marshall Keeble and the Rise of Black Churches of Christ in the United States, 1914-1968
Edward J. Robinson
University of Alabama Press, 2008
Marshall Keeble (1878–1968) was the premier evangelist in black Churches of Christ from 1931 until his death in 1968. Born and reared in middle Tennessee, Keeble came under the influence of Preston Taylor, Samuel Womack, and Alexander Campbell, as well as the social influence of Booker T. Washington. In 1914, Keeble committed himself to full-time evangelism and by the 1920s had established himself as a noteworthy preacher. By the time of his death, he reportedly had baptized 40,000 people and had established more than 200 congregations, some of which still flourish today. Show Us How You Do It is the first critical study of Keeble and his evangelical career.
 
Based on primary sources, Edward Robinson reconstructs the life, public ministry, missionary activities, and the reception of Keeble among Churches of Christ. He also explores Keeble’s relationship with white businessmen and how he secured white support in establishing a large fellowship of African American Churches of Christ in the South. Show Us How You Do It details Keeble’s theology, ethos, and polemics toward other churches. Robinson demonstrates Keeble’s legacy in the labor of his African American co-workers and of the students who attended Nashville Christian Institute.
 
Of the approximately 2.5 million members of the Churches of Christ in the U.S., an estimated 10 percent are African-Americans, and many in this fellowship can trace their affiliation to Keeble and to those whom he trained.
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