front cover of Beehive Metaphor
Beehive Metaphor
From Gaudí to Le Corbusier
Juan Ramírez
Reaktion Books, 2000
Since time immemorial, bees have been associated with all manner of virtues. The beehive has served as the model for an ideal society, while honey and wax have provided the basis for countless positive metaphors of sweetness and productivity. The natural architecture created by bees in their hives can be said to approach perfection. In The Beehive Metaphor, Juan Antonio Ramírez shows how this lucid modular structure had a considerable influence on the architects and artists who founded the Modern movement. Models from both traditional and "modern" or "rational" apiculture were studied and reinterpreted by such key figures as Gaudí, Wright, Mies van der Rohe, Le Corbusier and Beuys.

Inspired by his own father's obsession with bee-keeping – which wiped out the family's fortune – Ramírez examines the complex ideological, political and artistic repercussions of apian metaphors, thereby enhancing our understanding of the relationship between ecology, animal husbandry and architecture.
[more]

logo for Harvard University Press
Le Corbusier at Work
The Genesis of the Carpenter Center for Visual Arts
Eduard F. Sekler and William Curtis
Harvard University Press, 1978

There is no doubt about Le Corbusier's dominating stature in twentieth century architecture. Here, for the first time, is a richly illustrated portrait of the way he worked out a design from inception to completion; it is an examination of the creative process that looks over the architect's shoulder, seeing his governing principles and typical strategies as well as his working habits and personality.

The book recounts the story of a building that for its creator had a special significance. The Carpenter Center for the Visual Arts at Harvard was one of his last buildings. Le Corbusier was aware that it would be his only one in the United States and thus his only chance to teach an object lesson in a country about which he had very strong feelings. William Curtis describes the Carpenter Center and traces, step by step, the development of its design. Eduard Sekler assesses the building's aesthetics, especially in relation to Le Corbusier's total oeuvre. Rudolph Arnheim and Barbara Norfleet contribute chapters that look at the Carpenter Center as an exercise in creativity and assess its psychological effect and its ability to meet the changing needs of its users.

[more]

logo for University of Chicago Press
Le Corbusier
The City of Refuge, Paris 1929/33
Brian Brace Taylor
University of Chicago Press, 1988
The City of Refuge complex—commissioned by the Salvation Army as part of its program to transform social outcasts into spiritually renewed workers—represents a significant confluence of design principles, technological experiments, and attitudes on reform. It also provides rare insights into the work of one of the twentieth century's greatest architects, Le Corbusier.

Brian Brace Taylor draws on extensive archival research to reconstruct each step of the architect's attraction to the commission, his design process and technological innovations, the social and philosophical compatibility of the Salvation Army with Le Corbusier's own ideas for urban planning, and finally, the many modifications required, first to eliminate defects and later to accommodate changes in the services the building provided. Throughout, Taylor focuses on Le Corbusier's environmental, technological, and social intentions as opposed to his strictly formal intentions. He shows that the City of Refuge became primarily a laboratory for the architect's own research and not simply a conventional solution to residents' requirements or the Salvation Army's program.
[more]

front cover of Le Corbusier's Formative Years
Le Corbusier's Formative Years
Charles-Edouard Jeanneret at La Chaux-de-Fonds
H. Allen Brooks
University of Chicago Press, 1997
In Le Corbusier's Formative Years we learn what made Le Corbusier the person, and the designer that he was. Using twenty years of research, H. Allen Brooks has unearthed an incredible wealth of documents that show every facet of the formative years of this influential architect.

"There is much in this fine volume for anyone interested not just in architecture, but in the roots of human creativity and in the origins of the most powerful artistic current of our century. . . . This book is a life's work of scholarship. It has been well spent."—Toronto Globe and Mail

[more]

logo for Harvard University Press
LeCorbusier and the Tragic View of Architecture
Charles Jencks
Harvard University Press, 1973


Send via email Share on Facebook Share on Twitter