Ambivalent Alliance convincingly defends several provocative insights into a key period in the history of French Catholicism. It investigates the strange marriage of convenience, from 1899 to 1939, between the French church and the ultra-rightist, chauvinist, monarchist, and anti-Semitic organization called the Acton Française, and raises many disturbing questions. Why did an increasingly international church find a narrowly patriotic group so appealing? How could it endorse a movement founded by an agnostic whose philosophy sanctioned violence and the persecution of Jews and othe “undesirables”?

The twentieth-century French church was still feeling the shock waves of the French Revolution, assaulted from without and torn from within regarding its role in politics. Challenging the views of prominent historians of the period, Arnal shows that between 1899 and 1939 Catholic leaders pursued a consistent strategy of political and social conservatism. Whereas many regarded the church's flirtations with social democracy and its occasional attempts to rally French Catholics behind constitutional politics as proof of its progressive character, Arnal sees a fundamentally reactionary continuity in church leadership. Pius XI did not condemn the Acton Française for its fascist ideology; he feared independence among Catholics more than the radical right.

Arnal's wide-ranging study brings a controversial new interpretation to the political and ecclesiastical history of the twentieth-century.

This collection of essays by renowned literary scholars offers a sustained and comprehensive account of the relation of British and Irish literary modernism to colonialism. Bringing postcolonial studies into dialogue with modernist studies, the contributors move beyond depoliticized appreciations of modernist aesthetics as well as the dismissal of literary modernism as irredeemably complicit in the evils of colonialism. They demonstrate that the modernists were not unapologetic supporters of empire. Many were avowedly and vociferously opposed to colonialism, and all of the writers considered in this volume were concerned with the political and cultural significance of colonialism, including its negative consequences for both the colonizer and the colonized.

Ranging over poetry, fiction, and criticism, the essays provide fresh appraisals of Joseph Conrad, T. S. Eliot, Ezra Pound, Virginia Woolf, D. H. Lawrence, Wyndham Lewis, E. M. Forster, W. B. Yeats, James Joyce, Elizabeth Bowen, Hugh MacDiarmid, and Evelyn Waugh, as well as Robert Louis Stevenson and H. Rider Haggard. The essays that bookend the collection connect the modernists to their Victorian precursors, to postwar literary critics, and to postcolonial poets. The rest treat major works written or published between 1899 and 1939, the boom years of literary modernism and the period during which the British empire reached its greatest geographic expanse. Among the essays are explorations of how primitivism figured in the fiction of Lawrence and Lewis; how, in Ulysses, Joyce used modernist techniques toward anticolonial ends; and how British imperialism inspired Conrad, Woolf, and Eliot to seek new aesthetic forms appropriate to the sense of dislocation they associated with empire.

Contributors. Nicholas Allen, Rita Barnard, Richard Begam, Nicholas Daly, Maria DiBattista, Ian Duncan, Jed Esty, Andrzej Gąsiorek, Declan Kiberd, Brian May, Michael Valdez Moses, Jahan Ramazani, Vincent Sherry