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Catherine & Diderot
The Empress, the Philosopher, and the Fate of the Enlightenment
Robert Zaretsky
Harvard University Press, 2019

A dual biography crafted around the famous encounter between the French philosopher who wrote about power and the Russian empress who wielded it with great aplomb.

In October 1773, after a grueling trek from Paris, the aged and ailing Denis Diderot stumbled from a carriage in wintery St. Petersburg. The century’s most subversive thinker, Diderot arrived as the guest of its most ambitious and admired ruler, Empress Catherine of Russia. What followed was unprecedented: more than forty private meetings, stretching over nearly four months, between these two extraordinary figures. Diderot had come from Paris in order to guide—or so he thought—the woman who had become the continent’s last great hope for an enlightened ruler. But as it soon became clear, Catherine had a very different understanding not just of her role but of his as well. Philosophers, she claimed, had the luxury of writing on unfeeling paper. Rulers had the task of writing on human skin, sensitive to the slightest touch.

Diderot and Catherine’s series of meetings, held in her private chambers at the Hermitage, captured the imagination of their contemporaries. While heads of state like Frederick of Prussia feared the consequences of these conversations, intellectuals like Voltaire hoped they would further the goals of the Enlightenment.

In Catherine & Diderot, Robert Zaretsky traces the lives of these two remarkable figures, inviting us to reflect on the fraught relationship between politics and philosophy, and between a man of thought and a woman of action.

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The Catholic Enlightenment
A Global Anthology
Ulrich L. Lehner
Catholic University of America Press, 2021
The Catholic Enlightenment: A Global Anthology presents readers with accessible, translated selections from the writings of fifteen major Catholic Enlightenment authors. These early modern authors include women, priests, lay intellectuals, and bishops. Twelve of these figures are being brought into English for the first time. The purpose of the volume is to provide students, scholars, and interested non-specialists with a single point of departure to delve into the primary sources of the Catholic Enlightenment. This anthology shows the geographical and intellectual diversity of the Catholic Enlightenment, while also demonstrating significant threads of commonality in intellectual orientation. One strength of this volume is the geographical spread of the figures considered. Included are Catholic thinkers from England, the United States, Mexico, Spain, Portugal, Brazil, France, Portugal, and the Italian and German-speaking lands. Another strength of this volume is the breadth of subject matter treated – it features pastoral letters, mystical tracts, pedagogical treatises, political manifestos, and theological works. These texts elucidate Catholic Enlightenment views on topics such as the history of women’s education, liturgy and devotions, and the relationship between church and state. The co-editors, Ulrich Lehner and Shaun Blanchard, have assembled a team of international scholars from Europe and the Americas for this exciting project. Lehner is one of the central scholars behind the renewed interest in the Catholic Enlightenment. He co-edits the volume, contributes to the introduction, and introduces and translates two significant German-speaking figures. Shaun Blanchard, who has recently published a monograph on radical Catholic Enlightenment figures, also co-edits, contributes selections from two English-speaking figures and has completed the first English translation of a section of Lodovico Muratori’s landmark On the Regulated Devotion of a Christian since 1789.
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Citoyennes
Women and the Ideal of Citizenship in Eighteenth-Century France
Annie K. Smart
University of Delaware Press, 2012

Did women have a civic identity in eighteenth-century France? In Citoyennes: Women and the Ideal of Citizenship in Eighteenth-Century France, Annie Smart contends that they did. While previous scholarship has emphasized the ideal of domestic motherhood or the image of the republican mother, Smart argues persuasively that many pre-revolutionary and revolutionary texts created another ideal for women–the ideal of civic motherhood. Smart asserts that women were portrayed as possessing civic virtue, and as promoting the values and ideals of the public sphere.

Contemporary critics have theorized that the eighteenth-century ideal of the Republic intentionally excluded women from the public sphere. According to this perspective, a discourse of “Rousseauean” domestic motherhood stripped women of an active civic identity, and limited their role to breastfeeding and childcare. Eighteenth-century France marked thus the division between a male public sphere of political action and a female private sphere of the home.

Citoyennes challenges this position and offers an alternative model of female identity. This interdisciplinary study brings together a variety of genres to demonstrate convincingly that women were portrayed as civic individuals. Using foundational texts such as Jean-Jacques Rousseau’s Emile, or on Education (1762), revolutionary gouaches of Lesueur, and vaudeville plays of Year II of the Republic (1793/1794), this study brilliantly shows that in text and image, women were represented as devoted to both the public good and their families.

In addition, Citoyennes offers an innovative interpretation of the home. Through re-examining sphere theory, this study challenges the tendency to equate the home with private concerns, and shows that the home can function as a site for both private life and civic identity.

Citoyennes breaks new ground, for it both rectifies the ideal of domestic Rousseauean motherhood, and brings a fuller understanding to how female civic identity operated in important French texts and images.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
 
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Comfortable Everyday Life at the Swedish Eighteenth-Century Näs Manor
Carolina Brown
Amsterdam University Press

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The Coming of the Terror in the French Revolution
Timothy Tackett
Harvard University Press, 2015

Between 1793 and 1794, thousands of French citizens were imprisoned and hundreds sent to the guillotine by a powerful dictatorship that claimed to be acting in the public interest. Only a few years earlier, revolutionaries had proclaimed a new era of tolerance, equal justice, and human rights. How and why did the French Revolution’s lofty ideals of liberty, equality, and fraternity descend into violence and terror?

“By attending to the role of emotions in propelling the Terror, Tackett steers a more nuanced course than many previous historians have managed…Imagined terrors, as…Tackett very usefully reminds us, can have even more political potency than real ones.”
—David A. Bell, The Atlantic

“[Tackett] analyzes the mentalité of those who became ‘terrorists’ in 18th-century France…In emphasizing weakness and uncertainty instead of fanatical strength as the driving force behind the Terror…Tackett…contributes to an important realignment in the study of French history.”
—Ruth Scurr, The Spectator

“[A] boldly conceived and important book…This is a thought-provoking book that makes a major contribution to our understanding of terror and political intolerance, and also to the history of emotions more generally. It helps expose the complexity of a revolution that cannot be adequately understood in terms of principles alone.”
—Alan Forrest, Times Literary Supplement

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The Conversion of Imagination
From Pascal through Rousseau to Tocqueville
Matthew W. Maguire
Harvard University Press, 2006

From romanticism through postmodernism, the imagination has become an indispensable reference point for thinking about the self, culture, philosophy, and politics. How has imagination so thoroughly influenced our understanding of experience and its possibilities? In a bold reinterpretation of a crucial development in modern European intellectual history, Matthew W. Maguire uncovers a history of French thought that casts the imagination as a dominant faculty in our experience of the world.

Pascal, turning Augustinianism inside out, radically expanded the powers of imagination implicit in the work of Montaigne and Descartes, and made imagination the determinative faculty of everything from meaning and beauty to political legitimacy and happiness. Maguire traces the ways that others, including Montesquieu and Voltaire, developed and assigned limits to this exalted imagination. But it is above all Rousseau's diverse writings that engage with an expansive imagination. And in the writings of Rousseau's careful readers, particularly Alexis de Tocqueville, imagination is increasingly understood as the medium for an ineffable human freedom against the constrictive power of a new order in politics and culture.

Original and thought-provoking, The Conversion of Imagination will interest a range of readers across intellectual history, political theory, literary and cultural studies, and the history of religious thought.

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The Crescent Obscured
The United States and the Muslim World, 1776-1815
Robert Allison
University of Chicago Press, 2000
From the beginning of the colonial period to the recent conflicts in the Middle East, encounters with the Muslim world have helped Americans define national identity and purpose. Focusing on America's encounter with the Barbary states of North Africa from 1776 to 1815, Robert Allison traces the perceptions and mis-perceptions of Islam in the American mind as the new nation constructed its ideology and system of government.

"A powerful ending that explains how the experience with the Barbary states compelled many Americans to look inward . . . with increasing doubts about the institution of slavery." —David W. Lesch, Middle East Journal

"Allison's incisive and informative account of the fledgling republic's encounter with the Muslim world is a revelation with a special pertinence to today's international scene." —Richard W. Bulliet, Journal of Interdisciplinary History

"This book should be widely read. . . . Allison's study provides a context for understanding more recent developments, such as America's tendency to demonize figures like Iran's Khumaini, Libya's Qaddafi, and Iraq's Saddam." —Richard M. Eaton, Eighteenth Century Studies
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Culture and Language at Crossed Purposes
The Unsettled Records of American Settlement
Jerome McGann
University of Chicago Press, 2022
Culture and Language at Crossed Purposes unpacks the interpretive problems of colonial treaty-making and uses them to illuminate canonical works from the period.

Classic American literature, Jerome McGann argues, is haunted by the betrayal of seventeenth- and eighteenth-century Indian treaties—“a stunned memory preserved in the negative spaces of the treaty records.” A noted scholar of the “textual conditions” of literature, McGann investigates canonical works from the colonial period, including the Arbella sermon and key writings of William Bradford, John Winthrop, Anne Bradstreet, Cotton Mather’s Magnalia, Benjamin Franklin’s celebrated treaty folios and Autobiography, and Thomas Jefferson’s Notes on the State of Virginia. These are highly practical, purpose-driven works—the record of Enlightenment dreams put to the severe test of dangerous conditions. McGann suggests that the treaty-makers never doubted the unsettled character of what they were prosecuting, and a similar conflicted ethos pervades these works. Like the treaty records, they deliberately test themselves against stringent measures of truth and accomplishment and show a distinctive consciousness of their limits and failures. McGann’s book is ultimately a reminder of the public importance of truth and memory—the vocational commitments of humanist scholars and educators.  
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Curtain Calls
British and American Women and the Theater, 1660–1820
Mary A. Schofield
Ohio University Press, 1991

“I here and there o’heard a Coxcomb cry,
Ah, rot—’tis a Woman’s Comedy.”

Thus Aphra Behn ushers in a new era for women in the British Theatre (Sir Patient Fancy, 1678). In the hundred years that were to follow—and exactly those years that Curtain Calls examines—women truly took the theater world by storm.

For each woman who chose a career in the theater world of the eighteenth century, there is a unique tale of struggle, insult, success, good or bad fortune, disaster, seduction, or fame. Whether acting, writing, reviewing, or stage managing, women played a major, if frequently unacknowledged, role in the history of the theater from the late seventeenth through the early nineteenth centuries. From Alpha Behn’s earliest plays through the glorious celebrity of Sara Siddons, women molded the taste of the age and carved out in the theater one of the few available opportunities for independence and renown.

Not all the women who tried succeeded, of course, and even the best faced opposition as they challenged the male stronghold of playwriting and theater managing. Curtain Calls maps the new territory as these pioneering women staked it for their own; it chronicles their lives, their triumphs, and their losses.

We begin with Aphra Behn, whose first play was staged in 1670, and conclude in the early decades of the nineteenth century with Inchbald and Siddons. The one hundred and fifty years encompassed by their lives contain the careers of dozens of lesser–known women, a network, as Dr. Johnson would have it, encompassing both talent and tribulation.

Contributors include: Edward Langhans, Linda R. Payne, Pat Rogers, Maureen e. Mulvihill, Deborah Payne, Betty Rizzo, Ellen Donkin, Frances M. Kavenik, Jessica Munns, nancy Cotton, Edna L. Steevs, Doreen Saar, Jean B. Kern, Katherine M. Rogers, Constance Clark, William J. Burling, Judith Phillips Stanton, Douglas Butler, Rose Zimbardo, and the editors.

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Czech Broadside Ballads as Text, Art, Song in Popular Culture, c.1600–1900
Patricia Fumerton
Amsterdam University Press, 2023
This landmark collection makes a major contribution to the burgeoning field of broadside ballad study by investigating the hitherto unexplored treasure-trove of over 100,000 Central/Eastern European broadside ballads of the Czech Republic, from the 16th to the 19th century. Viewing Czech broadside ballads from an interdisciplinary perspective, we see them as unique and regional cultural phenomena: from their production and collecting processes to their musicology, linguistics, preservation, and more. At the same time, as contributors note, when viewed within a larger perspective—extending one’s gaze to take in ballad production in bordering lands (such as Germany, Poland, and Slovakia) and as far Northwest as Britain to as far Southwest as Brazil—we discover an international phenomenon at work. Czech printed ballads, we see, participated in a thriving popular culture of broadside ballads that spoke through text, art, and song to varied interests of the masses, especially the poor, worldwide.
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