BiblioVault - Books about 18th Century

The Idea of the Sciences in the French Enlightenment

A Reinterpretation

G. Matthew Adkins

University of Delaware Press, 2014

This book traces the development of the idea that the sciences were morally enlightening through an intellectual history of the secrétaires perpétuels of the French Royal Academy of Sciences and their associates from the mid-seventeenth century to the end of the eighteenth century. Academy secretaries such as Fontenelle and Condorcet were critical to the emergence of a central feature of the narrative of Enlightenment in that they encouraged the notion that the “philosophical spirit” of the Scientific Revolution, already present among the educated classes, should guide the necessary reformation of society and government according to the ideals of scientific reasoning. The Idea of the Sciences also tells an intellectual history of political radicalization, explaining especially how the marquis de Condorcet came to believe that the sciences could play central a role in guiding the outcome of the Revolution of 1789.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.

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The Ideological Origins of African American Literature

Phillip M. Richards

University of Tennessee Press, 2024

Inquiry into African American literature in recent decades has neglected to probe the intellectual structure of the tradition’s aesthetics and its underlying ideology. In The Ideological Origins of African American Literature, Phillip M. Richards begins this reconstructive work, illuminating the dialectical backstory of black prose and poetry in America. Richards argues that the social and political forces that influenced white literature were uniquely reacted to, absorbed, and often times rejected by African American literary figures—from the eighteenth-century Puritan notions of a God-centered history to the onset of Romanticism and Modernism in the nineteenth and twentieth centuries.

Building his case for ideological continuity, Richards surveys a profoundly creative period of 125 years launched by an African American reaction against a racist, mid-eighteenth-century American culture. This epoch in African American literature saw a fusion of Puritan-Protestant culture into a religious and secular worldview, drawing in the poetry of Phillis Wheatley, antebellum slave narratives, Richard Allen, and the periodicals of the ambitious African Methodist Episcopalian movement—all of which would form the underlying foundation of a Black Victorian culture. A rising black middle class, Richards argues, would later be secularized by an eroding religious tradition under the pressures of nineteenth-century modernity, the trauma of Jim Crow, and the emerging northern ghetto. Richards further traces the emergence of Romanticism which appeared with white American authors such as Emerson, Thoreau, and Whitman, but would not take shape in African American literature until the likes of W.E.B. Du Bois and Langston Hughes took stock of Anglo-European culture at the end of the nineteenth century. The Ideological Origins of African American Literature illustrates a pattern of black writing that eschews the hegemonic white culture of the day for an evolving black culture that would define an American literary landscape.

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Involuntary Confessions of the Flesh in Early Modern France

Nora Martin Peterson

University of Delaware Press, 2017

Involuntary Confessions of the Flesh in Early Modern France was inspired by the observation that small slips of the flesh (involuntary confessions of the flesh) are omnipresent in early modern texts of many kinds. These slips (which bear similarities to what we would today call the Freudian slip) disrupt and destabilize readings of body, self, and text—three categories whose mutual boundaries this book seeks to soften—but also, in their very messiness, participate in defining them. Involuntary Confessions capitalizes on the uncertainty of such volatile moments, arguing that it is instability itself that provides the tools to navigate and understand the complexity of the early modern world. Rather than locate the body within any one discourse (Foucauldian, psychoanalytic), this book argues that slips of the flesh create a liminal space not exactly outside of discourse, but not necessarily subject to it, either. Involuntary confessions of the flesh reveal the perpetual and urgent challenge of early modern thinkers to textually confront and define the often tenuous relationship between the body and the self. By eluding and frustrating attempts to contain it, the early modern body reveals that truth is as much about surfaces as it is about interior depth, and that the self is fruitfully perpetuated by the conflict that proceeds from seemingly irreconcilable narratives.

Interdisciplinary in its scope, Involuntary Confessions of the Flesh in Early Modern France pairs major French literary works of the sixteenth and seventeenth centuries (by Marguerite de Navarre, Montaigne, Madame de Lafayette) with cultural documents (confession manuals, legal documents about the application of torture, and courtly handbooks). It is the first study of its kind to bring these discourses into thematic (rather than linear or chronological) dialog. In so doing, it emphasizes the shared struggle of many different early modern conversations to come to terms with the body’s volatility.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.

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