"American history is cluttered with wrongful convictions and miscarriages of justice.
In An Evil Day in Georgia, author Robert Smith raises lingering questions about the
guilt of two men—one white and one black—executed for a murder in the Deep South
in the 1920s. . . . The telling of this story, one that played out in the Jim Crow era and the
days of bootlegging and the Ku Klux Klan, exposes the death penalty’s imperfections even
as it calls into question the veracity of a woman’s confession, later recanted, that
once brought her within a stone’s throw of the state’s electric chair.”
—John Bessler, author of Cruel and Unusual: The American Death Penalty
and the Founders’ Eighth Amendment

On the night of August 5, 1927, someone shot and killed Coleman Osborn, a store owner in
Chatsworth, Georgia, in his place of business. Police and neighbors found only circumstantial
traces of the murderer: tire tracks, boot prints, shell casings, and five dollars in cash near
Osborn’s body. That day, three individuals—James Hugh Moss, a black family man locally
renowned for his baseball skills; Clifford Thompson, Moss’s white friend who grew up in the
Smoky Mountains; and Eula Mae Thompson, Clifford’s wife and a woman with a troubling history
of failed marriages and minor run-ins with the law—left Etowah, Tennessee, unknowingly
on a collision course with Deep South justice.

In chilling detail, Robert N. Smith examines the circumstantial evidence and deeply flawed
judicial process that led to death sentences for Moss and the Thompsons. Moving hastily in the
wake of the crime, investigators determined from the outset that the Tennessee trio, well known
as bootleggers, were the culprits. Moss and Clifford Thompson were tried and convicted within a
month of the murder. Eula Mae was tried separately from the other two defendants in February
1928, and her sentence brought her notoriety and celebrity status. On the night of her husband’s
execution, she recanted her original story and would change it repeatedly in the following years.
As reporters from Atlanta and across Georgia descended on Murray County to cover the trials
and convictions, the public perception of Eula Mae changed from that of cold-blooded murderer
to victim—one worthy of certain benefits that suited her status as a white woman. Eula Mae
Thompson’s death sentence was commuted in 1928, thanks in part to numerous press interviews
and staged photos. She was released in 1936 but would not stay out of trouble for long.

An Evil Day in Georgia exposes the historic deficiencies in death penalty implementation
and questions, through its case study of the Osborn murder, whether justice can ever be truly
unbiased when capital punishment is inextricably linked to personal and political ambition and
to social and cultural values.

Robert N. Smith is an independent scholar living in Oxford, England.

Biography of a forgotten poet who used his name and influence to speak up for those on the margins of society.

Few surnames resonate in American history more than Beecher. The family’s abolitionist ministers, educators, and writers are central figures in the historical narrative of the United States. The Beechers’ influence was greatest in the nineteenth century, but the family story continued—albeit with less public attention—with a descendant who grew up in Birmingham, Alabama, during the early twentieth century.
 
John Beecher (1904–1980) never had the public prominence of his famous ancestors, but as a poet, professor, sociologist, New Deal administrator, journalist, and civil rights activist, he spent his life fighting for the voiceless and oppressed with a distinct moral sensibility that reflected his self-identification as the twentieth-century torchbearer for his famous family. While John Beecher had many vocations in his lifetime, he always considered himself a poet and a teacher. Some critics have compared the populist elements of Beecher’s poetry to the work of Walt Whitman and Carl Sandburg, but his writing never gained a broad audience or critical acclaim during his lifetime.
 
In Here I Stand: The Life and Legacy of John Beecher, Angela J. Smith examines Beecher’s writing and activism and places them in the broader context of American culture at pivotal points in the twentieth century. Employing his extensive letters, articles, unpublished poetry and prose, and audio interviews in addition to his numerous published books, Smith uncovers a record of public concerns in American history ranging from the plight of workers in 1920s steel mills to sharecroppers’ struggles during the Depression to the civil rights movement of the 1960s.

Thus far, the dominant paradigms through which modern scientists have viewed nature have been structured primarily around Newtonian and Darwinian approaches. As theoretical ecologist Robert E. Ulanowicz observes in his new work, A Third Window, neither of these models is sufficient for explaining how real change—in the form of creative advance or emergence—takes place in nature.