front cover of The Conservative Turn
The Conservative Turn
Lionel Trilling, Whittaker Chambers, and the Lessons of Anti-Communism
Michael Kimmage
Harvard University Press, 2009

The Conservative Turn tells the story of postwar America’s political evolution through two fascinating figures: Lionel Trilling and Whittaker Chambers. Born at the turn of the twentieth century, they were college classmates who went on to intellectual prominence, sharing the questions, crises, and challenges of their generation.

A spy for the Soviet Union in the 1930s, Chambers became the main witness in the 1948 trial of Alger Hiss, which ended in Hiss’s conviction for perjury. The trial advanced the careers of Richard Nixon and Joseph McCarthy and marked the beginning of the Cold War mood in America. Chambers was also a major conservative thinker, a theorist of the postwar conservative movement.

Meanwhile, in the 1940s and 1950s, the literary critic Trilling wrote important essays that encouraged liberals to disown their radical past and to embrace a balanced maturity. Trilling’s liberal anti-communism was highly influential, culminating politically in the presidency of John F. Kennedy.

Kimmage argues that the divergent careers of these two men exemplify important developments in postwar American politics: the emergence of modern conservatism and the rise of moderate liberalism, crucially shaped by anti-communism. Taken together, these developments constitute a conservative turn in American political and intellectual life—a turn that continues to shape America’s political landscape.

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front cover of Lionel Trilling and the Fate of Cultural Criticism
Lionel Trilling and the Fate of Cultural Criticism
Mark Krupnick
Northwestern University Press, 1986
Lionel Trilling was one of the twentieth century's most widely read and influential American literary critics. Mark Krupnick traces Trilling’s career from the 1920s through the 1970s, following the shifting intellectual and ideological currents in his thought. Krupnick places Trilling’s criticism and fiction in the context of his New York intellectual group, illuminating the connection between Trilling’s preoccupation with self-definition and his struggle to achieve a cultural overview in a period marked by contradictions, polarizations, and reversals. He provides not only the best single assessment of Trilling but also an incisive history of American literary criticism through the mid-twentieth century.
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Of G-Men and Eggheads
The FBI and the New York Intellectuals
John Rodden
University of Illinois Press, 2017
Spy romances of Cold War counterespionage evoke scenes of heroic FBI and CIA agents dedicated to smashing communism and its subversive coterie of intellectual fellow travelers bent on painting the world red.

John Rodden cuts this tall tale down to its authentic pint size, refusing to indulge the public relations myth promoted by J. Edgar Hoover's FBI. In Of G-Men and Eggheads, Rodden portrays federal agents’ hilarious obsession with monitoring that ever-present threat to national security, the American literary intellectual. Drawing on government dossiers and archives, Rodden focuses on the onetime members of a radical political sect of ex-Trotskyists (barely numbering a thousand at its height), the so-called New York intellectuals. He describes the nonsensical decades-long pursuit of this group of intellectuals, especially Lionel Trilling, Dwight Macdonald, and Irving Howe. The Keystone Cops style of numerous FBI agents is documented carefully in Rodden's meticulous case studies of how Hoover's men recruited informants to snoop on the "Commies," opened their personal mail, tracked their movements, and reported on their wives and friends.

In a rich and stimulating epilogue, Rodden shows how his Cold War research possesses thought-provoking implications for us today, in our post-9/11 era of debates about data collection, privacy invasion, personal dignity, and the use and abuse of government and corporate power.

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front cover of San Antonio Rose
San Antonio Rose
The Life and Music of Bob Wills
Charles R. Townsend; Discography and filmusicography by Bob Pinson
University of Illinois Press, 1976

"Until Hank Williams came along, it was just Bob Willis," says Willie Nelson. "He was it." And indeed he was, especially for the thousands in the Southwest who knew and loved the King of Western Swing. The colorful band leader-composer-fiddler from Turkey, Texas, lassoed the emotions of country-and-western fans nationwide. In the early 1940s, his records outsold those of any other recording artist. He was voted not only into the Country Music Hall of Fame but also into the National Cowboy Hall of Fame, the only performer other than Gene Autry to be so honored. 

Affectionately written by a Texan who responded to the legendary fiddler's style, San Antonio Rose captures Wills's magnetism and the musical excitement he created. Charles R. Townsend traces Wills's dynamic life from his birth into a family of frontier fiddlers through his career and stardom and on to the poignant last recording session in 1973 and his death two years later. Townsend shows how Wills brought black and white music together and examines the tremendous impact he had on both popular and country music through the more than 550 selections he recorded and the forty years he and his Texas Playboys performed in dance halls and on radio.

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