front cover of My Version of the Facts
My Version of the Facts
Carla Pekelis, translated from the Italian by George Hochfield
Northwestern University Press, 2005
"What did it mean to be a Jewish child in Italy at the beginning of the century?" Carla Pekelis asks herself. "As a matter of fact, nothing, absolutely nothing!" But shortly, as fascism began its march through her homeland and racial laws slowly constricted her world, Carla would learn that being a Jew in Italy might indeed have a profound meaning and dire consequences. Her recollections form an absorbing, nuanced portrait of a life transformed, and a world transfigured, by the relentless currents of history.
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Selected Poems
Nikos Engonopoulos
Harvard University Press, 2012

Nikos Engonopoulos (1907–1985) was one of the most prominent representatives of Greek Surrealist poetry and painting. Closely associated with Andreas Embeirikos, the “patriarch” of Surrealism in Greece, and with Nicolas Calas, an influential figure of the European and American avant-garde, Engonopoulos developed highly experimental pictorial and poetic aesthetics. In both his paintings and poems, he engaged in a critical, often ironic dialogue with Greek history and cultural traditions and their ideological appropriations in established cultural and political discourses. Engonopoulos was arguably the keenest advocate of Surrealist black humor and irony in Greece. His overall approach to the Greek past, informed as it was by the socio-aesthetic principles of French Surrealism, constitutes one of the most ingenious and provocative cases of artistic mythogenesis in the European avant-garde.

This volume offers a collection of his most representative poems, including his long poem Bolivár, which was written in the winter of 1942–1943 and soon acquired the status of an emblematic act of resistance against the Nazis and their allies (Italians and Bulgarians), who had occupied Greece in 1941.

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Taken from the Paradise Isle
The Hoshida Family Story
Heidi Kim
University Press of Colorado, 2015

Crafted from George Hoshida’s diary and memoir, as well as letters faithfully exchanged with his wife Tamae, Taken from the Paradise Isle is an intimate account of the anger, resignation, philosophy, optimism, and love with which the Hoshida family endured their separation and incarceration during World War II.

George and Tamae Hoshida and their children were a Japanese American family who lived in Hawai‘i. In 1942, George was arrested as a “potentially dangerous alien” and interned in a series of camps over the next two years. Meanwhile, forced to leave her handicapped eldest daughter behind in a nursing home in Hawai‘i, Tamae and three daughters, including a newborn, were incarcerated at the Jerome Relocation Center in Arkansas. George and Tamae regularly exchanged letters during this time, and George maintained a diary including personal thoughts, watercolors, and sketches. In Taken from the Paradise Isle these sources are bolstered by extensive archival documents and editor Heidi Kim’s historical contextualization, providing a new and important perspective on the tragedy of the incarceration as it affected Japanese American families in Hawai‘i.

This personal narrative of the Japanese American experience adds to the growing testimony of memoirs and oral histories that illuminate the emotional, psychological, physical, and economic toll suffered by Nikkei as the result of the violation of their civil rights during World War II. 


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