front cover of At Home with André and Simone Weil
At Home with André and Simone Weil
Sylvie Weil, translated from the French by Benjamin Ivry
Northwestern University Press, 2010

“It is quite incorrect to believe that the dead are gone forever and never return to speak to the living. They return to speak to the living all the time; indeed, it is their main activity.” Thus writes Sylvie Weil in this illuminating memoir, in which contemporary readers can hear the voices of her famed philosopher aunt Simone and mathematician father André.

Born into a freethinking Jewish family in France in 1909, Simone Weil was one of the twentieth century’s most original philosophers, influencing Albert Camus, T. S. Eliot, Simone de Beauvoir, Pope John XXIII, Czesław Miłosz, and Susan Sontag. She fought for workers’ rights and, later, the Spanish Republican cause. Before her death at age thirty-four, Simone Weil turned increasingly to mysticism and religion, especially Roman Catholicism, exploring themes of sacrifice, asceticism, and the virtues of manual labor. She never converted, however, and Sylvie Weil writes from a Jewish perspective, emphasizing Simone’s Jewish heritage.

Using previously unpublished family correspondence and conversations, Sylvie Weil paints the most vivid, private portrait of her aunt in print. The book illuminates Simone’s relationship with others, especially with her brother, André. Loving and unsparing, affectionate and incisive, At Home with André and Simone Weil is an insightful memoir about a family of intellectual luminaries.

[more]

front cover of In Praise of Failure
In Praise of Failure
Four Lessons in Humility
Costica Bradatan
Harvard University Press, 2023

A New York Times Book Review Editors’ Choice

“Charming and brilliant.” —Times Literary Supplement

“Provocative, stimulating, wise―the book that our success-obsessed age needs to read.”―Tom Holland

“Bradatan, a philosopher, writes with elegance and wit, his every thought and sentence slipping smoothly into the next…I was absorbed by Bradatan’s book even—or especially—when I felt uncomfortable with its implications.” —Jennifer Szalai, New York Times

“Bradatan wears his erudition lightly. He is a pleasure to read, and his prose conveys a happy resilience in the face of life’s inevitable contradictions. His lessons in humility remind us that the pursuit of success is often motivated by the dread of failure—and that our attempts to create things are often driven by an avoidance of our mortality.” —Michael S. Roth, Washington Post

“Bradatan writes with the same daring, the same interpretive anger that made his subjects notorious in their own day for choosing failure over what their respective worlds counted as success. A gripping read, start to finish.” ―Jack Miles, author of God: A Biography

Our obsession with success is hard to overlook. Everywhere we compete, rank, and measure. Yet this relentless drive to be the best blinds us to something vitally important: the need to be humble in the face of life’s challenges.

In Praise of Failure explores several arenas of failure, from the social and political to the spiritual and biological. Gleefully breaching the boundaries between argument and storytelling, scholarship and spiritual quest, Costica Bradatan mounts his case for failure through the stories of four historical figures who led lives of impact and meaning and assiduously courted failure. Their struggles show that engaging with our limitations can be not just therapeutic but positively transformative.

[more]

front cover of A Life in Letters
A Life in Letters
Simone Weil
Harvard University Press, 2024

The inspiring letters of philosopher, mystic, and freedom fighter Simone Weil to her family, presented for the first time in English.

Now in the pantheon of great thinkers, Simone Weil (1909–1943) lived largely in the shadows, searching for her spiritual home while bearing witness to the violence that devastated Europe twice in her brief lifetime. The letters she wrote to her parents and brother from childhood onward chart her intellectual range as well as her itinerancy and ever-shifting preoccupations, revealing the singular personality at the heart of her brilliant essays.

The first complete collection of Weil’s missives to her family, A Life in Letters offers new insight into her personal relationships and experiences. The letters abound with vivid illustrations of a life marked by wisdom as much as seeking. The daughter of a bourgeois Parisian Jewish family, Weil was a troublemaking idealist who preferred the company of miners and Russian exiles to that of her peers. An extraordinary scholar of history and politics, she ultimately found a home in Christian mysticism. Weil paired teaching with poetry and even dabbled in mathematics, as evidenced by her correspondence with her brother, André, who won the Kyoto Prize in 1994 for the famed Weil Conjectures.

A Life in Letters depicts Simone Weil’s thought taking shape amid political turmoil, as she describes her participation in the Spanish struggle against fascism and in the transatlantic resistance to the Nazis. An introduction and notes by Robert Chenavier contextualize the letters historically and intellectually, relating Weil’s letters to her general body of writing. This book is an ideal entryway into Weil’s philosophical insights, one for both neophytes and acolytes to treasure.

[more]

front cover of Saints Of The Impossible
Saints Of The Impossible
Bataille, Weil, And The Politics Of The Sacred
Alexander Irwin
University of Minnesota Press, 2002

front cover of Simone Weil and the Politics of Self-Denial
Simone Weil and the Politics of Self-Denial
Athanasios Moulakis & Translated by Ruth Hein
University of Missouri Press, 1998

Simone Weil and the Politics of Self-Denial delivers what no other book on Weil has—a comprehensive study of her political thought. In this examination of the development of her thought, Athanasios Moulakis offers a philosophical understanding of politics that reaches beyond current affairs and ideological advocacy.

Simone Weil—philosopher, activist, mystic—unites a profound reflection on the human condition with a consistent and courageous existential and intellectual honesty manifest in the moving testimony of her life and her death. Moulakis examines Weil's political thought as an integral part of a lived philosophy, in which analysis and doctrine are inseparable from the articulation of an intensely personal, ultimately religious experience.

Because it is impossible to distinguish Weil's life from her thought, her writings cannot be understood properly without linking them to her life and character. By situating Weil's political thought within the context of the intellectual climate of her time, Moulakis connects it also to her epistemology, her cosmology, and her personal experience.

Simone Weil and the Politics of Self-Denial presents the unfolding of Weil's philosophical life against the backdrop of the political and social conditions of the last days of the Third French Republic, the Spanish Civil War, and the rise and clash of totalitarian ideologies. The ideological climate of the age—of which Weil herself was not quite free—was indeed the major "obstacle" in the struggle against which she fashioned her critical, intellectual, and moral tools.

Weil has been categorized a number of ways: as a saint and a near convert to Roman Catholicism, as a social critic, or as an analytic philosopher. Moulakis examines all aspects of Weil's thought in the indissoluble unity in which she lived them. This thorough investigation pursues the particular intellectual affiliations and the social and political experiential stimuli of Weil's work while simultaneously teasing out the timeless themes that her own timely analysis was intended to reveal.

[more]

front cover of The Subversive Simone Weil
The Subversive Simone Weil
A Life in Five Ideas
Robert Zaretsky
University of Chicago Press, 2021
Known as the “patron saint of all outsiders,” Simone Weil (1909–43) was one of the twentieth century’s most remarkable thinkers, a philosopher who truly lived by her political and ethical ideals. In a short life framed by the two world wars, Weil taught philosophy to lycée students and organized union workers, fought alongside anarchists during the Spanish Civil War and labored alongside workers on assembly lines, joined the Free French movement in London and died in despair because she was not sent to France to help the Resistance.

Though Weil published little during her life, after her death, thanks largely to the efforts of Albert Camus, hundreds of pages of her manuscripts were published to critical and popular acclaim. While many seekers have been attracted to Weil’s religious thought, Robert Zaretsky gives us a different Weil, exploring her insights into politics and ethics, and showing us a new side of Weil that balances her contradictions—the rigorous rationalist who also had her own brand of Catholic mysticism; the revolutionary with a soft spot for anarchism yet who believed in the hierarchy of labor; and the humanitarian who emphasized human needs and obligations over human rights. Reflecting on the relationship between thought and action in Weil’s life, The Subversive Simone Weil honors the complexity of Weil’s thought and speaks to why it matters and continues to fascinate readers today.
 
 
[more]

front cover of Tough Enough
Tough Enough
Arbus, Arendt, Didion, McCarthy, Sontag, Weil
Deborah Nelson
University of Chicago Press, 2017
This book focuses on six brilliant women who are often seen as particularly tough-minded: Simone Weil, Hannah Arendt, Mary McCarthy, Susan Sontag, Diane Arbus, and Joan Didion. Aligned with no single tradition, they escape straightforward categories. Yet their work evinces an affinity of style and philosophical viewpoint that derives from a shared attitude toward suffering. What Mary McCarthy called a “cold eye” was not merely a personal aversion to displays of emotion: it was an unsentimental mode of attention that dictated both ethical positions and aesthetic approaches.

Tough Enough traces the careers of these women and their challenges to the pre-eminence of empathy as the ethical posture from which to examine pain. Their writing and art reveal an adamant belief that the hurts of the world must be treated concretely, directly, and realistically, without recourse to either melodrama or callousness. As Deborah Nelson shows, this stance offers an important counter-tradition to the familiar postwar poles of emotional expressivity on the one hand and cool irony on the other. Ultimately, in its insistence on facing reality without consolation or compensation, this austere “school of the unsentimental” offers new ways to approach suffering in both its spectacular forms and all of its ordinariness.
[more]


Send via email Share on Facebook Share on Twitter