front cover of The Disappearances
The Disappearances
A Story of Exploration, Murder, and Mystery in the American West
Scott Thybony
University of Utah Press, 2016
In 1935, during the wind-swept years of the Dust Bowl, three people went missing on separate occasions in the rugged canyon country of southeastern Utah, a place “wild, desolate, mysterious.” A thirteen-year old girl, Lucy Garrett, was tricked into heading west with the man who had murdered her father under the pretense of reuniting with him. At the same time, a search was underway for Dan Thrapp, a young scientist on leave from the American Museum of Natural History. Others were scouring the same region for an artist, Everett Ruess, who had disappeared into “the perfect labyrinth.” 

Intrigued by this unusual string of coincidental disappearances, Scott Thybony set out to learn what happened. His investigations took him from Island in the Sky to Skeleton Mesa, from Texas to Tucson, and from the Green River to the Red. He traced the journey of Lucy Garrett from the murder of her father to her dramatic courtroom testimony. Using the pages of an old journal he followed the route of Dan Thrapp as he crossed an expanse of wildly rugged country with a pair of outlaws. Thrapp’s story of survival in an unforgiving land is a poignant counterpoint to the fate of the artist Everett Ruess, which the New York Times has called “one of the most enduring mysteries of the modern West.” Thybony draws on extensive research and a lifetime of exploration to create a riveting story of these three lives.
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front cover of Vilém Flusser
Vilém Flusser
An Introduction
Anke Finger
University of Minnesota Press, 2010
Vilém Flusser (1920–1991) has long been known and celebrated in Europe and Brazil primarily as a media theorist. Only recently have other facets of his accomplishments come to light, clearly establishing Flusser as a key thinker.

An accessible and thorough introduction to Flusser’s thought, this book reveals his engagement with a wide array of disciplines, from communication studies, posthuman philosophy, media studies, and history to art and art history, migrant studies, anthropology, and film studies. The first to connect Flusser’s entire oeuvre, this volume shows how his works on media theory are just one part of a greater mosaic of writings that bring to the fore cultural and cognitive changes concerning all of us in the twenty-first century.

A theorist deeply influenced by his experiences as a privileged citizen of Prague, a Jew pursued by the Nazis, a European emigrant, a Brazilian immigrant, and a survivor keenly interested and invested in history and memory, Vilém Flusser was an outsider in a staunchly hierarchical and disciplined academic world.
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