front cover of Few Returned
Few Returned
Twenty-eight Days on the Russian Front, Winter 1942-1943
Eugenio Corti, Translated by Peter Edward Levy, & Foreword by Carlo D'Este
University of Missouri Press, 1997

After World War II more than one hundred books appeared that dealt with the experience of the Italian army in Russia, and particularly the terrible winter retreat of 1942-1943. Few Returned (I piu' non ritornano) is the only one of these that is still regularly reissued in Italy.

Eugenio Corti, who was a twenty-one-year-old second lieutenant at the time, found himself, together with 30,000 Italians and a smaller contingent of Germans, encircled on the banks of the River Don by enemy forces who far outnumbered them. To break out of this encirclement, these men undertook a desperate march across the snow, with constant engagements and in temperatures ranging from -20 to -30 degrees Fahrenheit. Whereas supplies were air-dropped to the Germans, the predicament of the Italians was far more difficult: lacking gasoline, they were compelled to abandon their vehicles and to proceed without heavy arms, equipment, ammunition, or provisions. Even the wounded had to be abandoned, though it was well known that the soldiers of the Red Army"enraged by the brutality of the German invasion"killed all the enemy wounded who fell into their hands. After twenty-eight days of encirclement, only 4,000 of the 30,000 Italians made it out of the pocket.

Why is it that Corti's book, which was first published in 1947, continues after fifty years to be reprinted in Italy? Because, as Mario Apollonio of the University of Milan said, when the book first appeared: "It is a chronicle . . . but it is much more than that: behind the physical reality, there is the truth" about man at his most tragic hour. Apollonio adds: "The power of the writing immediately transforms the document into drama"; the result is a "novel-poem-drama-history." The philosopher Benedetto Croce found in Corti's book "the not infrequent gleam of human goodness and nobility." Few Returned is a classic of war literature that succeeds in bringing home the full hatefulness of war.

Eugenio Corti began writing his diary at a military hospital immediately after being repatriated from the Russian front. When in September 1943 Italy found itself cut in two by the Armistice, Corti, loyal to his officer's oath, joined up with what remained of the Italian army in the south and with those few troops participated in driving the Germans off Italian soil, fighting at the side of the British Eighth and the American Fifth Armies.

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front cover of The Last Soldiers of the King
The Last Soldiers of the King
Life in Wartime Italy, 1943-1945
Eugenio Corti & Translated by Manuela Arundel
University of Missouri Press, 2003
In the sequel to the highly acclaimed Few Returned, Eugenio Corti, one of Italy’s most distinguished postwar writers, continues his poignant account of his experiences as an Italian soldier in the Second World War. In the earlier book, Corti, a twenty-one-year-old lieutenant of artillery, recounts the horrifying experience of the soldiers who were sent to Russia to fight alongside their German ally. On the River Don, the Red Army surrounded Corti and the other members of the Italian force. Of the 30,000 men in the Thirty-fifth Corps, Corti was one of only an estimated 4,000 soldiers to survive the ordeal. Mussolini’s dreams of empire were shattered, and his ill-fated Eighth Army no longer existed.
In 1943, after recurrent military defeats, the Italian government and its king, Victor Emmanuel III, forced Mussolini to resign. Italy then signed an armistice with the Allies and ended its alliance with Germany. The Germans immediately occupied northern Italy, which the Axis still held, and reinstated Mussolini in the north. Some Italians remained loyal to fascism; many others aligned themselves with the Allies, who were now advancing in southern Italy. Corti’s sympathies were with the Allies, and after a harrowing escape from the German-occupied north, he rejoined the Italian Army fighting on the side of the king. The Last Soldiers of the King is Corti’s account of the Italian Army’s experiences fighting the Germans during the remainder of the war.
In this unforgettable narrative, Corti depicts the war from the perspective of the average Italian soldier, capturing its boredom and absurdity along with brief periods of savagery, terror, and death. Painting vivid pictures of the sights, sounds, and smells of war, he shows how these men fought alongside the Allies against the Germans. They fought without hatred, driven by a sense of duty and love for their country and a desire to quickly put an end to a war that was destroying so many lives. Corti superbly relates the wandering of the remnant of Italian officers and men as they sought to reestablish themselves as Italian soldiers. The Last Soldiers of the King tells the story of a proud people forced to endure death, poverty, and the virtual destruction of their nation.
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front cover of Revolution in the City of Heroes
Revolution in the City of Heroes
A Memoir of the Battle that Sparked Indonesia's National Revolution
Suhario Padmodiwiryo
National University of Singapore Press, 2016
The diary of 24-year-old Indonesian medical student Suhario Padmodiwiryo,
alias ‘Hario Kecik,” Revolution in the City of Heroes is an evocative first-hand
account of the popular uprising in Surabaya. It vividly portrays the chaotic swirl
of events and the heady emotion of young people ready to sacrifice their lives
for independence.


Newly liberated from nearly four brutal years under Japanese control, the
people of Indonesia faced great uncertainty in October 1945. As the British
Army attempted to take control of the city of Surabaya, maintain order and
deal with surrendered Japanese personnel, their actions were interpreted by
the young residents of Surabaya as a plan to restore Dutch colonial rule. In
response, the youth of the city seized Japanese arms and repelled the force sent
to occupy the city. They then held off British reinforcements for two weeks,
battling tanks and heavy artillery with little more than light weapons and sheer
audacity. Though eventually defeated, Surabaya’s defenders had set the stage
for Indonesia’s national revolution.
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