front cover of On Robert Antelme's The Human Race
On Robert Antelme's The Human Race
Essays and Commentary
Robert Antelme
Northwestern University Press, 2003
Rescued in 1945 from Dachau—where François Mitterand, his onetime comrade in the resistance, recognized him among the thousands of quarantined prisoners—Robert Antelme set out to do what seemed "unimaginable," to describe not only his experience but the humanity of his captors. The result, The Human Race, was called by George Perec "the finest example in contemporary French writing of what literature can be."

In this volume, the extraordinary nature and extent of Robert Antelme's accomplishment, and of the reverberations he set in motion in French life and literature, finds eloquent expression. The pieces Antelme wrote for journals—including essays on "principles put to the test," man as the "basis of right," and the question of revenge—appear here alongside appreciations of The Human Race by authors from Perec to Maurice Blanchot to Sarah Kofman. Also included are Antelme's personal recollections and interviews with, among others, Dionys Mascolo (who brought Antelme back from Dachau), Marguerite Duras (Antelme's wife, who tells of his return from Germany), and Mitterand.

Also available: Antelme's The Human Race
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One Way
BERNARD DADIE OBSERVES AMERICA
Bernard Binlin Dadié
University of Illinois Press, 1994
In 1959, when Un Negre a Paris first appeared, the French still held West Africa under colonial rule. Dadie's observations and subtle parodies of Parisian manners and morals are entertaining and poignant, charming yet profound.
 
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Oppenheimer Is Watching Me
A Memoir
Jeff Porter
University of Iowa Press, 2007
When he discovers that his father worked on missiles for a defense contractor, Jeff Porter is inspired to revisit America’s atomic past and our fallen heroes, in particular J. Robert Oppenheimer, the father of the atomic bomb. The result, Oppenheimer Is Watching Me, takes readers back to the cold war, when men in lab coats toyed with the properties of matter and fears of national security troubled our sleep. With an eye for strange symmetries, Porter traces how one panicky moment shaped the lives of a generation.
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Other Country
Barry Lopez and the Community of Artists
James Perrin Warren
University of Arizona Press, 2015
The award-winning American environmental writer Barry Lopez has traveled extensively in remote and populated parts of the world. Lopez’s fiction and nonfiction focus on the relationship between the physical landscape and human culture, posing abiding questions about ethics, intimacy, and place.

Other Country presents a full-scale treatment of Lopez’s work. James Perrin Warren examines the relationship between Lopez’s writing and the work of several contemporary artists, composers, and musicians, whose works range from landscape photography, painting, and graphic arts to earth art, ceramics, and avant-garde music. The author demonstrates Lopez’s role in creating this community of artists who have led cultural change, and shows that Lopez’s writing—and his engagement with the natural world—creates an “other country” by redefining boundaries, rediscovering a place, and renewing our perceptions of landscapes.

Warren’s critique examines manuscripts and typescripts from the 1960s to the present, interviews with Lopez conducted from 2008 to 2013, and interviews with artists. Part 1 focuses on the relationship between Lopez’s storytelling, which he calls “a conversation with the land,” and Robert Adams’s landscape photography. For both Lopez and Adams, a worthy artistic expression serves the cultural memory of a community, reminding us how to behave properly toward other people and the land. Part 2 looks at the collaborative friendship of Lopez and visual artist Alan Magee, tracking the development of Lopez’s short stories through a consideration of Magee’s career.  Part 3 moves farther afield, discussing Lopez’s relationship to Richard Long’s earth art, Richard Rowland’s ceramics, and John Luther Adams’s soundscapes.

Other Country reveals the dynamic relationships between Lopez, considered by many the most important environmental writer working in America, and the artistic community, who seek to explore the spiritual and ethical dimensions of an honorable and attentive relationship to the land and thus offer profound implications for the future of the planet.
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The OTHER FIFTIES
INTERROGATING MIDCENTURY AMERICAN ICONS
Joel Foreman
University of Illinois Press, 1997
From the Edsel to Eisenhower, from Mau Mau to Doris Day, and from Ayn Rand to Elvis, contributors to The Other Fifties topple the decade's already weakened image as a time of unprecedented peace, prosperity, and conformity. Representing the fifties as a period of cultural transformation, contributors reveal the gradual "unmaking" of traditions and value systems that took place as American culture prepared itself for the more easily observed cultural turbulence of the 1960s. Well known contributors demonstrate how television, the novel, the Hollywood movie, the Broadway musical, and rock and roll assaulted midcentury American attitudes toward sexuality, race, gender, and class, so altering public sensibilities that what was novel or shocking in the fifties seems tame or even downright difficult to grasp today. They also rebut the widely held view that 1950s consumerism led to cultural homogeneity, replacing this view with a picture of robust popular markets that defied conservative controls and actively subverted
conventional norms and values. Brushing away the haze of an era, The Other Fifties will help readers understand the decade not as placid or repressed, but as a time when emancipatory desires struggled to articulate themselves.
 
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Outside the Gates of Eden
The Dream of America from Hiroshima to Now
Peter Bacon Hales
University of Chicago Press, 2014
Exhilaration and anxiety, the yearning for community and the quest for identity: these shared, contradictory feelings course through Outside the Gates of Eden, Peter Bacon Hales’s ambitious and intoxicating new history of America from the atomic age to the virtual age.
           
Born under the shadow of the bomb, with little security but the cold comfort of duck-and-cover, the postwar generations lived through—and led—some of the most momentous changes in all of American history. Hales explores those decades through perceptive accounts of a succession of resonant moments, spaces, and artifacts of everyday life—drawing unexpected connections and tracing the intertwined undercurrents of promise and peril. From sharp analyses of newsreels of the first atomic bomb tests and the invention of a new ideal American life in Levittown; from the music emerging from the Brill Building and the Beach Boys, and a brilliant account of Bob Dylan’s transformations; from the painful failures of communes and the breathtaking utopian potential of the early days of the digital age, Hales reveals a nation, and a dream, in transition, as a new generation began to make its mark on the world it was inheriting.
           
Full of richly drawn set-pieces and countless stories of unforgettable moments, Outside the Gates of Eden is the most comprehensive account yet of the baby boomers, their parents, and their children, as seen through the places they built, the music and movies and shows they loved, and the battles they fought to define their nation, their culture, and their place in what remains a fragile and dangerous world.
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