front cover of The Quack's Daughter
The Quack's Daughter
A True Story about the Private Life of a Victorian College Girl, Revised Edition
Greta Nettleton
University of Iowa Press, 2014
Raised in the gritty Mississippi River town of Davenport, Iowa, Cora Keck could have walked straight out of a Susan Glaspell story. When Cora was sent to Vassar College in the fall of 1884, she was a typical unmotivated, newly rich party girl. Her improbable educational opportunity at “the first great educational institution for womankind” turned into an enthralling journey of self-discovery as she struggled to meet the high standards in Vassar’s School of Music while trying to shed her reputation as the daughter of a notorious quack and self-made millionaire: Mrs. Dr. Rebecca J. Keck, second only to Lydia Pinkham as America’s most successful self-made female patent medicine entrepreneur of the time.
This lively, stereotype-shattering story might have been lost, had Cora’s great-granddaughter, Greta Nettleton, not decided to go through some old family trunks instead of discarding most of the contents unexamined. Inside she discovered a rich cache of Cora’s college memorabilia—essential complements to her 1885 diary, which Nettleton had already begun to read. The Quack’s Daughter details Cora’s youthful travails and adventures during a time of great social and economic transformation. From her working-class childhood to her gilded youth and her later married life, Cora experienced triumphs and disappointments as a gifted concert pianist that the reader will recognize as tied to the limited opportunities open to women at the turn of the twentieth century, as well as to the dangerous consequences for those who challenged social norms.

Set in an era of surging wealth torn by political controversy over inequality and  women’s rights and widespread panic about domestic terrorists, The Quack’s Daughter is illustrated with over a hundred original images and photographs that illuminate the life of a spirited and charming heroine who ultimately faced a stark life-and-death crisis that would force her to re-examine her doubts about her mother’s medical integrity.
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front cover of Queer Economic Dissonance and Victorian Literature
Queer Economic Dissonance and Victorian Literature
Meg Dobbins
The Ohio State University Press, 2022
In nineteenth-century Britain, the word queer was associated not only with same-sex desire but also with irregular forms of financial association and trust. Queer Economic Dissonance and Victorian Literature centers this forgotten facet of queer by recovering an alternative economic narrative of the Victorian period: one of economic excess, waste, debt, and downward mobility. Drawing on insights from intersectional queer theory and economic literary criticism, as well as astute readings of works by Charles Dickens, Charlotte Brontë, Mary Seacole, George Eliot, and Oscar Wilde, Meg Dobbins argues that eccentric economic figures like Black entrepreneurs, childless widows, and working-class benefactors represent sites of queerness––forms of economic desire, identity, strategy, or relation that become sites of friction within the developing social and institutional norms of nineteenth-century capitalism. Dobbins argues that Victorian authors document the everyday economic struggles of those cast aside, left behind, and fundamentally transfigured by modern capitalism. Rather than rejecting capitalist ideology, these authors queer socioeconomic norms, shedding light on the provocative ways Victorians made capitalism livable, and even pleasurable. In this way, Queer Economic Dissonance rearticulates the link between erotic and economic forms of dissonance in capitalist society.
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