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I Fight for a Living
Boxing and the Battle for Black Manhood, 1880-1915
Louis Moore
University of Illinois Press, 2017
The black prizefighter labored in one of the few trades where an African American man could win renown: boxing. His prowess in the ring asserted an independence and powerful masculinity rare for black men in a white-dominated society, allowing him to be a man--and thus truly free.

Louis Moore draws on the life stories of African American fighters active from 1880 to 1915 to explore working-class black manhood. As he details, boxers bought into American ideas about masculinity and free enterprise to prove their equality while using their bodies to become self-made men. The African American middle class, meanwhile, grappled with an expression of public black maleness they saw related to disreputable leisure rather than respectable labor. Moore shows how each fighter conformed to middle-class ideas of masculinity based on his own judgment of what culture would accept. Finally, he argues that African American success in the ring shattered the myth of black inferiority despite media and government efforts to defend white privilege.

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I Sing for I Cannot Be Silent
The Feminization of American Hymnody, 1870–1920
June Hadden Hobbs
University of Pittsburgh Press, 1997
Evangelical churches sing hymns written between 1870 and 1920 so often that many children learn them by rote before they are able to read religious texts. A cherished part of communal Christian life and an important and effective way to teach doctrine today, these hymns served an additional social purpose in the late nineteenth and early twentieth centuries: they gave evangelical women a voice in their churches.
 
When the sacred music business expanded after the Civil War, writing hymn texts gave publishing opportunities to women who were forbidden to preach, teach, or pray aloud in mixed groups. Authorized by oral expression, gospel hymns allowed women to articulate alternative spiritual models within churches that highly valued orality.

These feminized hymns are the focus of "I Sing for I Cannot Be Silent." Drawing upon her own experience as a Baptist, June Hadden Hobbs argues that the evangelical tradition is an oral tradition--it is not anti-intellectual but antiprint. Evangelicals rely on memory and spontaneous oral improvisation; hymns serve to aid memory and permit interaction between oral and written language. 

By comparing male and female hymnists' use of rhetorical forms, Hobbs shows how women utilized the only oral communication allowed to them in public worship. Gospel hymns permitted women to use a complex system of images already associated with women and domesticity.  This feminized hymnody challenged the androcentric value system of evangelical Christianity by making visible the contrasting masculine and feminine versions of Christianity. When these hymns were sung in church, women's voices and opinions moved out of the private sphere and into public religion. The hymns are so powerful that they are suppressed by some contemporary fundamentalists today.

In "I Sing for I Cannot Be Silent" June Hadden Hobbs employs an interdisciplinary mix of feminist literary analysis, social history, rhetoric and composition theory, hymnology, autobiography, and theology to examine hymns central to worship in most evangelical churches today.
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The Idea of Absolute Music
Carl Dahlhaus
University of Chicago Press, 1989
With a characteristically broad and provocative treatment, Dahlhaus examines a single music-aesthetical idea from various historical and philosophical viewpoints.

"Essential reading for anyone interested in the larger intellectual framework in which Romantic music found its place, a framework that to a remarkable degree has continued to shape our image of music."—Robert P. Morgan, Yale University

Carl Dahlhaus (1928-1989) is the author of a highly influential body of works on the foundations of music history and aesthetics.
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Ideals of the Body
Architecture, Urbanism, and Hygiene in Postrevolutionary Paris
Sun-Young Park
University of Pittsburgh Press, 2018
Modern hygienic urbanism originated in the airy boulevards, public parks, and sewer system that transformed the Parisian cityscape in the mid-nineteenth century. Yet these well-known developments in public health built on a previous moment of anxiety about the hygiene of modern city dwellers. Amid fears of national decline that accompanied the collapse of the Napoleonic Empire, efforts to modernize Paris between 1800 and 1850 focused not on grand and comprehensive structural reforms, but rather on improving the bodily and mental fitness of the individual citizen. These forgotten efforts to renew and reform the physical and moral health of the urban subject found expression in the built environment of the city—in the gymnasiums, swimming pools, and green spaces of private and public institutions, from the pedagogical to the recreational. Sun-Young Park reveals how these anxieties about health and social order, which manifested in emerging ideals of the body, created a uniquely spatial and urban experience of modernity in the postrevolutionary capital, one profoundly impacted by hygiene, mobility, productivity, leisure, spectacle, and technology.
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The Ideas in Things
Fugitive Meaning in the Victorian Novel
Elaine Freedgood
University of Chicago Press, 2006

While the Victorian novel famously describes, catalogs, and inundates the reader with things, the protocols for reading it have long enjoined readers not to interpret most of what crowds its pages. The Ideas in Things explores apparently inconsequential objects in popular Victorian texts to make contact with their fugitive meanings. Developing an innovative approach to analyzing nineteenth-century fiction, Elaine Freedgood here reconnects the things readers unwittingly ignore to the stories they tell.

Building her case around objects from three well-known Victorian novels—the mahogany furniture in Charlotte Brontë’s Jane Eyre, the calico curtains in Elizabeth Gaskell’s Mary Barton, and “Negro head” tobacco in Charles Dickens’s Great Expectations—Freedgood argues that these things are connected to histories that the novels barely acknowledge, generating darker meanings outside the novels’ symbolic systems. A valuable contribution to the new field of object studies in the humanities, The Ideas in Things pushes readers’ thinking about things beyond established concepts of commodity and fetish.

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If They Don't Bring Their Women Here
Chinese Female Immigration before Exclusion
George Anthony Peffer
University of Illinois Press, 1999

Seven years before the Chinese Exclusion Act of 1882, the Page Law sought to stem the tide of Chinese prostitutes entering the United States. Yet during these seven years, it was not just prostitutes but all Chinese females who encountered at best hostility and at worst expulsion when they reached the "Golden Door." 

George Anthony Peffer looks at enforcement of immigration laws to provide the first detailed account of Chinese American women's lives in the pre-exclusion era. Peffer documents the habeas corpus trials in which the wives and daughters of Chinese laborers were required to prove their status as legal immigrants or return to China. He also surveys the virulently anti-Chinese coverage of these trials and the issue of Chinese immigration received in California newspapers, confirming that Chinatown's prostitution industry so dominated the popular imagination as to render other classes of female immigrants all but invisible. 

Insightful and groundbreaking, If They Don't Bring Their Women Here amplifies the voices of Chinese immigrant women and establishes a place for them within the historiographic framework of Chinese American studies.

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Illuminated Paris
Essays on Art and Lighting in the Belle Époque
Hollis Clayson
University of Chicago Press, 2019
The City of Light. For many, these four words instantly conjure late nineteenth-century Paris and the garish colors of Toulouse-Lautrec’s iconic posters. More recently, the Eiffel Tower’s nightly show of sparkling electric lights has come to exemplify our fantasies of Parisian nightlife. Though we reflect longingly on such scenes, in Illuminated Paris, Hollis Clayson shows that there’s more to these clichés than meets the eye. In this richly illustrated book, she traces the dramatic evolution of lighting in Paris and how artists responded to the shifting visual and cultural scenes that resulted from these technologies. While older gas lighting produced a haze of orange, new electric lighting was hardly an improvement: the glare of experimental arc lights—themselves dangerous—left figures looking pale and ghoulish. As Clayson shows, artists’ representations of these new colors and shapes reveal turn-of-the-century concerns about modernization as electric lighting came to represent the harsh glare of rapidly accelerating social change. At the same time, in part thanks to American artists visiting the city, these works of art also produced our enduring romantic view of Parisian glamour and its Belle Époque.
 
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Image and Reality
Kekulé, Kopp, and the Scientific Imagination
Alan J. Rocke
University of Chicago Press, 2010

Nineteenth-century chemists were faced with a particular problem: how to depict the atoms and molecules that are beyond the direct reach of our bodily senses. In visualizing this microworld, these scientists were the first to move beyond high-level philosophical speculations regarding the unseen. In Image and Reality, Alan Rocke focuses on the community of organic chemists in Germany to provide the basis for a fuller understanding of the nature of scientific creativity. 

Arguing that visual mental images regularly assisted many of these scientists in thinking through old problems and new possibilities, Rocke uses a variety of sources, including private correspondence, diagrams and illustrations, scientific papers, and public statements, to investigate their ability to not only imagine the invisibly tiny atoms and molecules upon which they operated daily, but to build detailed and empirically based pictures of how all of the atoms in complicated molecules were interconnected. These portrayals of “chemical structures,” both as mental images and as paper tools, gradually became an accepted part of science during these years and are now regarded as one of the central defining features of chemistry.  In telling this fascinating story in a manner accessible to the lay reader, Rocke also suggests that imagistic thinking is often at the heart of creative thinking in all fields.

Image and Reality is the first book in the Synthesis series, a series in the history of chemistry, broadly construed, edited by Angela N. H. Creager, John E. Lesch, Stuart W. Leslie, Lawrence M. Principe, Alan Rocke, E.C. Spary, and Audra J. Wolfe, in partnership with the Chemical Heritage Foundation.

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Imaginary Lines
Border Enforcement and the Origins of Undocumented Immigration, 1882-1930
By Patrick Ettinger
University of Texas Press, 2009

Southwest Book Award, Border Regional Library Association, 2011

Although popularly conceived as a relatively recent phenomenon, patterns of immigrant smuggling and undocumented entry across American land borders first emerged in the late nineteenth century. Ingenious smugglers and immigrants, long and remote boundary lines, and strong push-and-pull factors created porous borders then, much as they do now.

Historian Patrick Ettinger offers the first comprehensive historical study of evolving border enforcement efforts on American land borders at the turn of the twentieth century. He traces the origins of widespread immigrant smuggling and illicit entry on the northern and southern United States borders at a time when English, Irish, Chinese, Italian, Russian, Lebanese, Japanese, Greek, and, later, Mexican migrants created various "backdoors" into the United States. No other work looks so closely at the sweeping, if often ineffectual, innovations in federal border enforcement practices designed to stem these flows.

From upstate Maine to Puget Sound, from San Diego to the Lower Rio Grande Valley in Texas, federal officials struggled to adapt national immigration policies to challenging local conditions, all the while battling wits with resourceful smugglers and determined immigrants. In effect, the period saw the simultaneous "drawing" and "erasing" of the official border, and its gradual articulation and elaboration in the midst of consistently successful efforts to undermine it.

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THE IMAGINATION OF CLASS
MASCULINITY AND THE VICTORIAN URBAN POOR
DANIEL BIVONA
The Ohio State University Press, 2006
A fascinating meld of two scholars’ research and conclusions, The Imagination of Class is a synthetic journey through middle-class Victorian discourse posed by poverty in the midst of plenty—but not that alone. Rather Dan Bivona and Roger B. Henkle argue that the representation of abject poverty in the nineteenth century also displaced anxieties aroused by a variety of challenges to Victorian middle class masculinity. The book’s main argument, in fact, is that the male middle class imagery of urban poverty in the Victorian age presents a complex picture, one in which anxieties about competition, violence, class-based resentment, individuality, and the need to differentiate oneself from the scions of inherited wealth influence mightily the ways in which the urban poor are represented. In the representations themselves, the urban poor are alternately envisioned as sentimentalized (and feminized) victims who stimulate middle class affective response, as the objects of the professionalized discourses of the social sciences (and social services), and as an often hostile social force resistant to the “culturalizing,” taming processes of a maternalist social science.

Through carefully nuanced discussions of a variety of Victorian novelists, journalists, and sociological investigators (some well known, like Dickens, and others less well known, like Masterman and Greenwood), the book offers new insight into the role played by the imagination of the urban poor in the construction of Victorian middle class masculinity. Whereas many scholars have discussed the feminization of the poor, virtually no one has addressed how the poor have served as a site at which middle class men fashioned their own class and gender identity.
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Imagine Lagos
Mapping History, Place, and Politics in a Nineteenth-Century African City
Ademide Adelusi-Adeluyi
Ohio University Press, 2024
Written from a digital humanities perspective, this book combines historical sources, maps, and a walking cartography to create new perspectives on the nineteenth-century history of Lagos, West Africa’s most populous city. What traces do people leave in the places where they live, and even where they die? This book addresses the spatial history of nineteenth-century Lagos, rebuilding its past as a series of encounters: between men and women, between past and present, between enslaved and free, between living and dead, and finally between land and lagoon. In Imagine Lagos, Ademide Adelusi-Adeluyi argues that the invention, destruction, and reinvention of spatial markers in Lagos—the streets, markets, roads, squares, palaces, and lagoons where these encounters occurred—was crucial to negotiations over identity, power, and freedom. Research for this book combines oral and archival sources from three countries with the experience of three summers of walking the streets of Lagos. Contrary to historical interpretations that render the physical city as a blank, featureless space in desperate need of constant repair, this book offers a variety of visual and textual narratives to push readers to imagine the old city. Throughout Imagine Lagos, historical maps join other texts—including colonial correspondence and reports, missionary letters, oríkì (Yoruba praise poetry), and newspaper articles—to create a complex collage of urban life in Lagos. Streets emerge as sites of historical memories, and Adelusi-Adeluyi’s maps of the mid-nineteenth-century city reveal and catalog layers of change. A focus on the city as a whole—as both a physical and social landscape—brings us closer than ever to understanding the lives of Lagosians between 1845 and 1872. In old Lagos, the streets keep their histories. The story maps and full-resolution maps for this book are available at https://newmapsoldlagos.com.
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Imagined Orphans
Poor Families, Child Welfare, and Contested Citizenship in London
Murdoch, Lydia
Rutgers University Press, 2006

With his dirty, tattered clothes and hollowed-out face, Oliver Twist is the enduring symbol of the young indigent spilling out of orphanages and haunting the streets of late-nineteenth-century London. Although poor children were often portrayed as real-life Oliver Twists—either orphaned or abandoned by unworthy parents—they in fact frequently maintained contact and were eventually reunited with their families.

In Imagined Orphans, Lydia Murdoch focuses on this discrepancy between the representation and the reality of children’s experiences within welfare institutions—a discrepancy that she argues stems from conflicts over middle- and working-class notions of citizenship that arose in the 1870s and persisted until the First World War. Reformers’ efforts to depict poor children as either orphaned or endangered by abusive or “no-good” parents fed upon the poor’s increasing exclusion from the Victorian social body. Reformers used the public’s growing distrust and pitiless attitude toward poor adults to increase charity and state aid to the children.

With a critical eye to social issues of the period, Murdoch urges readers to reconsider the complex situations of families living in poverty. While reformers’ motivations seem well intentioned, she shows how their methods solidified the public’s antipoor sentiment and justified a minimalist welfare state that engendered a cycle of poverty. As they worked to fashion model citizens, reformers’ efforts to protect and care for children took on an increasingly imperial cast that would continue into the twentieth century.

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Imagined Spiritual Communities in Britain's Age of Print
Joshua King
The Ohio State University Press, 2015
In Imagined Spiritual Communities in Britain’s Age of Print, Joshua King demonstrates how nineteenth-century Britons turned to the printed page to imagine themselves in Christian communities spanning their nation. In contrast with traditional views of the nineteenth century, which regard the period as a turning point for religion from a public life to a privatized decline, Imagined Spiritual Communities argues that the rapid growth of print culture and a voluntary religious market inspired vigorous efforts to form virtual national congregations of readers.
 
Focusing primarily on the work of Anglicans between the 1820s and 1890s, this study begins by freshly interpreting reading and educational programs promoted by Samuel Taylor Coleridge, Frederick Denison Maurice, and Matthew Arnold. King then traces the emergence of John Keble’s Christian Year as a catalyst for competing visions of a Christian nation united by private reading. He argues that this phenomenon illuminates the structure and reception of best-selling poetic cycles as diverse as Alfred Tennyson’s In Memoriam and Christina Rossetti’s late Verses.  Ultimately, Imagined Spiritual Communities reveals how dreams of print-mediated spiritual communion generated new poetic genres and rhetorical strategies, theories and theologies of media and reading, and ambitious schemes of education and church reform.
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Imagining Adoption
Essays on Literature and Culture
Marianne Novy, Editor
University of Michigan Press, 2003
 
Imagining Adoption looks at representations of adoption in an array of literary genres by diverse authors including George Eliot, Edward Albee, and Barbara Kingsolver as well as ordinary adoptive mothers and adoptee activists, exploring what these writings share and what they debate.
Marianne Novy is Professor of English and Women's Studies, University of Pittsburgh.
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Imagining Minds
The Neuro-Aesthetics of Austen, Eliot, and Hardy
Kay Young
The Ohio State University Press, 2010
Jane Austen, George Eliot, and Thomas Hardy—three great masters of the English novel—are three remarkable imagining minds. As readers of their novels, we feel ourselves to be in contact with their authorial minds and conjure the minds they create spread across the pages of their narrative worlds. In the way that we believe in and hold in mind the idea that other human beings have minds of their own do we as readers of the novel believe we are in the presence of these other minds. But how?
 
Imagining Minds explores how the novels of Austen, Eliot, and Hardy create the felt-quality of their authoring minds and of the minds they author by bringing their writing in relation to cognitive neuroscience accounts of the mind-brain, especially of William James and Antonio Damasio. It is in that relational space between the novels and theories of mind-brain that Kay Young works through her fundamental claim: the novel writes about the nature of mind, narrates it at work, and stimulates us to know deepened experiences of consciousness in its touching of our reading minds. 
 
While, in addition to James and Damasio, Young draws on a range of theories of mind-brain generated by current research in philosophy, neuroscience, cognitive science, psychology, psychiatry, and psychoanalysis to help her understand the novel’s imagining of mind, her claim is that those disciplines cannot themselves perform the more fully integrated because embodied and emotionally stimulating mind work of thenovel—mind work that prompts us as their readers to better know our own minds.
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Imagining Rhetoric
Composing Women of the Early United States
Janet Carey Eldred
University of Pittsburgh Press, 2002

Imagining Rhetoric examines how women’s writing developed in the decades between the American Revolution and the Civil War, and how women imagined using their education to further the civic aims of an idealistic new nation.

In the late eighteenth century, proponents of female education in the United States appropriated the language of the Revolution to advance the cause of women’s literacy. Schooling for women—along with abolition, suffrage, and temperance—became one of the four primary arenas of nineteenth-century women’s activism. Following the Revolution, textbooks and fictions about schooling materialized that revealed ideal curricula for women covering subjects from botany and chemistry to rhetoric and composition. A few short decades later, such curricula and hopes for female civic rhetoric changed under the pressure of threatened disunion.

Using a variety of texts, including novels, textbooks, letters, diaries, and memoirs, Janet Carey Eldred and Peter Mortensen chart the shifting ideas about how women should learn and use writing, from the early days of the republic through the antebellum years. They also reveal how these models shaped women’s awareness of female civic rhetoric—both its possibilities and limitations.

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Imitations of Life
Two Centuries of Melodrama in Russia
Louise McReynolds and Joan Neuberger, eds.
Duke University Press, 2002
Imitations of Life views Russian melodrama from the eighteenth century to today as an unexpectedly hospitable forum for considering social issues. The contributors follow the evolution of the genre through a variety of cultural practices and changing political scenarios. They argue that Russian audiences have found a particular type of comfort in this mode of entertainment that invites them to respond emotionally rather than politically to social turmoil.
Drawing on a wide variety of sources, including plays, lachrymose novels, popular movies, and even highly publicized funerals and political trials, the essays in Imitations of Life argue that melodrama has consistently offered models of behavior for times of transition, and that contemporary televised versions of melodrama continue to help Russians cope with national events that they understand implicitly but are not yet able to articulate. In contrast to previous studies, this collection argues for a reading that takes into account the subtle but pointed challenges to national politics and to gender and class hierarchies made in melodramatic works from both the nineteenth and twentieth centuries. Collectively, the contributors shift and cross borders, illustrating how the cultural dismissal of melodrama as fundamentally escapist and targeted primarily at the politically disenfranchised has subverted the drama’s own intrinsically subversive virtues.
Imitations of Life will interest students and scholars of contemporary Russia, and Russian history, literature, and theater.

Contributors. Otto Boele, Julie Buckler, Julie Cassiday, Susan Costanzo, Helena Goscilo, Beth Holmgren, Lars Lih, Louise McReynolds, Joan Neuberger, Alexander Prokhorov, Richard Stites


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Immersive Words
Mass Media, Visuality, and American Literature, 1839–1893
Shelly Jarenski
University of Alabama Press, 2015
In Immersive Words, Michelle Jarenski demonstrates that the contemporary challenge that visual images and virtual environments in cinema and photography, on the web, and in video games pose to reading and writing are not uniquely contemporary developments but equally exercised the imaginations, anxieties, and works of nineteenth-century authors.
 
The middle of the nineteenth century witnessed the emergence of numerous visual technologies and techniques: the daguerreotype, immersive exhibition spaces such as cycloramas and panoramas, mechanized tourism, and large-scale exhibitions and spectacles such as the World’s Fair. In closely argued chapters devoted to these four visual forms, Jarenski demonstrates that the popularity of these novelties catalyzed a shift by authors of the period beyond narratives that merely described images to ones that invoked aesthetic experiences.
 
Jarenski describes how Herman Melville adapts the aesthetic of the daguerreotype through his use of dramatic point-of-view and unexpected shifts that disorient readers. Frederick Douglass is shown to appropriate a panoramic aesthetic that severs spatial and temporal narratives from standard expectations. Jarenski traces how Nathaniel Hawthorne’s The Marble Faun found success as a travel guide to Rome, though intended as a work of serious fiction. Finally, Sarah Orne Jewett is shown to simulate the interactivity of the World Columbian Exposition to promote racialized and gendered forms of aesthetic communication. These techniques and strategies drawn from visual forms blur the just-so boundary critics and theorists have traditionally drawn between text and image.
 
In the mid-nineteenth century, the national identity of the United States remained fluid and hinged upon matters of gender, sexuality, and, crucially, race. Authors both reflected that evolving identity and contributed to its ongoing evolution. In demonstrating how the aesthetic and visual technologies of the nineteenth century changed the fundamental aesthetics of American literature, the importance of Immersive Words goes far beyond literary criticism.
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The Immigrant Scene
Ethnic Amusements in New York, 1880–1920
Sabine Haenni
University of Minnesota Press, 2008
Yiddish melodramas about the tribulations of immigration. German plays about alpine tourism. Italian vaudeville performances. Rubbernecking tours of Chinatown. In the New York City of the late nineteenth and early twentieth centuries, these seemingly disparate leisure activities played similar roles: mediating the vast cultural, demographic, and social changes that were sweeping the nation’s largest city.

In The Immigrant Scene, Sabine Haenni reveals how theaters in New York created ethnic entertainment that shaped the culture of the United States in the early twentieth century. Considering the relationship between leisure and mass culture, The Immigrant Scene develops a new picture of the metropolis in which the movement of people, objects, and images on-screen and in the street helped residents negotiate the complexities of modern times.

In analyzing how communities engaged with immigrant theaters and the nascent film culture in New York City, Haenni traces the ways in which performance and cinema provided virtual mobility—ways of navigating the socially complex metropolis—and influenced national ideas of immigration, culture, and diversity in surprising and lasting ways.
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The Immigrant Threat
The Integration of Old and New Migrants in Western Europe since 1850
Leo Lucassen
University of Illinois Press, 2005
Starting in the 1980s, anti-immigrant discourse shifted away from the "color" of immigrants to their religion and culture. It focused in particular on newcomers from Muslim countries—people feared both as terrorists and as products of tribal societies with values opposed to those of secular Western Europe.

Leo Lucassen tackles the question of whether the integration process of these recent immigrants will fundamentally differ in the long run (over multiple generations) from the experiences of similar immigrant groups in the past. For comparison, Lucassen focuses on "large and problematic groups" from Western Europe's past (the Irish in the United Kingdom, the Poles in Germany, and the Italians in France) and demonstrates a number of structural similarities in the way migrants and their descendants integrated into these nation states. Lucassen emphasizes that the geographic sources of the "threat" have changed and that contemporaries tend to overemphasize the threat of each successive wave of immigrants, in part because the successfully incorporated immigrants of the past have become invisible in national histories.

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The Imperative of Reliability
Russian Prose on the Eve of the Novel, 1820s-1850s
Victoria Somoff
Northwestern University Press, 2015

The Imperative of Reliability examines the development of nineteenth-century Russian prose and the remarkably swift emergence of the Russian novel. Victoria Somoff identifies an unprecedented situation in the production and perception of the utterance that came to define nascent novelistic fictionality both in European and Russian prose, where the utterance itself—whether an oral story or a “found” manuscript—became the object of representation within the compositional format of the frame narrative. This circumstance generated a narrative perspective from which both the events and their representation appeared as concomitant in time and space: the events did not precede their narration but rather occurred and developed along with and within the narration itself. Somoff establishes this story-discourse convergence as a major factor in enabling the transition from shorter forms of Russian prose to the full-fledged realist novel.

 

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Imperial Bibles, Domestic Bodies
Women, Sexuality, and Religion in the Victorian Market
Mary Wilson Carpenter
Ohio University Press, 2003

Of the many literary phenomena that sprang up in eighteenth-century England and later became a staple of Victorian culture, one that has received little attention until now is the “Family Bible with Notes.” Published in serial parts to make it affordable, the Family Bible was designed to enhance the family’s status and sense of national and imperial identity.

Imperial Bibles, Domestic Bodies reveals in its study of the production and consumption of British commercial Family Bibles startling changes in “family values.” Advertised in the eighteenth century as providing the family with access to “universal knowledge,” these Bibles suddenly shifted in the early nineteenth century to Bibles with bracketed sections marked “to be omitted from family reading” and reserved for reading “in the closet” by the “Master of the family.” These disciplinary Bibles were paralleled by Family Bibles designed to appeal to the newly important female consumer. Illustrations featured saintly women and charming children, and “family registers” with vignettes of family life emphasized the prominent role of the “angel in the house.”

As Mary Wilson Carpenter documents in Imperial Bibles, Domestic Bodies, the elaborate notes and “elegant engravings” in these Bibles bring to light a wealth of detail about the English commonsense view of such taboo subjects as same-sex relations, masturbation, menstruation, and circumcision. Her reading of literary texts by Charlotte Brontë, George Eliot, and Elizabeth Barrett Browning in the context of these commercial representations of the “Authorized Version” or King James translation of the Bible indicates that when the Victorians spoke about religion, they were also frequently speaking about sex.

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Imperial Bodies in London
Empire, Mobility, and the Making of British Medicine, 1880–1914
Kristin Hussey
University of Pittsburgh Press, 2021

Winner, 2022 Whitfield Prize for First Monograph in the Field of British and Irish History

Since the eighteenth century, European administrators and officers, military men, soldiers, missionaries, doctors, wives, and servants moved back and forth between Britain and its growing imperial territories. The introduction of steam-powered vessels, and deep-docks to accommodate them at London ports, significantly reduced travel time for colonists and imperial servants traveling home to see their families, enjoy a period of study leave, or recuperate from the tropical climate. With their minds enervated by the sun, livers disrupted by the heat, and blood teeming with parasites, these patients brought the empire home and, in doing so, transformed medicine in Britain. With Imperial Bodies in London, Kristin D. Hussey offers a postcolonial history of medicine in London. Following mobile tropical bodies, her book challenges the idea of a uniquely domestic medical practice, arguing instead that British medicine was imperial medicine in the late Victorian era. Using the analytic tools of geography, she interrogates sites of encounter across the imperial metropolis to explore how medical research and practice were transformed and remade at the crossroads of empire.

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Imperial City
Rome under Napoleon
Susan Vandiver Nicassio
University of Chicago Press, 2009

In 1798, the armies of the French Revolution tried to transform Rome from the capital of the Papal States to a Jacobin Republic. For the next two decades, Rome was the subject of power struggles between the forces of the Empire and the Papacy, while Romans endured the unsuccessful efforts of Napoleon’s best and brightest to pull the ancient city into the modern world. Against this historical backdrop, Nicassio weaves together an absorbing social, cultural, and political history of Rome and its people. Based on primary sources and incorporating two centuries of Italian, French, and international research, her work reveals what life was like for Romans in the age of Napoleon.
 

“A remarkable book that wonderfully vivifies an understudied era in the history of Rome. . . . This book will engage anyone interested in early modern cities, the relationship between religion and daily life, and the history of the city of Rome.”—Journal of Modern History
 

“An engaging account of Tosca’s Rome. . . . Nicassio provides a fluent introduction to her subject.”—History Today
 

“Meticulously researched, drawing on a host of original manuscripts, memoirs, personal letters, and secondary sources, enabling [Nicassio] to bring her story to life.”—History

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Imperial Media
Colonial Networks and Information Technologies in the British Literary Imagination, 1857–1918
Aaron Worth
The Ohio State University Press, 2014

Imperial Media: Colonial Networks and Information Technologies in the British Literary Imagination, 1857–1918 brings together two of the most dynamic and productive approaches to the study of nineteenth-century literature in recent years—media studies and colonial studies—to illuminate the rich and enduring symbiosis that developed between information technologies and Empire. Over a century before Facebook and the iPhone, Britons relied on the electric media of their day for information about their global empire—but those media, which during Victoria’s reign stretched out its tentacles to form a true “world wide web,” not only delivered information but provided conceptual frames as well, helping to shape the way their users thought.

Ranging in space from the telegraph offices of Kipling’s India to the wireless transmitter on H.G. Wells’s Africanized moon, and in time from the Sepoy Rebellion to the Great War, Imperial Media reveals the extent to which British conceptions of imperial power were inflected by the new media of the nineteenth century: the telegraph, telephone, phonograph, radio, and cinema.

 

While focusing on the fiction of Kipling, Wells, Marie Corelli, H. Rider Haggard, and John Buchan (“the last Victorian,” in Gertrude Himmelfarb’s phrase), Aaron Worth also argues that the “imperial media” of the Victorians retain much of their imaginative life and power today, informing such popular entertainments of the twenty-first century as Bollywood cinema and the BBC’s science-fiction franchise Torchwood. This is a vital, engaging study that will shape future discussions of both colonial and information systems, as well as the relationship between the two, in Victorian studies and elsewhere.

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The Imperial Sublime
A Russian Poetics of Empire
Harsha Ram
University of Wisconsin Press, 2003
The Imperial Sublime examines the rise of the Russian empire as a literary theme simultaneous with the evolution of Russian poetry between the 1730s and 1840—the century during which poets defined the main questions facing Russian literature and society. Harsha Ram shows how imperial ideology became implicated in an unexpectedly wide range of issues, from formal problems of genre, style, and lyric voice to the vexed relationship between the poet and the ruling monarch.
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Imperial White
Race, Diaspora, and the British Empire
Radhika Mohanram
University of Minnesota Press, 2007

Radhika Mohanram shows not just how British imperial culture shaped the colonies, but how the imperial rule of colonies shifted—and gave new meanings to—what it meant to be British.

Imperial White looks at literary, social, and cultural texts on the racialization of the British body and investigates British whiteness in the colonies to address such questions as: How was the whiteness in Britishness constructed by the presence of Empire? How was whiteness incorporated into the idea of masculinity? Does heterosexuality have a color? And does domestic race differ from colonial race? In addition to these inquiries on the issues of race, class, and sexuality, Mohanram effectively applies the methods of whiteness studies to British imperial material culture to critically racialize the relationship between the metropole and the peripheral colonies.

Considering whether whiteness, like theory, can travel, Mohanram also provides a new perspective on white diaspora, a phenomenon of the nineteenth century that has been largely absent in diaspora studies, ultimately rereading—and rethinking—British imperial whiteness.

Radhika Mohanram teaches postcolonial cultural studies in the School of English, Communication and Philosophy at Cardiff University, Wales. She is the author of Black Body: Women, Colonialism, Space (Minnesota, 1999) and edits the journal Social Semiotics.

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The Imperialist Imaginary
Visions of Asia and the Pacific in American Culture
John Eperjesi
Dartmouth College Press, 2014
In a groundbreaking work of “New Americanist” studies, John R. Eperjesi explores the cultural and economic formation of the Unites States relationship to China and the Pacific Rim in the nineteenth and twentieth centuries. Eperjesi examines a variety of texts to explore the emergence of what Rob Wilson has termed the “American Pacific.” Eperjesi shows how works ranging from Frank Norris’ The Octopus to the Journal of the American Asiatic Association, from the Socialist newspaper Appeal to Reason to the travel writings of Jack and Charmain London, and from Maxine Hong Kingston’s China Men to Ang Lee’s Crouching Tiger, Hidden Dragon—and the cultural dynamics that produced them—helped construct the myth of the American Pacific. By construing the Pacific Rim as a unified region binding together the territorial United States with the areas of Asia and the Pacific, he also demonstrates that the logic of the imperialist imaginary suggested it was not only proper but even incumbent upon the United States to exercise both political and economic influence in the region. As Donald E. Pease notes in his foreword, “by reading foreign policy and economic policy as literature, and by reconceptualizing works of American literature as extenuations of foreign policy and economic theory,” Eperjesi makes a significant contribution to studies of American imperialism.
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Impossible Purities
Blackness, Femininity, and Victorian Culture
Jennifer DeVere Brody
Duke University Press, 1998
Using black feminist theory and African American studies to read Victorian culture, Impossible Purities looks at the construction of “Englishness” as white, masculine, and pure and “Americanness” as black, feminine, and impure. Brody’s readings of Victorian novels, plays, paintings, and science fiction reveal the impossibility of purity and the inevitability of hybridity in representations of ethnicity, sexuality, gender, and race. She amasses a considerable amount of evidence to show that Victorian culture was bound inextricably to various forms and figures of blackness.
Opening with a reading of Daniel Defoe’s “A True-Born Englishman,” which posits the mixed origins of English identity, Brody goes on to analyze mulattas typified by Rhoda Swartz in William Thackeray’s Vanity Fair, whose mixed-race status reveals the “unseemly origins of English imperial power.” Examining Victorian stage productions from blackface minstrel shows to performances of The Octoroon and Uncle Tom’s Cabin, she explains how such productions depended upon feminized, “black” figures in order to reproduce Englishmen as masculine white subjects. She also discusses H.G. Wells’s The Island of Dr. Moreau in the context of debates about the “new woman,” slavery, and fears of the monstrous degeneration of English gentleman. Impossible Purities concludes with a discussion of Bram Stoker’s novella, “The Lair of the White Worm,” which brings together the book’s concerns with changing racial representations on both sides of the Atlantic.
This book will be of interest to scholars in Victorian studies, literary theory, African American studies, and cultural criticism.
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Improbability, Chance, and the Nineteenth-Century Realist Novel
Adam Grener
The Ohio State University Press, 2020
In Improbability, Chance, and the Nineteenth-Century Realist Novel, Adam Grener advances a new approach to evaluating realism in fiction by arguing that nineteenth-century literary realism shifted attention to the historical and social dimensions of probability in the period’s literature. In an era in which probability was increasingly defined by statistical concepts of aggregation and abstraction, the realist writers discussed here turned to chance and improbability to address representational problems of contingency, difference, and scale.
 
Contemporary thinking about probability came to recognize the variability and even randomness of the world while also discovering how patterns and order reemerge at scale. Reading chance as a tension between randomness and order, Grener shows how novels by Jane Austen, Sir Walter Scott, Charles Dickens, Anthony Trollope, and Thomas Hardy resist the demands of probabilistic representation and develop strategies for capturing cultural particularity and historical transformation. These authors served their visions of realism by tactically embracing improbability in the form of coincidences, fatalism, supernaturalism, and luck. Understanding this strategy helps us to appreciate how realist novels work to historicize the social worlds and experiences they represent and asks us to rethink the very foundation of realism.
 
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The Improbable First Century of Cosmopolitan Magazine
James Landers
University of Missouri Press, 2010
Today, monthly issues of Cosmopolitan magazine scream out to readers from checkout counters and newsstands. With bright covers and bold, sexy headlines, this famous periodical targets young, single women aspiring to become the quintessential “Cosmo girl.” Cosmopolitan is known for its vivacious character and frank, explicit attitude toward sex, yet because of its reputation, many people don’t realize that the magazine has undergone many incarnations before its current one, including family literary magazine and muckraking investigative journal, and all are presented in The Improbable First Century of Cosmopolitan Magazine. The book boasts one particularly impressive contributor: Helen Gurley Brown herself, who rarely grants interviews but spoke and corresponded with James Landers to aid in his research.
            When launched in 1886, Cosmopolitan was a family literary magazine that published quality fiction, children’s stories, and homemaking tips. In 1889 it was rescued from bankruptcy by wealthy entrepreneur John Brisben Walker, who introduced illustrations and attracted writers such as Mark Twain, Willa Cather, and H. G. Wells. Then, when newspaper magnate William Randolph Hearst purchased Cosmopolitan in 1905, he turned it into a purveyor of exposé journalism to aid his personal political pursuits. But when Hearst abandoned those ambitions, he changed the magazine in the 1920s back to a fiction periodical featuring leading writers such as Theodore Dreiser, Sinclair Lewis, and William Somerset Maugham. His approach garnered success by the 1930s, but poor editing sunk Cosmo’s readership as decades went on. By the mid-1960s executives considered letting Cosmopolitan die, but Helen Gurley Brown, an ambitious and savvy businesswoman, submitted a plan for a dramatic editorial makeover. Gurley Brown took the helm and saved Cosmopolitan by publishing articles about topics other women’s magazines avoided. Twenty years later, when the magazine ended its first century, Cosmopolitan was the profit center of the Hearst Corporation and a culturally significant force in young women’s lives.
            The Improbable First Century of Cosmopolitan Magazine explores how Cosmopolitan survived three near-death experiences to become one of the most dynamic and successful magazines of the twentieth century. Landers uses a wealth of primary source materials to place this important magazine in the context of history and depict how it became the cultural touchstone it is today. This book will be of interest not only to modern Cosmo aficionadas but also to journalism students, news historians, and anyone interested in publishing.
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An Improper Profession
Women, Gender, and Journalism in Late Imperial Russia
Barbara T. Norton and Jehanne M Gheith, eds.
Duke University Press, 2001
Journalism has long been a major factor in defining the opinions of Russia’s literate classes. Although women participated in nearly every aspect of the journalistic process during the nineteenth and early twentieth centuries, female editors, publishers, and writers have been consistently omitted from the history of journalism in Imperial Russia. An Improper Profession offers a more complete and accurate picture of this history by examining the work of these under-appreciated professionals and showing how their involvement helped to formulate public opinion.

In this collection, contributors explore how early women journalists contributed to changing cultural understandings of women’s roles, as well as how class and gender politics meshed in the work of particular individuals. They also examine how female journalists adapted to—or challenged—censorship as political structures in Russia shifted. Over the course of this volume, contributors discuss the attitudes of female Russian journalists toward socialism, Russian nationalism, anti-Semitism, women’s rights, and suffrage. Covering the period from the early 1800s to 1917, this collection includes essays that draw from archival as well as published materials and that range from biography to literary and historical analysis of journalistic diaries.

By disrupting conventional ideas about journalism and gender in late Imperial Russia, An Improper Profession should be of vital interest to scholars of women’s history, journalism, and Russian history.

Contributors. Linda Harriet Edmondson, June Pachuta Farris, Jehanne M Gheith, Adele Lindenmeyr, Carolyn Marks, Barbara T. Norton, Miranda Beaven Remnek, Christine Ruane, Rochelle Ruthchild, Mary Zirin

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Improve, Perfect, & Perpetuate
Oliver S. Hayward
Dartmouth College Press, 1998

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Impure Migration
Jews and Sex Work in Golden Age Argentina
Mir Yarfitz
Rutgers University Press, 2019
Impure Migration investigates the period from the 1890s until the 1930s, when prostitution was a legal institution in Argentina and the international community knew its capital city Buenos Aires as the center of the sex industry. At the same time, pogroms and anti-Semitic discrimination left thousands of Eastern European Jewish people displaced, without the resources required to immigrate. For many Jewish women, participation in prostitution was one of very few ways they could escape the limited options in their home countries, and Jewish men facilitate their transit and the organization of their work and social lives. Instead of marginalizing this story or reading it as a degrading chapter in Latin American Jewish history, Impure Migration interrogates a complicated social landscape to reveal that sex work is in fact a critical part of the histories of migration, labor, race, and sexuality.
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In a Closet Hidden
The Life and Work of Mary E. Wilkins Freeman
Leah Blatt Glasser
University of Massachusetts Press, 1996
The first literary biography of a much-neglected American writer, this book explores the multiple tensions at the core of Mary E. Wilkins Freeman's life and work. A prolific short story writer and novelist, Freeman (1852-1930) developed a reputation as a local colorist who depicted the peculiarities of her native New England. Yet as Leah Blatt Glasser shows, Freeman was one of the first American authors to write extensively about the relationships women form outside of marriage and motherhood, the role of work in women's lives, the complexity of women's sexuality, and the interior lives of women who rebel rather than conform to patriarchal strictures.

In a Closet Hidden traces Freeman's evolution as a writer, showing how her own inner conflicts repeatedly found expression in her art. As Glasser demonstrates, Freeman's work examined the competing claims of creativity and convention, self-fulfillment and self-sacrifice, spinsterhood and marriage, lesbianism and heterosexuality.
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In a Persian Mirror
Images of the West and Westerners in Iranian Fiction
By M. R. Ghanoonparvar
University of Texas Press, 1993

The extreme anti-Western actions and attitudes of Iranians in the 1980s astonished and dismayed the West, which has characterized the Iranian positions as irrational and inexplicable. In this groundbreaking study of images of the West in Iranian literature, however, M. R. Ghanoonparvar reveals that these attitudes did not develop suddenly or inexplicably but rather evolved over more than two centuries of Persian-Western contact.

Notable among the authors whose works Ghanoonparvar discusses are Sadeq Hedayat, M. A. Jamalzadeh, Hushang Golshiri, Gholamhoseyn Sa'edi, Simin Daneshvar, Moniru Ravanipur, Sadeq Chubak, and Jalal Al-e Ahmad. This survey significantly illuminates the sources of Iranian attitudes toward the West and offers many surprising discoveries for Western readers, not least of which is the fact that Iranians have often found Westerners to be as enigmatic and incomprehensible as we have believed them to be.

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In Close Association
Local Activist Networks in the Making of Japanese Modernity, 1868–1920
Marnie S. Anderson
Harvard University Press, 2022

In Close Association is the first English-language study of the local networks of women and men who built modern Japan in the Meiji period (1868–1912). Marnie Anderson uncovers in vivid detail how a colorful group of Okayama-based activists founded institutions, engaged in the Freedom and People’s Rights Movement, promoted social reform, and advocated “civilization and enlightenment” while forging pathbreaking conceptions of self and society. Alongside them were Western Protestant missionaries, making this story at once a local history and a transnational one.

Placing gender analysis at its core, the book offers fresh perspectives on what women did beyond domestic boundaries, while showing men’s lives, too, were embedded in home and kin. Writing “history on the diagonal,” Anderson documents the gradual differentiation of public activity by gender in the late nineteenth and early twentieth centuries. Meiji-era associations became increasingly sex-specific, though networks remained heterosocial until the twentieth century.

Anderson attends to how the archival record shapes what historians can know about individual lives. She argues for the interdependence of women and men and the importance of highlighting connections between people to explain historical change. Above all, the study sheds new light on how local personalities together transformed Japan.

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In Common Cause
The “Conservative” Frances Trollope and the “Radical” Frances Wright
Susan S. Kissel
University of Wisconsin Press, 1993
Nineteenth century writers and reformers Frances Trollope and Frances Wright have always been viewed as ideological opposites. In Common Cause: The "Conservative" Frances Trollope and the "Radical" Frances Wright looks at their political commonalities rather than their differences. It traces the way in which these two women have been stereotyped and denigrated for over 100 years. It considers the many contributions of both women to the most significant political movements of their times: anti-slavery; women's rights; and industrial reform.
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In Contempt
Nineteenth-Century Women, Law, and Literature
Kristin Kalsem
The Ohio State University Press, 2012

 In Contempt: Nineteenth-Century Women, Law, and Literature, by Kristin Kalsem, explores the legal advocacy performed by nineteenth-century women writers in publications of nonfiction and fiction, as well as in real-life courtrooms and in the legal forum provided by the novel form.

 
The nineteenth century was a period of unprecedented reform in laws affecting married women’s property, child support and custody, lunacy, divorce, birth control, domestic violence, and women in the legal profession. Women’s contributions to these changes in the law, however, have been largely ignored because their work, stories, and perspectives are not recorded in authoritative legal texts; rather, evidence of their arguments and views are recorded in writings of a different kind. This book examines lesser-known works of nonfiction and fiction by legal reformers such as Annie Besant and Georgina Weldon and novelists such as Frances Trollope, Jane Hume Clapperton, George Paston, and Florence Dixie.
 
In Contempt brings to light new connections between Victorian law and literature, not only with its analysis of many “lost” novels but also with its new legal readings of old ones such as Emily Brontë’s Wuthering Heights (1847), George Eliot’s Adam Bede (1859), Lewis Carroll’s Alice’s Adventures in Wonderland (1865), Rider Haggard’s She (1887), and Thomas Hardy’s Jude the Obscure (1895). This study reexamines the cultural and political roles of the novel in light of “new evidence” that many nineteenth-century novels were “lawless”—showing contempt for, rather than policing, the law.
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In Praise of Antiheroes
Figures and Themes in Modern European Literature, 1830-1980
Victor Brombert
University of Chicago Press, 1999
In an age of upheaval and challenged faith, traditional heroes are hard to come by, and harder still to love, with their bloodstained hands and backs unbowed by the consequences of their actions. Through penetrating readings of key works of modern European literature, Victor Brombert shows how a new kind of hero—the antihero—has arisen to replace the toppled heroic model.

Though they fail, by design, to live up to conventional expectations of mythic heroes, antiheroes are not necessarily "failures." They display different kinds of courage more in tune with our time and our needs: deficiency translated into strength, failure experienced as honesty, dignity achieved through humiliation. Brombert explores these paradoxes in the works of Büchner, Gogol, Dostoevsky, Flaubert, Svevo, Hašek, Frisch, Camus, and Levi. Coming from diverse cultural and linguistic traditions, these writers all use the figure of the antihero to question handed-down assumptions, to reexamine moral categories, and to raise issues of survival and renewal embodying the spirit of an uneasy age.

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In Pursuit of Justice
The Life of John Albion Andrew
Stephen D. Engle
University of Massachusetts Press, 2023

Widely known as the “poor man’s lawyer” in antebellum Boston, John Albion Andrew (1818–1867) was involved in nearly every cause and case that advanced social and racial justice in Boston in the years preceding the Civil War. Inspired by the legacies of John Quincy Adams and Ralph Waldo Emerson, and mentored by Charles Sumner, Andrew devoted himself to the battle for equality. By day, he fought to protect those condemned to the death penalty, women seeking divorce, and fugitives ensnared by the Fugitive Slave Law. By night, he coordinated logistics and funding for the Underground Railroad as it ferried enslaved African Americans northward.

In this revealing and accessible biography, Stephen D. Engle traces Andrew’s life and legacy, giving this important, but largely forgotten, figure his due. Rising to national prominence during the Civil War years as the governor of Massachusetts, Andrew raised the African American regiment known as the Glorious 54th and rallied thousands of soldiers to the Union cause. Upon his sudden death in 1867, a correspondent for Harper’s Weekly wrote, “Not since the news came of Abraham Lincoln’s death were so many hearts truly smitten.”

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In Pursuit of Leviathan
Technology, Institutions, Productivity, and Profits in American Whaling, 1816-1906
Lance E. Davis, Robert E. Gallman, and Karin Gleiter
University of Chicago Press, 1997
In Pursuit of Leviathan traces the American whaling industry from its rise in the 1840s to its precipitous fall at the end of the nineteenth century. Using detailed and comprehensive data that describe more than four thousand whaling voyages from New Bedford, Massachusetts, the leading nineteenth-century whaling port, the authors explore the market for whale products, crew quality and labor contracts, and whale biology and distribution, and assess the productivity of the American fleet. They then examine new whaling techniques developed at the end of the nineteenth century, such as modified clippers and harpoons, and the introduction of darting guns. Despite the common belief that the whaling industry declined due to a fall in whale stocks, the authors argue that the industry's collapse was related to changes in technology and market conditions.

Providing a wealth of historical information, In Pursuit of Leviathan is a classic industry study that will provide intriguing reading for anyone interested in the history of whaling.
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In Quest of the Ordinary
Lines of Skepticism and Romanticism
Stanley Cavell
University of Chicago Press, 1988
These lectures by one of the most influential and original philosophers of the twentieth century constitute a sustained argument for the philosophical basis of romanticism, particularly in its American rendering. Through his examination of such authors as Emerson, Thoreau, Poe, Wordsworth, and Coleridge, Stanley Cavell shows that romanticism and American transcendentalism represent a serious philosophical response to the challenge of skepticism that underlies the writings of Wittgenstein and Austin on ordinary language.
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In Sacred Loneliness
The Documents
Todd Compton
Signature Books, 2022
Plural marriage in the Nauvoo era of LDS Church history has long been a fascinating subject. To understand it fully requires one to look at it from the perspective of the man who introduced it, but just as crucial is a dive into the lives of the women he married, all who have their stories to tell. In his 1997 award-winning study, In Sacred Loneliness: The Plural Wives of Joseph Smith, Todd Compton focused on the thirty-three women who he could demonstrate that Smith married, providing life stories of many who were well-known and others who have been largely forgotten. In his new work, In Sacred Loneliness: The Documents, Compton returns to his subject and provides the raw materials that helped him create his original study, writings composed by the women themselves. 

This volume includes many autobiographical writings, diaries, and letters, with Compton providing annotations and introductory material that illuminates these crucial primary sources. This allows readers to take their understanding of this unique group of women to a new level and to drive home that fact that their lives go far beyond the Nauvoo experiment that forever links them to Mormonism’s founding prophet. 
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In Science's Shadow
Literary Constructions of Late Victorian Women
Patricia Murphy
University of Missouri Press, 2006

 The Victorian era was characterized by great scientific curiosity—as exemplified by the publication of Darwin’s Descent of Man—as well as by new questions regarding the place of women in society. Patricia Murphy now explores the tenuous interplay of gender and science to show how the era’s literature both challenged and reinforced a constrictive role for Victorian women. Focusing on a specific body of literature involving women intensely associated with scientific pursuits, and examining selected noncanonical writings—both fictional and nonfictional representations of scientific women—Murphy demonstrates how these works informed the “Woman Question” by reinforcing or rejecting presumed truths about gender and science.

            Some of these texts offer lucid insights into the ways in which women were defined, marginalized, and excluded. In his novel Two on a Tower, Thomas Hardy presented science as a masculine realm threatened by female intrusion, while Wilkie Collins in Heart and Science depicted a woman interested in science as a villainous schemer who falls far short of the Victorian ideal of femininity. And although Charles Reade’s novel A Woman-Hater was more sympathetic in its portrayal of a female physician, it continued to reinforce Victorian stereotypes.
In contrast, Murphy also shows us the poetry of science enthusiast Constance Naden, who used the language of the discipline to reflect its marginalization of women. Murphy also uses the travel memoirs of botanical painter Marianne North, which reveal her attempts to achieve a gender-neutral voice to position her work within the Victorian scientific realm. Through the words of these women, Murphy shows how popular notions of women’s inferiority and marginality were internalized and addressed.
            These close readings further elucidate the status of women in late-nineteenth-century England and show how prejudices about women’s intellectual inferiority infiltrated popular culture. In Science’s Shadow makes new inroads in the study of gendered scientific discourse while introducing readers to some little-known, but most revealing, literary works
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In the Blood of Our Brothers
Abolitionism and the End of the Slave Trade in Spain's Atlantic Empire, 1800–1870
Jesús Sanjurjo
University of Alabama Press, 2021
Finalist for the Paul E. Lovejoy Book Prize

Details the abolition of the slave trade in the Atlantic World to the 1860s


Throughout the nineteenth century, very few people in Spain campaigned to stop the slave trade and did even less to abolish slavery. Even when some supported abolition, the reasons that moved them were not always humanitarian, liberal, or egalitarian. How abolitionist ideas were received, shaped, and transformed during this period has been ripe for study. Jesús Sanjurjo’s In the Blood of Our Brothers: Abolitionism and the End of the Slave Trade in Spain’s Atlantic Empire, 1800–1870 provides a comprehensive theory of the history, the politics, and the economics of the persistence and growth of the slave trade in the Spanish empire even as other countries moved toward abolition.

Sanjurjo privileges the central role that British activists and diplomats played in advancing the abolitionist cause in Spain. In so doing, he brings to attention the complex and uneven development of abolitionist and antiabolitionist discourses in Spain’s public life, from the beginning of the nineteenth century to the end of the transatlantic trade. His delineation of the ideological and political tension between Spanish liberalism and imperialism is crucial to formulating a fuller explanation of the reasons for the failure of anti–slave trade initiatives from 1811 to the 1860s. Slave trade was tied to the notion of inviolable property rights, and slavery persisted and peaked following three successful liberal revolutions in Spain.

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https://inthebloodofourbrothers.com/ for more information.

 
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In the Company of Books
Literature and Its "Classes" in Nineteenth-Century America
Sarah Wadsworth
University of Massachusetts Press, 2006
A vital feature of American culture in the nineteenth century was the growing awareness that the literary marketplace consisted not of a single, unified, relatively homogeneous reading public but rather of many disparate, overlapping reading communities differentiated by interests, class, and level of education as well as by gender and stage of life. Tracing the segmentation of the literary marketplace in nineteenth-century America, this book analyzes the implications of the subdivided literary field for readers, writers, and literature itself.

With sections focusing on segmentation by age, gender, and cultural status, In the Company of Books analyzes the ways authors and publishers carved up the field of literary production into a multitude of distinct submarkets, differentiated their products, and targeted specific groups of readers in order to guide their book-buying decisions. Combining innovative approaches to canonical authors such as Nathaniel Hawthorne, Louisa May Alcott, Mark Twain, and Henry James with engaging investigations into the careers of many lesser-known literary figures, Sarah Wadsworth reveals how American writers responded to—and contributed to—this diverse, and diversified, market.

In the Company of Books contends that specialized editorial and marketing tactics, in concert with the narrative strategies of authors and the reading practices of the book-buying public, transformed the literary landscape, leading to new roles for the book in American culture, the innovation of literary genres, and new relationships between books and readers. Both an exploration of a fragmented print culture through the lens of nineteenth-century American literature and an analysis of nineteenth-century American literature from the perspective of this subdivided marketplace, this wide-ranging study offers fresh insight into the impact of market forces on the development of American literature.
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In the Nineties
John Stokes
University of Chicago Press, 1990
John Stokes's lively study is an exercise in interdisciplinary criticism inspired by the decade it observes, the decade of Wilde, Shaw, Beardsley, and Sickert. No longer dismissed as merely transitional between the Victorian and the Modern, the 1890s have now come to be recognized as unique—a period of dramatic engagement between high culture and popular forms, one medium and another, art and life.

Spurning fixed boundaries, Stokes relates the controversial topics of the day—the status of the "New Journalism," the "degenerative" influence of Impressionist painting, the dubious morality of the music hall, the urgent need for prison reform, and the prevalence of suicide—to primary literary texts, such as The Ballad of Reading Gaol, The Importance of Being Earnest, Jude the Obscure, and Portrait of a Lady. And in the process, he explores crucial areas of sociological and psychological interest: criminality, sexuality, madness, and "morbidity."

Each of the book's six chapters opens with a look at the correspondence columns of daily newspapers and goes on, with a keen eye for the hidden link, to pursue a particular theme. Locations shift from Leicester Square and the Thames embankment to the Normandy coast and the Paris morgue and feature, along with famous names, a lesser known company of acrobats, convicts, aesthetes, "philistines," and mysterious suicides.

Nearly a century later, John Stokes's unrivalled knowledge of how the arts actually functioned in the nineties makes this book a major contribution to modern cultural studies.
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In the Shadow of Freedom
The Politics of Slavery in the National Capital
Paul Finkelman
Ohio University Press, 2011

Few images of early America were more striking, and jarring, than that of slaves in the capital city of the world’s most important free republic. Black slaves served and sustained the legislators, bureaucrats, jurists, cabinet officials, military leaders, and even the presidents who lived and worked there. While slaves quietly kept the nation’s capital running smoothly, lawmakers debated the place of slavery in the nation, the status of slavery in the territories newly acquired from Mexico, and even the legality of the slave trade in itself.

This volume, with essays by some of the most distinguished historians in the nation, explores the twin issues of how slavery made life possible in the District of Columbia and how lawmakers in the district regulated slavery in the nation.

Contributors: David Brion Davis, Mary Beth Corrigan, A. Glenn Crothers, Jonathan Earle, Stanley Harrold, Mitch Kachun, Mary K. Ricks, James B. Stewart, Susan Zaeske, David Zarefsky

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In the Shadow of the Enemy
The Civil War Journal of Ida Powell Dulaney
Mary L. Mackall
University of Tennessee Press, 2009

The mistress of a slave-holding estate, Ida Powell Dulany took over control of the extensive family lands once her husband left to fight for the Confederacy. She struggled to manage slaves, maintain contact with her neighbors, and keep up her morale after her region was abandoned by the Confederate government soon after the beginning of hostilities.

More than just an elegantly written account of her own day-to-day experiences in the Civil War, Ida’s journal opens a window into the Southern culture of the time.

Stevan F. Meserve has written extensively for several Civil War publications and is the author of The Civil War in Loudoun County, Virginia: A History of Hard Times.

Anne Mackall Sasscer  grew up on Selby, a family farm near The Plains, Virginia, the home of Ida Powell Dulany’s youngest daughter.

Mary LeJeune Mackall spent her early years at Blenheim, a pre-Revolutionary farm near Charlottesville, which inspired her lifelong interest in Virginia history.

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In the Shadows of Romance
Romantic Tragic Drama in Germany, England, and France
Jeffrey N. Cox
Ohio University Press, 2011

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In the Work of Their Hands Is Their Prayer
Cultural Narrative and Redemption on the American Frontiers, 1830-1930
Joel Daehnke
Ohio University Press, 2003

Westward expansion on the North American continent by European settlers generated a flurry of writings on the frontier experience over the course of a hundred years. Asserting that the dominant ideology of America’s Manifest Destiny embodied a tense, often contradictory union of Christian and secular republican views of social progress, In the Work of Their Hands Is Their Prayer investigates the ambivalence of the frontier as it was inscribed with redemptive, historical significance by a host of frontier writers.

Enlisting canonical and noncanonical sources, Joel Daehnke examines the manner in which the imagery of the human figure at work and play in the frontier landscape participated in the nationalist, “civilizing” project of westward expansion. While he acknowledges the growing secularization of American life, Professor Daehnke surveys the continuing claims of the Christian redemptive scheme as a powerful symbolic domain for these writers’ meditations on social progress and the potential for human perfectibility in the landscapes of the West.

Whether discussing the Edenic imagery of women’s gardens, the advocacy of an ethics of land use, or the affairs of fortune in the mining districts of Nevada, In the Work of Their Hands Is Their Prayer presents an enlightening reexamination of an American ideology of progress and its enduring fascination with mission, Manifest Destiny, and the ends of history.

In the Work of Their Hands Is Their Prayer is a welcome addition to the extended library of critical attention to the ideology, history, and literary traditions of the American frontier.

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In Visible Touch
Modernism and Masculinity
Edited by Terry Smith
University of Chicago Press, 1997
In this collection, outstanding historians and theorists explore the representation of heterosexual masculinity embodied in modernist art.

Examining such major European modernists as Cézanne, Caillebotte, Matisse, Wyndham Lewis, and Boccioni, these writings offer a history of how artists sought to shape their sexuality in their work. In turn, the essays also show how the artists were shaped by the historical shifts in the gender order and by the exchanges between sexualities occurring in their social worlds. For example, the piece on Wyndham Lewis shows how he subscribed to an exaggerated masculinism, while the essays on Boccioni and Matisse bring out the efforts by these men to understand feminine sexuality.

In the theoretical essays, Bernard Smith questions modernism itself as a style category. And Richard Shiff and W.J.T. Mitchell trace the consequences for art theory of recognizing the physical presence of modernist artworks and the agency of imagery in our encounter with contemporary art.
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Incest and Influence
The Private Life of Bourgeois England
Adam Kuper
Harvard University Press, 2009

Like many gentlemen of his time, Charles Darwin married his first cousin. In fact, marriages between close relatives were commonplace in nineteenth-century England, and Adam Kuper argues that they played a crucial role in the rise of the bourgeoisie.

Incest and Influence shows us just how the political networks of the eighteenth-century aristocracy were succeeded by hundreds of in-married bourgeois clans—in finance and industry, in local and national politics, in the church, and in intellectual life. In a richly detailed narrative, Kuper deploys his expertise as an anthropologist to analyze kin marriages among the Darwins and Wedgwoods, in Quaker and Jewish banking families, and in the Clapham Sect and their descendants over four generations, ending with a revealing account of the Bloomsbury Group, the most eccentric product of English bourgeois endogamy.

These marriage strategies were the staple of novels, and contemporaries were obsessed with them. But there were concerns. Ideas about incest were in flux as theological doctrines were challenged. For forty years Victorian parliaments debated whether a man could marry his deceased wife’s sister. Cousin marriage troubled scientists, including Charles Darwin and his cousin Francis Galton, provoking revolutionary ideas about breeding and heredity.

This groundbreaking study brings out the connection between private lives, public fortunes, and the history of imperial Britain.

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Incidental Architect
William Thornton and the Cultural Life of Early Washington, D.C., 1794–1828
Gordon S. Brown
Ohio University Press, 2009

While the majority of scholarship on early Washington focuses on its political and physical development, in Incidental ArchitectGordon S. Brown describes the intellectual and social scene of the 1790s and early 1800s through the lives of a prominent couple whose cultural aspirations served as both model and mirror for the city’s own.

When William and Anna Maria Thornton arrived in Washington, D.C., in 1794, the new nation’s capital was little more than a raw village. The Edinburgh–educated Thornton and his accomplished wife brought with them the values of the Scottish Enlightenment, an enthusiasm for the arts, and a polished urbanity that was lacking in the little city emerging from the swamps along the Potomac. Thornton’s talents were manifold: He is perhaps best known as the original architect of the Capitol building, but he also served as a city commissioner and as director of the Patent Office, where his own experimentation in steam navigation embroiled him in a long-running dispute with inventor Robert Fulton.

In spite of their general preoccupation with politics and real estate development, Washington’s citizens gradually created a network of cultural institutions—theaters, libraries and booksellers, music venues, churches, schools, and even colleges and intellectual associations—that began to satisfy their aspirations.

Incidental Architect is a fascinating account of how the city’s cultural and social institutions were shaped by its earliest citizens.

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Incurable and Intolerable
Chronic Disease and Slow Death in Nineteenth-Century France
Jason Szabo
Rutgers University Press, 2009
Terminal illness and the pain and anguish it brings are experiences that have touched millions of people in the past and continue to shape our experience of the present. Hospital machines that artificially support life and monitor vital signs beg the question: Is there not anything that medical science can offer as solace?

Incurable and Intolerable looks at the history of incurable illness from a variety of perspectives, including those of doctors, patients, families, religious counsel, and policy makers. This compellingly documented and well-written history illuminates the physical, emotional, social, and existential consequences of chronic disease and terminal illness, and offers an original look at the world of palliative medicine, politics, religion, and charity. Revealing the ways in which history can shed new light on contemporary thinking, Jason Szabo encourages a more careful scrutiny of today's attitudes, policies, and practices surrounding "imminent death" and its effects on society.

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Independent Immigrants
A Settlement of Hanoverian Germans in Western Missouri
Robert W. Frizzell
University of Missouri Press, 2007

Between 1838 and the early 1890s, German peasant farmers from the Kingdom of Hanover made their way to Lafayette County, Missouri, to form a new community centered on the town of Concordia. Their story has much to tell us about the American immigrant experience—and about how newcomers were caught up in the violence that swept through their adoptive home.

Robert Frizzell grew up near Concordia, and in this first book-length history of the German settlement, he chronicles its life and times during those formative years. Founded by Hanoverian Friedrich Dierking—known as “Dierking the Comforter” for the aid he gave his countrymen—the Concordia settlement blossomed from 72 households in 1850 to 375 over the course of twenty years. Frizzell traces that growth as he examines the success of early agricultural efforts, but he also tells how the community strayed from the cultural path set by its freethinker founder to become a center of religious conservatism.

Drawing on archival material from both sides of the Atlantic, Frizzell offers a compelling account for scholars and general readers alike, showing how Concordia differed from other German immigrant communities in America. He also explores the conditions in Hanover—particularly the village of Esperke, from which many of the settlers hailed—that caused people to leave, shedding new light on theological, political, and economic circumstances in both the Old World and the New.

When the Civil War came, the antislavery Hanoverians found themselves in the Missouri county with the greatest number of slaves, and the Germans supported the Union while most of their neighbors sympathized with Confederate guerrillas. Frizzell tells how the notorious “Bloody Bill” Anderson attacked the community three times, committing atrocities as gruesome as any recorded in the state—then how the community flourished after the war and even bought out the farmsteads of former slaveholders.

Frizzell’s account challenges many historians’ assumptions about German motives for immigration and includes portraits of families and individuals that show the high price in toil and blood required to meet the challenges of making a home in a new land. Independent Immigrants reveals the untold story of these newcomers as it reveals a little-known aspect of the Civil War in Missouri.

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Independent Women
Work and Community for Single Women, 1850-1920
Martha Vicinus
University of Chicago Press, 1985
Martha Vicinus's subject is the middle-class English woman, the first of her sex who could afford to live on her own earnings 'outside heterosexual domesticity or church governance.' She wanted and needed to work. Meticulous, resonant, original, triumphant, Independent Women tells of the efforts and endurance of this Victorian woman; of her courage and the constraints that she rejected, accepted, and created. . . . The independent women are the 'foremothers' of any women today who seeks significant work, emotionally satisfying friendships, and a morally charged freedom."—from the Foreword by Catharine R. Stimpson

"Feminist insight combines with vast research to produce a dramatic narrative. Independent Women chronicles the energetic lives and imaginative communal structures invented by women who 'pioneered new occupations, new living conditions, and new public roles.'"—Lee R. Edwards, Ms.

"Vicinus is to be congratulated for her brave and unflinching portraits of twisted spinsters as well as stolid saints. That she stretches her net up into the '20s and covers the women's suffrage momement is a brilliant stroke, for one may see clearly how it was possible for women to mount such an enormous and successful political campaign."—Jane Marcus, Chicago Tribune Book World

"Vicinus' beautifully written book abounds in rich historical detail and in subtle psychological insights in the character of its protagonists. The author understands the complexities of the interplay between economic and social conditions, cultural values, and the aims and aspirations of individual personalities who act in history. . . . A superb achievement."—Gerda Lerner, Reviews in American History

"Martha Vicinus has with intelligence and energy paved and landscaped the road on which scholars and students of activist women all travel for many years."—Blanche Wiesen Cook, Women's Review of Books

"Independent Women can be read by anyone with an interest in women's history. But for all contemporary women, unconsciously enjoying privileges and freedoms once bought so dearly, this book should be required reading."—Catharine E. Boyd, History

[more]

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The Indian Craze
Primitivism, Modernism, and Transculturation in American Art, 1890–1915
Elizabeth Hutchinson
Duke University Press, 2009
In the early twentieth century, Native American baskets, blankets, and bowls could be purchased from department stores, “Indian stores,” dealers, and the U.S. government’s Indian schools. Men and women across the United States indulged in a widespread passion for collecting Native American art, which they displayed in domestic nooks called “Indian corners.” Elizabeth Hutchinson identifies this collecting as part of a larger “Indian craze” and links it to other activities such as the inclusion of Native American artifacts in art exhibitions sponsored by museums, arts and crafts societies, and World’s Fairs, and the use of indigenous handicrafts as models for non-Native artists exploring formal abstraction and emerging notions of artistic subjectivity. She argues that the Indian craze convinced policymakers that art was an aspect of “traditional” Native culture worth preserving, an attitude that continues to influence popular attitudes and federal legislation.

Illustrating her argument with images culled from late-nineteenth- and early-twentieth-century publications, Hutchinson revises the standard history of the mainstream interest in Native American material culture as “art.” While many locate the development of this cross-cultural interest in the Southwest after the First World War, Hutchinson reveals that it began earlier and spread across the nation from west to east and from reservation to metropolis. She demonstrates that artists, teachers, and critics associated with the development of American modernism, including Arthur Wesley Dow and Gertrude Käsebier, were inspired by Native art. Native artists were also able to achieve some recognition as modern artists, as Hutchinson shows through her discussion of the Winnebago painter and educator Angel DeCora. By taking a transcultural approach, Hutchinson transforms our understanding of the role of Native Americans in modernist culture.

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Indian Nation
Native American Literature and Nineteenth-Century Nationalisms
Cheryl Walker
Duke University Press, 1997
Indian Nation documents the contributions of Native Americans to the notion of American nationhood and to concepts of American identity at a crucial, defining time in U.S. history. Departing from previous scholarship, Cheryl Walker turns the "usual" questions on their heads, asking not how whites experienced indigenous peoples, but how Native Americans envisioned the United States as a nation. This project unfolds a narrative of participatory resistance in which Indians themselves sought to transform the discourse of nationhood.
Walker examines the rhetoric and writings of nineteenth-century Native Americans, including William Apess, Black Hawk, George Copway, John Rollin Ridge, and Sarah Winnemucca. Demonstrating with unique detail how these authors worked to transform venerable myths and icons of American identity, Indian Nation chronicles Native American participation in the forming of an American nationalism in both published texts and speeches that were delivered throughout the United States. Pottawattomie Chief Simon Pokagon’s "The Red Man’s Rebuke," an important document of Indian oratory, is published here in its entirety for the first time since 1893.
By looking at this writing through the lens of the best theoretical work on nationality, postcoloniality, and the subaltern, Walker creates a new and encompassing picture of the relationship between Native Americans and whites. She shows that, contrary to previous studies, America in the nineteenth century was intercultural in significant ways.
[more]

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Indiana Quakers Confront the Civil War
Jacquelyn S. Nelson
Indiana Historical Society Press, 1991
When members of the Society of Friends, or Quakers, first arrived in antebellum Indiana, they could not have envisioned the struggle which would engulf the nation when the American Civil War began in 1861. Juxtaposed with its stand against slavery a second tenet of the Society's creed--adherence to peace--also challenged the unity of Friends when the dreaded conflict erupted. Indiana Quakers Confront the Civil War chronicles for the first time the military activities of Indiana Quakers during America's bloodiest war and explores the motivation behind the abandonment, at least temporarily, of their long-standing testimony against war.
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The Indomitable Mary Easton Sibley
Pioneer of Women's Education in Missouri
Kristie C. Wolferman
University of Missouri Press, 2008
Acknowledged as a significant figure in the history of women on the early western frontier, Mary Easton Sibley may be little known to many modern readers. Yet she was involved in most of the important events in nineteenth-century Missouri, pursued and practiced educational innovations, and founded a school that continues to thrive today. This first biography of Sibley sheds new light on this important pioneer.
            Kristie Wolferman retraces the course of an exciting life, beginning with four-year-old Mary’s arrival in St. Louis in 1804 when her father was appointed attorney general for the District of Louisiana—and the Eastons became one of the first American families to settle in this bustling French town. At fifteen, Mary married George Champlin Sibley, the factor of Fort Osage in Western Missouri, where the young bride lived among the Indians on the edge of the frontier and took up her teaching vocation. She then went on to found Linden Wood in St. Charles, the first college for women west of the Mississippi, and she also taught classes for African American and immigrant children. Throughout the story, Wolferman shows us a life intimately entwined with the history of the state, as Mary witnessed St. Louis in its primitive years and frontier life at Fort Osage, as well as changes in Indian policy and citizenship for former slaves.
Although Sibley’s life has been told in older accounts, Wolferman’s is the first to draw fully on Mary and George Sibley’s journals and letters, with Mary’s journal especially shedding light on her views regarding women’s social and political roles, slavery, temperance, religion, and other topics. By reconstructing Sibley’s inner life as well as her career, Wolferman depicts not merely a frontier heroine and educational pioneer but an assertive woman who did not hesitate to express unconventional views.
            Today, Lindenwood University is a major coeducational institution that continues to honor Mary Sibley’s philosophy and dedication. This biography not only brings to life one of Missouri’s most remarkable women educators but also demonstrates how her story reflects educational, religious, and social developments in both the state and the nation. The Indomitable Mary Easton Sibley recognizes her as a key player on the frontier and as a major part of Missouri’s heritage.
[more]

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The Industrial Reformation of English Fiction
Social Discourse and Narrative Form, 1832-1867
Catherine Gallagher
University of Chicago Press, 1985

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Industry and Revolution
Social and Economic Change in the Orizaba Valley, Mexico
Aurora Gómez-Galvarriato
Harvard University Press, 2013

The Mexican Revolution has long been considered a revolution of peasants. But Aurora Gómez-Galvarriato’s investigation of the mill towns of the Orizaba Valley reveals that industrial workers played a neglected but essential role in shaping the Revolution. By tracing the introduction of mechanized industry into the valley, she connects the social and economic upheaval unleashed by new communication, transportation, and production technologies to the political unrest of the revolutionary decade. Industry and Revolution makes a convincing argument that the Mexican Revolution cannot be understood apart from the changes wrought by the Industrial Revolution, and thus provides a fresh perspective on both transformations.

By organizing collectively on a wide scale, the spinners and weavers of the Orizaba Valley, along with other factory workers throughout Mexico, substantially improved their living and working conditions and fought to secure social and civil rights and reforms. Their campaigns fed the imaginations of the masses. The Constitution of 1917, which embodied the core ideals of the Mexican Revolution, bore the stamp of the industrial workers’ influence. Their organizations grew powerful enough to recast the relationship between labor and capital, not only in the towns of the valley, but throughout the entire nation.

The story of the Orizaba Valley offers insight into the interconnections between the social, political, and economic history of modern Mexico. The forces unleashed by the Mexican and the Industrial revolutions remade the face of the nation and, as Gómez-Galvarriato shows, their consequences proved to be enduring.

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Industry Technology
Antebellum Tennessee
R. Bruce Council
University of Tennessee Press, 1992
Historical Archaeology. No further description available.
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Influx and Efflux
Writing Up with Walt Whitman
Jane Bennett
Duke University Press, 2020
In influx & efflux Jane Bennett pursues a question that was bracketed in her book Vibrant Matter: how to think about human agency in a world teeming with powerful nonhuman influences? “Influx & efflux”—a phrase borrowed  from Whitman's "Song of Myself"—refers to everyday movements whereby outside influences enter bodies, infuse and confuse their organization, and then exit, themselves having been transformed into something new. How to describe the human efforts involved in that process? What kinds of “I” and “we” can live well and act effectively in a world of so many other lively materialities? Drawing upon Whitman, Thoreau, Caillois, Whitehead, and other poetic writers, Bennett links a nonanthropocentric model of self to a radically egalitarian pluralism and also to a syntax and style of writing appropriate to the entangled world in which we live. The book tries to enact the uncanny process by which we “write up” influences that pervade, enable, and disrupt us.
[more]

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Informing a Nation
The Newspaper Presidency of Thomas Jefferson
Mel Laracey
University of Michigan Press, 2021
During his presidency, Thomas Jefferson both sponsored and wrote for his own newspaper, the National Intelligencer and Washington Advertiser. The newspaper spoke on behalf of his policies and those of his Republican, anti-federalist party, the Democratic-Republicans, the precursor to today’s Democrats. Author Mel Laracey focuses on the newspaper’s message during Jefferson’s first term, showing how the third president used media to promote his administration and its goals against their political rivals, the Federalists. Informing a Nation shows how Jefferson and his allies dealt with political challenges, reveals hitherto unexamined aspects of the early presidency, and raises broad questions of the relationship between the presidency and media today.
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The Insatiability of Human Wants
Economics and Aesthetics in Market Society
Regenia Gagnier
University of Chicago Press, 2000
What is the relationship between our conception of humans as producers or creators; as consumers of taste and pleasure; and as creators of value? Combining cultural history, economics, and literary criticism, Regenia Gagnier's new work traces the parallel development of economic and aesthetic theory, offering a shrewd reading of humans as workers and wanters, born of labor and desire.

The Insatiability of Human Wants begins during a key transitional moment in aesthetic and economic theory, 1871, when both disciplines underwent a turn from production to consumption models. In economics, an emphasis on the theory of value and the social relations between land, labor, and capital gave way to more individualistic models of consumerism. Similarly, in aesthetics, theories of artistic production or creativity soon bowed to models of taste, pleasure, and reception.

Using these developments as a point of departure, Gagnier deftly traces the shift in Western thought from models of production to consumption. From its exploration of early market logic and Kantian thought to its look at the aestheticization of homelessness and our own market boom, The Insatiability of Human Wants invites us to contemplate alternative interpretations of economics, aesthetics, and history itself.
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An Insider's View of Mormon Origins
Grant Palmer
Signature Books, 2002
Over the past thirty years, an enormous amount of research has been conducted into Mormon origins—Joseph Smith’s early life, the Book of Mormon, the prophet’s visions, and the restoration of priesthood authority. Longtime LDS educator Grant H. Palmer suggests that most Latter-day Saints remain unaware of the significance of these discoveries, and he gives a brief survey for anyone who has ever wanted to know more about these issues.

He finds that much of what we take for granted as literal history has been tailored over the years—slightly modified, added to, one aspect emphasized over another—to the point that the original narratives have been nearly lost. What was experienced as a spiritual or metaphysical event, something from a different dimension, often has been refashioned as if it were a physical, objective occurrence. This is not how the first Saints interpreted these events. Historians who have looked closer at the foundational stories and source documents have restored elements, including a nineteenth-century world view, that have been misunderstood, if not forgotten.  
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Institution and Passivity
Course Notes from the Collège de France (1954-1955)
Maurice Merleau-Ponty
Northwestern University Press, 2010

Institution and Passivity is based on course notes for classes taught at the Bibliothèque Nationale de Paris. Philosophically, this collection connects the issue of passive constitution of meaning with the dimension of history, furthering discussions and completing arguments started in The Visible and the Invisible and Signs (both published by Northwestern). Leonard Lawlor and Heath Massey’s translation makes available to an English-speaking readership a critical transitional text in the history of phenomenology.


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The Institutions of Russian Modernism
Conceptualizing, Publishing, and Reading Symbolism
Jonathan Stone
Northwestern University Press, 2017

The Institutions of Russian Modernism illuminates the key role of Symbolism as the earliest form of modernism in Russia, emerging seemingly ex nihilo at the end of the nineteenth century. Combining book history, periodical studies, and reception theory, Jonathan Stone examines the poetry and theory of Russian Symbolism within the framework of the institutions that organized, published, and disseminated the works to Russian readers. Surveying a wealth of examples of books, journals, and almanacs, Stone traces how publishers of Symbolist works marketed the movement and fashioned a Symbolist reader. His persuasive argument that after its eclipse Symbolism's legacy remained embedded in the heart of Russian modernism will be of interest to scholars and general readers.

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Insurgent Identities
Class, Community, and Protest in Paris from 1848 to the Commune
Roger V. Gould
University of Chicago Press, 1995
In this important contribution both to the study of social protest and to French social history, Roger Gould breaks with previous accounts that portray the Paris Commune of 1871 as a continuation of the class struggles of the 1848 Revolution. Focusing on the collective identities framing conflict during these two upheavals and in the intervening period, Gould reveals that while class played a pivotal role in 1848, it was neighborhood solidarity that was the decisive organizing force in 1871.

The difference was due to Baron Haussmann's massive urban renovation projects between 1852 and 1868, which dispersed workers from Paris's center to newly annexed districts on the outskirts of the city. In these areas, residence rather than occupation structured social relations. Drawing on evidence from trail documents, marriage records, reports of police spies, and the popular press, Gould demonstrates that this fundamental rearrangement in the patterns of social life made possible a neighborhood insurgent movement; whereas the insurgents of 1848 fought and died in defense of their status as workers, those in 1871 did so as members of a besieged urban community.

A valuable resource for historians and scholars of social movements, this work shows that collective identities vary with political circumstances but are nevertheless constrained by social networks. Gould extends this argument to make sense of other protest movements and to offer predictions about the dimensions of future social conflict.

[more]

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Insurrection or Loyalty
The Breakdown of the Spanish American Empire
Jorge I. Domínguez
Harvard University Press, 1980

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Interanimations
Receiving Modern German Philosophy
Robert B. Pippin
University of Chicago Press, 2015
In this latest book, renowned philosopher and scholar Robert B. Pippin offers the thought-provoking argument that the study of historical figures is not only an interpretation and explication of their views, but can be understood as a form of philosophy itself. In doing so, he reconceives philosophical scholarship as a kind of network of philosophical interanimations, one in which major positions in the history of philosophy, when they are themselves properly understood within their own historical context, form philosophy’s lingua franca. Examining a number of philosophers to explore the nature of this interanimation, he presents an illuminating assortment of especially thoughtful examples of historical commentary that powerfully enact philosophy.

After opening up his territory with an initial discussion of contemporary revisionist readings of Kant’s moral theory, Pippin sets his sights on his main objects of interest: Hegel and Nietzsche. Through them, however, he offers what few others could: an astonishing synthesis of an immense and diverse set of thinkers and traditions. Deploying an almost dialogical, conversational approach, he pursues patterns of thought that both shape and, importantly, connect the major traditions: neo-Aristotelian, analytic, continental, and postmodern, bringing the likes of Heidegger, Honneth, MacIntyre, McDowell, Brandom, Strauss, Williams, and Žižek—not to mention Hegel and Nietzsche— into the same philosophical conversation.

By means of these case studies, Pippin mounts an impressive argument about a relatively under discussed issue in professional philosophy—the bearing of work in the history of philosophy on philosophy itself—and thereby he argues for the controversial thesis that no strict separation between the domains is defensible.
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Interior States
Institutional Consciousness and the Inner Life of Democracy in the Antebellum United States
Christopher Castiglia
Duke University Press, 2008
In Interior States Christopher Castiglia focuses on U.S. citizens’ democratic impulse: their ability to work with others to imagine genuinely democratic publics while taking divergent views into account. Castiglia contends that citizens of the early United States were encouraged to locate this social impulse not in associations with others but in the turbulent and conflicted interiors of their own bodies. He describes how the human interior—with its battles between appetite and restraint, desire and deferral—became a displacement of the divided sociality of nineteenth-century America’s public sphere and contributed to the vanishing of that sphere in the twentieth century and the twenty-first. Drawing insightful connections between political structures, social relations, and cultural forms, he explains that as the interior came to reflect the ideological conflicts of the social world, citizens were encouraged to (mis)understand vigilant self-scrutiny and self-management as effective democratic action.

In the late eighteenth century and early nineteenth, as discourses of interiority gained prominence, so did powerful counter-narratives. Castiglia reveals the flamboyant pages of antebellum popular fiction to be an archive of unruly democratic aspirations. Through close readings of works by Maria Monk and George Lippard, Walt Whitman and Timothy Shay Arthur, Hannah Webster Foster and Hannah Crafts, and Nathaniel Hawthorne and Herman Melville, Castiglia highlights a refusal to be reformed or self-contained. In antebellum authors’ representations of nervousness, desire, appetite, fantasy, and imagination, he finds democratic strivings that refused to disappear. Taking inspiration from those writers and turning to the present, Castiglia advocates a humanism-without-humans that, denied the adjudicative power of interiority, promises to release democracy from its inner life and to return it to the public sphere where U.S. citizens may yet create unprecedented possibilities for social action.

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Intermediaries, Interpreters, and Clerks
African Employees in the Making of Colonial Africa
Edited by Benjamin N. Lawrance, Emily Lynn Osborn, and Richard L. Roberts
University of Wisconsin Press, 2006
As a young man in South Africa, Nelson Mandela aspired to be an interpreter or clerk, noting in his autobiography that “a career as a civil servant was a glittering prize for an African.” Africans in the lower echelons of colonial bureaucracy often held positions of little official authority, but in practice these positions were lynchpins of colonial rule. As the primary intermediaries among European colonial officials, African chiefs, and subject populations, these civil servants could manipulate the intersections of power, authority, and knowledge at the center of colonial society.
            By uncovering the role of such men (and a few women) in the construction, function, and legal apparatus of colonial states, the essays in this volume highlight a new perspective. They offer important insights on hegemony, collaboration, and resistance, structures and changes in colonial rule, the role of language and education, the production of knowledge and expertise in colonial settings, and the impact of colonization in dividing African societies by gender, race, status, and class.
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Interpreting 2 Peter through African American Women’s Moral Writings
Shively T. J. Smith
SBL Press, 2023
Shively T. J. Smith reconsiders what is most distinct, troubling, and potentially thrilling about the often overlooked and dismissed book of 2 Peter. Using the rhetorical strategies of nineteenth-century African American women, including Ida B. Wells, Jarena Lee, Anna Julia Cooper, and others, Smith redefines the use of biblical citations, the language of justice and righteousness, and even the matter of pseudonymity in 2 Peter. She approaches 2 Peter as an instance of Christian cultural rhetoric that forges a particular kind of community identity and behavior. This pioneering study considers how 2 Peter cultivates the kind of human relations and attitudes that speak to the values of moral people seeking justice in the past as well as today.
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Interpreting Sacred Ground
The Rhetoric of National Civil War Parks and Battlefields
J. Christian Spielvogel
University of Alabama Press, 2013
Interpreting Sacred Ground is a rhetorical analysis of Civil War battlefields and parks, and the ways various commemorative traditions—and their ideologies of race, reconciliation, emancipation, and masculinity—compete for dominance.
 
The National Park Service (NPS) is known for its role in the preservation of public sites deemed to have historic, cultural, and natural significance. In Interpreting Sacred Ground, J. Christian Spielvogel studies the NPS’s secondary role as an interpreter or creator of meaning at such sites, specifically Gettysburg National Military Park, Harpers Ferry National Historical Park, and Cold Harbor Visitor Center.
 
Spielvogel studies in detail the museums, films, publications, tours, signage, and other media at these sites, and he studies and analyzes how they shape the meanings that visitors are invited to construct. Though the NPS began developing interpretive exhibits in the 1990s that highlighted slavery and emancipation as central facets to understanding the war, Spielvogel argues that the NPS in some instances preserves outmoded narratives of white reconciliation and heroic masculinity, obscuring the race-related causes and consequences of the war as well as the war’s savagery.
 
The challenges the NPS faces in addressing these issues are many, from avoiding unbalanced criticism of either the Union or the Confederacy, to foregrounding race and violence as central issues, preserving clear and accurate renderingsof battlefield movements and strategies, and contending with the various public constituencies with their own interpretive stakes in the battle for public memory.
 
Spielvogel concludes by arguing for the National Park Service’s crucial role as a critical voice in shaping twentieth-first-century Civil War public memory and highlights the issues the agency faces as it strives to maintain historical integrity while contending with antiquated renderings of the past.
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INTERROGATING ORIENTALISM
CONTEXTUAL APPROACHES AND PEDAGOGICAL PR
DIANE HOEVELER
The Ohio State University Press, 2006

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Intimacy in America
Dreams of Affiliation in Antebellum Literature
Peter Coviello
University of Minnesota Press, 2005
Nineteenth-century America was a sprawling new nation unmoored from precedent and the mainstays of European nationalism. In their search for nationality, Americans sought coherence in a feeling of belonging shared among diverse and scattered strangers. Reading seminal works by Thomas Jefferson, Edgar Allan Poe, Herman Melville, Harriet Beecher Stowe, and Walt Whitman, Peter Coviello traces these writers' enthusiasms and their ambivalences about the dream of an intimate nationality, revealing how race and sexuality were used as vehicles for an assumed national coherence. As Coviello shows, race - and especially whiteness - functioned less as a form of identity than as a model of attachment and identification, a language of affiliation. Whiteness created an imaginary fraternity that symbolized citizenship, the ownership of property, and an affinity between strangers, which became entangled in the nation's evolving codes of sexuality. Bringing race theory and "white studies" into dialogue with questions of intimacy and affect, Coviello provides a practical rapprochement between historicist and psychoanalytic methodologies. Intimacy in America gives us a new perspective on the national meanings of race and sex in American literature, as well as on the still-current dream of American-ness as an impassioned relation to far-flung, anonymous others.
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Intimate Communities
Representation and Social Transformation in Women's College Fiction, 1895–1910
Sherrie A. Inness
University of Wisconsin Press, 1995
The many popular representations of student life at women’s colleges produced in the United States during the Progressive Era are examined. The college woman was described and defined in a period when women’s higher education was still socially suspect.
    While other scholars have argued that the Progressive Era was the “golden age” for women’s single-sex education, pointing to the many positive depictions of the women’s college student, Inness suggests that these representations actually helped to perpetuate the status quo and did little to advance women’s social rights.
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Intimate Outsiders
The Harem in Ottoman and Orientalist Art and Travel Literature
Mary Roberts
Duke University Press, 2007
Until now, the notion of a cross-cultural dialogue has not figured in the analysis of harem paintings, largely because the Western fantasy of the harem has been seen as the archetype for Western appropriation of the Orient. In Intimate Outsiders, the art historian Mary Roberts brings to light a body of harem imagery that was created through a dynamic process of cultural exchange. Roberts focuses on images produced by nineteenth-century European artists and writers who were granted access to harems in the urban centers of Istanbul and Cairo. As invited guests, these Europeans were “intimate outsiders” within the women’s quarters of elite Ottoman households. At the same time, elite Ottoman women were offered intimate access to European culture through their contact with these foreign travelers.

Roberts draws on a range of sources, including paintings, photographs, and travelogues discovered in archives in Britain, Turkey, Egypt, and Denmark. She rethinks the influential harem works of the realist painter John Frederick Lewis, a British artist living in Cairo during the 1840s, whose works were granted an authoritative status by his British public despite the actual limits of his insider knowledge. Unlike Lewis, British women were able to visit Ottoman harems, and from the mid-nineteenth century on they did so in droves. Writing about their experiences in published travelogues, they undermined the idea that harems were the subject only of male fantasies. The elite Ottoman women who orchestrated these visits often challenged their guests’ misapprehensions about harem life, and a number of them exercised power as patrons, commissioning portraits from European artists. Their roles as art patrons defy the Western idea of the harem woman as passive odalisque.

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Intimate Subjects
Touch and Tangibility in Britain's Cerebral Age
Simeon Koole
University of Chicago Press, 2024
An insightful history of nineteenth- and twentieth-century Britain told through a single sense: touch.
 
When, where, and who gets to touch and be touched, and who decides? What do we learn through touch? How does touch bring us closer together or push us apart? These are urgent contemporary questions, but they have their origins in late nineteenth- and early twentieth-century Britain, when new urban encounters compelled intense discussion of what touch was, and why it mattered. In this vividly written book, Simeon Koole excavates the history of these concerns and reveals how they continue to shape ideas about “touch” in the present.
 
Intimate Subjects takes us to the bustling railway stations, shady massage parlors, all-night coffee stalls, and other shared spaces where passengers, customers, vagrants, and others came into contact, leading to new understandings of touch. We travel in crammed subway cars, where strangers negotiated the boundaries of personal space. We visit tea shops where waitresses made difficult choices about autonomy and consent. We enter classrooms in which teachers wondered whether blind children could truly grasp the world and labs in which neurologists experimented on themselves and others to unlock the secrets of touch. We tiptoe through London’s ink-black fogs, in which disoriented travelers became newly conscious of their bodies and feared being accosted by criminals. Across myriad forgotten encounters such as these, Koole shows, touch remade what it meant to be embodied—as well as the meanings of disability, personal boundaries, and scientific knowledge.
 
With imagination and verve, Intimate Subjects offers a new way of theorizing the body and the senses, as well as a new way of thinking about embodiment and vulnerability today.
 
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Intimate With Walt
Whitmans Conversataions With Horace Traubel
Gary Schmidgall
University of Iowa Press, 2001
In March 1888 Horace Traubel, Whitman's loyal and hardworking assistant, began to record his almost daily conversations with the most famous resident of Camden. The result: more than 1,900,000 words that were eventually published between 1906 and 1996 in nine volumes. Titled With Walt Whitman in Camden, these volumes contain much that is mundane and repetitive, but they also include many passages crucial for a full and humane understanding of America's first great national poet.

In Intimate with Walt Gary Schmidgall has condensed Traubel's nearly 5,000 pages into one manageable volume featuring the many self-revealing, humorous, nostalgic, and often curmudgeonly words of the Good Gray Poet. The book is divided into five sections, each consisting of several chapters: the first, presenting Walt on himself, his family, and his daily life and visitors at the only home he ever owned; the second, on his artistic credos, the literary life, and a large array of comments on the writing, publication of, and critical reaction to Leaves of Grass; the third, focusing on his friends, admirers, idols, and lovers; the fourth and longest, presenting his no-holds-barred views on a variety of topics, including the American scene, race, religion, music, and even alcohol; and finally, a gathering of passages revealing Whitman's struggles with his infirmities, his poignant final days, and Traubel's observations on Whitman's deathbed scene and burial rites.
Whitman was the great poet of autobiography, and with this volume we gain entry into a most remarkable life in his own words. Whimsical and highly entertaining, poignant and moving, illuminating and candid, Intimate with Walt makes accessible the most amazing oral history project in all of American letters.
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Into the Light of Things
The Art of the Commonplace from Wordsworth to John Cage
George J. Leonard
University of Chicago Press, 1994
In this sweeping revision of avant-garde history, John Cage takes his rightful place as Wordsworth's great and final heir. George Leonard traces a direct line back from Cage, Pop, and Conceptual Art through the Futurists to Whitman, Emerson, Ruskin, Carlyle, and Wordsworth, showing how the art of everyday objects, often thought an exclusively contemporary phenomenon, actually began as far back as 1800.

In recovering the links between such seemingly disparate figures, Leonard transforms our understanding of modern culture.

Selected by the American Library Association's journal, Choice, as "one of the Outstanding Academic Books of the Year"

"Leonard's book is a fine example of interdisciplinary studies. He shifts focus persuasively from art theory to literature to religious thought and biography, making his method seem the natural mode of inquiry into culture."—Kenneth Baker, San Francisco Chronicle Book Review

"Provocative and illuminating."—Library Journal

"Highly stimulating, impassioned."—Publisher's Weekly

"A rich and rewarding study written in a clear and accessible style with excellent references and a very useful index. Highly recommended."—Choice
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Intricate Relations
Sexual and Economic Desire in American Fiction, 1789-1814
Karen A. Weyler
University of Iowa Press, 2005

Intricate Relations charts the development of the novel in and beyond the early republic in relation to these two thematic and intricately connected centers: sexuality and economics. By reading fiction written by Americans between 1789 and 1814 alongside medical theory, political and economic tracts, and pedagogical literature of all kinds, Karen Weyler recreates and illuminates the larger, sometimes opaque, cultural context in which novels were written, published, and read.

In 1799, the novelist Charles Brockden Brown used the evocative phrase “intricate relations” to describe the complex imbrication of sexual and economic relations in the early republic. Exploring these relationships, he argued, is the chief job of the “moral historian,” a label that most novelists of the era embraced. In a republic anxious about burgeoning individualism in the 1790s and the first two decades of the nineteenth century, the novel foregrounded sexual and economic desires and explored ways to regulate the manner in which they were expressed and gratified.

In Intricate Relations, Weyler argues that understanding how these issues underlie the novel as a genre is fundamental to understanding both the novels themselves and their role in American literary culture. Situating fiction amid other popular genres illuminates how novelists such as Charles Brockden Brown, Hannah Foster, Samuel Relf, Susanna Rowson, Rebecca Rush, and Sally Wood synthesized and iterated many of the concerns expressed in other forms of public discourse, a strategy that helped legitimate their chosen genre and make it a viable venue for discussion in the decades following the revolution.

Weyler’s passionate and persuasive study offers new insights into the civic role of fiction in the early republic and will be of great interest to literary theorists and scholars in women’s and American studies.

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Invalidism and Identity in Nineteenth-Century Britain
Maria H. Frawley
University of Chicago Press, 2004
Nineteenth-century Britain did not invent chronic illness, but its social climate allowed hundreds of men and women, from intellectuals to factory workers, to assume the identity of "invalid." Whether they suffered from a temporary condition or an incurable disease, many wrote about their experiences, leaving behind an astonishingly rich and varied record of disability in Victorian Britain.

Using an array of primary sources, Maria Frawley here constructs a cultural history of invalidism. She describes the ways that Evangelicalism, industrialization, and changing patterns of doctor/patient relationships all converged to allow a culture of invalidism to flourish, and explores what it meant for a person to be designated—or to deem oneself—an invalid. Highlighting how different types of invalids developed distinct rhetorical strategies, her absorbing account reveals that, contrary to popular belief, many of the period's most prominent and prolific invalids were men, while many women found invalidism an unexpected opportunity for authority.

In uncovering the wide range of cultural and social responses to notions of incapacity, Frawley sheds light on our own historical moment, similarly fraught with equally complicated attitudes toward mental and physical disorder.
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Inventing Black Women
African American Women Poets and Self-Representation, 1877–2000
Ajuan Maria Mance
University of Tennessee Press, 2008
Inventing Black Women fills important gaps in our understanding of how African American women poets have resisted those conventional notions of gender and race that limit the visibility of Black female subjects. The first historical and thematic survey of African American women's poetry, this book examines the key developments that have shaped the growing body of poems by and about Black women over the nearly 125 years since the end of slavery and Reconstruction, as it offers incisive readings of individual works by important poets such as Alice B. Neal, Maggie Pogue Johnson, Alice Dunbar Nelson, Sonia Sanchez, Lucille Clifton, Audre Lorde, and many others.

Ajuan Maria Mance establishes that the history of African American women's poetry revolves around the struggle of the Black female poet against two marginalizing forces: the widespread association of womanhood with the figure of the middle-class, white female; and the similar association of Blackness with the figure of the African American male. In so doing, she looks closely at the major trends in Black women's poetry during each of four critical moments in African American literary history: the post- Reconstruction era from 1877 to 1910; the Harlem Renaissance of the 1920s; the Black Arts Movement from 1965 to 1975; and the late twentieth century from 1975 to 2000.

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Inventing High and Low
Literature, Mass Culture, and Uneven Modernity in Spain
Stephanie Sieburth
Duke University Press, 1994
Dire word of the cultural threat of the lowbrow goes back at least to the ancient Greeks, and yet, Stephanie Sieburth suggests, no division between "high" and "low" culture will stand up to logical scrutiny. Why, then, does the opposition persist? In this book Sieburth questions the terms of this perennial debate and uncovers the deep cultural, economic, and psychological tensions that lead each generation to reinvent the distinction between high and low. She focuses on Spain, where this opposition plays a special role in notions of cultural development and where leading writers have often made the relation of literature to mass culture the theme of their novels.
Choosing two historical moments of sweeping material and cultural change in Spanish history, Sieburth reads two novels from the 1880s (by Benito Pérez Galdós) and two from the 1970s (by Juan Goytisolo and Carmen Martín Gaite) as fictional theories about the impact of modernity on culture and politics. Her analysis reveals that the high/low division in the cultural sphere reinforces other kinds of separations—between social classes or between men and women—dear to the elite but endangered by progress. This tension, she shows, is particularly evident in Spain, where modernization has been a contradictory and uneven process, rarely accompanied by political freedom, and where consumerism and mass culture coexist uneasily with older ways of life.
Weaving together a wide spectrum of diverse material, her work will be of interest to readers concerned with Spanish history and literature, literary theory, popular culture, and the relations between politics, economics, gender, and the novel.
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Inventing Indigenism
Francisco Laso's Image of Modern Peru
Natalia Majluf
University of Texas Press, 2021

2023 ALAA Book Award, Association for Latin American Art/Arvey Foundation

A fascinating account of the modern reinvention of the image of the Indian in nineteenth-century literature and visual culture, seen through the work of Peruvian painter Francisco Laso.


One of the outstanding painters of the nineteenth century, Francisco Laso (1823–1869) set out to give visual form to modern Peru. His solemn and still paintings of indigenous subjects were part of a larger project, spurred by writers and intellectuals actively crafting a nation in the aftermath of independence from Spain. In this book, at once an innovative account of modern indigenism and the first major monograph on Laso, Natalia Majluf explores the rise of the image of the Indian in literature and visual culture. Reading Laso’s works through a broad range of sources, Majluf traces a decisive break in a long history of representations of indigenous peoples that began with the Spanish conquest. She ties this transformation to the modern concept of culture, which redefined both the artistic field and the notion of indigeneity. As an abstraction produced through indigenist discourse, an icon of authenticity, and a densely racialized cultural construct, the Indian would emerge as a central symbol of modern Andean nationalisms.

Inventing Indigenism brings the work and influence of this extraordinary painter to the forefront as it offers a broad perspective on the dynamics of art and visual culture in nineteenth-century Latin America.

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Inventing the Addict
Drugs, Race, and Sexuality in Nineteenth-Century British and American Literature
Susan Zieger
University of Massachusetts Press, 2008
The notion of addiction has always conjured first-person stories, often beginning with an insidious seduction, followed by compulsion and despair, culminating in recovery and tentative hope for the future. We are all familiar with this form of individual life arrative, Susan Zieger observes, but we know far less about its history. "Addict" was not an available identity until the end of the nineteenth century, when a modernizing medical establishment and burgeoning culture of consumption updated the figure of the sinful drunkard popularized by the temperance movement.

In Inventing the Addict, Zieger tells the story of how the addict, a person uniquely torn between disease and desire, emerged from a variety of earlier figures such as drunkards, opium-eating scholars, vicious slave masters, dissipated New Women, and queer doctors. Drawing on a broad range of literary and cultural material, including canonical novels such as Uncle Tom's Cabin, The Strange Case of Dr. Jekyll and Mr. Hyde, and Dracula, she traces the evolution of the concept of addiction through a series of recurrent metaphors: exile, self-enslavement, disease, and vampirism. She shows how addiction took on multiple meanings beyond its common association with intoxication or specific habit-forming substances—it was an abiding desire akin to both sexual attraction and commodity fetishism, a disease that strangely failed to meet the requirements of pathology, and the citizen's ironic refusal to fulfill the promise of freedom.

Nor was addiction an ideologically neutral idea. As Zieger demonstrates, it took form over time through specific, shifting intersections of gender, race, class, and sexuality, reflecting the role of social power in the construction of meaning.
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The Invention of Religion in Japan
Jason Ananda Josephson Storm
University of Chicago Press, 2012
Throughout its long history, Japan had no concept of what we call “religion.” There was no corresponding Japanese word, nor anything close to its meaning. But when American warships appeared off the coast of Japan in 1853 and forced the Japanese government to sign treaties demanding, among other things, freedom of religion, the country had to contend with this Western idea. In this book, Jason Ananda Josephson reveals how Japanese officials invented religion in Japan and traces the sweeping intellectual, legal, and cultural changes that followed.
 
More than a tale of oppression or hegemony, Josephson’s account demonstrates that the process of articulating religion offered the Japanese state a valuable opportunity. In addition to carving out space for belief in Christianity and certain forms of Buddhism, Japanese officials excluded Shinto from the category. Instead, they enshrined it as a national ideology while relegating the popular practices of indigenous shamans and female mediums to the category of “superstitions”—and thus beyond the sphere of tolerance. Josephson argues that the invention of religion in Japan was a politically charged, boundary-drawing exercise that not only extensively reclassified the inherited materials of Buddhism, Confucianism, and Shinto to lasting effect, but also reshaped, in subtle but significant ways, our own formulation of the concept of religion today. This ambitious and wide-ranging book contributes an important perspective to broader debates on the nature of religion, the secular, science, and superstition.
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The Invention of the Colonial Americas
Data, Architecture, and the Archive of the Indies, 1781–1844
Byron Ellsworth Hamann
J. Paul Getty Trust, The, 2022
The story of Seville’s Archive of the Indies reveals how current views of the sixteenth and seventeenth centuries are based on radical historical revisionism in Spain in the late 1700s.
 
The Invention of the Colonial Americas is an architectural history and media-archaeological study of changing theories and practices of government archives in Enlightenment Spain. It centers on an archive created in Seville for storing Spain’s pre-1760 documents about the New World. To fill this new archive, older archives elsewhere in Spain—spaces in which records about American history were stored together with records about European history—were dismembered. The Archive of the Indies thus constructed a scholarly apparatus that made it easier to imagine the history of the Americas as independent from the history of Europe, and vice versa.
 
In this meticulously researched book, Byron Ellsworth Hamann explores how building layouts, systems of storage, and the arrangement of documents were designed to foster the creation of new knowledge. He draws on a rich collection of eighteenth-century architectural plans, descriptions, models, document catalogs, and surviving buildings to present a literal, materially precise account of archives as assemblages of spaces, humans, and data—assemblages that were understood circa 1800 as capable of actively generating scholarly innovation.
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The Invention of the Restaurant
Paris and Modern Gastronomic Culture, With a New Preface
Rebecca L. Spang
Harvard University Press, 2019

Winner of the Louis Gottschalk Prize
Winner of the Thomas J. Wilson Memorial Prize


“Witty and full of fascinating details.”
Los Angeles Times


Why are there restaurants? Why would anybody consider eating alongside perfect strangers in a loud and crowded room to be an enjoyable pastime? To find the answer, Rebecca Spang takes us back to France in the eighteenth century, when a restaurant was not a place to eat but a quasi-medicinal bouillon not unlike the bone broths of today.

This is a book about the French revolution in taste—about how Parisians invented the modern culture of food, changing the social life of the world in the process. We see how over the course of the Revolution, restaurants that had begun as purveyors of health food became symbols of aristocratic greed. In the early nineteenth century, the new genre of gastronomic literature worked within the strictures of the Napoleonic state to transform restaurants yet again, this time conferring star status upon oysters and champagne.

“An ambitious, thought-changing book…Rich in weird data, unsung heroes, and bizarre true stories.”
—Adam Gopnik, New Yorker

“[A] pleasingly spiced history of the restaurant.”
New York Times

“A lively, engrossing, authoritative account of how the restaurant as we know it developed…Spang is…as generous in her helpings of historical detail as any glutton could wish.”
The Times

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Invisible Friends
The Correspondence of Elizabeth Barrett Browning and Benjamin Robert Haydon, 1842-1845
Elizabeth Barrett Browning and Benjamin Robert Haydon; edited by Williard Bissell Pope
Harvard University Press, 1972

Although Elizabeth Barrett Browning and Benjamin Robert Haydon never met, their lively and topical conversation, initiated in 1842, continued unabated until 1845, about a year before the painter’s suicide. It was a somewhat lopsided correspondence in which ninety-four letters written by Haydon, most of which have not been published before, received fewer replies from Miss Barrett, twenty-eight of which are included in this book. Judging from the contents of the letters, the epistolary friendship was truly meaningful to both. To Miss Barrett, Haydon was “my dear kind friend”; he was far more effusive, addressing her as “you Ingenious little darling invisible” and “my dearest dream & invisible intellectuality.”

In spite of Haydon’s frequent pleas for a meeting, Miss Barrett never agreed to receive him. However, as the correspondence progressed, they exchanged more and more confidences and each recognized the other as a responsive and sympathetic listener. With complete candor Haydon admitted at one point that egotism was the basis of his pleasure in the correspondence; “I never ask what you are doing,” he wrote, “but take it for granted what I am doing must be delightful to you.”

Evincing warmth and poignancy, the letters range over a variety of colorful subjects covering art, literature, current events, and gossip. The Elgin Marbles and Queen Victoria are discussed, and the correspondents air opposing views on mesmerism and Napoleon versus Wellington. After a thoughtful introduction which provides background information on Miss Barrett and Haydon, Willard Pope presents the letters—carefully annotated with identifying information on people, places, and current events—in chronological order.

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Ireland's New Worlds
Immigrants, Politics, and Society in the United States and Australia, 1815–1922
Malcolm Campbell
University of Wisconsin Press, 2007
In the century between the Napoleonic Wars and the Irish Civil War, more than seven million Irish men and women left their homeland to begin new lives abroad. While the majority settled in the United States, Irish emigrants dispersed across the globe, many of them finding their way to another “New World,” Australia.
    Ireland’s New Worlds is the first book to compare Irish immigrants in the United States and Australia. In a profound challenge to the national histories that frame most accounts of the Irish diaspora, Malcolm Campbell highlights the ways that economic, social, and cultural conditions shaped distinct experiences for Irish immigrants in each country, and sometimes in different parts of the same country. From differences in the level of hostility that Irish immigrants faced to the contrasting economies of the United States and Australia, Campbell finds that there was much more to the experiences of Irish immigrants than their essential “Irishness.” America’s Irish, for example, were primarily drawn into the population of unskilled laborers congregating in cities, while Australia’s Irish, like their fellow colonialists, were more likely to engage in farming. Campbell shows how local conditions intersected with immigrants’ Irish backgrounds and traditions to create surprisingly varied experiences in Ireland’s new worlds. 
 
Outstanding Book, selected by the American Association of School Librarians, and Best Books for Special Interests, selected by the Public Library Association

“Well conceived and thoroughly researched . . . . This clearly written, thought-provoking work fulfills the considerable ambitions of comparative migration studies.”—Choice
 
 
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Irish Fever
An Archaeology of Illness, Injury, and Healing in New York City, 1845–1875
Meredith Linn
University of Tennessee Press, 2024
During the Potato Famine of the nineteenth century, about one million Irish people perished from starvation and disease, while more than two million fled the country in fear and desperation, with some 850,000 landing in New York City. After a difficult journey, many found themselves impoverished, taking dangerous jobs, and battling miserable living conditions in an unfamiliar urban landscape. These circumstances resulted in high rates of illness, injury, and death compared with other immigrant groups and native-born Americans.

In this profound study, Meredith B. Linn explores three kinds of afflictions—typhus fever, tuberculosis, and work-related injuries—that disproportionately affected Irish immigrants, tracing how existing medical ideas and technologies intersected with American prejudices to further conspire against this once culturally distinct group. Linn makes a compelling case for how Americans’ interpretations of the visible bodily changes wrought by typhus fever and injuries contributed to essentializing and dehumanizing biases against these new immigrants, while tuberculosis—with its symptoms of fatigue, pallor, and emaciation—enabled Americans to see individuals beyond stereotypes and to recognize the equal humanity of the Irish.

Drawing upon extensive archaeological records, folkloric sources, and historical documents, Linn presents what she terms a “visceral historical archaeology”—a perspective rooted in historical archaeology and medical anthropology—to illuminate the experiences of these immigrants. She investigates their health-related ideas and practices and reveals their efforts to heal themselves using popular remedies from Ireland and several new American commodities. Laden with heartrending stories from real working-class Irish and their American doctors, this richly illustrated book provides new perspectives about urban experience in the context of the Irish diaspora and invites contemplation about how illness, injury, and healing have affected the lives and reception of newcomers to the US.
 
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Irish on the Move
Performing Mobility in American Variety Theatre
Michelle Granshaw
University of Iowa Press, 2019

A little over a century ago, the Irish in America were the targets of intense xenophobic anxiety. Much of that anxiety centered on their mobility, whether that was traveling across the ocean to the U.S., searching for employment in urban centers, mixing with other ethnic groups, or forming communities of their own. Granshaw argues that American variety theatre, a precursor to vaudeville, was a crucial battleground for these anxieties, as it appealed to both the fears and the fantasies that accompanied the rapid economic and social changes of the Gilded Age.

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Irish Peasants
Violence and Political Unrest, 1780–1914
Samuel Clark
University of Wisconsin Press, 1983

"The strength of this volume cannot be conveyed by an itemisation of its contents; for what it provides is an incisive commentary on the newly-recognised landmarks of Irish agrarian history in the modern period. . . . The importance, even indispensability, of this achievement is compounded by exemplary editing."—Roy Foster, London Times Literary Supplement

"As a whole, the volume demonstrates the wealth, complexity, and sophistication of Irish rural studies. The book is essential reading for anyone involved in modern Irish history. It will also serve as an excellent introduction to this rich field for scholars of other peasant communities and all interested in problems of economic and political developments."—American Historical Review

"A milestone in the evolution of Irish social history. There is a remarkable consistency of style and standard in the essays. . . . This is truly history from the grassroots."—Timothy P. O'Neill, Studia Hibernica

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Irish Presbyterians and the Shaping of Western Pennsylvania, 1770-1830
Peter Gilmore
University of Pittsburgh Press, 2021
Irish Presbyterians and the Shaping of Western Pennsylvania, 1770–1830 is a historical study examining the religious culture of Irish immigrants in the early years of America. Despite fractious relations among competing sects, many immigrants shared a vision of a renewed Ireland in which their versions of Presbyterianism could flourish free from the domination of landlords and established church. In the process, they created the institutional foundations for western Pennsylvanian Presbyterian churches.

Rural Presbyterian Irish church elders emphasized community and ethnoreligious group solidarity in supervising congregants’ morality. Improved transportation and the greater reach of the market eliminated near-subsistence local economies and hastened the demise of religious traditions brought from Ireland. Gilmore contends that ritual and daily religious practice, as understood and carried out by migrant generations, were abandoned or altered by American-born generations in the context of major economic change. 
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