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Kaskaskia
The Lost Capital of Illinois
David MacDonald and Raine Waters
Southern Illinois University Press, 2019
This first comprehensive account of the Illinois village of Kaskaskia covers more than two hundred years in the vast and compelling history of the state. David MacDonald and Raine Waters explore Illinois’s first capital in great detail, from its foundation in 1703 to its destruction by the Mississippi River in the latter part of the nineteenth century, as well as everything in between: successes, setbacks, and the lives of the people who inhabited the space.
 
At the outset the Kaskaskia tribe, along with Jesuit missionaries and French traders, settled near the confluence of the Kaskaskia and Mississippi rivers, about sixty miles south of modern-day St. Louis. The town quickly became the largest French town and most prosperous settlement in the Illinois Country. After French control ended, Kaskaskia suffered under corrupt British and then inept American rule. In the 1790s the town revived and became the territorial capital, and in 1818 it became the first state capital. Along the way Kaskaskia was beset by disasters: crop failures, earthquakes, tornadoes, floods, epidemics, and the loss of the capital-city title to Vandalia. Likewise, human activity and industry eroded the river’s banks, causing the river to change course and eventually wash away the settlement. All that remains of the state’s first capital today is a village several miles from the original site.
 
MacDonald and Waters focus on the town’s growth, struggles, prosperity, decline, and obliteration, providing an overview of its domestic architecture to reveal how its residents lived. Debunking the notion of a folklore tradition about a curse on the town, the authors instead trace those stories to late nineteenth-century journalistic inventions. The result is a vibrant, heavily illustrated, and highly readable history of Kaskaskia that sheds light on the entire early history of Illinois.
 
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Keats
Andrew Motion
University of Chicago Press, 1999
Andrew Motion's dramatic narration of Keats's life is the first in a generation to take a fresh look at this great English Romantic poet. Unlike previous biographers, Motion pays close attention to the social and political worlds Keats inhabited. Making incisive use of the poet's inimitable letters, Motion presents a masterful account.

"Motion has given us a new Keats, one who is skinned alive, a genius who wrote in a single month all the poems we cherish, a victim who was tormented by the best doctors of the age. . . . This portrait, stripped of its layers of varnish and restored to glowing colours, should last us for another generation."—Edmund White, The Observer Review

"Keats's letters fairly leap off the page. . . . [Motion] listens for the 'freely associating inquiry and incomparable verve and dash,' the 'headlong charge,' of Keats's jazzlike improvisations, which give us, like no other writing in English, the actual rush of a man thinking, a mind hurtling forward unpredictably and sweeping us along."—Morris Dickstein, New York Times Book Review

"Scrupulous and eloquent."—Gregory Feeley, Philadelphia Inquirer

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Keats's Odes
A Lover's Discourse
Anahid Nersessian
University of Chicago Press, 2020
When I say this book is a love story, I mean it is about things that cannot be gotten over—like this world, and some of the people in it.”
 
In 1819, the poet John Keats wrote six poems that would become known as the Great Odes. Some of them—“Ode to a Nightingale,” “To Autumn”—are among the most celebrated poems in the English language. Anahid Nersessian here collects and elucidates each of the odes and offers a meditative, personal essay in response to each, revealing why these poems still have so much to say to us, especially in a time of ongoing political crisis. Her Keats is an unflinching antagonist of modern life—of capitalism, of the British Empire, of the destruction of the planet—as well as a passionate idealist for whom every poem is a love poem.

The book emerges from Nersessian’s lifelong attachment to Keats’s poetry; but more, it “is a love story: between me and Keats, and not just Keats.”  Drawing on experiences from her own life, Nersessian celebrates Keats even as she grieves him and counts her own losses—and Nersessian, like Keats, has a passionate awareness of the reality of human suffering, but also a willingness to explore the possibility that the world, at least, could still be saved. Intimate and speculative, this brilliant mix of the poetic and the personal will find its home among the numerous fans of Keats’s enduring work.
 
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Keeping House
Women’s Lives in Western Pennsylvania, 1790–1850
Virginia Bartlett
University of Pittsburgh Press, 1994

This book is a fascinating re-creation of the lives of women in the time of great social change that followed the end of the French and Indian War in  western Pennsylvania.  Many decades passed before a desolate and violent frontier was transformed into a stable region of farms and towns.  Keeping House: Women’s Lives in Western Pennsylvania, 1790-1850  tells how the daughters, wives, and mothers who crossed the Allegheny Mountains responded and adapted to unaccustomed physical and psychological hardships as they established lives for themselves and their families in their new homes.

Intrigued by late eighteenth and early nineteenth-century manuscript cookbooks in the collection of the Historical Society of Western Pennsylvania, Virginia Bartlett wanted to find out more about women living in the region during that period.  Quoting from journals, letters, cookbooks, travelers’ accounts - approving and critical - memoirs, documents, and newspapers, she offers us voices of women and men commenting seriously and humorously on what was going on around them.

The text is well-illustrated with contemporaneous art-- engravings, apaintings, drawings, and cartoons.  Of special interest are color and black-and-white photographs of furnishings, housewares, clothing, and portraits from the collections of the Historical Society of Western Pennsylvania.

This is not a sentimental account.  Bartlett makes clear how little say women had about their lives and how little protection they could expect from the law, especially on matters relating to property.  Their world was one of marked contrasts: life in a log cabin with bare necessities and elegant dinners in the homes of Pittsburgh’s military and entrepreneurial elite; rural women in homespun and affluent Pittsburgh ladies in imported fashions.  When the book begins, families are living in fear of Indian attacks; as it ends, the word “shawling” has come into use as the polite term for pregnancy, referring to women’s attempt to hide their condition with cleverly draped shawls.  The menacing frontier has given way to American-style gentility.

An introduction by Jack D. Warren, University of Virginia, sets the scene with a discussion of the early peopling of the region and places the book within the context of women’s studies.

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Kew Observatory and the Evolution of Victorian Science, 1840–1910
Lee T. Macdonald
University of Pittsburgh Press, 2018
Kew Observatory was originally built in 1769 for King George III, a keen amateur astronomer, so that he could observe the transit of Venus. By the mid-nineteenth century, it was a world-leading center for four major sciences: geomagnetism, meteorology, solar physics, and standardization. Long before government cutbacks forced its closure in 1980, the observatory was run by both major bodies responsible for the management of science in Britain: first the British Association for the Advancement of Science, and then, from 1871, the Royal Society. Kew Observatory influenced and was influenced by many of the larger developments in the physical sciences during the second half of the nineteenth century, while many of the major figures involved were in some way affiliated with Kew.

Lee T. Macdonald explores the extraordinary story of this important scientific institution as it rose to prominence during the Victorian era. His book offers fresh new insights into key historical issues in nineteenth-century science: the patronage of science; relations between science and government; the evolution of the observatory sciences; and the origins and early years of the National Physical Laboratory, once an extension of Kew and now the largest applied physics organization in the United Kingdom.
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Key Command
Ulysses S. Grant's District of Cairo
T. K. Kionka
University of Missouri Press, 2006
During the Civil War, Cairo, Illinois, held a uniquely strategic position: it was not only the southernmost northern city, but it was also located at the confluence of the Mississippi and Ohio rivers. Union strategists believed that the importance of securing it could not be overestimated, and Cairo was occupied by the first volunteer regiments organized in the western theater of the war. Arriving six months later, an underappreciated general named Ulysses S. Grant decided that the Union could do more with Cairo than simply guard it, and using the town as his headquarters, he set about reclaiming the Mississippi valley from Rebel forces. This book reveals the story of how Grant honed his strategic skills in those campaigns while also telling of the changes that came to Cairo.
Key Command examines Grant’s tenure at his first district command from both military and administrative perspectives. T. K. Kionka has written the first book-length study of the district, exploring the town’s Civil War legacy while shedding new light on Grant, the war in the West, and other important Union generals such as Logan and McClernand. From this command post, Grant led troops to the first great Union victories at Belmont, Fort Henry, and Fort Donelson, and Kionka explores their role in Grant’s military evolution while highlighting the contributions of civilian volunteers through first-person accounts.
Nineteenth-century Cairo was home to an unruly, ethnically diverse population, and Kionka interweaves the story of Grant’s military campaign with a social history of the town, describing the men and women associated with the Cairo camps who played significant roles in Grant’s command. Grant’s victories not only sealed his own reputation, but they also brought unprecedented wealth to a town that before the war had failed to develop under two different land companies. Kionka’s work tells how local entrepreneurs made money supplying Grant’s troops and how unscrupulous speculators poured into Cairo as Grant coped with dissension, supply shortages, and refugees. It also examines the prewar movement to create a new state out of southern Illinois and its implications both for Cairo and for Union strategy.
More than a military history, Key Command gives readers a glimpse of the social and cultural atmosphere of an important military base that proved to be the decisive training ground for the most successful general in the war. With its insight into a polarized society and wartime corruption, Kionka’s readable account sheds new light on our own times as it tells the story of a town struggling to survive and a man fighting to succeed.
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Kierkegaard
Construction of the Aesthetic
Theodor Adorno
University of Minnesota Press, 1989

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Killer Books
Writing, Violence, and Ethics in Modern Spanish American Narrative
By Aníbal González
University of Texas Press, 2002

Writing and violence have been inextricably linked in Spanish America from the Conquest onward. Spanish authorities used written edicts, laws, permits, regulations, logbooks, and account books to control indigenous peoples whose cultures were predominantly oral, giving rise to a mingled awe and mistrust of the power of the written word that persists in Spanish American culture to the present day.

In this masterful study, Aníbal González traces and describes how Spanish American writers have reflected ethically in their works about writing's relation to violence and about their own relation to writing. Using an approach that owes much to the recent "turn to ethics" in deconstruction and to the works of Jacques Derrida and Emmanuel Levinas, he examines selected short stories and novels by major Spanish American authors from the late nineteenth through the twentieth centuries: Manuel Gutiérrez Nájera, Manuel Zeno Gandía, Teresa de la Parra, Jorge Luis Borges, Alejo Carpentier, Gabriel García Márquez, and Julio Cortázar. He shows how these authors frequently display an attitude he calls "graphophobia," an intense awareness of the potential dangers of the written word.

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The Kimberlins Go to War
A Union Family in Copperhead Country
Michael B. Murphy
Indiana Historical Society Press, 2016
As July 7, 1861, dawned, war was in the air in Lexington, Indiana. The county seat of Scott County was abuzz with the latest news of the southern rebellion. The _Madison Daily and Evening Courier_ told of skirmishes between Federal troops and “secesh” forces at Harpers Ferry and Falling Waters, Virginia. Closer to home, word had come that William A. Sanderson had organized a new outfit, the Twenty-Third Indiana, and was recruiting throughout the Second Congressional District for men to join the regiment. Although Scott County had been rife with sympathy and support for the South, answering the call to serve the Union cause from the county were Jacob T. Kimberlin, a twenty-one-year-old farmhand; his older brother, John J.; and his cousins, William H. H. Kimberlin, Benjamin F. Kimberlin, and James Stark. These five young men could not have known at the time that none of them would ever again see their homes. They only knew that the Kimberlins were going to war. This is the story of the Kimberlin family that sent thirty-three fathers and sons, brothers and cousins, to fight for the Union during the Civil War. Ten family members were killed, wounded, or died of battlefield disease, a 30 percent casualty rate that is unmatched in recorded Scott County history. Of the 134 known deaths of Scott County soldiers, ten were members of the Kimberlin clan. Their feelings about the war come from forty letters to and from the battlefield that have survived to this day. The book examines such questions as: Were they fighting to save the Union or to free the slaves? How did they express grief over the loss of a brother? Did they keep up with their business and the women at home? And what did they think about “secesh” neighbors in southern Indiana who tried to undermine the Union?
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The Kin Who Count
Family and Society in Ottoman Aleppo, 1770-1840
By Margaret L. Meriwether
University of Texas Press, 1999

The history of the Middle Eastern family presents as many questions as there are currently answers. Who lived together in the household? Who married whom and for how long? Who got a piece of the patrimonial pie? These are the questions that Margaret Meriwether investigates in this groundbreaking study of family life among the upper classes of the Ottoman Empire in the pre-modern and early modern period.

Meriwether recreates Aleppo family life over time from records kept by the Islamic religious courts that held jurisdiction over all matters of family law and property transactions. From this research, she asserts that the stereotype of the large, patriarchal patrilineal family rarely existed in reality. Instead, Aleppo's notables organized their families in a great diversity of ways, despite the fact that they were all members of the same social class with widely shared cultural values, acting under the same system of family law. She concludes that this had important implications for gender relations and demonstrates that it gave women more authority and greater autonomy than is usually acknowledged.

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Kinaesthetic Knowing
Aesthetics, Epistemology, Modern Design
Zeynep Çelik Alexander
University of Chicago Press, 2017
Is all knowledge the product of thought? Or can the physical interactions of the body with the world produce reliable knowledge? In late-nineteenth-century Europe, scientists, artists, and other intellectuals theorized the latter as a new way of knowing, which Zeynep Çelik Alexander here dubs “kinaesthetic knowing.”     
In this book, Alexander offers the first major intellectual history of kinaesthetic knowing and its influence on the formation of modern art and architecture and especially modern design education. Focusing in particular on Germany and tracing the story up to the start of World War II, Alexander reveals the tension between intellectual meditation and immediate experience to be at the heart of the modern discourse of aesthetics, playing a major part in the artistic and teaching practices of numerous key figures of the period, including Heinrich Wölfflin, Hermann Obrist, August Endell, László Moholy-Nagy, and many others. Ultimately, she shows, kinaesthetic knowing did not become the foundation of the human sciences, as some of its advocates had hoped, but it did lay the groundwork—at such institutions as the Bauhaus—for modern art and architecture in the twentieth century. 
 
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Kindred Hands
Letters on Writing by British and American Women Authors, 1865-1935
Jennifer Cognard-Black
University of Iowa Press, 2006
Kindred Hands, a collection of previously unpublished letters by women writers, explores the act and art of writing from diverse perspectives and experiences. The letters illuminate such issues as authorship, aesthetics, collaboration, inspiration, and authorial intent. By focusing on letters that deal with authorship, the editors reveal a multiplicity of perspectives on female authorship that would otherwise require visits to archives and special collections.Representing some of the most important female writers of the nineteenth and early twentieth centuries, including transatlantic correspondents, women of color, canonical writers, regional writers, and women living in the British empire, Kindred Hands will enliven scholarship on a host of topics, including reception theory, feminist studies, social history, composition theory, modernism, and nineteenth-century studies. Moreover, because it represents previously unpublished primary sources, the collection will initiate new discussions on race, class, sexuality, ethnicity, and gender with an eye to writing at the turn of the twentieth century.The WritersMary Elizabeth Braddon, Mary Cholmondeley, Mary Chavelita Dunne Bright [George Egerton], Rhoda Broughton, Marie Corelli, Rebecca Harding Davis, Mary Abigail Dodge [Gail Hamilton], Jessie Redmon Fauset, Frances Ellen Watkins Harper, Mary St. Leger Kingsley Harrison [Lucas Malet], Annesley Kenealy, Palma Pederson, Elizabeth Stuart Phelps, Henrietta Stannard, Harriet Beecher Stowe, Rosamund Marriott Watson [Graham R. Tomson]
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King Khama, Emperor Joe, and the Great White Queen
Victorian Britain through African Eyes
Neil Parsons
University of Chicago Press, 1997
In 1895 three African chiefs, dressed in the finest British clothing available, began a tour of the British Isles. That tour foiled Cecil Rhodes' grand plan for Africa and culminated in the Chamberlain Settlement, the document that indirectly led to the independence of present-day Botswana. King Khama, Emperor Joe, and the Great White Queen is the story of this bizarre journey, one of the most neglected events in British Victorian history, here revealed for the first time in its full detail and cultural complexity.

The chiefs initially went to England to persuade Queen Victoria not to give their lands to ruthless Rhodes and his British South Africa Company. Abandoned by the Secretary of State for the Colonies, Joseph Chamberlain, and denied an audience with the queen, the three rulers decided to tour the British Isles to plead their case to the populace. Appealing to the middle-class morality of Victorian society, the chiefs were remarkably successful in gaining support, eventually swaying Chamberlain into drafting the agreement that secured their territories against the encroachment of Rhodesia.

Historian Neil Parsons has reconstructed this journey with the help of African archival materials and news clippings from British papers, garnered from the clippings service the chiefs had the foresight to employ. In equal parts narrative of pilgrimage, voyage of discovery, and colonial resistance, King Khama, Emperor Joe, and the Great White Queen provides a view from the other side of colonialism and imperialism. It demonstrates the nuances of cultural and religious interaction between Africans and Europeans, and it does so with the richness and depth of a fully realized novel.
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The King’s Peace
Law and Order in the British Empire
Lisa Ford
Harvard University Press, 2021

How the imposition of Crown rule across the British Empire during the Age of Revolution corroded the rights of British subjects and laid the foundations of the modern police state.

During the eighteenth and nineteenth centuries, the British Empire responded to numerous crises in its colonies, from North America to Jamaica, Bengal to New South Wales. This was the Age of Revolution, and the Crown, through colonial governors, tested an array of coercive peacekeeping methods in a desperate effort to maintain control. In the process these leaders transformed what it meant to be a British subject.

In the decades after the American Revolution, colonial legal regimes were transformed as the king’s representatives ruled new colonies with an increasingly heavy hand. These new autocratic regimes blurred the lines between the rule of law and the rule of the sword. Safeguards of liberty and justice, developed in the wake of the Glorious Revolution, were eroded while exacting obedience and imposing order became the focus of colonial governance. In the process, many constitutional principles of empire were subordinated to a single, overarching rule: where necessary, colonial law could diverge from metropolitan law. Within decades of the American Revolution, Lisa Ford shows, the rights claimed by American rebels became unthinkable in the British Empire. Some colonial subjects fought back but, in the empire, the real winner of the American Revolution was the king.

In tracing the dramatic growth of colonial executive power and the increasing deployment of arbitrary policing and military violence to maintain order, The King’s Peace provides important lessons on the relationship between peacekeeping, sovereignty, and political subjectivity—lessons that illuminate contemporary debates over the imbalance between liberty and security.

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Kinship, Business, and Politics
The Martinez Del Rio Family in Mexico, 1823-1867
By David W. Walker
University of Texas Press, 1987

The Martínez del Río family was a vigorous contestant in the highly politicized economy of early national Mexico. David Walker’s case study of its successes and failures provides a unique insider’s view of the trials and tribulations of doing business in a hostile environment. The family’s ordeal in Mexico—a series of personal dislocations and traumas—mirrored the painful contractions of an old society reluctantly giving birth to a new nation.

Using previously undiscovered primary source materials (including the private correspondence and business records of the family, public notary documents, transcripts of judicial proceedings, and the archives of Mexico’s Ministry of Foreign Relations and the British Foreign Office), Walker employs family history to analyze problems relating more generally to the development of state and society in newly independent Mexico.

The processes of socioeconomic formation in Mexico differed from those of Western Europe and the United States; accordingly, entrepreneurial activity had markedly contrasting implications for economic development and class formation. In the downwardly spiraling economy of nineteenth-century Mexico, economic activity was a zero-sum game. No new wealth was being created; most sectors remained stagnant and unproductive. To make their fortunes, empresarios, the Mexican capitalists, could not rely on income generated from authentic economic growth. Instead, they exploited the arbitrary acts of the interventionist Mexican state, which proscribed the free movement of factors within the marketplace. Speculation in the public debt took the place of more substantive undertakings. Coercive state power was diverted to create artificial environments in which otherwise inefficient and unproductive enterprises could flourish. But however well the empresarios might imitate the outward forms of industrial capitalism, they could not unlock the productive capacity of the Mexican economy. Instead, they and their allies and rivals engaged in destructive struggles to manipulate the state for personal gain, to the detriment of class interests, economic growth, and political stability.

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Kipling
Jad Adams
Haus Publishing, 2005
Joseph Rudyard Kipling was the greatest writer in a Britain that ruled the largest empire the world has known, yet he was always a controversial figure, as deeply hated as he was loved. This accessible biography aims at an understanding of the man behind the image and gives an explanation of his enduring popularity
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Kitchen Economics
Women’s Regionalist Fiction and Political Economy
Thomas Strychacz
University of Alabama Press, 2020
An analysis of how nineteenth-century women regional writers represent political economic thought

WINNER OF THE ELIZABETH AGEE PRIZE IN AMERICAN LITERATURE

 
Readers of late nineteenth-century female American authors are familiar with plots, characters, and households that make a virtue of economizing. Scholars often interpret these scenarios in terms of a mythos of parsimony, frequently accompanied by a sort of elegiac republicanism whereby self-sufficiency and autonomy are put to the service of the greater good—a counterworld to the actual economic conditions of the period.
 
In Kitchen Economics: Women’s Regionalist Fiction and Political Economy, Thomas Strychacz takes a new approach to the question of how female regionalist fictions represent “the economic” by situating them within traditions of classical political economic thought. Offering case studies of key works by Sarah Orne Jewett, Mary Wilkins Freeman, Harriet Beecher Stowe, Rose Terry Cooke, and Alice Dunbar-Nelson, this study focuses on three complex cultural fables—the island commonwealth, stadialism (or stage theory), and feeding the body politic—which found formal expression in political economic thought, made their way into endless public debates about the economic turmoil of the late nineteenth century, and informed female authors. These works represent counterparts, not counterworlds, to modernity; and their characteristic stance is captured in the complex trope of feminaeconomica.
 
This approach ultimately leads us to reconsider what we mean by the term “economic,” for the emphasis of contemporary neoclassical economics on economic agents given over to infinite wants and complete self-interest has caused the “sufficiency” and “common good” models of female regionalist authors to be misinterpreted and misvalued. These fictions are nowhere more pertinent to modernity than in their alliance with today’s important alternative economic discourses.
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