In Kafka's writing, Albert Camus tells us, we travel "to the limits of human thought." And in this book, the world's leading Kafka authority conducts us to the deepest reaches of Kafka's own troubled psyche, to reveal the inner workings of the man who gave his name to a central facet of modern experience, the Kafkaesque. Klaus Wagenbach, who wrote the first major critical biography of Kafka, draws upon a wealth of new and recent information to produce a concise but finely nuanced portrait of the author, an ideal introduction to this quintessential figure of modernity.
With extensive reference to Kafka's extraordinary letters and diaries, Wagenbach shows us the author of Metamorphosis and The Trial perpetually caught between the irresistible attractions of the world and his ruthless desire for solitude and isolation. It was this tension, Wagenbach tells us, that gave Kafka's writing its uncanny quality and that haunted his intense, unresolved relationships with women. And it was in this tension that both his misery and mastery inhered, making his one of the most painfully powerful voices of the experience of the twentieth century.
Pirkko Moisala approaches the unique characteristics of Saariaho's music through composition sketches, scores, critical reviews, and interviews with the composer and her trusted musicians. Drawing extensively from this material, Moisala describes the development of Saariaho's career and international reception, the characteristics of her musical expression, and the progression of her compositional process.
The long reign of Kansas City political boss Thomas J. Pendergast came to an end in 1939, after an investigation led by Special Agent Rudolph Hartmann of the U.S. Department of the Treasury resulted in Pendergast's conviction for income tax evasion. In 1942, Hartmann's account was submitted to Secretary of the Treasury Henry Morgenthau, Jr., in whose papers it remained for the past fifty-six years unbeknownst to historians. While researching the relations between Pendergast and Franklin D. Roosevelt, Robert H. Ferrell came across Hartmann's landmark report—the only firsthand account of the investigation that brought down the greatest political machine of its time, possibly one of the greatest in all of American history.
Reading like a "whodunit," The Kansas City Investigation traces Pendergast's political career from its beginnings to its end. As one of America's major city bosses, Pendergast was at the height of his influence in 1935-1936 when his power reached not merely to every ward and precinct in Kansas City but also to the statehouse in Jefferson City and Capitol Hill in Washington, D.C. It was during this time that the boss took a massive bribe—$315,000—from 137 national fire insurance companies operating within Missouri, opening him to attack by his enemies.
Early in 1938, an official in the Washington headquarters of the Bureau of Internal Revenue, a former Missourian, quit his job to accept private employment, but not without first tipping off a reporter from the Kansas City Star about Pendergast's bribe. The reporter immediately phoned Lloyd C. Stark, the governor of Missouri and a known enemy of Pendergast. Stark then went to Washington to inform President Roosevelt. Although the president had been a supporter of Pendergast, he now considered Stark a more important political ally. Roosevelt asked the Treasury Department to investigate Pendergast's income taxes. The intelligence unit of the Treasury Department put Hartmann, its best operative, on the case. Within a year, after the most minute of inquiries into checkbooks, serial numbers on currency, a safe-deposit box, and a telegraphed transfer of $10,000, Hartmann and his agents found enough evidence to convict Boss Tom.
More than a simple account of what the Roosevelt administration did to cause the collapse of the Pendergast machine, The Kansas City Investigation takes the reader through the ups and downs, twists and turns, of this intriguing investigation, all from an insider's perspective. More important, Hartmann's report provides historians and readers alike the opportunity to evaluate the machine era in American political history—an era that, according to the investigation, "proved the old axiom that `truth is stranger than fiction.'"
Katherine Anne Porter Remembered is a collection of reminiscences and memoirs by contemporaries, friends, and associates of Porter offering a revealing and intimate portrait of the elusive and complex American writer.
From a fractured and vagabond girlhood in Texas, Porter led a wildly itinerant life that took her through five marriages, innumerable love affairs, and homes in Colorado, New York, Paris, Mexico, Louisiana, California, and Maryland. With very little formal education, she grew through sheer force of will to become a major American writer of short stories and the author of several books including Flowering Judas and other stories; Ship of Fools; Pale Horse; Pale Ride; Noon Wine; and The Collected Stories of Katherine Anne Porter, which won both the Pulitzer Prize and the National Book Award.
Because of Porter’s own dissembling and half-truths about her life, as well as the numerous factual errors that persist in biographical entries and literary dictionaries, a complete and accurate portrait of her life has been hard to establish. The 63 reminiscences gathered in this book paint a vivid portrait of Porter and are testaments to her extraordinary beauty, her gift for mesmerizing and charming audiences and friends, her yearnings for a lasting home, her delusions about love, the astonishing range and scope of her reading, her sharp tongue and vindictiveness, and her final paranoid renunciations of friends and family. Along the way, Porter formed friendships with Eudora Welty, Elizabeth Hardwick, Flannery O’Connor, and Cleanth Brooks whose remembrances of her are included in this volume.
This book attempts to analyze a major part of Mansfield's fiction, concentrating on an analysis of the various textures, themes, and issues, plus the point of view virtuosity that she accomplished in her short lifetime (34 years). Many of her most famous works, such as "Prelude" and "Bliss," are explicated, along with many of her less famous and unfinished stories.
Marian Alexander Spencer was born in 1920 in the Ohio River town of Gallipolis, Ohio, one year after the “Red Summer” of 1919 that saw an upsurge in race riots and lynchings. Following the example of her grandfather, an ex-slave and community leader, Marian joined the NAACP at thirteen and grew up to achieve not only a number of civic leadership firsts in her adopted home city of Cincinnati, but a legacy of lasting civil rights victories.
Of these, the best known is the desegregation of Cincinnati’s Coney Island amusement park. She also fought to desegregate Cincinnati schools and to stop the introduction of observers in black voting precincts in Ohio. Her campaign to raise awareness of industrial toxic-waste practices in minority neighborhoods was later adapted into national Superfund legislation.
In 2012, Marian’s friend and colleague Dot Christenson sat down with her to record her memories. The resulting biography not only gives us the life story of remarkable leader but encapsulates many of the twentieth century’s greatest struggles and advances. Spencer’s story will prove inspirational and instructive to citizens and students alike.
Eleanor Roosevelt called her one of the most influential women in America. Among the earliest and most assertive members of the Book-of-the-Month Club selection committee, Dorothy Canfield Fisher helped define literary taste in America for more than three decades. She helped shape the careers of such great writers as Pearl Buck, Isak Dinesen, and Richard Wright. A best-selling author herself, Fisher was also a deeply committed social activist. In Keeping Fires Night and Day, Mark J. Madigan collects much of Fisher's copious correspondence. With letters to Willa Cather, W.E.B. Du Bois, Albert Einstein, Robert Frost, Margaret Mead, James Thurber, and E.B. White, he documents Fisher's personal and professional life and career in a way that no biography could. Set against the American historical and cultural landscape from 1900 to 1958, these letters offer a firsthand account of one of the twentieth century's most remarkable women.
While Fisher's novels treated such conventional subjects as marriage and domestic life, her own life was anything but conventional. When her best-selling novels made her the chief breadwinner in her marriage, her husband, John Fisher, quietly assumed the role of secretary and editor of her work. Fluent in five languages, Dorothy Canfield Fisher founded a Braille press in France and introduced the educational methods of Dr. Maria Montessori to the United States. She became a pioneering advocate of adult education and served as the first woman on the Vermont Board of Education.
In letters to friends, fans, and colleagues, Fisher discussed her homelife, her work, and the world around her. Her passions and concerns-revealed in her correspondence with wit and poignancy-include the "New Woman' and the suffrage movement, racial discrimination and the emergence of the NAACP, the development of the national education system, two world wars, the depression, and the influence of book clubs in the literary market-place.
Dorothy Canfield Fisher "helped twentieth-century American literature to come of age," writes Clifton Fadimon in his Foreward. Yet lasting recognition has eluded her. In Keeping Fires Night and Day the distinctive voice of this gifted, intelligent and spirited woman is heard once again.
“After saying our good-byes to friends and neighbors, we all got in the cars and headed up the hill and down the road toward a future in Ohio that we hoped would be brighter,” Otis Trotter writes in his affecting memoir, Keeping Heart: A Memoir of Family Struggle, Race, and Medicine.
Organized around the life histories, medical struggles, and recollections of Trotter and his thirteen siblings, the story begins in 1914 with his parents, Joe William Trotter Sr. and Thelma Odell Foster Trotter, in rural Alabama. By telling his story alongside the experiences of his parents as well as his siblings, Otis reveals cohesion and tensions in twentieth-century African American family and community life in Alabama, West Virginia, and Ohio.
This engaging chronicle illuminates the journeys not only of a black man born with heart disease in the southern Appalachian coalfields, but of his family and community. It fills an important gap in the literature on an underexamined aspect of American experience: the lives of blacks in rural Appalachia and in the nonurban endpoints of the Great Migration. Its emotional power is a testament to the importance of ordinary lives.
Keeping Oregon Green is a new history of the signature accomplishments of Oregon’s environmental era: the revitalization of the polluted Willamette River, the Beach Bill that preserved public access to the entire coastline, the Bottle Bill that set the national standard for reducing roadside litter, and the nation’s first comprehensive land use zoning law. To these case studies is added the largely forgotten tale of what would have been Oregon’s second National Park, intended to preserve the Oregon Dunes as one of the country’s first National Seashores.
Through the detailed study of the historical, political, and cultural contexts of these environmental conflicts, Derek Larson uncovers new dimensions in familiar stories linked to the concepts of “livability” and environmental stewardship. Connecting events in Oregon to the national environmental awakening of the 1960s and 1970s, the innovative policies that carried Oregon to a position of national leadership are shown to be products of place and culture as much as politics. While political leaders such as Tom McCall and Bob Straub played critical roles in framing new laws, the advocacy of ordinary citizens—farmers, students, ranchers, business leaders, and factory workers—drove a movement that crossed partisan, geographic, and class lines to make Oregon the nation’s environmental showcase of the 1970s.
Drawing on extensive archival research and source materials, ranging from poetry to congressional hearings, Larson’s compelling study is firmly rooted in the cultural, economic, and political history of the Pacific Northwest. Essential reading for students of environmental history and Oregon politics, Keeping Oregon Green argues that the state’s environmental legacy is not just the product of visionary leadership, but rather a complex confluence of events, trends, and personalities that could only have happened when and where it did.
Hanged by the Nigerian government on November 10, 1995, Ken Saro-Wiwa became a martyr for the Ogoni people and human rights activists, and a symbol of modern Africans’ struggle against military dictatorship, corporate power, and environmental exploitation. Though he is rightly known for his human rights and environmental activism, he wore many hats: writer, television producer, businessman, and civil servant, among others. While the book sheds light on his many legacies, it is above all about Saro-Wiwa the man, not just Saro-Wiwa the symbol.
Roy Doron and Toyin Falola portray a man who not only was formed by the complex forces of ethnicity, race, class, and politics in Nigeria, but who drove change in those same processes. Like others in the Ohio Short Histories of Africa series, Ken Saro-Wiwa is written to be accessible to the casual reader and student, yet indispensable to scholars.
The Vietnam War (1964–1975) divided American society like no other war of the twentieth century, and some of the most memorable American art and art-related activism of the last fifty years protested U.S. involvement. At a time when Pop Art, Minimalism, and Conceptual Art dominated the American art world, individual artists and art collectives played a significant role in antiwar protest and inspired subsequent generations of artists. This significant story of engagement, which has never been covered in a book-length survey before, is the subject of Kill for Peace.
Writing for both general and academic audiences, Matthew Israel recounts the major moments in the Vietnam War and the antiwar movement and describes artists’ individual and collective responses to them. He discusses major artists such as Leon Golub, Edward Kienholz, Martha Rosler, Peter Saul, Nancy Spero, and Robert Morris; artists’ groups including the Art Workers’ Coalition (AWC) and the Artists Protest Committee (APC); and iconic works of collective protest art such as AWC’s Q. And Babies? A. And Babies and APC’s The Artists Tower of Protest. Israel also formulates a typology of antiwar engagement, identifying and naming artists’ approaches to protest. These approaches range from extra-aesthetic actions—advertisements, strikes, walk-outs, and petitions without a visual aspect—to advance memorials, which were war memorials purposefully created before the war’s end that criticized both the war and the form and content of traditional war memorials.
Writing and violence have been inextricably linked in Spanish America from the Conquest onward. Spanish authorities used written edicts, laws, permits, regulations, logbooks, and account books to control indigenous peoples whose cultures were predominantly oral, giving rise to a mingled awe and mistrust of the power of the written word that persists in Spanish American culture to the present day.
In this masterful study, Aníbal González traces and describes how Spanish American writers have reflected ethically in their works about writing's relation to violence and about their own relation to writing. Using an approach that owes much to the recent "turn to ethics" in deconstruction and to the works of Jacques Derrida and Emmanuel Levinas, he examines selected short stories and novels by major Spanish American authors from the late nineteenth through the twentieth centuries: Manuel Gutiérrez Nájera, Manuel Zeno Gandía, Teresa de la Parra, Jorge Luis Borges, Alejo Carpentier, Gabriel García Márquez, and Julio Cortázar. He shows how these authors frequently display an attitude he calls "graphophobia," an intense awareness of the potential dangers of the written word.
A historian of science examines key public debates about the fundamental nature of humans to ask why a polarized discourse about nature versus nurture became so entrenched in the popular sciences of animal and human behavior.
Are humans innately aggressive or innately cooperative? In the 1960s, bestselling books enthralled American readers with the startling claim that humans possessed an instinct for violence inherited from primate ancestors. Critics responded that humans were inherently loving and altruistic. The resulting debate—fiercely contested and highly public—left a lasting impression on the popular science discourse surrounding what it means to be human.
Killer Instinct traces how Konrad Lorenz, Robert Ardrey, and their followers drew on the sciences of animal behavior and paleoanthropology to argue that the aggression instinct drove human evolutionary progress. Their message, spread throughout popular media, brought pointed ripostes. Led by the anthropologist Ashley Montagu, opponents presented a rival vision of human nature, equally based in biological evidence, that humans possessed inborn drives toward love and cooperation. Over the course of the debate, however, each side accused the other of holding an extremist position: that behavior was either determined entirely by genes or shaped solely by environment. Nadine Weidman shows that what started as a dispute over the innate tendencies of animals and humans transformed into an opposition between nature and nurture.
This polarized formulation proved powerful. When E. O. Wilson introduced his sociobiology in 1975, he tried to rise above the oppositional terms of the aggression debate. But the controversy over Wilson’s work—led by critics like the feminist biologist Ruth Hubbard—was ultimately absorbed back into the nature-versus-nurture formulation. Killer Instinct explores what happens and what gets lost when polemics dominate discussions of the science of human nature.
"The study of transracial adoption has long been dominated by historians, legal scholars, and social scientists, but with the growth of the lively field of humanistic adoption studies comes a growing understanding of the importance of cultural representations to the social meanings and even the practices of adoption itself . . . This book makes a valuable contribution in showing how important the theme of adoption has been throughout the twentieth century in representations of race relations, and in showing that the adoption theme has served to challenge racial norms as well as uphold them."
---Margaret Homans, Yale University
The subject of transracial adoption seems to be enjoying unprecedented media attention of late, particularly as white celebrities have made headlines by adopting children of color from overseas. But interest in transracial adoption is nothing new---it has long occupied a space in the public imagination, a space disproportionate with the number of people actually adopted across racial lines.
Even before World War II, when transracial adoption was neither legally nor socially sanctioned, American authors wrote about it, often depicting it as an "accident"---the result of racial ambiguity that prevented adopters from knowing who is white or black. After World War II, as the real-world practice of transracial and international adoption increased, American literary representations of it became an index not only of the changing cultural attitudes toward adoption as a way of creating families but also of the social issues that informed it and made it, at times, controversial.
Kin of Another Kind examines the appearance of transracial adoption in American literature at certain key moments from the turn of the twentieth century to the turn of the twenty-first to help understand its literary and social significance to authors and readers alike. In juxtaposing representations of African American, American Indian, and Korean and Chinese adoptions across racial (and national) lines, Kin of Another Kind traces the metaphorical significance of adoption when it appears in fiction. At the same time, aligning these groups calls attention to their unique and divergent cultural histories with adoption, which serve as important contexts for the fiction discussed in this study.
The book explores the fiction of canonical authors such as William Faulkner and Toni Morrison and places it alongside lesser-known works by Robert E. Boles, Dallas Chief Eagle (Lakota), and Sui Sin Far that, when reconsidered, can advance our understanding both of adoption in literature and of twentieth-century American literature in general.
Kin of Another Kind will appeal to students and scholars in adoption in literature, American literature, and comparative multiethnic literatures. It adds to the growing body of work on adoption in literature, which focuses on orphancy and adoption in the nineteenth and early twentieth centuries.
Cynthia Callahan is Assistant Professor in the Department of English at Ohio State University, Mansfield.
In an effort to define what constitutes a feminist reading of literary works, Ann C. Hall offers an analytic technique that is both a feminist and a psychoanalytic approach, applying this technique to her study of women characters in the modern dramatic texts of Eugene O’Neill, Harold Pinter, and Sam Shepard.
This is the first study to treat these three writers in tandem, and while Hall uses the work of Jacques Lacan, Luce Irigaray, and other psychoanalytic feminist critics in her close readings of specific dramatic texts, she also brings in commentaries by critics, directors, performers, and historians. Her technique thereby provides us with a new and significant method for addressing female characters as written by male playwrights, a task that she argues is not only a valid and necessary part of feminist dramatic criticism but a part of theatrical production as well.
From Pinter’s play A Kind of Alaska, Hall extracts a metaphor for the patriarchal oppression of women, contextualizing such oppression through an examination of O’Neill’s madonnas, Pinter’s whores, and Shepard’s female saviors as they are represented in O’Neill’s Iceman Cometh, Long Day’s Journey into Night, and A Moon for theMisbegotten; Pinter’s Homecoming, No Man’s Land, Betrayal, and A Kind of Alaska; and Shepard’s Buried Child, True West, and A LieoftheMind.
Since the works of O’Neill, Pinter, and Shepard continue to be performed to popular acclaim, Hall hopes that a better understanding of the female characters in these plays will influence the performances themselves.
Kindred Spirits takes us inside a remarkable network of Catholic historians, theologians, poets, and activists who pushed against both the far-right surge in interwar Europe and the secularizing tendencies of the leftist movements active in the early to mid-twentieth century. With meticulous attention to the complexity of real lives, Brenna Moore explores how this group sought a middle way anchored in “spiritual friendship”—religiously meaningful friendship understood as uniquely capable of facing social and political challenges.
For this group, spiritual friendship was inseparable from resistance to European xenophobia and nationalism, anti-racist activism in the United States, and solidarity with Muslims during the Algerian War. Friendship, they believed, was a key to both divine and human realms, a means of accessing the transcendent while also engaging with our social and political existence. Some of the figures are still well known—philosopher Jacques Maritain, Nobel Prize laureate Gabriela Mistral, influential Islamicist Louis Massignon, poet of the Harlem renaissance Claude McKay—while others have unjustly faded from memory. Much more than an idealized portrait of a remarkable group of Catholic intellectuals from the past, Kindred Spirits is a compelling exploration of both the beauty and flaws of a vibrant social network worth remembering.
Learning the details of others' sex lives is the most enticing of guilty pleasures. We measure our own practices against the "normalcy" that sex surveys seek to capture. Special interest groups use or attack survey findings (such as the claim that 10% of Americans are gay) for their own ends. Indeed, we all have some stake in these surveys, be it self-justification, recrimination, or curiosity--and this testifies to their significance in our culture.
Kiss and Tell chronicles the history of sex surveys in the United States over a century of changing social and sexual mores. Julia Ericksen and Sally Steffen reveal that the survey questions asked, more than the answers elicited, expose and shape the popular image of appropriate sexuality. We can learn as much about the history and practice of sexuality by looking at surveyors' changing concerns as we can by reading the results of their surveys. The authors show how surveys have reflected societal anxieties about adolescent development, teen sex and promiscuity, and AIDS, and have been employed in efforts to preserve marriage and to control women's sexuality.
Kiss and Tell is an important examination of the role of social science in shaping American sexual patterns. Revealing how surveys of sexual behavior help create the issues they purport merely to describe, it reminds us how malleable and imperfect our knowledge of sexual behavior is.
The 1950 espionage case of Klaus Fuchs, who betrayed British and American atomic secrets to the Soviet Union, touched off a witch hunt in the United States that led to the capture of the Rosenbergs and many other alleged spies. The case fueled the fires of national concern over communism, Soviet espionage, internal subversion, and security in the nuclear age. Robert C. Williams has tenaciously retraced Fuchs's trail from Nazi Germany to Britain, Canada, Los Alamos, and finally to Dresden, where Fuchs now lives the life of a successful retired nuclear physicist. In his search Williams has not only uncovered Fuchs's personal story but has also established that his espionage was part of a much larger Soviet effort to penetrate and control British intelligence.
Klaus Fuchs had access to the most highly classified secrets of the wartime Manhattan Project. Cleared eight times by British security, and consequently accepted without investigation by the Americans, Fuchs worked in a hermetic world of security through secrecy—a world whose rules he publicly defended and privately betrayed. He played his role carefully for almost a decade, passing classified information to Soviet intelligence through a German communist espionage ring that operated under the very nose of the British government during and after the war. As part of the secret Anglo-American bomb project, he brought to Britain—and gave to Russia—technological know-how that helped both countries develop their own A-bombs.
This first full-length portrait of Klaus Fuchs and his case, based in part on newly available American and British archives on the subject, is an exciting find for general readers in the history of science, espionage, World War II, and the Cold War. It will also be of high professional interest to historians and physicists.
Disputing the so-called ghetto studies that depicted the early part of the twentieth century as the nadir of African American society, this thoughtful volume by Christopher Robert Reed investigates black life in turn-of-the-century Chicago, revealing a vibrant community that grew and developed on Chicago’s South Side in the early 1900s. Reed also explores the impact of the fifty thousand black southerners who streamed into the city during the Great Migration of 1916–1918, effectively doubling Chicago’s African American population. Those already residing in Chicago’s black neighborhoods had a lot in common with those who migrated, Reed demonstrates, and the two groups became unified, building a broad community base able to face discrimination and prejudice while contributing to Chicago’s growth and development.
Reed not only explains how Chicago’s African Americans openly competed with white people for jobs, housing and an independent political voice but also examines the structure of the society migrants entered and helped shape. Other topics include South Side housing, black politics and protest, the role of institutionalized religion, the economic aspects of African American life, the push for citizenship rights and political power for African Americans, and the impact of World War I and the race riot of 1919. The first comprehensive exploration of black life in turn-of-the-century Chicago beyond the mold of a ghetto perspective, this revealing work demonstrates how the melding of migrants and residents allowed for the building of a Black Metropolis in the 1920s.
In the spring of 1900, British archaeologist Arthur Evans began to excavate the palace of Knossos on Crete, bringing ancient Greek legends to life just as a new century dawned amid far-reaching questions about human history, art, and culture. With Knossos and the Prophets of Modernism, Cathy Gere relates the fascinating story of Evans’s excavation and its long-term effects on Western culture. After the World War I left the Enlightenment dream in tatters, the lost paradise that Evans offered in the concrete labyrinth—pacifist and matriarchal, pagan and cosmic—seemed to offer a new way forward for writers, artists, and thinkers such as Sigmund Freud, James Joyce, Giorgio de Chirico, Robert Graves, and Hilda Doolittle.
Assembling a brilliant, talented, and eccentric cast at a moment of tremendous intellectual vitality and wrenching change, Cathy Gere paints an unforgettable portrait of the age of concrete and the birth of modernism.
A Washington Post Book of the Year
Winner of the Merle Curti Award
Winner of the Jacques Barzun Prize
Winner of the Ralph Waldo Emerson Award
“A masterful study of privacy.”
—Sue Halpern, New York Review of Books
“Masterful (and timely)…[A] marathon trek from Victorian propriety to social media exhibitionism…Utterly original.”
—Washington Post
Every day, we make decisions about what to share and when, how much to expose and to whom. Securing the boundary between one’s private affairs and public identity has become an urgent task of modern life. How did privacy come to loom so large in public consciousness? Sarah Igo tracks the quest for privacy from the invention of the telegraph onward, revealing enduring debates over how Americans would—and should—be known. The Known Citizen is a penetrating historical investigation with powerful lessons for our own times, when corporations, government agencies, and data miners are tracking our every move.
“A mighty effort to tell the story of modern America as a story of anxieties about privacy…Shows us that although we may feel that the threat to privacy today is unprecedented, every generation has felt that way since the introduction of the postcard.”
—Louis Menand, New Yorker
“Engaging and wide-ranging…Igo’s analysis of state surveillance from the New Deal through Watergate is remarkably thorough and insightful.”
—The Nation
In the first part of the twentieth century, Korean Buddhists, despite living under colonial rule, reconfigured sacred objects, festivals, urban temples, propagation—and even their own identities—to modernize and elevate Korean Buddhism. By focusing on six case studies, this book highlights the centrality of transnational relationships in the transformation of colonial Korean Buddhism.
Hwansoo Ilmee Kim examines how Korean, Japanese, and other Buddhists operating in colonial Korea, Japan, China, Taiwan, Manchuria, and beyond participated in and were significantly influenced by transnational forces, even as Buddhists of Korea and other parts of Asia were motivated by nationalist and sectarian interests. More broadly, the cases explored in the The Korean Buddhist Empire reveal that, while Japanese Buddhism exerted the most influence, Korean Buddhism was (as Japanese Buddhism was itself) deeply influenced by developments in China, Taiwan, Sri Lanka, Europe, and the United States, as well as by Christianity.
On November 7, 1938, a Jewish teenager, Herschel Grynszpan, fatally shot a German diplomat in Paris. Within three days anti-Jewish violence erupted throughout Germany, initially incited by local Nazi officials, and ultimately sanctioned by the decisions of Hitler and Goebbels at the pinnacle of the Third Reich. As synagogues burned and Jews were beaten in the streets, police stood aside. Men, women, and children—many neighbors of the victims—participated enthusiastically in acts of violence, rituals of humiliation, and looting. By the night of November 10, a nationwide antisemitic pogrom had inflicted massive destruction on synagogues, Jewish schools, and Jewish-owned businesses. During and after this spasm of violence and plunder, 30,000 Jewish men were rounded up and sent to concentration camps, where hundreds would perish in the following months.
Kristallnacht revealed to the world the intent and extent of Nazi Judeophobia. However, it was seen essentially as the work of the Nazi leadership. Now, Alan Steinweis counters that view in his vision of Kristallnacht as a veritable pogrom—a popular cathartic convulsion of antisemitic violence that was manipulated from above but executed from below by large numbers of ordinary Germans rioting in the streets, heckling and taunting Jews, cheering Stormtroopers' hostility, and looting Jewish property on a massive scale.
Based on original research in the trials of the pogrom's perpetrators and the testimonies of its Jewish survivors, Steinweis brings to light the evidence of mob action by all sectors of the civilian population. Kristallnacht 1938 reveals the true depth and nature of popular antisemitism in Nazi Germany on the eve of the Holocaust.
Over the past two decades, Zapatista indigenous community members have asserted their autonomy and self-determination by using everyday practices as part of their struggle for lekil kuxlejal, a dignified collective life connected to a specific territory. This in-depth ethnography summarizes Mariana Mora’s more than ten years of extended research and solidarity work in Chiapas, with Tseltal and Tojolabal community members helping to design and evaluate her fieldwork. The result of that collaboration—a work of activist anthropology—reveals how Zapatista kuxlejal (or life) politics unsettle key racialized effects of the Mexican neoliberal state.
Through detailed narratives, thick descriptions, and testimonies, Kuxlejal Politics focuses on central spheres of Zapatista indigenous autonomy, particularly governing practices, agrarian reform, women’s collective work, and the implementation of justice, as well as health and education projects. Mora situates the proposals, possibilities, and challenges associated with these decolonializing cultural politics in relation to the racialized restructuring that has characterized the Mexican state over the past twenty years. She demonstrates how, despite official multicultural policies designed to offset the historical exclusion of indigenous people, the Mexican state actually refueled racialized subordination through ostensibly color-blind policies, including neoliberal land reform and poverty alleviation programs. Mora’s findings allow her to critically analyze the deeply complex and often contradictory ways in which the Zapatistas have reconceptualized the political and contested the ordering of Mexican society along lines of gender, race, ethnicity, and class.
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