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Gambling Debt
Iceland's Rise and Fall in the Global Economy
E. Paul Durrenberger
University Press of Colorado, 2014

Gambling Debt is a game-changing contribution to the discussion of economic crises and neoliberal financial systems and strategies. Iceland’s 2008 financial collapse was the first case in a series of meltdowns, a warning of danger in the global order. This full-scale anthropology of financialization and the economic crisis broadly discusses this momentous bubble and burst and places it in theoretical, anthropological, and global historical context through descriptions of the complex developments leading to it and the larger social and cultural implications and consequences.

Chapters from anthropologists, sociologists, historians, economists, and key local participants focus on the neoliberal policies—mainly the privatization of banks and fishery resources—that concentrated wealth among a select few, skewed the distribution of capital in a way that Iceland had never experienced before, and plunged the country into a full-scale economic crisis. Gambling Debt significantly raises the level of understanding and debate on the issues relevant to financial crises, painting a portrait of the meltdown from many points of view—from bankers to schoolchildren, from fishers in coastal villages to the urban poor and immigrants, and from artists to philosophers and other intellectuals.

This book is for anyone interested in financial troubles and neoliberal politics as well as students and scholars of anthropology, sociology, economics, philosophy, political science, business, and ethics.

Publication supported in part by the National Science Foundation.

Contributors: 
Vilhjálmur Árnason, Ásmundur Ásmundsson, Jón Gunnar Bernburg, James Carrier, Sigurlína Davíðsdóttir, Dimitra Doukas, Níels Einarsson, Einar Mar Guðmundsson, Tinna Grétarsdóttir, Birna Gunnlaugsdóttir, Guðný S. Guðbjörnsdóttir, Pamela Joan Innes, Guðni Th. Jóhannesson, Örn D. Jónsson, Hannes Lárusson, Kristín Loftsdóttir, James Maguire, Már Wolfgang Mixa, Evelyn Pinkerton, Hulda Proppé, James G. Rice, Rögnvaldur J. Sæmundsson, Unnur Dís Skaptadóttir, Margaret Willson


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Garden Theology
Seán Mac Falls
Tupelo Press, 2022
The great tradition of Irish poetry courses through Seán Mac Falls’ blood and into his lines, as if he has spent a lifetime inhaling the sea breezes, cliffs, and peat bogs, ennobled from William Butler Yeats to Seamus Heaney to Eavan Boland. Here in a generous volume is a stunning treasury of pleasures, direct and appealing in voice, earthbound and empyrean in spirit, epistemological and rare.
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The Gardens of Our Childhoods
John Belk
Autumn House Press, 2022
Poems considering self, masculinity, and culture through the spectacle of professional wrestling.
 

In this stunning debut, John Belk looks at the world of professional wrestling to excavate the real within the artificial and explore the projections we create, run from, and delight in. In The Gardens of Our Childhoods, the distance between spectacle and reality blurs.
 
Belk uses the spectacle of wrestling to stare deeply into American culture and masculinity, parsing the intersecting threads of patriarchy and gender, and unpacking identity formation and performance. As Belk pries into toxic masculinities, he leaves space also for tenderness, queerness, and resistance to normative structures, opening the potential for love and admiration. Populated by classic and contemporary wrestlers like André the Giant, Hulk Hogan, “Stone Cold” Steve Austin, Ricky Steamboat, Bruno Sammartino, Marcus “Buff” Bagwell, and more, this book is ultimately about the constant deconstruction and reconstruction of our identities that smudge fiction and reality. Like wrestlers in their operatic and winding storylines, we learn how to project and inhabit identities while growing into and fighting against the scripts we write for ourselves and those that are imposed on us.
 
The Gardens of Our Childhoods is the winner of Autumn House Press’s Rising Writer Prize in Poetry.
 
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The Gee Years, 2007–2013
Herbert B. Asher
The Ohio State University Press, 2022
The Gee Years, 2007–2013 chronicles E. Gordon Gee’s second tenure as president of The Ohio State University and the fourteenth in the university’s history. With previous posts at Vanderbilt, Brown, Colorado, West Virginia, and a previous term at Ohio State, Gee is the longest continually serving college president in the country. His second tenure with Ohio State boasted overall fundraising at record highs, created a $100 million fund for student scholarships, called for affordability for college education for Ohioans which helped to shift study body demographics, and led the charge for restructuring the state of Ohio’s funding of higher education. Part of Gee’s close circle, Herbert B. Asher writes from firsthand experience to relate the major events, developments, and successes of the university from Gee’s recruitment through the president’s departure. The Gee Years reflects on a leader who left an indelible impression on The Ohio State University.
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Gender, Generations and the Family in International Migration
Edited by Albert Kraler, Eleonore Kofman, Martin Kohli, and Camille Schmoll
Amsterdam University Press, 2013

Family-related migration is moving to the center of political debates on migration, integration, and multiculturalism in Europe. Still, strands of academic research on family migrations and migrant families remain separate from—and sometimes ignorant of—each other. This volume seeks to bridge the disciplinary divide. Collectively, the authors address the need to better understand the diversity of family-related migration and its resulting family forms and practices, to question simplistic assumptions about migrant families in public discourse, to study family migration from a mix of disciplinary perspectives, and to acknowledge the state’s role in shaping family-related migration, practices, and lives.

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Gender Violence in Peace and War
States of Complicity
Sanford, Victoria
Rutgers University Press, 2016
Reports from war zones often note the obscene victimization of women, who are frequently raped, tortured, beaten, and pressed into sexual servitude. Yet this reign of terror against women not only occurs during exceptional moments of social collapse, but during peacetime too. As this powerful book argues, violence against women should be understood as a systemic problem—one for which the state must be held accountable. 
 
The twelve essays in Gender Violence in Peace and War present a continuum of cases where the state enables violence against women—from state-sponsored torture to lax prosecution of sexual assault. Some contributors uncover buried histories of state violence against women throughout the twentieth century, in locations as diverse as Ireland, Indonesia, and Guatemala. Others spotlight ongoing struggles to define the state’s role in preventing gendered violence, from domestic abuse policies in the Russian Federation to anti-trafficking laws in the United States. 
 
Bringing together cutting-edge research from political science, history, gender studies, anthropology, and legal studies, this collection offers a comparative analysis of how the state facilitates, legitimates, and perpetuates gender violence worldwide. The contributors also offer vital insights into how states might adequately protect women’s rights in peacetime, as well as how to intervene when a state declares war on its female citizens.  
 
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Gendered Fortunes
Divination, Precarity, and Affect in Postsecular Turkey
Zeynep K. Korkman
Duke University Press, 2023
In Gendered Fortunes, Zeynep K. Korkman examines Turkey’s commercial fortunetelling cafés where secular Muslim women and LGBTIQ individuals navigate the precarities of twenty-first-century life. Criminalized by long-standing secularist laws and disdained by contemporary Islamist government, fortunetelling cafés proliferate in part because they offer shelter from the conservative secularist, Islamist, neoliberal, and gender pressures of the public sphere. Korkman shows how fortunetelling is a form of affective labor through which its participants build intimate feminized publics in which they share and address their hopes and fears. Korkman uses feeling—which is how her interlocutors describe the divination process—as an analytic to view the shifting landscape of gendered vulnerability in Turkey. In so doing, Korkman foregrounds “feeling” as a feminist lens to explore how those who are pushed to the margins feel their way through oppressive landscapes to create new futures.
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Genre Worlds
Popular Fiction and Twenty-First-Century Book Culture
Kim Wilkins, Beth Driscoll, and Lisa Fletcher
University of Massachusetts Press, 2022

Works of genre fiction are a source of enjoyment, read during cherished leisure time and in incidental moments of relaxation. This original book takes readers inside popular genres of fiction, including crime, fantasy, and romance, to reveal how personal tastes, social connections, and industry knowledge shape genre worlds. Attuned to both the pleasure and the profession of producing genre fiction, the authors investigate contemporary developments in the field—the rise of Amazon, self-publishing platforms, transmedia storytelling, and growing global publishing conglomerates—and show how these interact with older practices, from fan conventions to writers’ groups.

Sitting at the intersection of literary studies, genre studies, fan studies, and studies of the book and publishing cultures, Genre Worlds considers how contemporary genre fiction is produced and circulated on a global scale. Its authors propose an innovative theoretical framework that unfolds genre fiction’s most compelling characteristics: its connected social, industrial, and textual practices. As they demonstrate, genre fiction books are not merely texts; they are also nodes of social and industrial activity involving the production, dissemination, and reception of the texts.

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Geopolitical Economy
After US Hegemony, Globalization and Empire
Radhika Desai
Pluto Press, 2013

Geopolitical Economy radically reinterprets the historical evolution of the world order, as a multi-polar world emerges from the dust of the financial and economic crisis.

Radhika Desai offers a radical critique of the theories of US hegemony, globalisation and empire which dominate academic international political economy and international relations, revealing their ideological origins in successive failed US attempts at world dominance through the dollar.

Desai revitalizes revolutionary intellectual traditions which combine class and national perspectives on ‘the relations of producing nations’. At a time of global upheavals and profound shifts in the distribution of world power, Geopolitical Economy forges a vivid and compelling account of the historical processes which are shaping the contemporary international order.

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Ghost Riders of Baghdad
Soldiers, Civilians, and the Myth of the Surge
Daniel A. Sjursen
University Press of New England, 2015
From October 2006 to December 2007, Daniel A. Sjursen—then a U.S. Army lieutenant—led a light scout platoon across Baghdad. The experiences of Ghost Rider platoon provide a soldier’s-eye view of the incredible complexities of warfare, peacekeeping, and counterinsurgency in one of the world’s most ancient cities. Sjursen reflects broadly and critically on the prevailing narrative of the surge as savior of America’s longest war, on the overall military strategy in Iraq, and on U.S. relations with ordinary Iraqis. At a time when just a handful of U.S. senators and representatives have a family member in combat, Sjursen also writes movingly on questions of America’s patterns of national service. Who now serves and why? What connection does America’s professional army have to the broader society and culture? What is the price we pay for abandoning the model of the citizen soldier? With the bloody emergence of ISIS in 2014, Iraq and its beleaguered, battle-scarred people are again much in the news. Unlike other books on the U.S. war in Iraq, Ghost Riders of Baghdad is part battlefield chronicle, part critique of American military strategy and policy, and part appreciation of Iraq and its people. At once a military memoir, history, and cultural commentary, Ghost Riders of Bahdad delivers a compelling story and a deep appreciation of both those who serve and the civilians they strive to protect. Sjursen provides a riveting addition to our understanding of modern warfare and its human costs.
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Ghosts and the Overplus
Reading Poetry in the Twenty-First Century
Christina Pugh
University of Michigan Press, 2024
Ghosts and the Overplus is a celebration of lyric poetry in the twenty-first century and how lyric poetry incorporates the voices of our age as well as the poetic “ghosts” from the past. Acclaimed poet and award-winning teacher Christina Pugh is fascinated by how poems continually look backward into literary history. Her essays find new resonance in poets ranging from Emily Dickinson to Gwendolyn Brooks to the poetry of the present. Some of these essays also consider the way that poetry interacts with the visual arts, dance, and the decision to live life as a nonconformist. This wide-ranging collection showcases the critical discussions around poetry that took place in America over the first two decades of our current millennium. Essay topics include poetic forms continually in migration, such as the sonnet; poetic borrowings across visual art and dance; and the idiosyncrasies of poets who lived their lives against the grain of literary celebrity and trend. What unites all of these essays is a drive to dig more deeply into the poetic word and act: to go beyond surface reading in order to reside longer with poems. In essays both discursive and personal, Pugh shows that poetry asks us to think differently—in a way that gathers feeling into the realm of thought, thereby opening the mysteries that reside in us and in the world around us.
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Ghosts in the Schoolyard
Racism and School Closings on Chicago's South Side
Eve L. Ewing
University of Chicago Press, 2018
“Failing schools. Underprivileged schools. Just plain bad schools.”
 
That’s how Eve L. Ewing opens Ghosts in the Schoolyard: describing Chicago Public Schools from the outside. The way politicians and pundits and parents of kids who attend other schools talk about them, with a mix of pity and contempt.
 
But Ewing knows Chicago Public Schools from the inside: as a student, then a teacher, and now a scholar who studies them. And that perspective has shown her that public schools are not buildings full of failures—they’re an integral part of their neighborhoods, at the heart of their communities, storehouses of history and memory that bring people together.
 
Never was that role more apparent than in 2013 when Mayor Rahm Emanuel announced an unprecedented wave of school closings. Pitched simultaneously as a solution to a budget problem, a response to declining enrollments, and a chance to purge bad schools that were dragging down the whole system, the plan was met with a roar of protest from parents, students, and teachers. But if these schools were so bad, why did people care so much about keeping them open, to the point that some would even go on a hunger strike?
 
Ewing’s answer begins with a story of systemic racism, inequality, bad faith, and distrust that stretches deep into Chicago history. Rooting her exploration in the historic African American neighborhood of Bronzeville, Ewing reveals that this issue is about much more than just schools. Black communities see the closing of their schools—schools that are certainly less than perfect but that are theirs—as one more in a long line of racist policies. The fight to keep them open is yet another front in the ongoing struggle of black people in America to build successful lives and achieve true self-determination.
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Global Cinema Networks
Gorfinkel, Elena
Rutgers University Press, 2018
Global Cinema Networks investigates the evolving aesthetic forms, technological and industrial conditions, and social impacts of cinema in the twenty-first century. The collection’s esteemed contributors excavate sites of global filmmaking in an era of digital reproduction and amidst new modes of circulation and aesthetic convergence, focusing primarily on recent films made across Europe, Africa, Latin America, Asia, and the Middle East. Moving beyond the digital as a harbinger of transformation, the volume offers new ways of thinking about cinema networks in a historical continuum, from “international” to “world” to “transnational” to “global” frames.  
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Global Cities
Cinema, Architecture, and Urbanism in a Digital Age
Petro, Patrice
Rutgers University Press, 2003
In Global Cities, scholars from an impressive array of disciplines critique the growing body of literature on the process broadly known as "globalization." This interdisciplinary focus enables the authors to explore the complex geographies of modern cities, and offer possible strategies for reclaiming a sense of place and community in these globalized urban settings. While examining major cities including New York, Tokyo, Berlin, Paris, and Hong Kong, contributors insist that the study of urban experiences must remain as attentive to the material effects as to the psychic and social consequences of globalization. Accordingly, essays explore the implications of global culture for architecture, cinema, and communication--but do so in a way that highlights the importance of the spaces between such metropolitan centers. These locations, the authors argue, serve as increasingly important "frontier zones," where a diverse set of actors converge and contend for power and presence. Such a perspective ultimately adds nuance and meaning to our understanding of the heterogeneous urban landscapes of these global cities. Linda Krause is an associate professor in the Department of Architecture at the School of Architecture and Urban Planning, University of Wisconsin, Milwaukee. Patrice Petro is professor of film studies and director of the Center for International Education at the University of Wisconsin, Milwaukee. A volume in the New Directions in International Studies series, edited by Patrice Petro
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The Global City Debate Reconsidered
Economic Globalization in Contemporary Dutch Cities
Jeroen van der Waal
Amsterdam University Press, 2016
The idea of the "global city," which focuses on globalisation's impact on the social, financial, and political reality of cities in advanced economies, has become widely influential in the decades since its introduction-and yet the major issues in the "global city debate" remain unresolved. This book provides a systematic overview of the debate and competing theoretical notions, as well as an argument for the need to test the framework's empirical validity before the unresolved questions can be fruitfully addressed. By testing data from the Netherlands in the 1990s and 2000s, the author demonstrates the value of rigorous empirical scrutiny while offering fresh insights for the global city debate as a whole.
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Global Diffusion of Protest
Riding the Protest Wave in the Neoliberal Crisis
Edited by Donatella della Porta
Amsterdam University Press, 2017
Recent years have seen a new development in the growth and spread of popular protest: protests that began as local, homogeneous events-such as Occupy Wall Street or the protests of the Arab Spring-quickly left their original locations and local specificity behind and became global. This book looks at the development of this wave of protests, with an eye on protests against austerity and neoliberal economic policies, and offers a global view, covering events in Turkey, Brazil, Venezuela, South Africa, Bosnia, Bulgaria, Ukraine, and other locations.
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Global Health for All
Knowledge, Politics, and Practices
Jean-Paul Gaudillière
Rutgers University Press, 2022
Global Health for All trains a critical lens on global health to share the stories that global health’s practices and logics tell about 20th and 21st century configurations of science and power. An ethnography on multiple scales, the book focuses on global health’s key epistemic and therapeutic practices like localization, measurement, triage, markets, technology, care, and regulation. Its roving approach traverses policy centers, sites of intervention, and innumerable spaces in between to consider what happens when globalized logics, circulations, and actors work to imagine, modify, and manage health. By resting in these in-between places, Global Health for All simultaneously examines global health as a coherent system and as a dynamic, unpredictable collection of modular parts.
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The Global Village Myth
Distance, War, and the Limits of Power
Patrick Porter
Georgetown University Press, 2015

According to security elites, revolutions in information, transport, and weapons technologies have shrunk the world, leaving the United States and its allies more vulnerable than ever to violent threats like terrorism or cyberwar. As a result, they practice responses driven by fear: theories of falling dominoes, hysteria in place of sober debate, and an embrace of preemptive war to tame a chaotic world.

Patrick Porter challenges these ideas. In The Global Village Myth, he disputes globalism's claims and the outcomes that so often waste blood and treasure in the pursuit of an unattainable "total" security. Porter reexamines the notion of the endangered global village by examining Al-Qaeda's global guerilla movement, military tensions in the Taiwan Strait, and drones and cyberwar, two technologies often used by globalists to support their views. His critique exposes the folly of disastrous wars and the loss of civil liberties resulting from the globalist enterprise. Showing that technology expands rather than shrinks strategic space, Porter offers an alternative outlook to lead policymakers toward more sensible responses—and a wiser, more sustainable grand strategy.

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Globalization and Modernity in Asia
Performative Moments
Edited by Chris Hudson and Bart Barendregt
Amsterdam University Press, 2018
Much has been said regarding the global flows of information that are characteristic of modernity; it has been frequently stressed that these conduits are so deeply embedded that local or national environments may be imagined as having a global span. Thus, while we are now well aware that the imagination is integral to global cultural processes, questions still arise about how the imagination of life with a global span is made possible at the level of everyday social practices. This book examines performative interventions that can generate a re-imagining of local publics — both spatially grounded and mediatized — and help to renegotiate the connection between the local and the global. After the ‘performative turn’ of the 1960s, it has been understood that shared experience of performance as event or spectacle can transform interpretations of the global and the local and create new meanings, and this book continues in the direction of this important tradition, while also fully expanding on its consequences.
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Globalized Authoritarianism
Megaprojects, Slums, and Class Relations in Urban Morocco
Koenraad Bogaert
University of Minnesota Press, 2018

A rich investigation into Morocco’s urban politics

Over the past thirty years, Morocco’s cities have transformed dramatically. To take just one example, Casablanca’s medina is now obscured behind skyscrapers that are funded by global capital and encouraged by Morocco’s monarchy, which hopes to transform this city into a regional leader of finance and commerce. Such changes have occurred throughout Morocco. Megaprojects are redesigning the cityscapes of Rabat, Tangiers, and Casablanca, turning the nation’s urban centers into laboratories of capital accumulation, political dominance, and social control.

In Globalized Authoritarianism, Koenraad Bogaert links more abstract questions of government, globalization, and neoliberalism with concrete changes in the city. Bogaert goes deep beneath the surface of Morocco’s urban prosperity to reveal how neoliberal government and the increased connectivity engendered by global capitalism transformed Morocco’s leading urban spaces, opening up new sites for capital accumulation, creating enormous class divisions, and enabling new innovations in state authoritarianism. Analyzing these transformations, he argues that economic globalization does not necessarily lead to increased democratization but to authoritarianism with a different face, to a form of authoritarian government that becomes more and more a globalized affair.

Showing how Morocco’s experiences have helped produce new forms of globalization, Bogaert offers a bridge between in-depth issues of Middle Eastern studies and broader questions of power, class, and capital as they continue to evolve in the twenty-first century.

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Gods in the Time of Democracy
Kajri Jain
Duke University Press, 2021
In 2018 India's prime minister, Narendra Modi, inaugurated the world's tallest statue: a 597-foot figure of nationalist leader Sardar Patel. Twice the height of the Statue of Liberty, it is but one of many massive statues built following India's economic reforms of the 1990s. In Gods in the Time of Democracy Kajri Jain examines how monumental icons emerged as a religious and political form in contemporary India, mobilizing the concept of emergence toward a radical treatment of art historical objects as dynamic assemblages. Drawing on a decade of fieldwork at giant statue sites in India and its diaspora and interviews with sculptors, patrons, and visitors, Jain masterfully describes how public icons materialize the intersections between new image technologies, neospiritual religious movements, Hindu nationalist politics, globalization, and Dalit-Bahujan verifications of equality and presence. Centering the ex-colony in rethinking key concepts of the image, Jain demonstrates how these new aesthetic forms entail a simultaneously religious and political retooling of the “infrastructures of the sensible.”
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Goethe Dies
Thomas Bernhard
Seagull Books, 2019
This collection of four stories by the writer George Steiner called “one of the masters of European fiction” is, as longtime fans of Thomas Bernhard would expect, bleakly comic and inspiringly rancorous. The subject of his stories vary: in one, Goethe summons Wittgenstein to discuss the Tractatus Logico-Philosophicus; “Montaigne: A Story (in 22 Installments)” tells of a young man sealing himself in a tower to read; “Reunion,” meanwhile, satirizes that very impulse to escape; and the final story rounds out the collection by making Bernhard himself a victim, persecuted by his greatest enemy—his very homeland of Austria. Underpinning all these variously comic, tragic, and bitingly satirical excursions is Bernhard’s abiding interest in, and deep knowledge of, the philosophy of doubt.

Bernhard’s work can seem off-putting on first acquaintance, as he suffers no fools and offers no hand to assist the unwary reader. But those who make the effort to engage with Bernhard on his own uncompromising terms will discover a writer with powerful comic gifts, penetrating insight into the failings and delusions of modern life, and an unstinting desire to tell the whole, unvarnished, unwelcome truth. Start here, readers; the rewards are great.
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The Golden Shovel Anthology
New Poems Honoring Gwendolyn Brooks
Peter Kahn
University of Arkansas Press, 2019
“The cross-section of poets with varying poetics and styles gathered here is only one of the many admirable achievements of this volume.”
—Claudia Rankine in the New York Times


The Golden Shovel Anthology celebrates the life and work of poet and civil rights icon Gwendolyn Brooks through a dynamic new poetic form, the Golden Shovel, created by National Book Award–winner Terrance Hayes.

An array of writers—including winners of the Pulitzer Prize, the T. S. Eliot Prize, and the National Book Award, as well as a couple of National Poets Laureate—have written poems for this exciting new anthology: Rita Dove, Billy Collins, Danez Smith, Nikki Giovanni, Sharon Olds, Tracy K. Smith, Mark Doty, Sharon Draper, Richard Powers, and Julia Glass are just a few of the contributing poets.

This second edition includes Golden Shovel poems by two winners and six runners-up from an international student poetry competition judged by Nora Brooks Blakely, Gwendolyn Brooks’s daughter. The poems by these eight talented high school students add to Ms. Brooks’s legacy and contribute to the depth and breadth of this anthology.
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The Golden Shovel Anthology
New Poems Honoring Gwendolyn Brooks
Peter Kahn
University of Arkansas Press, 2017

“Throughout this anthology, more than 60 other well-known Brooks poems can be read the same way, with lines from ‘The Mother’ and ‘The Bean Eaters’ tripping down the right-hand side of the page. The anthology ends with ‘Non-Brooks Golden Shovels’ and ‘Variations and Expansions on the Form.’ The cross-section of poets with varying poetics and styles gathered here is only one of the many admirable achievements of this volume.
—Claudia Rankine, The New York Times, August 2017

“The editors, including tireless poetry advocate Kahn, of this unique, new addition to the Gwendolyn Brooks legacy put together a richly diverse set of poets working with the most unusual and fertile new poetic form created in recent years. National Book Award winner Terrance Hayes invented the Golden Shovel, which he illuminates in his stirring foreword, writing, “Because where do poems come from if not other poems?” In a Golden Shovel poem, the last words in each line are taken from a Brooks poem. A veritable who’s who of contemporary poets tried their hands at this encoded homage, including Billy Collins, Mark Doty, Rita Dove, Nikki Giovanni, Joy Harjo, Billy Lombardo, Sharon Olds, Alberto Ríos, Tracy K. Smith, and Timothy Yu. Beautifully introduced by Patricia Smith, this is a beguiling and mind-expanding anthology shaped by formal expertise and deep appreciation for the complexity and resonance of Brooks’ work and profoundly nurturing influence. In all, a substantial and dynamic contribution to American literature.

Booklist, May 2017

"Gwendolyn Brooks was the first black writer to receive the Pulitzer Prize for poetry back in 1950. A new book honors her work in using a form called the golden shovel, developed by poet Terrance Hayes. In The Golden Shovel Anthology, poets select a line from a poem of Brooks’s and use it as the closing line or lines in a poem of their own. The result is an expansive and extraordinary assemblage edited by poets Peter Kahn, Ravi Shankar, and Patricia Smith.”

—Nina MacLaughlin, Boston Globe, March 2017

The Golden Shovel Anthology celebrates the life and work of poet and civil rights icon Gwendolyn Brooks through a dynamic new poetic form, the Golden Shovel, created by National Book Award–winner Terrance Hayes.

The last words of each line in a Golden Shovel poem are, in order, words from a line or lines taken from a Brooks poem. The poems are, in a way, secretly encoded to enable both a horizontal reading of the new poem and vertical reading down the right-hand margin of Brooks’s original. An array of writers—including Pulitzer Prize winners, T. S. Eliot Prize winners, National Book Award winners, and National Poet Laureates—have written poems for this exciting new anthology: Rita Dove, Billy Collins, Nikki Giovani, Sharon Olds, Tracy K. Smith, Mark Doty, Sharon Draper, and Julia Glass are just a few of the contributing poets.

The poems found here will inspire a diversity of readers, teachers, and writers of poetry while at the same time providing remarkable access for newcomers, making it ideal for classrooms. The Golden Shovel Anthology will also honor Brooks with publication in 2017, the centenary of her birth.

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Good Enough for Government Work
The Public Reputation Crisis in America (And What We Can Do to Fix It)
Amy E. Lerman
University of Chicago Press, 2019
American government is in the midst of a reputation crisis. An overwhelming majority of citizens—Republicans and Democrats alike—hold negative perceptions of the government and believe it is wasteful, inefficient, and doing a generally poor job managing public programs and providing public services. When social problems arise, Americans are therefore skeptical that the government has the ability to respond effectively. It’s a serious problem, argues Amy E. Lerman, and it will not be a simple one to fix.

With Good Enough for Government Work, Lerman uses surveys, experiments, and public opinion data to argue persuasively that the reputation of government is itself an impediment to government’s ability to achieve the common good. In addition to improving its efficiency and effectiveness, government therefore has an equally critical task: countering the belief that the public sector is mired in incompetence. Lerman takes readers through the main challenges. Negative perceptions are highly resistant to change, she shows, because we tend to perceive the world in a way that confirms our negative stereotypes of government—even in the face of new information. Those who hold particularly negative perceptions also begin to “opt out” in favor of private alternatives, such as sending their children to private schools, living in gated communities, and refusing to participate in public health insurance programs. When sufficient numbers of people opt out of public services, the result can be a decline in the objective quality of public provision. In this way, citizens’ beliefs about government can quickly become a self-fulfilling prophecy, with consequences for all. Lerman concludes with practical solutions for how the government might improve its reputation and roll back current efforts to eliminate or privatize even some of the most critical public services.
 
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Goodbye, My Tribe
An Evangelical Exodus
Vic Sizemore
University of Alabama Press, 2020
Goodbye, My Tribe: An Evangelical Exodus is Vic Sizemore’s collection of personal essays chronicling two simultaneous transformations. One is the gathering of unconnected—and nonpolitical—evangelical congregations across the nation into the political juggernaut called the Religious Right; the other is the author’s own coming to terms with the emotional and spiritual trauma of his life deep inside fundamentalist Christianity, and his struggle to free himself from its grasp. Sizemore, whose father was a preacher and professor at a small West Virginia Bible college, attended Liberty University in Lynchburg, Virginia, arguably the crucible of American evangelical Christianity.
 
Sizemore began writing these essays with the aim of exploring and understanding what happened when the mythology of his “tribe” crumbled from beneath his feet. He draws heavily on his upbringing and his family history as a framework for how his “tribe” of white evangelicals have found ways to reconcile Christianity with what the author finds to be troubling stances on many social issues, among them race, gender, sexuality, materialism, anti-intellectualism, and white supremacy.
 
In a clear-eyed and eloquent voice, Sizemore grapples movingly with his own bewilderment and chagrin as he struggles to reconcile the essential philosophical and moral decay that he believes many evangelicals have come to embrace. His insights, arranged topically and thematically and told through graceful and accessible prose, toggle between memoir and literary journalism, along a spectrum that touches on history, philosophy, theology, and personal reflections.

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The Goodman Theatre's Festival Latino
Six Plays
Henry D Godinez and Ramón H Rivera-Servera
Northwestern University Press, 2013
Drawn from the first ten years of the Goodman Theatre’s renowned biennial festival of Latino plays, the works in this collection expand the definition of Latino theater, resisting the confines of a particular language, locale, or assumed audience. Instead of focusing on similarities that outline the boundaries of Latino identity, these plays look outward, representing the multiplicity of actual Latino experience. The plays were written and performed sometimes in English and sometimes in Spanish; their stories are set in heterogeneous milieus; they’re directed at both Latino and non-Latino audiences; and they incorporate cultural or theatrical elements from vastly different traditions. As a group, these plays indicate the extraordinary range of the festival’s offerings and show how it has contributed to a more complex notion of what Latino theater is and can be.
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Governance and Foreign Investment in China, India, and Taiwan
Credibility, Flexibility, and International Business
Yu Zheng
University of Michigan Press, 2014

Yu Zheng challenges the idea that democracy is the prerequisite for developing countries to attract foreign direct investment (FDI) and promote economic growth. He examines the relationship between political institutions and FDI through the use of cross-national analysis and case studies of three rapidly growing Asian economies with a focus on the role of microinstitutional “special economic zones” (SEZ).

China’s authoritarian system allows for bold, radical economic reform, but China has attracted FDI largely because of its increasingly credible investment environment as well as its central and local governments’ efforts to overcome constraints on investment. India’s democratic institutions provide more political assurance to foreign investors, but its market became conducive to FDI only when the government adopted more flexible investment policies. Taiwan’s democratic transition shifted its balance of policy credibility and flexibility, which was essential for the nation’s economic takeoff and sustained growth.

Zheng concludes that a more accurate understanding of the relationship between political institutions and FDI comes from careful analysis of institutional arrangements that entail a trade-off between credibility and flexibility of governance.

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The Grand Teton Reader
Robert W. Righter
University of Utah Press, 2021
Grand Teton National Park draws more than three million visitors annually in search of wildlife, outdoor adventure, solitude, and inspiration. This collection of writings showcases the park’s natural and human histories through stories of drama and beauty, tragedy and triumph.
 
Editor Robert Righter has selected thirty-five contributors whose work takes readers from the Tetons’ geological origins to the time of Euro-American encroachment and the park’s politically tumultuous creation. Selections range from Laine Thom’s Shoshone legend of the Snake River and Owen Wister’s essay “Great God! I’ve Just Killed a Bear,” to Grace Gallatin Seton-Thompson’s humorous yet fearful account of crossing the Snake River, and William Owen’s first attempt to climb the Grand Teton. Conservationists, naturalists, and environmentalists are also represented: Terry Tempest Williams chronicles her multiyear encounter with her “Range of Memory,” and Olaus and Mardy Murie recount the difficulties of “park-making” in an often-hostile human environment.

Anyone seeking a deeper understanding of the park’s wild beauty and controversial past will want to read these stories by people who lived it.
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Grassroots Economies
Living with Austerity in Southern Europe
Susana Narotzky
Pluto Press, 2020
The austerity crisis has radically altered the economic landscape of Southern Europe. But alongside the decimation of public services and infrastructure lies the wreckage of a generation's visions for the future. In Greece, Italy, Spain and Portugal, there is a new, difficult reality of downward mobility.

Grassroots Economies interrogates the effects of the economic crisis on the livelihood of working people, providing insight into their anxieties. Drawing on a rich seam of ethnographic material, it is a distinctive comparative analysis that explores the contradictions of their coping mechanisms and support structures.

With a focus on gender, the book explores values and ideologies, including dispossession and accumulation. Ultimately it demonstrates that everyday interactions on the local scale provide a significant sense of the global.
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The Great Acceleration
An Environmental History of the Anthropocene since 1945
J. R. McNeill and Peter Engelke
Harvard University Press, 2014

The Earth has entered a new age—the Anthropocene—in which humans are the most powerful influence on global ecology. Since the mid-twentieth century, the accelerating pace of energy use, greenhouse gas emissions, and population growth has thrust the planet into a massive uncontrolled experiment. The Great Acceleration explains its causes and consequences, highlighting the role of energy systems, as well as trends in climate change, urbanization, and environmentalism.

More than any other factor, human dependence on fossil fuels inaugurated the Anthropocene. Before 1700, people used little in the way of fossil fuels, but over the next two hundred years coal became the most important energy source. When oil entered the picture, coal and oil soon accounted for seventy-five percent of human energy use. This allowed far more economic activity and produced a higher standard of living than people had ever known—but it created far more ecological disruption.

We are now living in the Anthropocene. The period from 1945 to the present represents the most anomalous period in the history of humanity’s relationship with the biosphere. Three-quarters of the carbon dioxide humans have contributed to the atmosphere has accumulated since World War II ended, and the number of people on Earth has nearly tripled. So far, humans have dramatically altered the planet’s biogeochemical systems without consciously managing them. If we try to control these systems through geoengineering, we will inaugurate another stage of the Anthropocene. Where it might lead, no one can say for sure.

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The Great Refusal
Herbert Marcuse and Contemporary Social Movements
Andrew Lamas
Temple University Press, 2016

Herbert Marcuse examined the subjective and material conditions of radical social change and developed the "Great Refusal," a radical concept of "the protest against that which is." The editors and contributors to the exciting new volume The Great Refusal provide an analysis of contemporary social movements around the world with particular reference to Marcuse's revolutionary concept. The book also engages-and puts Marcuse in critical dialogue with-major theorists including Slavoj Žižek and Michel Foucault, among others.

The chapters in this book analyze different elements and locations of the contemporary wave of struggle, drawing on the work and vision of Marcuse in order to reveal, with a historical perspective, the present moment of resistance. Essays seek to understand recent uprisings-such as the Zapatistas in Mexico, the Arab Spring, and the Occupy movement-in the context of Marcuse's powerful conceptual apparatus.

The Great Refusal also charts contemporary social movements against global warming, mass incarceration, police brutality, white supremacy, militarization, technological development, and more, to provide insights that advance our understanding of resistance today.

Contributors include: Kevin B. Anderson, Stanley Aronowitz, Joan Braune, Jenny Chan, Angela Y. Davis, Arnold L. Farr, Andrew Feenberg, Michael Forman, Christian Fuchs, Stefan Gandler, Christian Garland, Toorjo Ghose, Imaculada Kangussu, George Katsiaficas, Douglas Kellner, Sarah Lynn Kleeb, Filip Kovacevic, Lauren Langman, Heather Love, Peter Marcuse, Martin J. Beck Matuštík, Russell Rockwell, AK Thompson, Marcelo Vieta, and the editors.

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The Great White Way
Race and the Broadway Musical
Warren Hoffman
Rutgers University Press, 2020
Broadway musicals are one of America’s most beloved art forms and play to millions of people each year. But what do these shows, which are often thought to be just frothy entertainment, really have to say about our country and who we are as a nation?

Now in a new second edition, The Great White Way is the first book to reveal the racial politics, content, and subtexts that have haunted musicals for almost one hundred years from Show Boat (1927) to Hamilton (2015). This revised edition includes a new introduction and conclusion, updated chapters, as well as a brand-new chapter that looks at the blockbuster musicals The Book of Mormon and Hamilton.

Musicals mirror their time periods and reflect the political and social issues of their day. Warren Hoffman investigates the thematic content of the Broadway musical and considers how musicals work on a structural level, allowing them to simultaneously present and hide their racial agendas in plain view of their audiences. While the musical is informed by the cultural contributions of African Americans and Jewish immigrants, Hoffman argues that ultimately the history of the American musical is the history of white identity in the United States.

Presented chronologically, The Great White Way shows how perceptions of race altered over time and how musicals dealt with those changes. Hoffman focuses first on shows leading up to and comprising the Golden Age of Broadway (1927–1960s), then turns his attention to the revivals and nostalgic vehicles that defined the final quarter of the twentieth century. He offers entirely new and surprising takes on shows from the American musical canon—Show Boat (1927), Oklahoma! (1943), Annie Get Your Gun (1946), The Music Man (1957), West Side Story (1957), A Chorus Line (1975), and 42nd Street (1980), among others. In addition to a new chapter on Hamilton and The Book of Mormon, this revised edition brings The Great White Way fully into the twenty-first century with an examination of jukebox musicals and the role of off-Broadway and regional theaters in the development of the American musical.

New archival research on the creators who produced and wrote these shows, including Leonard Bernstein, Jerome Robbins, Stephen Sondheim, and Edward Kleban, will have theater fans and scholars rethinking forever how they view this popular American entertainment.

 
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The Great White Way
Race and the Broadway Musical
Hoffman, Warren
Rutgers University Press, 2014

Broadway musicals are one of America’s most beloved art forms and play to millions of people each year. But what do these shows, which are often thought to be just frothy entertainment, really have to say about our country and who we are as a nation?

The Great White Way is the first book to reveal the racial politics, content, and subtexts that have haunted musicals for almost one hundred years from Show Boat (1927) to The Scottsboro Boys (2011). Musicals mirror their time periods and reflect the political and social issues of their day. Warren Hoffman investigates the thematic content of the Broadway musical and considers how musicals work on a structural level, allowing them to simultaneously present and hide their racial agendas in plain view of their audiences. While the musical is informed by the cultural contributions of African Americans and Jewish immigrants, Hoffman argues that ultimately the history of the American musical is the history of white identity in the United States.

Presented chronologically, The Great White Way shows how perceptions of race altered over time and how musicals dealt with those changes. Hoffman focuses first on shows leading up to and comprising the Golden Age of Broadway (1927–1960s), then turns his attention to the revivals and nostalgic vehicles that defined the final quarter of the twentieth century. He offers entirely new and surprising takes on shows from the American musical canon—Show Boat (1927), Oklahoma! (1943), Annie Get YourGun (1946), The Music Man (1957), West Side Story (1957), A Chorus Line (1975), and 42nd Street (1980), among others.

New archival research on the creators who produced and wrote these shows, including Leonard Bernstein, Jerome Robbins, Stephen Sondheim, and Edward Kleban, will have theater fans and scholars rethinking forever how they view this popular American entertainment.

[more]

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Greetings from Novorossiya
Eyewitness to the War in Ukraine
Pieniazek
University of Pittsburgh Press, 2017
Shortlist, 2022 Witold Pilecki International Book Award

With an Introduction by Timothy Snyder

Polish journalist Pawel Pieniazek was among the first journalists to enter the war-torn region of eastern Ukraine and Greetings from Novorossiya is his vivid firsthand account of the conflict. He was the first reporter to reach the scene when Russian troops in Ukraine accidentally shot down a civilian airliner, killing all 298 people aboard. Unlike Western journalists, his fluency in both Ukrainian and Russian granted him access and the ability to move among all sides in the conflict. With powerful color photos, telling interviews from the local population, and brilliant reportage, Pieniazek’s account documents these dramatic events as they transpired.

This unique firsthand view of history in the making brings to life the tragedy of Ukraine for a Western audience. Historian Timothy Snyder provides wider context in his superb introduction and explores the significance of this ongoing conflict at the border of East and West.
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Growing Up Chicago
Edited by David Schaafsma, Roxanne Pilat, and Lauren DeJulio Bell, Foreword by Luis Alberto Urrea
Northwestern University Press, 2021
Growing Up Chicago is a collection of coming-of-age stories that reflects the diversity of the city and its metropolitan area. Primarily memoir, the book collects work by writers who spent their formative years in the region to ask: What characterizes a Chicago author? Is it a certain feel to the writer’s language? A narrative sensibility? The mention of certain neighborhoods or locales? Contributors to the volume include renowned writers Ana Castillo, Stuart Dybek, Emil Ferris, Charles Johnson, Rebecca Makkai, Erika L. Sánchez, and George Saunders, as well as emerging talents. While the authors represented here write from distinct local experiences, some universals emerge, including the abiding influence of family and friends and the self-realizations earned against the background of a place sparkling with promise and riven by inequality, a place in constant flux.

The stories evoke childhood trips to the Art Institute of Chicago, nighttime games of ringolevio, and the giant neon Magikist lips that once perched over the expressway, sharing perspectives that range from a young man who dreams of becoming an artist to a single mother revisiting her Mexican roots, from a woman’s experience with sexual assault to a child’s foray into white supremacy. This book memorably explores culture, social identity, and personal growth through the eyes of Chicagoans, affirming that we each hold the ability to shape the places in which we live and write and read as much as those places shape us.
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Growing Up in the Gutter
Diaspora and Comics
Ricardo Quintana-Vallejo; Foreword by Frederick Luis Aldama
University of Arizona Press, 2024
Growing Up in the Gutter offers new understandings of contemporary graphic coming-of-age narratives by looking at the genre’s growth in stories by and for young BIPOC, LGBTQ+, and diasporic readers. Through a careful examination of the genre, Ricardo Quintana-Vallejo analyzes the complex identity formation of first- and subsequent-generation migrant protagonists in globalized rural and urban environments and dissects the implications that these diasporic formative processes have for a growing and popular genre.

While the most traditional iteration of the bildungsroman—the coming-of-age story—follows middle-class male heroes who forge their identities in a process of complex introspection, contemporary graphic coming-of-age narratives represent formative processes that fit into, resist, or even disregard narratives of socialization under capitalism, of citizenship, and of nationhood.

Quintana-Vallejo delves into several important themes: how the coming-of-age genre can be used to study adulthood, how displacement and international or global heritage are fundamental experiences, how multidiasporic approaches foreground lived experiences, and how queerness opens narratives of development to the study of adulthood as fundamentally diverse and nonconforming to social norms. Quintana-Vallejo shows how openness enables belonging among chosen families and, perhaps most importantly, freedom to disidentify. And, finally, how contemporary authors writing for the instruction of BIPOC children (and children otherwise affected by diaspora and displacement) use the didactic power of the coming-of-age genre, combined with the hybrid language of graphic narratives, to teach difficult topics in accessible ways.
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Guardians of Power
The Myth of the Liberal Media
David Edwards and David Cromwell, Foreword by John Pilger
Pluto Press, 2005

"Guardians of Power ought to be required reading in every media college. It is the most important book about journalism I can remember."
- John Pilger

"Regular critical analysis of the media, filling crucial gaps and correcting the distortions of ideological prisms, has never been more important. Media Lens has performed a major public service by carrying out this task with energy, insight, and care."
- Noam Chomsky

"Media Lens is doing an outstanding job of pressing the mainstream media to at least follow their own stated principles and meet their public service obligations. [This is] fun as well as enlightening."
- Edward S. Herman


Can a corporate media system be expected to tell the truth about a world dominated by corporations?

Can newspapers, including the 'liberal' Guardian and the Independent, tell the truth about catastrophic climate change -- about its roots in mass consumerism and corporate obstructionism -- when they are themselves profit-oriented businesses dependent on advertisers for 75% of their revenues?

Can the BBC tell the truth about UK government crimes in Iraq when its senior managers are appointed by the government? Has anything fundamentally changed since BBC founder Lord Reith wrote of the establishment: "They know they can trust us not to be really impartial"?

Why did the British and American mass media fail to challenge even the most obvious government lies on Iraqi weapons of mass destruction before the invasion in March 2003? Why did the media ignore the claims of UN weapons inspectors that Iraq had been 90-95% "fundamentally disarmed" as early as 1998?

This book answers these questions, and more.

Since July 2001, Media Lens has encouraged thousands of readers to email senior editors and journalists, challenging them to account for their distorted reporting on Iraq, Afghanistan, Kosovo, Haiti, East Timor, climate change, Western crimes in Central America, and much more. The responses -- often surprising, sometimes outrageous -- reveal the arrogance, unaccountability and servility to power of even our most respected media.

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Guide to Chicago's Twenty-First-Century Architecture
Chicago Architecture Center and John Hill
University of Illinois Press, 2021
Exploring a new century of architecture in the Windy City

Chicago's wealth of architectural treasures makes it one of the world's majestic cityscapes. Published in collaboration with the Chicago Architecture Center, this easy-to-use guide invites you to discover the new era of twenty-first-century architecture in the Windy City via two hundred architecturally significant buildings and spaces in the city and suburbs. Features include:
  • Entries organized by neighborhood
  • Maps with easy-to-locate landmarks and mass transit options
  • Background on each entry, including the design architect, name and address, description, and other essential information
  • Sidebars on additional sites and projects
  • A detailed supplemental section with a glossary, selected bibliography, and indexes by architect, building name, and building type

Up-to-date and illustrated with almost four hundred color photos, the Guide to Chicago's Twenty-First-Century Architecture takes travelers and locals on a journey into an ever-changing architectural mecca.

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Guilty Aesthetic Pleasures
Timothy Aubry
Harvard University Press, 2018

In the wake of radical social movements in the 1960s and 1970s, literary studies’ embrace of politics entailed a widespread rejection of aesthetic considerations. For scholars invested in literature’s role in supporting or challenging dominant ideologies, appreciating literature’s formal beauty seemed frivolous and irresponsible, even complicit with the iniquities of the social order. This suspicion of aesthetics became the default posture within literary scholarship, a means of establishing the rigor of one’s thought and the purity of one’s political commitments. Yet as Timothy Aubry explains, aesthetic pleasure never fully disappeared from the academy. It simply went underground.

From New Criticism to the digital humanities, Aubry recasts aesthetics as the complicated, morally ambiguous, embattled yet resilient protagonist in late twentieth-century and early twenty-first–century literary studies. He argues that academic critics never stopped asserting preferences for certain texts, rhetorical strategies, or intellectual responses. Rather than serving as the enemy of formalism and aesthetics, political criticism enabled scholars to promote heightened experiences of perceptual acuity and complexity while adjudicating which formal strategies are best designed to bolster these experiences. Political criticism, in other words, did not eradicate but served covertly to nurture reading practices aimed at achieving aesthetic satisfaction.

Guilty Aesthetic Pleasures shows that literary studies’ break with midcentury formalism was not as clean as it once appeared. Today, when so many scholars are advocating renewed attention to textual surfaces and aesthetic experiences, Aubry’s work illuminates the surprisingly vast common ground between the formalists and the schools of criticism that succeeded them.

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The Gutter Spread Guide to Prayer
Eric Tran
Autumn House Press, 2020
In The Gutter Spread Guide to Prayer, Eric Tran contends with the aftermath of a close friend’s suicide while he simultaneously explores the complexities of being a gay man of color. Grief opens into unraveling circles of inquiry as Tran reflects on the loss of his friend and of their shared identity as gay Asian American men. Through mourning and acute observations, these poems consider how those who experience marginalization, the poet included, may live and fall victim to tragedy. Tran explores how his life, even while in the company of desire and the pursuit of freedom, is never far from danger. Like grief that makes the whole world seem strange, Tran’s poetry merges into fantasy lands and rides the lines between imagined worlds and the reality of inescapable loss. At the intersection of queerness, loss, and desire, Tran uses current events, such as the Pulse nightclub tragedy, pop culture references, and comic book allusions to create a unique and textured poetry debut. He employs an unexpected pairing of prayer and fantasy allowing readers to imagine a world of queer joy and explore how grief can feel otherworldly. This collection shows a poet learning how to be afraid, to feel lost, to grieve, and to build a life amid precarious circumstances. The Gutter Spread Guide to Prayer was the winner of the Autumn House Rising Writers Prize in 2019.
 
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