front cover of La Voz Latina
La Voz Latina
Contemporary Plays and Performance Pieces by Latinas
Edited by Elizabeth C. Ramirez and Catherine Casiano
University of Illinois Press, 2011
Elizabeth C. Ramírez and Catherine Casiano bring together a collection of plays and performance pieces by innovative Latina playwrights. Surveying Latina theatre in the United States from the 1980s to the twenty-first century, the editors present works displaying a variety of forms, themes, and genres, expanding the field of Latina theatre while situating it in the larger spectrum of American stage and performance studies. Ramírez and Casiano provide historical context and a production history for each work and a biography of, and artistic statement from, each playwright.

Contributors: Yareli Arizmendi, Josefina Báez, The Colorado Sisters, Migdalia Cruz, Evelina Fernández, Cherríe Moraga, Carmen Peláez, Carmen Rivera, Celia H. Rodríguez, Diane Rodriguez, and Milcha Sanchez-Scott. The volume also includes commentary by Kathy Perkins and Caridad Svich.

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Laboring in the Shadow of Empire
Race, Gender, and Care Work in Portugal
Celeste Vaughan Curington
Rutgers University Press, 2024

Laboring in the Shadow of Empire: Race, Gender and Care Work in Portugal examines the everyday lives of an African descendant care service workforce that labors in an ostensibly “anti-racial” Europe and against the backdrop of the Portuguese colonial empire. While much of the literature on global care work has focused on Asian and Latine migrant care workers, there is comparatively less research that explicitly examines African care workers and their migration histories to Europe. Sociologist Celeste V. Curington focuses on Portugal—a European setting with comparatively liberal policies around family settlement and naturalization for migrants. In this setting, rapid urbanization in the late twentieth century, along with a national push to reconcile work and family, have shaped the growth of paid home care and cleaning service industries. Many researchers focus on informal work settings where immigrant rights are restricted, and many workers are undocumented or without permanent residence status. Curington instead examined workers who have accessed citizenship or permanent residence status and also explores African women’s experiences laboring in care and service industries in the formal market, revealing how deeply colonial and intersectional logics of a racialized and international division of reproductive labor in Portugal render these women “hyper-invisible” and “hyper-visible” as “appropriate” workers in Lisbon.

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Lake|Flato Houses
Embracing the Landscape
Lake|Flato Architects
University of Texas Press, 2014
Lake|Flato Architects of San Antonio, Texas, is nationally and internationally acclaimed for buildings that respond organically to the natural environment. The firm uses local materials and workmanship, as well as a deep knowledge of vernacular traditions, to design buildings that are tactile and modern, environmentally responsible and authentic, artful and crafted. Lake|Flato won the Global Award for Sustainable Architecture in 2013, and it has also received the American Institute of Architects’ highest honor, the National Firm Award. In all, Lake|Flato has won more than 150 national and state design awards. Residential architecture has always been a priority for the firm, and Lake|Flato Houses showcases an extensive selection of landmark homes built since 1999. Color photographs and architectural commentary create a memorable portrait of houses from Texas to Montana. Reflecting the firm’s emphasis on designing in harmony with the land, the houses are grouped by the habitats in which they’re rooted—brushland, desert, hillside, mountains, city, and water. These groupings reveal how Lake|Flato works with the natural environment to create houses that merge into the landscape, blurring boundaries between inside and outside and accommodating the climate through both traditional and cutting-edge technologies. The sections are opened by noted architect and educator Frederick Steiner, who discusses Lake|Flato’s unique responses to the forms and materials of the various landscapes. An introduction by journalist Guy Martin summarizes the history of Lake|Flato and its philosophy, and explores the impact of its work on sustainable architecture.
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Landscapes of Accumulation
Real Estate and the Neoliberal Imagination in Contemporary India
Llerena Guiu Searle
University of Chicago Press, 2016
Over the past few decades, India has experienced a sudden and spectacular urban transformation. Gleaming business complexes encroach on fields and villages. Giant condominium communities offer gated security, indoor gyms, and pristine pools. Spacious, air-conditioned malls have sprung up alongside open-air markets.
 
In Landscapes of Accumulation, Llerena Guiu Searle examines India’s booming developments and offers a nuanced ethnographic treatment of late capitalism. India’s land, she shows, is rapidly transforming from a site of agricultural and industrial production to an international financial resource. Drawing on intensive fieldwork with investors, developers, real estate agents, and others, Searle documents the new private sector partnerships and practices that are transforming India’s built environment, as well as widely shared stories of growth and development that themselves create self-fulfilling prophecies of success. As a result, India’s cities are becoming ever more inaccessible to the country’s poor. Landscapes of Accumulation will be a welcome contribution to the international study of neoliberalism, finance, and urban development and will be of particular interest to those studying rapid—and perhaps unsustainable—development across the Global South.
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The Language of the In-Between
Travestis, Post-hegemony, and Writing in Contemporary Chile and Peru
Erika Almenara
University of Pittsburgh Press, 2022

Often, the process of modern state formation is founded on the marginalization of certain groups, and Latin America is no exception. In The Language of the In-Between, Erika Almenara contends that literary production replicates this same process. Looking at marginalized communities in Chile and Peru, particularly writers who are travesti, trans, cuir/queer, and Indigenous, the author shows how these writers stake a claim for the liminal space that is neither one thing nor the other. This allows a freedom to expose oppression and to critique a national identity based on erasure. By employing a language of nonnormative gender and sexuality to dispute the state projects of modernity and modernization, the voice of the poor and racialized travesti evolves from powerlessness to become an agent of social transformation.

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Latin America at 200
A New Introduction
By Phillip Berryman
University of Texas Press, 2016

Between 2010 and 2025, most of the countries of Latin America will commemorate two centuries of independence, and Latin Americans have much to celebrate at this milestone. Most countries have enjoyed periods of sustained growth, while inequality is showing modest declines and the middle class is expanding. Dictatorships have been left behind, and all major political actors seem to have accepted the democratic process and the rule of law. Latin Americans have entered the digital world, routinely using the Internet and social media.

These new realities in Latin America call for a new introduction to its history and culture, which Latin America at 200 amply provides. Taking a reader-friendly approach that focuses on the big picture and uses concrete examples, Phillip Berryman highlights what Latin Americans are doing to overcome extreme poverty and underdevelopment. He starts with issues facing cities, then considers agriculture and farming, business, the environment, inequality and class, race and ethnicity, gender, and religion. His survey of Latin American history leads into current issues in economics, politics and governance, and globalization. Berryman also acknowledges the ongoing challenges facing Latin Americans, especially crime and corruption, and the efforts being made to combat them. Based on decades of experience, research, and travel, as well as recent studies from the World Bank and other agencies, Latin America at 200 will be essential both as a classroom text and as an introduction for general readers.

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Latin American Comics in the Twenty-First Century
Transgressing the Frame
James Scorer
University of Texas Press, 2024

How twenty-first-century Latin American comics transgress social, political, and cultural frontiers.

Given comics’ ability to cross borders, Latin American creators have used the form to transgress the political, social, spatial, and cultural borders that shape the region. A groundbreaking and comprehensive study of twenty-first-century Latin American comics, Latin American Comics in the Twenty-First Century documents how these works move beyond national boundaries and explores new aspects of the form, its subjects, and its creators.

Latin American comics production is arguably more interconnected and more networked across national borders than ever before. Analyzing works from Argentina, Chile, Colombia, Mexico, Peru, and Uruguay, James Scorer organizes his study around forms of “transgression,” such as transnationalism, border crossings, transfeminisms, punk bodies, and encounters in the neoliberal city. Scorer examines the feminist comics collective Chicks on Comics; the DIY comics zine world; nonfiction and journalistic comics; contagion and zombie narratives; and more. Drawing from archives across the United States, Europe, and Latin America, Latin American Comics in the Twenty-First Century posits that these comics produce micronarratives of everyday life that speak to sites of social struggle shared across nation states.

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Latin American Literature at the Millennium
Local Lives, Global Spaces
Cecily Raynor
Bucknell University Press, 2021
Latin American Literature at the Millennium: Local Lives, Global Spaces analyzes literary constructions of locality from the early 1990s to the mid 2010s. In this astute study, Raynor reads work by Roberto Bolaño, Valeria Luiselli, Luiz Ruffato, Bernardo Carvalho, João Gilberto Noll, and Wilson Bueno to reveal representations of the human experience that unsettle conventionally understood links between locality and geographical place. The book raises vital considerations for understanding the region’s transition into the twenty-first century, and for evaluating Latin American authors’ representations of everyday place and modes of belonging.
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Latina/o/x Education in Chicago
Roots, Resistance, and Transformation
Edited by Isaura Pulido, Angelica Rivera, and Ann M. Aviles
University of Illinois Press, 2022
In this collection, local experts use personal narratives and empirical data to explore the history of Mexican American and Puerto Rican education in the Chicago Public Schools (CPS) system. The essays focus on three themes: the historical context of segregated and inferior schooling for Latina/o/x students; the changing purposes and meanings of education for Latina/o/x students from the 1950s through today; and Latina/o/x resistance to educational reforms grounded in neoliberalism. Contributors look at stories of student strength and resistance, the oppressive systems forced on Mexican American women, the criminalization of Puerto Ricans fighting for liberatory education, and other topics of educational significance. As they show, many harmful past practices remain the norm--or have become worse. Yet Latina/o/x communities and students persistently engage in transformative practices shaping new approaches to education that promise to reverberate not only in the city but nationwide.

Insightful and enlightening, Latina/o/x Education in Chicago brings to light the ongoing struggle for educational equity in the Chicago Public Schools.

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LatinAsian Cartographies
History, Writing, and the National Imaginary
Thananopavarn, Susan
Rutgers University Press, 2018
LatinAsian Cartographies examines how Latina/o and Asian American writers provide important counter-narratives to the stories of racial encroachment that have come to characterize twenty-first century dominant discourses on race. Susan Thananopavarn contends that the Asian American and Latina/o presence in the United States, although often considered marginal in discourses of American history and nationhood, is in fact crucial to understanding how national identity has been constructed historically and continues to be constructed in the present day. 

Thananopavarn creates a new “LatinAsian” view of the United States that emphasizes previously suppressed aspects of national history, including imperialism, domestic racism during World War II, Cold War operations in Latin America and Asia, and the politics of borders in an age of globalization. LatinAsian Cartographies ultimately reimagines national narratives in a way that transforms dominant ideas of what it means to be American.   
 
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Latino Lives in America
Making It Home
Luis R. Fraga, John A. Garcia, Rodney E. Hero, Michael Jones-Correa, Valerie Martinez-Ebers and Gary Segura
Temple University Press, 2010

Latinos are the largest and fastest growing ethnic group in the United States, with increased levels of political mobilization and influence. In the timely and thoroughgoing Latino Lives in America, six prominent Latino scholars explore the profound implications of Latinos’ population growth and geographic dispersion for American politics and society, tracking key changes and continuities in Latinos' attitudes, behavior, and social experiences.

Utilizing a unique set of “narratives” from focus group interviews, supplemented with quantitative findings from the 2006 Latino National Survey, the authors provide a snapshot of Latino life in America. The Latinos interviewed provide their thoughts regarding their sense of belonging and group identification, assimilation and transnationalism, housing, education, civic engagement, and perceptions of discrimination, as well as their experiences in new destinations, where they are trying to realize the “Americano” dream.

Latino Lives in America uses these conversations and the survey data to offer both a micro and macro look at how Latinos are transforming various aspects of American politics, culture, and life and how their experiences in the United States are changing them and their families.

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Latinos in Nevada
A Political, Economic, and Social Profile
John P. Tuman
University of Nevada Press, 2021
Throughout history, the Latinx population has contributed substantially to Nevada’s mining, railroad, farming, ranching, and tourism industries. Latinos in Nevada provides a comprehensive analysis of this fastest-growing and diverse ethnic group, exploring the impact of the Hispanic/Latinx population on the Silver State in the past, present, and future.

This extensive study by a distinguished and multidisciplinary team of scholars discusses the impact of the Latinx population from the early development of the state of Nevada and highlights their roles in society, as well as the specific implications of their growing presence in the state. It also contemplates the future of the Latinx population and the role they will continue to play in politics and the economy.

This in-depth examination of a large and relatively understudied population will be of interest to scholars and students who study disparities in health and education opportunities as well as the political and economic climate among Latinos and other groups in Nevada and beyond. A political, economic, and demographic profile, this book:
  • Explores the history, growth, and diversity of the Latinx population.
  • Draws on an array of census data, voter surveys, statistics, interviews, and health, education, employment, wages, and immigration statistics.
  • Evaluates key trends in employment, education, religion, and health.
  • Analyzes the dynamics of political participation, including implications of a growing Latino political electorate in a western swing state.
  • Assesses key determinants of health disparities, educational inequities, and civic engagement among Latinos in the state.
  • Demonstrates the impact of the Great Recession of 2008 and provides a preliminary assessment of the COVID-19 pandemic on Latino employment.
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Latinx Ciné in the Twenty-First Century
Edited by Frederick Luis Aldama
University of Arizona Press, 2019
Today’s Latinx motion pictures are built on the struggles—and victories—of prior decades. Earlier filmmakers threw open doors and cleared new paths for those of the twenty-first century to willfully reconstruct Latinx epics as well as the daily tragedies and triumphs of Latinx lives.

Twenty-first-century Latinx film offers much to celebrate, but as noted pop culture critic Frederick Luis Aldama writes, there’s still room to be purposefully critical. In Latinx Ciné in the Twenty-First Century contributors offer groundbreaking scholarship that does both, bringing together a comprehensive presentation of contemporary film and filmmakers from all corners of Latinx culture.

The book’s seven sections cover production techniques and evolving genres, profile those behind and in front of the camera, and explore the distribution and consumption of contemporary Latinx films. Chapters delve into issues that are timely, relevant, and influential, including representation or the lack thereof, identity and stereotypes, hybridity, immigration and detention, historical recuperation, and historical amnesia.

With its capacious range and depth of vision, this timeless volume of cutting-edge scholarship blazes new paths in understanding the full complexities of twenty-first century Latinx filmmaking.

Contributors
Contributors  
Iván Eusebio Aguirre Darancou
Frederick Luis Aldama
Juan J. Alonzo
Lee Bebout
Debra A. Castillo
Nikolina Dobreva
Paul Espinosa
Mauricio Espinoza
Camilla Fojas
Rosa-Linda Fregoso
Desirée J. Garcia
Enrique García
Clarissa Goldsmith
Matthew David Goodwin
Monica Hanna
Sara Veronica Hinojos
Carlos Gabriel Kelly
Jennifer M. Lozano
Manuel M. Martín-Rodríguez
J. V. Miranda
Valentina Montero Román
Danielle Alexis Orozco
Henry Puente
John D. “Rio” Riofrio
Richard T. Rodríguez
Ariana Ruiz
Samuale Saldívar III
Jorge Santos
Rebecca A. Sheehan
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Latinx Theater in the Times of Neoliberalism
Patricia A. Ybarra
Northwestern University Press, 2018
Latinx Theater in the Times of Neoliberalism traces how Latinx theater in the United States has engaged with the policies, procedures, and outcomes of neoliberal economics in the Americas from the 1970s to the present.

Patricia A. Ybarra examines IMF interventions, NAFTA, shifts in immigration policy, the escalation of border industrialization initiatives, and austerity programs. She demonstrates how these policies have created the conditions for many of the most tumultuous events in the Americas in the last forty years, including dictatorships in the Southern Cone; the 1994 Cuban Rafter Crisis; femicides in Juárez, Mexico; the Zapatista uprising in Chiapas, Mexico; and the rise of narcotrafficking as a violent and vigorous global business throughout the Americas.

Latinx artists have responded to these crises by writing and developing innovative theatrical modes of representation about neoliberalism. Ybarra analyzes the work of playwrights María Irene Fornés, Cherríe Moraga, Michael John Garcés, Caridad Svich, Quiara Alegría Hudes, Victor Cazares, Jorge Ignacio Cortiñas, Tanya Saracho, and Octavio Solis. In addressing histories of oppression in their home countries, these playwrights have newly imagined affective political and economic ties in the Americas. They also have rethought the hallmark movements of Latin politics in the United States—cultural nationalism, third world solidarity, multiculturalism—and their many discontents.
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Latinx TV in the Twenty-First Century
Edited by Frederick Luis Aldama
University of Arizona Press, 2022
Latinx TV in the Twenty-First Century offers an expansive and critical look at contemporary television by and about U.S. Latinx communities. This volume is comprehensive in its coverage while diving into detailed and specific examples as it navigates the complex and ever-changing world of Latinx representation and creation in television.

In this volume, editor Frederick Luis Aldama brings together leading experts who show how Latinx TV is shaped by historical, social, cultural, regional, and global contexts. Contributors address head on harmful stereotypes in Latinx representation while giving key insights to a positive path forward. TV narratives by and about Latinx people exist across all genres. In this century, we see Latinx people in sitcoms, sci-fi, noir, soap operas, rom-coms, food shows, dramas, action-adventure, and more. Latinx people appear in television across all formats, from quick webisodes, to serialized big-arc narratives, to animation and everything in between. The diverse array of contributors to this volume delve into this rich landscape of Latinx TV from 2000 to today, spanning the ever-widening range of genres and platforms.

Latinx TV in the Twenty-First Century argues that Latinx TV is not just television—it’s an entire movement. Digital spaces and streaming platforms today have allowed for Latinx representation on TV that speaks to Latinx people and non-Latinx people alike, bringing rich and varied Latinx cultures into mainstream television and addressing urbanization, immigration, family life, language, politics, gender, sexuality, class, race, and ethnicity.

Once heavily underrepresented and harmfully stereotypical, Latinx representation on TV is beginning to give careful nuance to regional, communal, and familial experiences among U.S. Latinx people. This volume unpacks the negative implications of older representation and celebrates the progress of new representation, recognizing that television has come a long way, but there is still a lot of important work to do for truly diverse and inclusive representation.
 
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Laughing to Keep from Dying
African American Satire in the Twenty-First Century
Danielle Fuentes Morgan
University of Illinois Press, 2020
By subverting comedy's rules and expectations, African American satire promotes social justice by connecting laughter with ethical beliefs in a revolutionary way. Danielle Fuentes Morgan ventures from Suzan-Lori Parks to Leslie Jones and Dave Chappelle to Get Out and Atlanta to examine the satirical treatment of race and racialization across today's African American culture. Morgan analyzes how African American artists highlight the ways that society racializes people and bolsters the powerful myth that we live in a "post-racial" nation. The latter in particular inspires artists to take aim at the idea racism no longer exists or the laughable notion of Americans "not seeing" racism or race. Their critique changes our understanding of the boundaries between staged performance and lived experience and create ways to better articulate Black selfhood.

Adventurous and perceptive, Laughing to Keep from Dying reveals how African American satirists unmask the illusions and anxieties surrounding race in the twenty-first century.

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Le Maya Q’atzij/Our Maya Word
Poetics of Resistance in Guatemala
Emil’ Keme
University of Minnesota Press, 2021

Bringing to the fore the voices of Maya authors and what their poetry tells us about resistance, sovereignty, trauma, and regeneration 

In 1954, Guatemala suffered a coup d’etat, resulting in a decades-long civil war. During this period, Indigenous Mayans were subject to displacement, disappearance, and extrajudicial killing. Within the context of the armed conflict and the postwar period in Guatemala, K’iche’ Maya scholar Emil’ Keme identifies three historical phases of Indigenous Maya literary insurgency in which Maya authors use poetry to dignify their distinct cultural, political, gender, sexual, and linguistic identities.

Le Maya Q’atzij / Our Maya Word employs Indigenous and decolonial theoretical frameworks to critically analyze poetic works written by ten contemporary Maya writers from five different Maya nations in Iximulew/Guatemala. Similar to other Maya authors throughout colonial history, these authors and their poetry criticize, in their own creative ways, the continuing colonial assaults to their existence by the nation-state. Throughout, Keme displays the decolonial potentialities and shortcomings proposed by each Maya writer, establishing a new and productive way of understanding Maya living realities and their emancipatory challenges in Iximulew/Guatemala.

This innovative work shows how Indigenous Maya poetics carries out various processes of decolonization and, especially, how Maya literature offers diverse and heterogeneous perspectives about what it means to be Maya in the contemporary world.

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Learning from the Secret Past
Cases in British Intelligence History
Robert Dover and Michael S. Goodman, Editors
Georgetown University Press, 2015

Identifying “lessons learned” is not new—the military has been doing it for decades. However, members of the worldwide intelligence community have been slow to extract wider lessons gathered from the past and apply them to contemporary challenges. Learning from the Secret Past is a collection of ten carefully selected cases from post-World War II British intelligence history. Some of the cases include the Malayan Emergency, the Cuban Missile Crisis, Northern Ireland, and the lead up to the Iraq War. Each case, accompanied by authentic documents, illuminates important lessons that today's intelligence officers and policymakers—in Britain and elsewhere—should heed.

Written by former and current intelligence officers, high-ranking government officials, and scholars, the case studies in this book detail intelligence successes and failures, discuss effective structuring of the intelligence community, examine the effective use of intelligence in counterinsurgency, explore the ethical dilemmas and practical gains of interrogation, and highlight the value of human intelligence and the dangers of the politicization of intelligence. The lessons learned from this book stress the value of past experience and point the way toward running effective intelligence agencies in a democratic society.

Scholars and professionals worldwide who specialize in intelligence, defense and security studies, and international relations will find this book to be extremely valuable.

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Left Populism in Europe
Lessons from Jeremy Corbyn to Podemos
Marina Prentoulis
Pluto Press, 2021
While the right is harnessing populist rhetoric to great effect, the left's attempts have been much less successful. The Syriza government in Greece and Jeremy Corbyn's Labour Party in Britain have both failed to change the neoliberal status quo and introduce democratic socialism in their countries. Other movements however, like the Spanish party Podemos, have seen greater gains and are now in government in Spain. In this book, Marina Prentoulis evaluates the transformational process of left populism across grassroots, national and European levels and asks what we can do to better harness the power of broad-based, popular left politics. Bringing a wealth of experience in political organizing, she argues that left populism is a political logic that brings together isolated demands against a common enemy with an egalitarian pluralism that could transform economic and political institutions in a radical democratic direction. But each party does this differently, and the key to understanding where to go from here lies in a serious analysis of the roots of each movement's base, the forms of party organization, and the particular national contexts. Avoiding reductive terms like 'pasokification', this is a clear and holistic approach to left populism that will inform anyone wanting to understand and move forward positively in a bleak time for the Left in Europe.
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Legacies, Logics, Logistics
Essays in the Anthropology of the Platform Economy
Jane I. Guyer
University of Chicago Press, 2016
Legacies, Logics, Logistics brings together a set of essays, written both before and after the financial crisis of 2007–08, by eminent Africanist and economic anthropologist Jane I. Guyer. Each was written initially for a conference on a defined theme. When they are brought together and interpreted as a whole by Guyer, these varied essays show how an anthropological and socio-historical approach to economic practices—both in the West and elsewhere—can illuminate deep facets of economic life that the big theories and models may fail to capture.

Focusing on economic actors—whether ordinary consumers or financial experts—Guyer traces how people and institutions hold together past experiences (legacies), imagined scenarios and models (logics), and situational challenges (logistics) in a way that makes the performance of economic life (on platforms made of these legacies, logics, and logistics) work in practice. Individual essays explore a number of topics—including time frames and the future, the use of percentages in observations and judgments, the explanation of prices, the coexistence of different world currencies, the reapplication of longtime economic theories in new settings, and, crucially, how we talk about the economy, how we use stable terms to describe a turbulent system. Valuable as standalone pieces, the essays build into a cogent method of economic anthropology. 
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front cover of Lessons from Russia's Operations in Crimea and Eastern Ukraine
Lessons from Russia's Operations in Crimea and Eastern Ukraine
Michael Kofman
RAND Corporation, 2017
This report assesses the annexation of Crimea by Russia (February–March 2014) and the early phases of political mobilization and combat operations in Eastern Ukraine (late February–late May 2014). It examines Russia’s approach, draws inferences from Moscow’s intentions, and evaluates the likelihood of such methods being used again elsewhere.
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front cover of Let Me Tell You Where I've Been
Let Me Tell You Where I've Been
New Writing by Women of the Iranian Diaspora
Persis M. Karim
University of Arkansas Press, 2006
Until recently, Iranian literature has overwhelmingly been the domain of men. But the new hybrid culture of diaspora Iranians has produced a prolific literature by women that reflects a unique perspective and voice. Let Me Tell You Where I've Been is an extensive collection of poetry, fiction, and nonfiction by women whose lives have been shaped and influenced by Iran's recent history, exile, immigration and the formation of new cultural identities in the United States and Europe. These writings represent an emerging and multi-cultural female sensibility. Unlike many flat media portrayals of Iranian women—as veiled, silenced—these writers offer a complex literary view of Iranian culture and its influences. These writers interrogate, challenge, and re-define notions of home and language and their work offers readers an experience of Iranian diaspora culture. Featuring over one hundred selections (two-thirds of which have never been published before) by more than fifty contributors--including such well-known writers as Gelareh Asayesh, Tara Bahrampour, Firoozeh Dumas, Roya Hakakian and Mimi Khalvati--the collection represents a substantial diversity of voices in this multicultural community. Divided into six sections, the book's themes of exile, family, culture resistance, and love, create a rich and textured view of the Iranian diaspora. The poems, short stories, and essays are suggestive of an important conversation about Iran, Iranian culture, the Persian and English languages, and the dual identities of many of its authors. This powerful collection is a tribute to the wisdom, insight, and sensitivity of women attempting to invent and articulate a literature of in-betweenness.
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Lethal Theater
Susannah Nevinson
The Ohio State University Press, 2019
In her new poetry collection, Lethal Theater, Susannah Nevison reckons with the rituals of violence that underpin the American prison system, both domestically and abroad. Exploring the multiple roles of medicine in incarceration, Nevison’s poems expose the psychological and physical pain felt by the prison system’s inhabitants. Nevison asks readers to consider the act and complications of looking—at the spectacle of punishment, isolation, and interrogation, as mapped onto incarcerated bodies—by those who participate in and enforce dangerous prison practices, those who benefit from the exploitation of incarcerated bodies, and those who bear witness to suffering. Unfolding in three sections, Nevison’s poems fluidly move among themes of isolation and violence in prisons during period of war, the history of medical experimentation on domestic prisoners, and the intersection between anesthesia used in hospital settings and anesthesia used in cases of lethal injection. Lethal Theater is an attempt to articulate and make visible a grotesque and overlooked part of American pain.
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LGBTQ Politics in Nicaragua
Revolution, Dictatorship, and Social Movements
Karen Kampwirth
University of Arizona Press, 2022
The modern political tumult of Nicaragua includes revolution, dictatorship, and social movements. LGBTQ Politics in Nicaragua explores the untold stories of the LGBTQ community of Nicaragua and its role in the recent political history of the country.

Karen Kampwirth is a renowned scholar of the Nicaraguan Revolution, who has been writing at the intersection of gender and politics for decades. In this chronological telling of the last fifty years of political history in Nicaragua, Kampwirth deploys a critical new lens: understanding politics from the perspective of the country’s LGBTQ community. Kampwirth details the gay and lesbian guerrillas in the 1960s and 1970s, Nicaragua’s first openly gay television wizard in the 1980s, and the attempts by LGBTQ revolutionaries to create a civil rights movement and the subsequent squashing of that movement by the ruling Sandinista party. She analyzes the shifting political alliances, the rise of strong feminist and LGBTQ movements in Nicaragua, and the attempts by the administration of Daniel Ortega to co-opt and control these movements.

Ultimately, this is a story of struggle and defeat, progress and joy. This timely book provides a well-documented review of LGBTQ politics in modern Nicaragua, helping us to see the Sandinista Revolution and its ongoing aftermath in a new light.
 
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Liberalism's Last Man
Hayek in the Age of Political Capitalism
Vikash Yadav
University of Chicago Press, 2023

A modern reframing of Friedrich Hayek’s most famous work for the 21st century.

Friedrich Hayek’s The Road to Serfdom was both an intellectual milestone and a source of political division, spurring fiery debates around capitalism and its discontents. In the ensuing discord, Hayek’s true message was lost: liberalism is a thing to be protected above all else, and its alternatives are perilous.

In Liberalism’s Last Man, Vikash Yadav revives the core of Hayek’s famed work to map today’s primary political anxiety: the tenuous state of liberal meritocratic capitalism—particularly in North America, Europe, and Asia—in the face of strengthening political-capitalist powers like China, Vietnam, and Singapore. As open societies struggle to match the economic productivity of authoritarian-capitalist economies, the promises of a meritocracy fade; Yadav channels Hayek to articulate how liberalism’s moral backbone is its greatest defense against repressive social structures.

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Liberalization's Children
Gender, Youth, and Consumer Citizenship in Globalizing India
Ritty A. Lukose
Duke University Press, 2009
Liberalization’s Children explores how youth and gender have become crucial sites for a contested cultural politics of globalization in India. Popular discourses draw a contrast between “midnight’s children,” who were rooted in post-independence Nehruvian developmentalism, and “liberalization’s children,” who are global in outlook and unapologetically consumerist. Moral panics about beauty pageants and the celebration of St. Valentine’s Day reflect ambivalence about the impact of an expanding commodity culture, especially on young women. By simply highlighting the triumph of consumerism, such discourses obscure more than they reveal. Through a careful analysis of “consumer citizenship,” Ritty A. Lukose argues that the breakdown of the Nehruvian vision connects with ongoing struggles over the meanings of public life and the cultural politics of belonging. Those struggles play out in the ascendancy of Hindu nationalism; reconfigurations of youthful, middle-class femininity; attempts by the middle class to alter understandings of citizenship; and assertions of new forms of masculinity by members of lower castes.

Moving beyond elite figurations of globalizing Indian youth, Lukose draws on ethnographic research to examine how non-elite college students in the southern state of Kerala mediate region, nation, and globe. Kerala sits at the crossroads of development and globalization. Held up as a model of left-inspired development, it has also been transformed through an extensive and largely non-elite transnational circulation of labor, money, and commodities to the Persian Gulf and elsewhere. Focusing on fashion, romance, student politics, and education, Lukose carefully tracks how gender, caste, and class, as well as colonial and postcolonial legacies of culture and power, affect how students navigate their roles as citizens and consumers. She explores how mass-mediation and an expanding commodity culture have differentially incorporated young people into the structures and aspirational logics of globalization.

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Life in a Country Album
Poems
Nathalie Handal
University of Pittsburgh Press, 2019
Winner, 2020 Palestine Book Award
Finalist, 2019 Foreword Indies Award

From migrations to pop culture, loss to la dérive, Life in a Country Album is a soundtrack of the global cultural landscape—borders and citizenship, hybrid identities and home, freedom and pleasure. It’s a vast and moving look at the world, at what home means, and the ways we coexist in an increasingly divided world. These poems are about the dialects of the heart—those we are incapable of parting from, and those that are largely forgotten. Life in a Country Album is a vital book for our times. With this beautiful, epic collection, Nathalie Handal affirms herself as one of our most diverse and important contemporary poets.

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A Life of Meaning
Embracing Reform Judaism's Sacred Path
Rabbi Dana Evan Kaplan, PHD
Central Conference of American Rabbis, 2018

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Like Love
Michele Morano
The Ohio State University Press, 2020
Longlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay
Crushes. Infatuations. Attractions. Unexpected, inexplicable allure. Entanglements steeped in taboo and disruption. In Like Love, nothing is off limits.
 
In these remarkable essays, Michele Morano explores the pleasures, possibilities, strangeness, and lessons of unconsummated romance. With insight and imagination, Like Love interweaves poignant, humorous episodes from adulthood with the backstory of a young family’s turbulent breakup. When Morano was an adolescent in blue-collar Poughkeepsie, New York, her mother left her father for a woman in an era when LGBTQ parents were widely viewed as “unfit.” Through the turmoil, adolescent Morano paid attention, tucking away the stories that were shaping her and guiding her understanding of love.
 
Turning romantic clichés inside out and challenging us to rethink our notions about what it means to love, Like Love tells hard and necessary truths about the importance of desire in growing, traveling, mourning, parenting, and figuring out who you are in the world. With precision and depth, Morano explores what it means to find ourselves in relationships that are not quite—but almost—like love.
 
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Limbo Beirut
By Hilal Chouman
Translated by Anna Ziajka Stanton
University of Texas Press, 2016

In Hilal Chouman’s Limbo Beirut, a gay artist, a struggling novelist, a pregnant woman, a disabled engineering student, a former militia member, and a medical intern all take turns narrating the violent events of May 2008, when Hezbollah militants and Sunni fighters clashed in the streets of Beirut. For most of these young men and women, the Lebanese Civil War (1975–1990) is but a vague recollection, but the brutality of May 2008 serves to reawaken forgotten memories and stir up fears of a revival of sectarian violence. Yet despite these fears, the violence these characters witness helps them to break free from the mundane details of their lives and look at the world anew.

The multiple narrative voices and the dozens of pen-and-ink illustrations that accompany the text allow Chouman to achieve a mesmerizing cinematic quality with this novel that is unique in modern Arabic fiction. Not only will readers appreciate the meaningful exploration of the effects of violence on the psyche, but they will also enjoy discovering how the lives of these characters—almost all of whom are strangers to one another—intersect in surprising ways.

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The Limits of Alignment
Southeast Asia and the Great Powers since 1975
John D. Ciorciari
Georgetown University Press, 2011

The Limits of Alignment is an engaging and accessible study that explores how small states and middle powers of Southeast Asia ensure their security in a world where they are overshadowed by greater powers. John D. Ciorciari challenges a central concept in international relations theory—that states respond to insecurity by either balancing against their principal foes, “bandwagoning” with them, or declaring themselves neutral. Instead, he shows that developing countries prefer limited alignments that steer between strict neutrality and formal alliances to obtain the fruits of security cooperation without the perils of undue dependency.

Ciorciari also shows how structural and normative shifts following the end of the Cold War and the advent of U.S. primacy have increased the prevalence of limited alignments in the developing world and that these can often place constraints on U.S. foreign policy. Finally, he discusses how limited alignments in the developing world may affect the future course of international security as China and other rising powers gather influence on the world stage.

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Listening to Laredo
A Border City in a Globalized Age
Mehnaaz Momen
University of Arizona Press, 2023
Nestled between Texas and Tamaulipas, Laredo was once a quaint border town, nurturing cultural ties across the border, attracting occasional tourists, and serving as the home of people living there for generations. In a span of mere decades, Laredo has become the largest inland port in the United States and a major hub of global trade. Listening to Laredo is an exploration of how the dizzying forces of change have defined this locale, how they continue to be inscribed and celebrated, and how their effects on the physical landscape have shaped the identity of the city and its people.

Bringing together issues of growth, globalization, and identity, Mehnaaz Momen traces Laredo’s trajectory through the voices of its people. In contrast to the many studies of border cities defined by the outside—and seldom by the people who live at the border—this volume collects oral histories from seventy-five in-depth interviews that collectively illuminate the evolution of the city’s cultural and economic infrastructure, its interdependence with its sister city across the national boundary, and, above all, the strength of its community as it adapts to and even challenges the national narrative regarding the border. The resonant and lively voices of Laredo’s people convey proud ownership of an archetypal border city that has time and again resurrected itself.
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Literary Criticism
A Concise Political History
Joseph North
Harvard University Press, 2017

Literary Criticism offers a concise overview of literary studies in the English-speaking world from the early twentieth century to the present. Joseph North steps back from the usual tangle of figures, schools, and movements in order to analyze the intellectual paradigms that underpinned them. The result is a radically new account of the discipline’s development, together with a trenchant argument about where its political future lies.

People in today’s literature departments often assume that their work is politically progressive, especially when compared with the work of early- and mid-twentieth-century critics. North’s view is less cheering. For when understood in relation to the longer arc of the discipline, the current historicist and contextualist mode in literary studies represents a step to the Right. Since the global turn to neoliberalism in the late 1970s, all the major movements within literary studies have been diagnostic rather than interventionist in character: scholars have developed sophisticated techniques for analyzing culture, but they have retreated from systematic attempts to transform it. In this respect, the political potential of current literary scholarship compares poorly with that of earlier critical modes, which, for all their faults, at least had a programmatic commitment to cultural change.

Yet neoliberalism is now in crisis—a crisis that presents opportunities as well as dangers. North argues that the creation of a genuinely interventionist criticism is one of the central tasks facing those on the Left of the discipline today.

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The Little Death of Self
Nine Essays toward Poetry
Marianne Boruch
University of Michigan Press, 2017
A volume in the Poets on Poetry series, which collects critical works by contemporary poets, gathering together the articles, interviews, and book reviews by which they have articulated the poetics of a new generation.
 
The line between poetry (the delicate, surprising not-quite) and the essay (the emphatic so-there!) is thin, easily crossed. Both welcome a deep mulling-over, endlessly mixing image and idea and running with scissors; certainly each distrusts the notion of premise or formulaic progression. Marianne Boruch’s essays in The Little Death of Self emerged by way of odd details or bothersome questions that would not quit—Why does the self grow smaller as the poem grows enormous? Why does closure in a poem so often mean keep going? Must we stalk the poem or does the poem stalk us until the world clicks open?

Boruch’s intrepid curiosity led her to explore fields of expertise about which she knew little: aviation, music, anatomy, history, medicine, photography, fiction, neuroscience, physics, anthropology, painting, and drawing. There’s an addiction to metaphor here, an affection for image, sudden turns of thinking, and the great subjects of poetry: love, death, time, knowledge. There’s amazement at the dumb luck of staying long enough in an inkling to make it a poem at all. Poets such as Keats, Stevens, Frost, Plath, Auden, and Bishop, along with painters, inventors, doctors, scientists, composers, musicians, neighbors, friends, and family—all traffic blatantly or under the surface—and one gets a glimpse of such fellow travelers now and then.

 
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Little Pharma
Poems
Laura Kolbe
University of Pittsburgh Press, 2021
The title Little Pharma is both a doppelgänger and a cri de coeur: as the poet’s dreamlike double, the character Little Pharma navigates the murky channels of the hospital and clinic, the borderlands of the living and the dead, and the journey from novice to healer. At the same time, the poems plead for a return to a littler pharma, a space for stolen intimacy and momentary quiet amid the impersonal and engulfing chill that floods the anatomical theater and the corridors of illness. Little Pharma is a Dantean journey from the depths of an institution, and of a pervading personal dread, to a renewed celebration of human contact, the body, and the giddy, terrifying excitement of ongoing life.
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Living Labor
Fiction, Film, and Precarious Work
Joseph B. Entin
University of Michigan Press, 2023
For much of the twentieth century, the iconic figure of the U.S. working class was a white, male industrial worker. But in the contemporary age of capitalist globalization new stories about work and workers are emerging to refashion this image. Living Labor examines these narratives and, in the process, offers an innovative reading of American fiction and film through the lens of precarious work. It argues that since the 1980s, novelists and filmmakers—including Russell Banks, Helena Víramontes, Karen Tei Yamashita, Francisco Goldman, David Riker, Ramin Bahrani, Clint Eastwood, Courtney Hunt, and Ryan Coogler—have chronicled the demise of the industrial proletariat, and the tentative and unfinished emergence of a new, much more diverse and perilously positioned working class. In bringing together stories of work that are also stories of race, ethnicity, gender, and colonialism, Living Labor challenges the often-assumed division between class and identity politics. Through the concept of living labor and its discussion of solidarity, the book reframes traditional notions of class, helping us understand both the challenges working people face and the possibilities for collective consciousness and action in the global present.

Cover attribution: Allan Sekula, Shipwreck and worker, Istanbul, from TITANIC’s wake, 1998/2000. Courtesy of the Allan Sekula Studio.
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Living Matter
The Preservation of Biological Materials in Contemporary Art: An International Conference Held in Mexico City, June 3–5, 2019
Rachel Rivenc
J. Paul Getty Trust, The, 2022
This innovative volume is the first to address the conservation of contemporary art incorporating biological materials such as plants, foods, bodily fluids, or genetically engineered organisms.
 
Eggshells, flowers, onion peels, sponge cake, dried bread, breast milk, bacteria, living organisms—these are just a few of the biological materials that contemporary artists are using to make art. But how can works made from such perishable ingredients be preserved? And what logistical, ethical, and conceptual dilemmas might be posed by doing so?
 
Because they are prone to rapid decay, even complete disappearance, biological materials used in art pose a range of unique conservation challenges. This groundbreaking book probes the issues associated with displaying, collecting, and preserving these unique works of art. The twenty-four papers from the conference present a range of case studies, prominently featuring artists’ perspectives, as well as conceptual discussions, thereby affording a comprehensive and richly detailed overview of current thinking and practices on this topic. Living Matter is the first publication to explore broadly the role of biological materials in the creative process and present a variety of possible approaches to their preservation.
 
The free online edition of this open-access publication is available at www.getty.edu/publications/living-matter/ and includes videos and zoomable illustrations. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.
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Lobbying and Policy Change
Who Wins, Who Loses, and Why
Frank R. Baumgartner, Jeffrey M. Berry, Marie Hojnacki, David C. Kimball, and Beth L. Leech
University of Chicago Press, 2009

During the 2008 election season, politicians from both sides of the aisle promised to rid government of lobbyists’ undue influence. For the authors of Lobbying and Policy Change, the most extensive study ever done on the topic, these promises ring hollow—not because politicians fail to keep them but because lobbies are far less influential than political rhetoric suggests.

Based on a comprehensive examination of ninety-eight issues, this volume demonstrates that sixty percent of recent lobbying campaigns failed to change policy despite millions of dollars spent trying. Why? The authors find that resources explain less than five percent of the difference between successful and unsuccessful efforts. Moreover, they show, these attempts must overcome an entrenched Washington system with a tremendous bias in favor of the status quo.

Though elected officials and existing policies carry more weight, lobbies have an impact too, and when advocates for a given issue finally succeed, policy tends to change significantly. The authors argue, however, that the lobbying community so strongly reflects elite interests that it will not fundamentally alter the balance of power unless its makeup shifts dramatically in favor of average Americans’ concerns.

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Local Transcendence
Essays on Postmodern Historicism and the Database
Alan Liu
University of Chicago Press, 2008
Driven by global economic forces to innovate, today’s society paradoxically looks forward to the future while staring only at the nearest, most local present—the most recent financial quarter, the latest artistic movement, the instant message or blog post at the top of the screen.  Postmodernity is lived, it seems, at the end of history.
            In the essays collected in Local Transcendence, Alan Liu takes the pulse of such postmodern historicism by tracking two leading indicators of its acceleration in the late twentieth and early twenty-first centuries: postmodern cultural criticism—including the new historicism, the new cultural history, cultural anthropology, the new pragmatism, and postmodern and postindustrial theory—and digital information technology. What is the relation between the new historicist anecdote and the database field, Liu asks, and can either have a critical function in the age of postmodern historicism? Local Transcendence includes two previously unpublished essays and a synthetic introduction in which Liu traverses from his earlier work on the theory of historicism to his recent studies of information culture to propose a theory of contingent method incorporating a special inflection of history: media history.
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Logorrhea
Poems
Adrian C. Louis
Northwestern University Press, 2006
Finalist, 2007 Los Angeles Times Book Prize in Poetry

In a torrent of rage, love, and irony, Adrian C. Louis explodes all the myths and hypocrisy of Middle America in the twenty-first century. This is how Walt Whitman or Allen Ginsburg might have written about our post-9/11 world--where the realities of poverty on Indian reservations and the plight of Hurricane Katrina victims come in second place to the vagaries of Homeland Security. For Louis, both he and our nation face an uncertain future. Like many of us he is trapped in a surreal void of the present, where he is faced with middle age and isolation, the death of loved ones, an unsatisfying job, and the battle against loneliness and self-destruction. He writes as if he has nothing left to lose but then fills the page with bittersweet sorrow for everything that has been lost. Armed with unforgettable images, relentless rhythms, and a dark and scathing humor, Louis takes aim at this American life.
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Lone Stars III
A Legacy of Texas Quilts, 1986-2011
By Karoline Patterson Bresenhan and Nancy O'Bryant Puentes
University of Texas Press, 2011
From frontier times in the Republic of Texas until today, Texans have been making gorgeous quilts. Karoline Patterson Bresenhan and Nancy O’Bryant Puentes documented the first 150 years of the state’s rich heritage of quilt art in Lone Stars: A Legacy of Texas Quilts, 1836–1936 and Lone Stars II: A Legacy of Texas Quilts, 1936–1986. Now in Lone Stars III, they bring the Texas quilt story into the twenty-first century, presenting two hundred traditional and art quilts that represent “the best of the best” quilts created since 1986. The quilts in Lone Stars III display the explosion of creativity that has transformed quilting over the last quarter century. Some of the quilts tell stories, create landscapes, record events, and memorialize people. Others present abstract designs that celebrate form and color. Their makers have embraced machine quilting, as well as hand sewing, and they often embellish their quilts with buttons, beads, lace, ribbon, and even more exotic items. Each quilt is pictured in its entirely, and some entries also include photographs of quilt details. The accompanying text describes the quilt’s creation, its maker, and its physical details. With 16.3 million American quilters who spend $3.6 billion annually on their pastime, the quilting community has truly become a force to reckon with both artistically and socially. Lone Stars III is the perfect introduction to this world of creativity.
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The Long 2020
Richard Grusin
University of Minnesota Press, 2022

Sharply intelligent, often personal reflections on the global crises of 2020 that are still ongoing

By all accounts, 2020 was the longest year in recent memory, as people in the United States and across the globe careened from one unfolding catastrophe to another. The consequences of this devastating year are sure to impact the planet for decades, if not centuries, to come. This collection considers the question of that long 2020 from the perspective of the lived experience of the year, its long and deep roots in various human and nonhuman pasts, and the transformation of our sense of the future.

The Long 2020 assembles a strikingly interdisciplinary group of scholars and thinkers to address how the many crises of 2020—epidemiological, political, ecological, and social—have unfolded, examining both their origins as well as their ongoing effects. The contributors address questions of time, history, and scale as they have played out, and continue to play out; the relationship between home and environment, with a focus on architecture, breathing, and human–nonhuman relations; and the experience of cultural, political, and social life, deploying cultural and political theory to explore questions of race, gender and sexuality, and democracy.

The global pandemic has still not abated, reflecting the need to rethink our interrelatedness to viruses and other species. In bringing together this diverse group of authors, The Long 2020 offers a variety of perspectives on the impacts of that fraught year, the effects of which continue to permeate daily life.

Contributors: Stacy Alaimo, U of Oregon; Elisabeth Anker, George Washington U; Janelle Baker, Athabasca U, Alberta, Canada; Daniel A. Barber, U of Pennsylvania Weitzman School of Design; Adia Benton, Northwestern U; Levi R. Bryant, Collin College; Beatriz Colomina, Princeton U; William E. Connolly, Johns Hopkins U; Cary Gabriel Costello, U of Wisconsin–Milwaukee; Megan Craig, Stony Brook U; Wai Chee Dimock, Harvard U; Paulla Ebron, Stanford U; Nirmala Erevelles, U of Alabama; Roderick A. Ferguson, Yale U; Rosa E. Ficek, U of Puerto Rico at Cayey; Stefanie Fishel, U of the Sunshine Coast in Queensland; Jonathan Flatley, Wayne State U; Jennifer Gabrys, U of Cambridge;  David Gissen, Parsons School of Design and the New School, New York; Dehlia Hannah, The Royal Danish Academy of Fine Arts; Karen Ho, U of Minnesota; Bonnie Honig, Brown U; Frédéric Keck, Laboratory of Social Anthropology (CNRS Paris); Eben Kirksey, Deakin Institute in Melbourne, Australia; Bernard C. Perley, U of British Columbia, Vancouver; Tom Rademacher; Renya Ramirez, U of California, Santa Cruz; Zoe Todd (Métis); Anna Tsing, U of California, Santa Cruz; Sarah E. Vaughn, U of California, Berkeley; Rebecca Wanzo, Washington U; McKenzie Wark, Eugene Lang College, New York City.

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A Long Goodbye to Bismarck?
The Politics of Welfare Reform in Continental Europe
Edited by Bruno Palier
Amsterdam University Press, 2010

A Long Goodbye to Bismarck? is the first study to provide an exhaustive comparative account of all welfare reforms in continental Europe during the past three decades, covering Austria, Belgium, the Czech Republic, France, Germany, Hungary, Italy, the Netherlands, Poland, Slovakia, Spain, and Switzerland.

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Long Shadows
The Second World War in British Fiction and Film
Edited by Petra Rau
Northwestern University Press, 2016
Few countries attribute as much importance to the Second World War and its memory as Britain; arguably nowhere else has this conflict developed such longevity in cultural memory and retained such presence in contemporary culture. Long Shadows is about how literature and film have helped shape this process in Britain. More precisely, the essays collected here suggest that this is a continuous work in progress, subject to transgenerational revisions, political expediencies, commercial considerations, and the vicissitudes of popular taste. It would indeed be more accurate to speak of the meanings (plural) that the war has been given at various moments in British cultural life. These semantic variations and fluctuations in cultural import are rooted in the specificity of the British war experience, in the political aftermath of the war in Europe, and in its significance for Britain’s postwar position on the global stage. In other words, the books and films discussed in these essays respond to how the war has been interpreted and remembered; what is at stake is the way in which the war has been emplotted as a hegemonic cultural narrative about Britain.
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Long Suffering
American Endurance Art as Prophetic Witness
Karen Gonzalez Rice
University of Michigan Press, 2016
Long Suffering productively links avant-garde performance practices with religious histories in the United States, setting contemporary performances of endurance art within a broader context of prophetic religious discourse in the United States. Its focus is on the work of Ron Athey, Linda Montano, and John Duncan, American artists whose performances involve extended periods of suffering. These unsettling performances can disturb, shock, or frighten audiences, leaving them unsure how to respond. The book examines how these artists work at the limits of the personal and the interpersonal, inflicting suffering on themselves and others, transforming audiences into witnesses, straining social relations, and challenging definitions of art and of ethics. By performing the death of self at the heart of trauma, strategies of endurance signal artists’ attempts to visualize, legitimize, and testify to the persistent experience of being wounded. The artworks discussed find their foundations in artists’ early experiences of religion and connections with the work of reformers from Angelina Grimké to Rev. Martin Luther King, Jr., who also used suffering as a strategy to highlight social injustice and call for ethical, social, and political renewal.
 
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Looking and Seeing/Seeing and Looking
Damon Potter and Truong Tran
Omnidawn, 2023
Two books bound together that interrogate race—one from the perspective of a man of color, and the other from the perspective of a white man.
 
This book brings together different perspectives under two titles, considering the lives and experiences of two friends, one Vietnamese American and one white. Looking And Seeing is a poetic work of yearning, regret, and righteous indignation. In Truong Tran’s poetry, what is said and what is written reveal our complexities. Composed as an investigation of his own being and body as a brown person moving through white spaces, this collection moves alongside Tran’s friend and collaborator Damon Potter. Seeing and Looking offers a record of Potter’s perspective as a white man examining who he is and wants to be and the complications of trying to be good while also benefiting from histories of oppression. Potter considers death—both his own future death and the deaths of his friends—while grappling with how to witness horrors, wonders, and his self.
 
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Losing Control
Global Security in the 21st Century
Paul Rogers
Pluto Press, 2010

When Losing Control was first published a decade ago it was years ahead of its time. Its argument was simple - the real causes of global insecurity were the widening socio-economic divide, global marginalisation and environmental limitations, especially climate change and conflict over energy resources.

Paul Rogers, one of the most original thinkers on international security, pointed to a world in which irregular warfare from the margins would prevent powerful states from maintaining their position. He even predicted accurately how the United States would respond to a catastrophic attack.

The new edition brings the whole analysis right up to date, arguing persuasively that the world’s elite cannot maintain control and that a far more emancipatory and sustainable approach to global security has to be developed.

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Loss and Wonder at the World’s End
Laura A. Ogden
Duke University Press, 2021
In Loss and Wonder at the World's End, Laura A. Ogden brings together animals, people, and things—from beavers, stolen photographs, lichen, American explorers, and birdsong—to catalog the ways environmental change and colonial history are entangled in the Fuegian Archipelago of southernmost Chile and Argentina. Repeated algal blooms have closed fisheries in the archipelago. Glaciers are in retreat. Extractive industries such as commercial forestry, natural gas production, and salmon farming along with the introduction of nonnative species are rapidly transforming assemblages of life. Ogden archives forms of loss—including territory, language, sovereignty, and life itself—as well as forms of wonder, or moments when life continues to flourish even in the ruins of these devastations. Her account draws on long-term ethnographic research with settler and Indigenous communities; archival photographs; explorer journals; and experiments in natural history and performance studies. Loss and Wonder at the World's End frames environmental change as imperialism's shadow, a darkness cast over the earth in the wake of other losses.
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LOST, HURT, OR IN TRANSIT BEAUTIFUL
Rohan Chhetri
Tupelo Press, 2021
“In Rohan Chhetri’s Lost, Hurt, or in Transit Beautiful,? inherited literary forms— the ode, the lyric, and pristine tercets— are juxtaposed with gorgeously fractured and stylistically daring hybrid pieces. The end result is a work in which poetic technique is brought to bear on lingering questions of identity, artistic tradition, and the cruelty implicit in language itself. Here, form, grammar, and syntax function as a kind of containment, but also, a ‘ruined field’ that is rife with possibility. Chhetri dramatizes and resists the ways language, and its implicit logic, limit what is possible within our most solitary reflections, defining even those ‘vague dreams’ that in the end we greet alone. ‘This is how violence enters / a poem,’ he explains, ‘through a screen / door crawling out & Mother asleep on the couch.’ These pieces are as lyrical as they are grounded, and as understated as they are ambitious. ‘In my language, there is a name for this music,’ he tells us. As his stunning collection unfolds, Chhetri reminds us, with subtlety and grace, that the smallest stylistic decisions in poetry are politically charged. This is a haunting book.”
—from the Judge’s Citation by Kristina Marie Darling
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Love, Marriage, and Jewish Families
Paradoxes of a Social Revolution
Edited by Sylvia Barack Fishman
Brandeis University Press, 2015
The concepts of gender, love, and family—as well as the personal choices regarding gender-role construction, sexual and romantic liaisons, and family formation—have become more fluid under a society-wide softening of boundaries, hierarchies, and protocols. Sylvia Barack Fishman gathers the work of social historians and legal scholars who study transformations in the intimate realms of partnering and family construction among Jews. Following a substantive introduction, the volume casts a broad net. Chapters explore the current situation in both the United States and Israel, attending to what once were considered unconventional household arrangements—including extended singlehood, cohabitating couples, single Jewish mothers, and GLBTQ families—along with the legal ramifications and religious backlash. Together, these essays demonstrate how changes in the understanding of male and female roles and expectations over the past few decades have contributed to a social revolution with profound—and paradoxical—effects on partnering, marriage, and family formation. This diverse anthology—with chapters focusing on demography, ethnography, and legal texts—will interest scholars and students in Jewish studies, women’s and gender studies, Israel studies, and American Jewish history, sociology, and culture.
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Love, Sex, and Desire in Modern Egypt
Navigating the Margins of Respectability
By L. L. Wynn
University of Texas Press, 2018

Cairo is a city obsessed with honor and respectability—and love affairs. Sara, a working-class woman, has an affair with a married man and becomes pregnant, only to be abandoned by him; Ayah and Zeid, a respectably engaged couple, argue over whether Ayah’s friend is a prostitute or a virgin; Malak, a European belly dancer who sometimes gets paid for sex, wants to be loved by a man who won’t treat her like a whore just because she’s a dancer; and Alia, a Christian banker who left her abusive husband, is the mistress of a wealthy Muslim man, Haroun, who encourages business by hosting risqué parties for other men and their mistresses.

Set in transnational Cairo over two decades, Love, Sex, and Desire in Modern Egypt is an ethnography that explores female respectability, male honor, and Western theories and fantasies about Arab society. L. L. Wynn uses stories of love affairs to interrogate three areas of classic anthropological theory: mimesis, kinship, and gift. She develops a broad picture of how individuals love and desire within a cultural and political system that structures the possibilities of, and penalties for, going against sexual and gender norms. Wynn demonstrates that love is at once a moral horizon, an attribute that “naturally” inheres in particular social relations, a social phenomenon strengthened through cultural concepts of gift and kinship, and an emotion deeply felt and desired by individuals.

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Love Writ Large
Navid Kermani
Seagull Books, 2018
Now in paperback, a story of teenage love in Cold War-era Germany.

For a fifteen-year-old, falling in love can eclipse everything else in the world, and make a few short weeks feel like a lifetime of experience. In Love Writ Large, Navid Kermani captures those intense feelings, from the emotional explosion of a first kiss to the staggering loss of a first breakup. As his teenage protagonist is wrapped up in these all-consuming feelings, however, Germany is in the crosshairs of the Cold War—and even the personal dramas of a small-town grammar school are shadowed by the threat of the nuclear arms race. Kermani’s novel manages to capture these social tensions without sacrificing any of the all-consuming passion of first love and, in a unique touch, sets the boy’s struggles within the larger frame of the stories and lives of numerous Arabic and Persian mystics. His becomes a timeless tale that reflects on the multiple ways love, loss, and risk weigh on our everyday lives.
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Lucky Wreck
Poems
Ada Limón
Autumn House Press, 2021
The poems in Lucky Wreck trace the excitement of plans and the necessary swerving detours we must take when those plans fail. Looking to shipwrecks on the television, road trips ending in traffic accidents, and homes that become sites of infestation, Ada Limón finds threads of hope amid an array of small tragedies and significant setbacks. Open, honest, and grounded, the poems in this collection seek answers to familiar questions and teach us ways to cope with the pain of many losses with earnestness and humor. Through the wrecks, these poems continue to offer assurance.
This darkness is not the scary one, 
it’s the one before the sun comes up, 
the one you can still breathe in.
 
Celebrating the fifteenth anniversary of Limón’s award-winning debut, this edition includes a new introduction by the poet that reflects on the book and on how her writing practice has developed over time.
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front cover of Lyric Shame
Lyric Shame
The “Lyric” Subject of Contemporary American Poetry
Gillian White
Harvard University Press, 2014

Bringing a provocative perspective to the poetry wars that have divided practitioners and critics for decades, Gillian White argues that the sharp disagreements surrounding contemporary poetics have been shaped by “lyric shame”—an unspoken but pervasive embarrassment over what poetry is, should be, and fails to be.

Favored particularly by modern American poets, lyric poetry has long been considered an expression of the writer’s innermost thoughts and feelings. But by the 1970s the “lyric I” had become persona non grata in literary circles. Poets and critics accused one another of “identifying” with lyric, which increasingly bore the stigma of egotism and political backwardness. In close readings of Elizabeth Bishop, Anne Sexton, Bernadette Mayer, James Tate, and others, White examines the social and critical dynamics by which certain poems become identified as “lyric,” arguing that the term refers less to a specific literary genre than to an abstract way of projecting subjectivity onto poems. Arguments about whether lyric poetry is deserving of praise or censure circle around what White calls “the missing lyric object”: an idealized poem that is nowhere and yet everywhere, and which is the product of reading practices that both the advocates and detractors of lyric impose on poems. Drawing on current trends in both affect and lyric theory, Lyric Shame unsettles the assumptions that inform much contemporary poetry criticism and explains why the emotional, confessional expressivity attributed to American lyric has become so controversial.

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