front cover of Adam and Eve in the Armenian Tradition, Fifth through Seventeenth Centuries
Adam and Eve in the Armenian Tradition, Fifth through Seventeenth Centuries
Michael E. Stone
SBL Press, 2013
The Adam and Eve stories are a foundational myth in the Jewish and Christian worlds, and the way they were recounted reveals a great deal about those doing the retelling. How did the Armenians retell these stories? What values do these retellings express about men and women, their life in the world, sin and redemption? Presented here are twelve hundred years of Armenian telling of the Genesis 1–3 stories in an unparalleled collection of all significant narratives of Adam and Eve in Armenian literature—prose and poetry, homilies and commentaries, calendary and mathematical texts—from its inception in the fifth century to the seventeenth century. This seminal resource contributes to the lively current discussion of how biblical and apocryphal traditions were retold, embroidered, and transformed into the lenses through which the Bible itself was read.
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front cover of Armenian Apocrypha from Adam to Daniel
Armenian Apocrypha from Adam to Daniel
Michael E. Stone
SBL Press, 2021

In this collection of Armenian apocryphal texts, Michael E. Stone focuses on texts related to heaven and hell, angels and demons, and biblical figures from the Hebrew Bible and apocrypha. The texts, introductions, translations, annotations, and critical apparatus included in this volume make this collection a key resource for students and scholars of apocryphal and pseudepigraphical literature.

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front cover of Complete Writings
Complete Writings
Letterbook, Dialogue on Adam and Eve, Orations
Isotta Nogarola
University of Chicago Press, 2004
Renowned in her day for her scholarship and eloquence, Isotta Nogarola (1418-66) remained one of the most famous women of the Italian Renaissance for centuries after her death. And because she was one of the first women to carve out a place for herself in the male-dominated republic of letters, Nogarola served as a crucial role model for generations of aspiring female artists and writers.

This volume presents English translations of all of Nogarola's extant works and highlights just how daring and original her convictions were. In her letters and orations, Nogarola elegantly synthesized Greco-Roman thought with biblical teachings. And striding across the stage in public, she lectured the Veronese citizenry on everything from history and religion to politics and morality. But the most influential of Nogarola's works was a performance piece, Dialogue on Adam and Eve, in which she discussed the relative sinfulness of Adam and Eve—thereby opening up a centuries-long debate in Europe on gender and the nature of woman and establishing herself as an important figure in Western intellectual history. This book will be a must read for teachers and students of Women's Studies as well as of Renaissance literature and history.
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front cover of The Laughter of Adam and Eve
The Laughter of Adam and Eve
Jason Sommer
Southern Illinois University Press, 2013
Near the beginning, just after the fall, was laughter—at least as Jason Sommer imagines it. In the title poem, Eve catches Adam’s hilarity over what passes for a tree outside of Eden, their laughter a heady combination of longing, defiance, and perhaps even relief, through which they find they now possess “a knowledge of evil that is good,” an understanding that will carry them through life after paradise. Through settings mythical, historical and biblical, through characters that range from Gunga Din to St. Kevin of Glendalough, the poems in this book often search out meaning in the tracing of origins: of a bird’s song, of laughter, of a word, of language itself.  Poems explore the source of the word brouhaha, the song of the “resignation bird,” and the dangerous way a poem of Anna Akhmatova enters the world, under the eyes and ears of Stalin’s secret police, escaping the house arrest its author must endure.
In The Laughter of Adam and Eve, Sommer speaks from a multitude of voices and perspectives, in short, formal lyrics as well as longer free-verse narratives. From the archetypal parents of us all, down through anonymous voices, throughout these pages, women and men speak to—and of—each other, in many roles and relations—as lover and beloved, as child and parent, as dreamer and dreamt of. The poems attempt to travel beyond the traditional binary in search of the common thread that binds us to one another. Perhaps chief among them is story: whether recasting myth so that Pygmalion and Narcissus become a single figure or using an Appalachian tale retold as a message, lover to lover, these poems narrate, while engaging deeply with those special properties that poetry can bring to story.
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front cover of The Life of Adam and Eve in Greek
The Life of Adam and Eve in Greek
A Critical Edition
Johannes Tromp
SBL Press, 2016

A Brill classic now in paperback from SBL Press

This critical edition of the Life of Adam and Eve in Greek is based on all available manuscripts. In the introduction the history of previous research is summarized, and the extant manuscripts are presented. Next comes a description of the grammatical characteristics of the manuscripts’ texts, followed by a detailed study of the genealogical relationships between them, resulting in a reconstruction of the writing’s history of transmission in Greek. On the basis of all this information, the Greek text of the Life of Adam and Eve in its earliest attainable stage, is established.

Features:

  • Illustrations of textual relationships and variants
  • Indices for subjects, passages, words in the text, variants, and additions and revisions
  • Full critical apparatus with relevant evidence from the manuscripts
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