All organisms live in clusters, but such fractured local populations, or demes, nonetheless maintain connectivity with one another by some amount of gene flow between them. Most such metapopulations occur naturally, like clusters of amphibians in vernal ponds or baboon troops spread across the African veldt. Others have been created as human activities fragment natural landscapes, as in stands of trees separated by roads. As landscape change has accelerated, understanding how these metapopulations function—and specifically how they adapt—has become crucial to ecology and to our very understanding of evolution itself.
With Adaptation in Metapopulations, Michael J. Wade explores a key component of this new understanding of evolution: interaction. Synthesizing decades of work in the lab and in the field in a book both empirically grounded and underpinned by a strong conceptual framework, Wade looks at the role of interaction across scales from gene selection to selection at the level of individuals, kin, and groups. In so doing, he integrates molecular and organismal biology to reveal the true complexities of evolutionary dynamics from genes to metapopulations.
This collection considers new phenomena emerging in a convergence environment from the perspective of adaptation studies. The contributions take the most prominent methods within the field to offer reconsiderations of theoretical concepts and practices in participatory culture, transmedia franchises, and new media adaptations. The authors discuss phenomena ranging from mash-ups of novels and YouTube cover songs to negotiations of authorial control and interpretative authority between media producers and fan communities to perspectives on the fictional and legal framework of brands and franchises. In this fashion, the collection expands the horizons of both adaptation and transmedia studies and provides reassessments of frequently discussed (BBC’s Sherlock or the LEGO franchise) and previously largely ignored phenomena (self-censorship in transnational franchises, mash-up novels, or YouTube cover videos).
Adaptation to Life
George E. Vaillant Harvard University Press, 1977 Library of Congress BF335.V35 1995 | Dewey Decimal 155.6
Between 1939 and 1942, one of America's leading universities recruited 268 of its healthiest and most promising undergraduates to participate in a revolutionary new study of the human life cycle. George Vaillant, director of this study, took the measure of the Grant Study men. The result was the compelling, provocative classic, Adaptation to Life, which poses fundamental questions about the individual differences in confronting life's stresses.
Pronghorn antelope are the fastest runners in North America, clocked at speeds of up to 100 kilometers per hour. Yet none of their current predators can come close to running this fast. Pronghorn also gather in groups, a behavior commonly viewed as a "safety in numbers" defense. But again, none of their living predators are fearsome enough to merit such a response.
In this elegantly written book, John A. Byers argues that these mystifying behaviors evolved in response to the dangerous predators with whom pronghorn shared their grassland home for nearly four million years: among them fleet hyenas, lions, and cheetahs. Although these predators died out ten thousand years ago, pronghorn still behave as if they were present—as if they were living with the ghosts of predators past.
Byers's provocative hypothesis will stimulate behavioral ecologists and mammalogists to consider whether other species' adaptations are also haunted by selective pressures from predators past. The book will also find a ready audience among evolutionary biologists and paleontologists.
Changes in seasonal movements and population dynamics of migratory birds in response to ongoing changes resulting from global climate changes are a topic of great interest to conservation scientists and birdwatchers around the world. Because of their dependence on specific habitats and resources in different geographic regions at different phases of their annual cycle, migratory species are especially vulnerable to the impacts of climate change.
In Bird Migration and Global Change, eminent ecologist George W. Cox brings his extensive experience as a scientist and bird enthusiast to bear in evaluating the capacity of migratory birds to adapt to the challenges of a changing climate.
Cox reviews, synthesizes, and interprets recent and emerging science on the subject, beginning with a discussion of climate change and its effect on habitat, and followed by eleven chapters that examine responses of bird types across all regions of the globe. The final four chapters address the evolutionary capacity of birds, and consider how best to shape conservation strategies to protect migratory species in coming decades.
The rate of climate change is faster now than at any other moment in recent geological history. How best to manage migratory birds to deal with this challenge is a major conservation issue, and Bird Migration and Global Change is a unique and timely contribution to the literature.
Developed to inform the 2013 National Climate Assessment, and a landmark study in terms of its breadth and depth of coverage and conducted under the auspices of the U.S. Global Change Research Program, Coastal Impacts, Adaptation, and Vulnerabilities examines the known effects and relationships of climate change variables on the coasts of the U.S.
This state of the art assessment comes from a broad range of experts in academia, private industry, state and local governments, NGOs, professional societies, and impacted communities. It includes case studies on topics such as adaptive capacity; climate change effects on. It highlights past climate trends, projected climate change and vulnerabilities, and impacts to specific sectors.
Rich in science and case studies, it examines the latest climate change impacts, scenarios, vulnerabilities, and adaptive capacity for nine major coastal regions of the United States and provides essential guidance for decision-makers – as well as environmental academics, professionals, and advocates – who seek to better understand how climate variability and change impact the US coasts and its communities.
Mark Denny Harvard University Press, 2011 Library of Congress QP31.2.D46 2011 | Dewey Decimal 591.7
From an engineer’s perspective, how do specialized adaptations among living things really work? Writing with wit and a richly informed sense of wonder, Denny and Alan offer an expert look at animals—including humans—as works of evolutionary engineering, each exquisitely adapted to a specific manner of survival.
Immigration studies have increasingly focused on how immigrant adaptation to their new homelands is influenced by the social structures in the sending society, particularly its economy. Less scholarly research has focused on the ways that the cultural make-up of immigrant homelands influences their adaptation to life in a new country. In Ethnic Origins, Jeremy Hein investigates the role of religion, family, and other cultural factors on immigrant incorporation into American society by comparing the experiences of two little-known immigrant groups living in four different American cities not commonly regarded as immigrant gateways. Ethnic Origins provides an in-depth look at Hmong and Khmer refugees—people who left Asia as a result of failed U.S. foreign policy in their countries. These groups share low socio-economic status, but are vastly different in their norms, values, and histories. Hein compares their experience in two small towns—Rochester, Minnesota and Eau Claire, Wisconsin—and in two big cities—Chicago and Milwaukee—and examines how each group adjusted to these different settings. The two groups encountered both community hospitality and narrow-minded hatred in the small towns, contrasting sharply with the cold anonymity of the urban pecking order in the larger cities. Hein finds that for each group, their ethnic background was more important in shaping adaptation patterns than the place in which they settled. Hein shows how, in both the cities and towns, the Hmong's sharply drawn ethnic boundaries and minority status in their native land left them with less affinity for U.S. citizenship or "Asian American" panethnicity than the Khmer, whose ethnic boundary is more porous. Their differing ethnic backgrounds also influenced their reactions to prejudice and discrimination. The Hmong, with a strong group identity, perceived greater social inequality and supported collective political action to redress wrongs more than the individualistic Khmer, who tended to view personal hardship as a solitary misfortune, rather than part of a larger-scale injustice. Examining two unique immigrant groups in communities where immigrants have not traditionally settled, Ethnic Origins vividly illustrates the factors that shape immigrants' response to American society and suggests a need to refine prevailing theories of immigration. Hein's book is at once a novel look at a little-known segment of America's melting pot and a significant contribution to research on Asian immigration to the United States. A Volume in the American Sociological Association's Rose Series in Sociology
In this revised and expanded edition of Hollows, Peepers, and Highlanders, author George Constantz, a biologist and naturalist, writes about the beauty and nature of the Appalachian landscape. While the information is scientific in nature, Constantz's accessible descriptions of the adaptation of various organisms to their environment enable the reader to enjoy learning about the Appalachian ecosystem. The book is divided into three sections: "Stage and Theater," "The Players," and "Seasonal Act." Each section sets the scene and describes the events occurring in nature. "Stage and Theatre" is comprised of chapters that describe the origins of the Appalachia region. "The Players" is an interesting and in-depth look into the ecology of animals, such as the mating rituals of different species, and the evolutionary explanation for the adaptation of Appalachian wildlife. The last section, "Seasonal Act," makes note of the changes in Appalachian weather each season and its effect on the inhabitants.
An innovative approach to the relationship between filmmaking and society during Hollywood's golden age.
The 1910s and 1920s witnessed the inception of a particular brand of negotiation between filmdom and its public in the United States. Hollywood, its proponents, and its critics sought to establish new connections between audience and industry, suggesting means by which Hollywood outsiders could become insiders. Hollywood Outsiders looks at how four disparate entities--the Palmer Photoplay correspondence school of screenwriting, juvenile series fiction about youngsters involved in the film industry, film appreciation and character education programs for high school students, and Catholic and Protestant efforts to use and influence filmmaking--conceived of these connections, and thus of the relationship of Hollywood to the individual and society. Anne Morey's exploration of the diverse discourses generated by these different conjunctions leads to a fresh and compelling interpretation of Hollywood's place in American cultural history.
In its analysis of how four distinct groups, each addressing constituencies of various ages and degrees of social authority, defined their interest in the film industry, Hollywood Outsiders combines concrete discussions of cultural politics with a broader argument about how outsiders viewed the film industry as a vehicle of self-validation and of democratic ideals.
Anne Morey is assistant professor of English and performance studies at Texas A&M University.
Why do quaking aspens grow in prominent clumps rather than randomly scattered across the landscape? Why and how does a rufous hummingbird drop its metabolism to one-hundredth of its normal rate? Why do bull elk grow those enormous antlers? Using his experience as a biologist and ecologist, George Constantz illuminates these remarkable slices of mountain life in plain but engaging language. Whether it sketches conflict or cooperation, surprise or familiarity, each story resolves when interpreted through the theory of evolution by natural selection.
These provocative accounts of birds, insects, rodents, predators, trees, and flowers are sure to stir the reader’s curiosity. Who wouldn’t be intrigued by a rattlesnake’s ability to hunt in total darkness by detecting the infrared radiation emitted by a mouse? Or how white-tailed ptarmigan thrive in their high, treeless alpine environments -- even through the winter? The narratives, often brought home with a counterintuitive twist, invite readers to make new connections and broaden perspectives of a favorite outdoor place.
At last, for those who adapt literature into scripts, a how-to book that illuminates the process of creating a stageworthy play. Page to Stage describes the essential steps for constructing adaptations for any theatrical venue, from the college classroom to a professionally produced production. Acclaimed director Vincent Murphy offers students in theater, literary studies, and creative writing a clear and easy-to-use guidebook on adaptation. Its step-by-step process will be valuable to professional theater artists as well, and for script writers in any medium. Murphy defines six essential building blocks and strategies for a successful adaptation, including theme, dialogue, character, imagery, storyline, and action. Exercises at the end of each chapter lead readers through the transformation process, from choosing their material to creating their own adaptations. The book provides case studies of successful adaptations, including The Grapes of Wrath (adaptation by Frank Galati) and the author's own adaptations of stories by Samuel Beckett and John Barth. Also included is practical information on building collaborative relationships, acquiring rights, and getting your adaptation produced.
Throughout history, religion has been the primary tool used by human societies to understand the inexplicable and the powerful. Religion and Adaptation examines how this role of religion affects the development of human society and individual identity.
The volume uses a wide variety of ethnographic and historical sources to support its analysis, beginning with two detailed case studies of the religions practiced by Navajo Indians and Arab villagers. An intriguing comparison of these two systems of faith reveals the difficulty of finding one definition of religion. William Adams explores this problem of definition, suggesting that religion and science actually share the role of providing logical explanations in human society. In subsequent chapters, he considers the development of religious systems, the growth of religious consciousness in the individual, and the dynamics of religious change. The book ultimately aims to be a purely empirical study that probes the reasons for the existence of religion and its role as a moral and stabilizing force in human societies.
Volker Schlöndorff’s Cinema: Adaptation, Politics and the “Movie-Appropriate”examines the work of major postwar Germandirector Volker Schlöndorff in historical, economic, and artistic contexts. Incorporating a film-by-film, twenty-eight chapter study, Hans-Bernhard Moeller & George Lellis reveal a complexity and formalambitiousness of Schlöndorff that is comparable to that found in Wenders, Herzog, andFassbinder. In spite of Schlöndorff’s successes with films like The Lost Honor ofKatharina Blum and The Tin Drum, as well as his acclaimed work in the U.S. with Death of a Salesman, Gathering of Old Men and The Handmaid’s Tale, this is the first in-depthcritical study of the filmmaker’s career.
In the context of film and television history, this book relates Schlöndorff’s oeuvre to the New German Cinema, to his formative years as a student and production assistant in France, and to his roots in the Weimar cinema’s tradition. It reveals how Schlöndorff entered into the German film production system in the 1960s, how he came to rely on German public television in the 1970s, and then moved to the international and American financing in the 1980s, attempting to redevelop the Babelsberg studios in a 1990s post-Wall Germany while continuing to make his own films into the 21st century. The book captures how Schlöndorff’s nearly half century of ongoing creativity and productivity ties together.
The authors analyze the artistry of each Schlöndorff movie arguing that his output as a whole embodies a provocative and sometimes contradictory set of balances. Schlöndorff combines commercial interest with significant artistic ambition, blends the kinesthetic pleasures of moving images with the seriousness of fine literature, links the intensity of individualized personal experience to an awareness of broader political issues, and represents a specifically German sensibility even as he reaches out to the international audiences.
The authors demonstrate the cyclical recurrence in his cinema of certain themes (individual and collective rebellion, fascist suppression, masochistic love), narrative patterns (the Western, the thriller, the subjective mood piece), and stylistic approaches (Brechtian Verfremdung, the creation of careful leitmotif structures, the use of the grotesque). In over thirty years of filmmaking, Schlöndorff has produced a remarkable unified body of work that deserves the attention of a book-length study. Authors Hans-Bernhard Moeller and George Lellis offer the first such study of its kind.
Volker Schlöndorff’s Cinema: Adaptation, Politics, and the “Movie-Appropriate” features forty-one illustrations.