George Steiner is one of the preeminent intellectuals of our time. The Washington Post has declared that no one else “writing on literature can match him as polymath and polyglot, and few can equal the verve and eloquence of his writing,” while the New York Times says of his works that “the erudition is almost as extraordinary as the prose: dense, knowing, allusive.” Reading in many languages, celebrating the survival of high culture in the face of modern barbarisms, Steiner probes the ethics of language and literature with unparalleled grace and authority. A Long Saturday offers intimate insight into the questions that have absorbed him throughout his career.

In a stimulating series of conversations, Steiner and journalist Laure Adler discuss a range of topics, including Steiner’s boyhood in Vienna and Paris, his education at the University of Chicago and Harvard, and his early years in academia. Books are a touchstone throughout, but Steiner and Adler’s conversations also range over music, chess, psychoanalysis, the place of Israel in Jewish life, and beyond. Blending thoughts on subjects of broad interest in the humanities—the issue of honoring Richard Wagner and Martin Heidegger in spite of their politics, or Virginia Woolf’s awareness of the novel as a multivocal form, for example—with personal reflections on life and family, Steiner demonstrates why he is considered one of today’s greatest minds. Revealing and exhilarating, A Long Saturday invites readers to pull up a chair and listen in on a conversation with a master.

When Marguerite Duras was published in France in 1998, it reached the top of the bestseller lists immediately, and Duras, who had led an unapologetically controversial life, was propelled once again into the headlines. The author of The Lover, Hiroshima Mon Amour, and The War: A Memoir, Duras has long been a symbol of France's complex role in World War II and the country's troubled colonial relations in Asia, as well as a fascinating embodiment of the tensions between autobiography and fiction. Now available in English, Marguerite Duras confronts the truths and falsehoods in the life of the enigmatic author.

Adler, through her exploration of the events central to Duras's career, including her affair with and eventual denunciation of a Nazi collaborator and her childhood in Indochina, reveals Duras as the consummate pragmatist. She has combed through archives, unearthed letters, studied unpublished manuscripts, and interviewed scores of Duras's friends, lovers, enemies, and colleagues—as well as Duras herself—and she emerges with the richest portrait we have of Duras's life: her upbringing, her student days at the Sorbonne, her career as a novelist and filmmaker, and her involvement in French politics through the most complex decades of the twentieth century. "The masks and the truth" was the headline of a French review of Marguerite Duras, and Adler explores both, probing the line between fiction and selfhood and between political activities and personal responsibility.