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Village Work
Development and Rural Statecraft in Twentieth-Century Ghana
Alice Wiemers
Ohio University Press, 2021

A robust historical case study that demonstrates how village development became central to the rhetoric and practice of statecraft in rural Ghana.

Combining oral histories with decades of archival material, Village Work formulates a sweeping history of twentieth-century statecraft that centers on the daily work of rural people, local officials, and family networks, rather than on the national governments and large-scale plans that often dominate development stories. Wiemers shows that developmentalism was not simply created by governments and imposed on the governed; instead, it was jointly constructed through interactions between them.

The book contributes to the historiographies of development and statecraft in Africa and the Global South by

  • emphasizing the piecemeal, contingent, and largely improvised ways both development and the state are comprised and experienced
  • providing new entry points into longstanding discussions about developmental power and discourse
  • unsettling common ideas about how and by whom states are made
  • exposing the importance of unpaid labor in mediating relationships between governments and the governed
  • showing how state engagement could both exacerbate and disrupt inequities

Despite massive changes in twentieth-century political structures—the imposition and destruction of colonial rule, nationalist plans for pan-African solidarity and modernization, multiple military coups, and the rise of neoliberal austerity policies—unremunerated labor and demonstrations of local leadership have remained central tools by which rural Ghanaians have interacted with the state. Grounding its analysis of statecraft in decades of daily negotiations over budgets and bureaucracy, the book tells the stories of developers who decided how and where projects would be sited, of constituents who performed labor, and of a chief and his large cadre of educated children who met and shaped demands for local leaders. For a variety of actors, invoking “the village” became a convenient way to allocate or attract limited resources, to highlight or downplay struggles over power, and to forge national and international networks.

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Violence in a Time of Liberation
Murder and Ethnicity at a South African Gold Mine, 1994
Donald L. Donham
Duke University Press, 2011
How can we account for the apparent increase in ethnic violence across the globe? Donald L. Donham develops a methodology for understanding violence that shows why this question needs to be recast. He examines an incident that occurred at a South African gold mine at the moment of the 1994 elections that brought apartheid to a close. Black workers ganged up on the Zulus among them, killing two and injuring many more. While nearly everyone came to characterize the conflict as “ethnic,” Donham argues that heightened ethnic identity was more an outcome of the violence than its cause. Based on his careful reconstruction of events, he contends that the violence was not motivated by hatred of an ethnic other. It emerged, rather, in ironic ways, as capitalist managers gave up apartheid tactics and as black union activists took up strategies that departed from their stated values. National liberation, as it actually occurred, was gritty, contradictory, and incomplete. Given unusual access to the mine, Donham comes to this conclusion based on participant observation, review of extensive records, and interviews conducted over the course of a decade. Violence in a Time of Liberation is a kind of murder mystery that reveals not only who did it but also the ways that narratives of violence, taken up by various media, create ethnic violence after the fact.
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Violence in Rural South Africa, 1880–1963
Sean Redding
University of Wisconsin Press, 2023
Violence was endemic to rural South African society from the late nineteenth century to the mid-twentieth century. But acts of violence were not inherent in African culture; rather, violence resulted from the ways in which Africans navigated the hazardous social and political landscape imposed by white rule. Focusing on the Eastern Cape province, Sean Redding investigates the rise of large-scale lethal fights among men, increasingly coercive abduction marriages, violent acts resulting from domestic troubles and witchcraft accusations within families and communities, and political violence against state policies and officials. 

Many violent acts attempted to reestablish and reinforce a moral, social, and political order among Africans. However, what constituted a moral order changed as white governance became more intrusive, land became scarcer, and people reconstructed their notions of “traditional” culture. State policies became obstacles around which Africans had to navigate by invoking the idea of tradition, using the state’s court system, alleging the use of witchcraft, or engaging in violent threats and acts. Redding’s use of multiple court cases and documents to discuss several types of violence provides a richer context for the scholarly conversation about the legitimation of violence in traditions, family life, and political protest.
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Violence, Political Culture & Development in Africa
Preben Kaarsholm
Ohio University Press, 2006
Africa has witnessed a number of transitions to democracy in recent years. Coinciding with this upsurge in democratic transitions have been spectacular experiences of social disintegration.An alternative to discourses of the “failed” and “collapsed” state in Africa is an approach that takes seriously the complex historical processes underlying the political development of individual nation states. The chapters in this volumethrow light on the ways in which violence, political culture, and development have interacted in recent African history.
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Violent Intermediaries
African Soldiers, Conquest, and Everyday Colonialism in German East Africa
Michelle R. Moyd
Ohio University Press, 2014

The askari, African soldiers recruited in the 1890s to fill the ranks of the German East African colonial army, occupy a unique space at the intersection of East African history, German colonial history, and military history.

Lauded by Germans for their loyalty during the East Africa campaign of World War I, but reviled by Tanzanians for the violence they committed during the making of the colonial state between 1890 and 1918, the askari have been poorly understood as historical agents. Violent Intermediaries situates them in their everyday household, community, military, and constabulary roles, as men who helped make colonialism in German East Africa.

By linking microhistories with wider nineteenth-century African historical processes, Michelle Moyd shows how as soldiers and colonial intermediaries, the askari built the colonial state while simultaneously carving out paths to respectability, becoming men of influence within their local contexts.

Through its focus on the making of empire from the ground up, Violent Intermediaries offers a fresh perspective on African colonial troops as state-making agents and critiques the mythologies surrounding the askari by focusing on the nature of colonial violence.

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Violent Modernity
France in Algeria
Abdelmajid Hannoum
Harvard University Press, 2010
In Violent Modernity: France in Algeria, Abdelmajid Hannoum examines the advent of political modernity in Algeria and shows how colonial modernity was not only a project imposed by violence but also a violent project in and of itself, involving massive destruction and significant transformation of the population of Algeria. The author analyzes the relation between culture and events and demonstrates how the culture of colonial modernity was generative of violent events, the most notorious and tragic of which were the spectacular mass killings of the 1990s, usually referred to as “the Algerian civil war.” This, the author argues, cannot be explained without an understanding of colonial modernity.
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Virus Research in Twentieth-Century Uganda
Between Local and Global
Julia Ross Cummiskey
Ohio University Press, 2024
Virus Research in Twentieth-Century Uganda presents the stories of scientists at the Uganda Virus Research Institute (UVRI), a biomedical center founded in 1936. The book analyzes the strategies and conditions that allowed the institute to endure and thrive through successive political and scientific regimes of the interwar period, the postwar period, the transition to independence, the conflicts of the 1970s and 1980s, and the Museveni presidency. Julia Ross Cummiskey combines methods and themes from the history of medicine and public health, science and technology studies, and African studies to show that the story of the UVRI and the people who worked there transforms our understanding of the nature of local and international expertise and the evolution of global health research over the course of the twentieth century. Global health is one of the chief areas in which African and foreign institutions interact today. Billions of dollars are invested in global health projects on the continent, many involving strategically selected “local partners.” In the discourse of these projects, local and global are often framed as complementary but distinct categories of people, institutions, traditions, and practices. But the history of biomedical research at the UVRI shows that these distinctions are unstable and mutable and that people and institutions have mobilized both categories to attract funding, professional prestige, and research opportunities. The book complicates the local/global binary that is implicit (and sometimes explicit) in many studies of colonial, international, and global health and medical research, especially in Africa. Moreover, it challenges assumptions about global health as an enterprise dominated by researchers based in the Global North and recenters the history of biomedicine in Africa.
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Visualizing Empire
Africa, Europe, and the Politics of Representation
Rebecca Peabody
J. Paul Getty Trust, The, 2021

An exploration of how an official French visual culture normalized France’s colonial project and exposed citizens and subjects to racialized ideas of life in the empire.

By the end of World War I, having fortified its colonial holdings in the Caribbean, Latin America, Africa, the Indian Ocean, and Asia, France had expanded its dominion to the four corners of the earth. This volume examines how an official French visual culture normalized the country’s colonial project and exposed citizens and subjects alike to racialized ideas of life in the empire. Essays analyze aspects of colonialism through investigations into the art, popular literature, material culture, film, and exhibitions that represented, celebrated, or were created for France’s colonies across the seas.
 
These studies draw from the rich documents and media—photographs, albums, postcards, maps, posters, advertisements, and children’s games—related to the nineteenth- and twentieth-century French empire that are held in the Getty Research Institute’s Association Connaissance de l’histoire de l’Afrique contemporaine (ACHAC) collections. ACHAC is a consortium of scholars and researchers devoted to exploring and promoting discussions of race, iconography, and the colonial and postcolonial periods of Africa and Europe.

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Vitality And Dynamism
Interstitial Dialogues of Language, Politics, and Religion in Morocco's Literary Tradition
Kirstin Bratt
Amsterdam University Press
Anti-colonial literature is not necessarily ‘combat literature’ as Fanon and Déjeux have both suggested in their own writings. While it is often combative, there is also anti-colonial literature that emphasizes the human and the humane rather than the oppositional and contentious; it cannot be fair to label all anti-colonial literature as combative, even if one were to expand the definition of “combat” to include peaceful struggles against oppression or dehumanization. This book suggests that the relationship between the West and the rest of the world has been imagined as a relationship of Self (the West) to Other (the rest of the world), ordered and bordered geographically by the whims of Europeans and creating a Center-Periphery paradigm. These invented boundaries of humanity serve to separate geographical sites, but more, they serve to enclose the Empire and exoticize other cultures. Boundaries are often spatial, but more often, they are related to relationships and colonialization.
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