front cover of The Hairdresser of Harare
The Hairdresser of Harare
A Novel
Tendai Huchu
Ohio University Press, 2015
In this delicious and devastating first novel, which The Guardian named one of its ten best contemporary African books, Caine Prize finalist Tendai Huchu (The Maestro, the Magistrate, and the Mathematician) portrays the heart of contemporary Zimbabwean society with humor and grace. Vimbai is the best hairdresser in Mrs. Khumalo’s salon, and she is secure in her status until the handsome, smooth-talking Dumisani shows up one day for work. Despite her resistance, the two become friends, and eventually, Vimbai becomes Dumisani’s landlady. He is as charming as he is deft with the scissors, and Vimbai finds that he means more and more to her. Yet, by novel’s end, the pair’s deepening friendship—used or embraced by Dumisani and Vimbai with different futures in mind—collapses in unexpected brutality. The novel is an acute portrayal of a rapidly changing Zimbabwe. In addition to Vimbai and Dumisani’s personal development, the book shows us how social concerns shape the lives of everyday people.
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front cover of The History of Intimacy
The History of Intimacy
Poems
Gabeba Baderoon
Northwestern University Press, 2021
Gabeba Baderoon’s The History of Intimacy is a tender, tangled account of the heady days in South Africa following Nelson Mandela’s release from prison. This award-winning poetry collection portrays the innovative forms of music, kinship, and even self in “the new, intricate country / we understood was impossible.” Gazing at black-and-white photos from back home, a woman who has moved to the United States realizes, “Memory doesn’t come to me straight.” Conversations overheard in line at the DMV reveal the complex nature of identity. When asked to name the color of her skin, a girl confides, “It was the first time I admitted / I loved the skin of white boys.” The poems are also light-hearted. In “Ghost Technologies,” about romance in the early days of the internet, the speaker recalls “when we loved each other on dial-up.” The collection begins and ends with poems on writing, paying tribute to poets such as Keorapetse Kgositsile and Archie Markham who taught her that “a border / is a place of yielding or refusing to yield / for after refusal might lie a new country.”
 
Born on the coastal shores of Port Elizabeth, Baderoon is one of South Africa’s most acclaimed literary voices. In The History of Intimacy—originally published by Kwela Books—she crafts resonant poems about a writer’s beginnings, love across boundaries, and “how not to be alone.”
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front cover of How the End First Showed
How the End First Showed
D. M. Aderibigbe
University of Wisconsin Press, 2018
Crafting raw memories into restrained and compact verse, D. M. Aderibigbe traces the history of domestic and emotional abuse against women in his family. A witnessing son, grandson, nephew, and brother, he rejects the tradition of praise songs for the honored father, refusing to offer tribute to men who dishonor their wives.

Widening his gaze to capture the moral rhythms of life in Lagos, he embraces themes of love, spirituality, poverty, compassion, sickness, and death. Aderibigbe offers both an extended elegy for his mother and poems addressed to children of the African continent, poems that speak to the past that has made them.

We salivated; slices of yam softened.

We chewed our teeth; slices of yam perished.

Mother smiled. Father arrived,

filled the room with curses;

his voice beat in our hearts,

as thunder on the walls of a building.

His empty stomach was a bowl of anger.

In a room built with our silence,

father was hitting mother.

—excerpt from "Hungry Man" D. M. Aderibigbe. All rights reserved.
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front cover of Hybrid Justice
Hybrid Justice
The Extraordinary Chambers in the Courts of Cambodia
John D. Ciorciari and Anne Heindel
University of Michigan Press, 2014

Since 2006, the United Nations and Cambodian Government have participated in the Extraordinary Chambers in the Courts of Cambodia, a hybrid tribunal created to try key Khmer Rouge officials for crimes of the Pol Pot era. In Hybrid Justice, John D. Ciorciari and Anne Heindel examine the contentious politics behind the tribunal’s creation, its flawed legal and institutional design, and the frequent politicized impasses that have undermined its ability to deliver credible and efficient justice and leave a positive legacy. They also draw lessons and principles for future hybrid and international courts and proceedings.

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