Contemporary ecumenism is a revival of a Reformation ideal. The Colloquy of Poissy was the last great expression expression of that ideal. At the colloquy, held in 1561 on the eve of the French religious wars, revived Catholicism and emergent international Protestantism met in an attempt to establish peace, unity, and reconciliation of differing viewpoints. A history of this great conference reveals how unfinished was the Reformation and how tragic a turn it had taken.
This work on the colloquy presents the dialectical complexities of the sixteenth-century theology—a theology that had emerged with binding strands of religious idealism and political interest. Theology was, indeed, the medium of discourse, but it was not an end in itself. Rather, it was a means to a higher goal: religious reconciliation.
The present analysis, therefore, is not so much a study in the abstractions of theology as it is a study in ecumenism. Poissy is placed in a larger historical background and the author carefully and critically weighs all factors which affected the chances for religious unity. Within this larger context, he argues that the colloquy placed the participants at the final crossroads of the Reformation. When it was over the Reformation was sealed and the Counter-Reformation signaled.
Donald Nugent’s approach is revisionist; his theological orientation is Erasmian, ecumenical, and speculative. He shows that ecumenism has been effectively and banefully excised from historiography and argues that it must be reintegrated into the story of the Reformation. Because we live in a new age of ecumenism, the author’s insights and conclusions are especially appropriate. We have now that keen and historical dimension which cannot but help illuminate contemporary life.
Originally written more than fifty years ago by eminent scholar Ernst Benz, this volume stands as one of the most comprehensive biographies of Emanuel Swedenborg (1688–1772) ever published.
Benz examines Swedenborg’s life through the lens of the intellectual atmosphere of the eighteenth century. Growing up at a time when the classical view of the world was being challenged by the new philosophers and scientists of the Enlightenment, Swedenborg was deeply immersed both in the religious teachings of the Lutheran church and the explorations of rational science. His quest for understanding eventually led to his spiritual awakening and the unique insights that continue to inspire seekers and thinkers today.
Now available for the first time in paperback, Nicholas Goodrick-Clarke’s eminently readable translation shines a new light on the Swedish seer.
Humanities scholars, in general, often have a difficult time explaining to others why their work matters, and eighteenth-century literary scholars are certainly no exception. To help remedy this problem, literary scholars Bridget Draxler and Danielle Spratt offer this collection of essays to defend the field’s relevance and demonstrate its ability to help us better understand current events, from the proliferation of media to ongoing social justice battles.
The result is a book that offers a range of approaches to engaging with undergraduates, non-professionals, and broader publics into an appreciation of eighteenth-century literature. Essays draw on innovative projects ranging from a Jane Austen reading group held at the public library to students working with an archive to digitize an overlooked writer’s novel.
Reminding us that the eighteenth century was an exhilarating age of lively political culture—marked by the rise of libraries and museums, the explosion of the press, and other platforms for public intellectual debates—Draxler and Spratt provide a book that will not only be useful to eighteenth-century scholars, but can also serve as a model for other periods as well. This book will appeal to librarians, archivists, museum directors, scholars, and others interested in digital humanities in the public life.
Contributors: Gabriela Almendarez, Jessica Bybee, Nora Chatchoomsai, Gillian Dow, Bridget Draxler, Joan Gillespie, Larisa Good, Elizabeth K. Goodhue, Susan Celia Greenfield, Liz Grumbach, Kellen Hinrichsen, Ellen Jarosz, Hannah Jorgenson, John C. Keller, Naz Keynejad, Stephen Kutay, Chuck Lewis, Nicole Linton, Devoney Looser, Whitney Mannies, Ai Miller, Tiffany Ouellette, Carol Parrish, Paul Schuytema, David Spadafora, Danielle Spratt, Anne McKee Stapleton, Jessica Stewart, Colleen Tripp, Susan Twomey, Nikki JD White, Amy Weldon
Between 1640 and 1660, England, Scotland, and Ireland faced civil war, invasion, religious radicalism, parliamentary rule, and the restoration of the monarchy. Carla Gardina Pestana offers a sweeping history that systematically connects these cataclysmic events and the development of the infant plantations from Newfoundland to Surinam.
By 1660, the English Atlantic emerged as religiously polarized, economically interconnected, socially exploitative, and ideologically anxious about its liberties. War increased both the proportion of unfree laborers and ethnic diversity in the settlements. Neglected by London, the colonies quickly developed trade networks, especially from seafaring New England, and entered the slave trade. Barbadian planters in particular moved decisively toward slavery as their premier labor system, leading the way toward its adoption elsewhere. When by the 1650s the governing authorities tried to impose their vision of an integrated empire, the colonists claimed the rights of "freeborn English men," making a bid for liberties that had enormous implications for the rise in both involuntary servitude and slavery. Changes at home politicized religion in the Atlantic world and introduced witchcraft prosecutions.
Pestana presents a compelling case for rethinking our assumptions about empire and colonialism and offers an invaluable look at the creation of the English Atlantic world.
French trade unions played a historical role in the 1930s quite unlike that of any other labor movement. Against a backdrop of social unrest, parliamentary crisis, and impending world war, industrial unionists in the great metal-fabricating plants of the Paris Region carried out a series of street mobilizations, factory occupations, and general strikes that were virtually unique in Western history.
The unionization of the metal industry, following a series of anti-fascist demonstrations and plant seizures, would constitute the defining episode in modern French labor history and one of the great chapters in European social history. Yet little is known of these extraordinary events.
With a style that captures the vivid character of these experiences, Every Factory a Fortress tells the story of the Paris metal workers, who succeeded in organizing the largest Communist union in the Western world, reshaping the parameters of French social relations, and, ultimately, altering the course of French destinies.
Recent figures suggest that there will be 1.6 billion arrivals at world airports by the year 2020. Extreme Pursuits looks at the new conditions of global travel and the unease, even paranoia, that underlies them---at the opportunities they offer for alternative identities and their oscillation between remembered and anticipated states. Graham Huggan offers a provocative account of what is happening to travel at a time characterized by extremes of social and political instability in which adrenaline-filled travelers appear correspondingly determined to take risks. It includes discussions of the links between tourism and terrorism, of contemporary modes of disaster tourism, and of the writing that derives from these; but it also confirms the existence of more responsible forms of travel/writing that demonstrate awareness of a chronically endangered world.
Extreme Pursuits is the first study of its kind to link travel writing explicitly with structural changes in the global tourist industry. The book makes clear that travel writing can no longer take refuge in the classic distinctions (traveler versus tourist, foreigner versus native) on which it previously depended. Such distinctions---which were dubious in the first place---no longer make sense in an increasingly globalized world. Huggan argues accordingly that the category "travel writing" must include experimental ethnography and prose fiction; that it should concern itself with other kinds of travel practices, such as those related to Holocaust deportation and migrant labor; and that it should encompass representations of travelers and "traveling cultures" that appear in popular media, especially TV and film.
Graham Huggan is Professor of Commonwealth and Postcolonial Literatures at the University of Leeds. He is the coauthor, with Patrick Holland, of Tourists with Typewriters: Critical Reflections on Contemporary Travel Writing (University of Michigan Press) and coauthor, with Helen Tiffin, of Postcolonial Ecocriticism (Routledge).
Illustration: "Shadow Wall," 2006 © Shaun Tan.
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