front cover of Aggregate of Disturbances
Aggregate of Disturbances
Michele Glazer
University of Iowa Press, 2004

In Aggregate of Disturbances, Michele Glazer confronts the slipperiness of language and perception as she probes natural processes—the lives of insects, the uncertainty of love, and the deaths of human beings. Nature’s beauty interests Glazer less than the fact that it is chaotic, amoral, redundant, charming, and indifferent to human concern—qualities that are, in these poems, turned into another kind of beauty. “The stalk was knocked flat &the allium’s great lavender sphere / kissed the dirt &in the aftermath the pendulous blossomed / tip bobbed like a wand madly attempting to enchant-enchant-enchant. / / I wanted to believe that it happened to amuse me.”

These taut lyrical poems negotiate between desire for something irrefutable and an uneasy bedrock of paradox. In the interstices, Aggregate of Disturbances breaks open language and experience to offer a glimpse of “the eye on the other side.”

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front cover of Governing by Design
Governing by Design
Architecture, Economy, and Politics in the Twentieth Century
Aggregate
University of Pittsburgh Press, 2012

Governing by Design offers a unique perspective on twentieth-century architectural history. It disputes the primacy placed on individuals in the design and planning process and instead looks to the larger influences of politics, culture, economics, and globalization to uncover the roots of how our built environment evolves.

In these chapters, historians offer their analysis on design as a vehicle for power and as a mediator of social currents. Power is defined through a variety of forms: modernization, obsolescence, technology, capital, ergonomics, biopolitics, and others. The chapters explore the diffusion of power through the establishment of norms and networks that frame human conduct, action, identity, and design. They follow design as it functions through the body, in the home, and at the state and international level.

Overall, Aggregate views the intersection of architecture with the human need for what Foucault termed “governmentality”—societal rules, structures, repetition, and protocols—as a way to provide security and tame risk.  Here, the conjunction of power and the power of design reinforces governmentality and infuses a sense of social permanence despite the exceedingly fluid nature of societies and the disintegration of cultural memory in the modern era.

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