The inspiring story of the men and women who risked their lives alongside the soldiers fighting some of the most desperate actions in American history
Bataan, Anzio, Bastogne, Chosin, Khe Sanh: names that define the American spirit. They are synonymous with courage, resilience, and determination against great odds. At each of these battles American soldiers and Marines weathered desperation and fear to survive, advance, and triumph. Along with these heroes of the battlefield were no less determined and courageous providers of medical care. From the heat and disease-ridden jungles of Bataan, the precarious beachhead of Anzio, the encircled town of Bastogne, the frozen fields of Chosin, and the forsaken plateau of Khe Sanh, doctors and nurses worked under intense conditions with whatever means at hand, to staunch bleeding, repair damage, and resurrect the dying. In so doing they gave a glimmer of hope for the warriors facing possible death or capitulation. Often completely cut off from vital supplies and modern technology, and under the threat of enemy fire, these medical professionals—men and women—never lost sight of their passionate commitment to the sick and wounded. As noncombatants, this took extraordinary resolve to ignore the mortal threats of explosions and gunfire to focus on the mission of relieving pain, dragging from the brink of death damaged soldiers completely dependent on their resourcefulness. Some of these brave men and women would suffer the same fate as their fighting comrades, cut down by enemy fire in the prime of life, many times in the very task of rendering the bottomless compassion that was their hallmark and sometimes their only tonic. 
In The Agony of Heroes: Medical Care for America’s Besieged Legions from Bataan to Khe Sanh, distinguished surgeon Thomas S. Helling relates the inspirational and compelling stories of the doctors, nurses, corpsmen, aides, and others who braved the most frightening conditions in order to save lives. Their experiences testify to the indomitable human grit that, when asked, transforms ordinary behavior into extraordinary achievements.

Hasan Azizul Huq is known for his stories that bring a powerful social consciousness to bear on the lives of ordinary people in contemporary Bangladesh—but doing so with surprising twists to what we think of as the typical grounds of realistic fiction. The Agony of the Ghost gathers twelve remarkable stories from his large oeuvre that offer a sense of the range of his insights and approaches. In “Without Name or Lineage,” a man returns home in search of his wife and son after the war, only to find them in ways both unexpected and expected. “The Sorcerer” finds a sorcerer dying without revealing his secrets to three brothers who had been trying to compel him to tell—and strange deaths follow. In “ Throughout the Afternoon,” a disarmingly simple story, a young boy awaits his grandfather’s death. In all the stories, the lives of the most disadvantaged people in Bengali society are revealed in harrowing, unforgettable detail.
 

In Hope Draped in Black Joseph R. Winters responds to the enduring belief that America follows a constant trajectory of racial progress. Such notions—like those that suggested the passage into a postracial era following Barack Obama's election—gloss over the history of racial violence and oppression to create an imaginary and self-congratulatory world where painful memories are conveniently forgotten. In place of these narratives, Winters advocates for an idea of hope that is predicated on a continuous engagement with loss and melancholy. Signaling a heightened sensitivity to the suffering of others, melancholy disconcerts us and allows us to cut against dominant narratives and identities. Winters identifies a black literary and aesthetic tradition in the work of intellectuals, writers, and artists such as W. E. B. Du Bois, Ralph Ellison, Toni Morrison, and Charles Burnett that often underscores melancholy, remembrance, loss, and tragedy in ways that gesture toward such a conception of hope. Winters also draws on Walter Benjamin and Theodor Adorno to highlight how remembering and mourning the uncomfortable dimensions of American social life can provide alternate sources for hope and imagination that might lead to building a better world.