Emily's moving letters to her husband, startling in their immediacy and detail, chronicle such difficulties as a desperate lack of food and clothing for her family, the frustration of depending on others in the community, and her growing terror at facing childbirth without her husband, at the mercy of a doctor with questionable skills. Major Moxley's letters to his wife reveal a decidedly unromantic side of the war, describing his frequent encounters with starvation, disease, and bloody slaughter.
A work of original scholarship and compelling sweep, Okfuskee is a community-centered Indian history with an explicitly comparativist agenda. Joshua Piker uses the history of Okfuskee, an eighteenth-century Creek town, to reframe standard narratives of both Native and American experiences.
This unique, detailed perspective on local life in a Native society allows us to truly understand both the pervasiveness of colonialism's influence and the inventiveness of Native responses. At the same time, by comparing the Okfuskees' experiences to those of their contemporaries in colonial British America, the book provides a nuanced discussion of the ways in which Native and Euro-American histories intersected with, and diverged from, each other.
Piker examines the diplomatic ties that developed between the Okfuskees and their British neighbors; the economic implications of the Okfuskees' shifting world view; the integration of British traders into the town; and the shifting gender and generational relationships in the community. By both providing an in-depth investigation of a colonial-era Indian town in Indian country and placing the Okfuskees within the processes central to early American history, Piker offers a Native history with important implications for American history.
Old Alabama Town is a visual and historical chronicle of one of the South's important architectural landmarks—four blocks of 19th-century buildings restored to their original condition, collectively forming an educational village that preserves and displays life as it was lived in Alabama from the 1830s through the 1890s. A creation of the Landmarks Foundation of Montgomery, a nonprofit organization developed in 1967, Old Alabama Town displays the lifestyles and environment of the time period through architecture, decorative arts, and living history. The "town" has been made available for students, secondary school educators for field trips, and to tourists for entertainment and family excursions.
More than 50 historic structures, all formerly in danger of demolition, have been transported from around central Alabama and restored on site. The Living Block of the village allows visitors to explore a log cabin, dogtrot house, carriage house, "shotgun" house, pole barn, schoolhouse, tavern, grange hall, and grocery. The Working Block allows patrons to visit a blacksmith's shop, drugstore, grist mill, cotton gin, woodcarver's shop, print shop, and cookhouse. Additional regions of the village present some of the most significant historic homes to be preserved in the state: the Cram-Lakin House, Thompson Mansion, and the Ordeman-Mitchell-Shaw House, among others.
Designed in full color, this paperback guide is introduced by the author's historical, sociological, and cultural overview of Montgomery. The 45 individual entries detail the history and features of each structure and are supplemented by a map, archival photographs of the buildings, and 60 contempo-rary color photographs. This book will be useful to tourists, preservationists, students and scholars of Alabama history and architecture, and all those interested in an interpretive museum of southern life.
An archaeological guide to the earliest French settlement on the northern Gulf Coast. Archaeological excavations since 1989 have uncovered exciting evidence of the original townsite of Mobile, first capital of the Louisiana colony, and remnants of the colony's port on Dauphin Island.
Outside Agitator tells the dramatic, largely forgotten storybehind the 1965 killing of civil rights worker Jonathan Myrick "Jon" Daniels in Lowndes County, Alabama, detailing the lives of the killer and the victim. A white Episcopal seminary student from New Hampshire, Jon Daniels helped organize blacks in Selma during the events that led to the Selma-to-Montgomery march. In August 1965 he was fatally shot in neighboring Lowndes County by Tom Coleman, a highway department engineer and steadfast segregationist, who was later acquitted by an all-white jury.
Lowndes County was a bastion of white minority dominance. For half a century, no black had voted or served on a jury there. Known for the violence used by whites to maintain their control, "bloody" Lowndes presented Daniels and other civil rights workers with almost insurmountable obstacles. Tom Coleman, a Lowndes County native, represented the consensus among local whites that violent resistance to racial change was justified. To defend his community and to prevent change, he resorted to violence against "outside agitators."
Following the deaths of a score of other civil rights workers, the killing of Jon Daniels was in many ways the last atrocity of the first, southern, nonviolent phase of the Civil Rights movement. This exploration of how Daniels and Coleman came to be at opposite ends of a shotgun outside a county store captures the mechanics and emotions of forces promoting and resisting change in southern race relations. Charles Eagles reminds us that however representative Daniels and Coleman may have been of larger forces, they were nevertheless real individuals with distinctive personalities caught up in specific circumstances.
Virginia Foster Durr is the daughter of a Presbyterian minister, and she was raised in Birmingham during the early years of this century. She attended Wellesley for two years, until her family’s circumstances made it impossible for her to continue. Virginia’s sister Josephine married Hugo Black; and in 1926 Virginia married a young lawyer named Clifford Durr. The Durrs moved to Washington shortly after Roosevelt’s inauguration, and Clifford was one of the “bright young lawyers” whom the new president relied upon to draft the legislation establishing the New Deal. After World War II the Durrs moved to Denver, then to Montgomery, where Clifford became one of the few white lawyers to represent blacks in civil rights cases. During the Durrs’ Washington years Virginia had been active in the movement to abolish the poll tax and in to her liberal causes; and back in Montgomery, she shared Clifford’s commitment to the civil rights movement and served as an inspiration to liberals of both races.
Virginia Durr has succeeded in articulating the pleasures and the difficulties of growing up female in the vigorous young city of Birmingham; the broadening (and in some ways also restricting) of young women’s intellectual horizons and social life at Wellesley; and the excitement of the courtship and marriage of a proper young Southern girl of good family and poor circumstance. She brings to life the social and political climate of Washington during the New Deal and war years, where her close connection to Justice Black gave the Durrs access to people whom they might not have come to know otherwise. A victim of McCarthyism, Clifford returned with Virginia to Montgomery with no job and few prospects. Their decision to become engaged in the civil rights struggle was consistent with their lifelong commitment to follow their consciences, regardless of the social and economic consequences.
“Virginia Durr said it: there were three ways for a well brought-up young Southern white woman to go.
She could be the actress, playing out the stereotype of the Southern belle. Gracious to ‘the colored help,’ flirtatious to her powerful father-in-law, and offering a sweet, winning smile to the world. In short, going with the wind.
If she had a spark of independence or worse, creativity, she could go crazy—on the dark, shadowy street traveled by more than one Southern belle.
Or she could be the rebel. She could step outside the magic circle, abandon privilege, and challenge this way of life. Ostracism, bruised of all sorts, and defamation would be her lot. Her reward would be a truly examined life. And a world she would otherwise never have known.” — from the Foreword by Studs Terkel
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