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All Things, Seen and Unseen
Poems: New and Selected, 1967-1997
Dan Masterson
University of Arkansas Press, 1997

With clarity and precise detail, Dan Masterson creates a narrative of how we live, love, and die. In blank verse and rhymed stanzas, in free verse and taut lyrics, he delivers the story of a woman trap ped in an avalanche, a husband daring himself to death in an ocean swim, or a son arranging the final affairs of his parents. There is always an edge to Masterson’s characters—they are everyday people, but we meet them on the one day when the stakes are highest.

He holds a reverence for the particulars of a place, for gardens and homes, for dresser drawers and work benches, for cabins in the Adirondacks, ponds, tree houses, and ornamental stones. The leavings of loved ones—strong boxes, pajamas, rosaries—are passed on as relics that both heal and trouble. In Masterson’s world, characters learn how to lose, how to change, and even how to survive their most painful memories.

Selected from thirty years of work, and including an eclectic selection of new poems, this book unfurls Masterson’s full canvas of abilities: his penchant for startling descriptions, his keen insight into our nobility and fallibility, and his skill at making us live his poems.

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Eve's Longing
The Infinite Possibilities in All Things
Deborah McKay
University of Alabama Press, 1992
Eve's Longing: The Infinite Possibilities in All Things is a story of a modern fictional saint in the making. In the course of Eve's twin spiritual and physical journeys. Deborah McKay's moving yet unsentimental novel explores alarming real-life resolutions to universal complexities and offers instead of answers the seductive and dangerous experience of its captivating central character. Eve is a shockingly original character: at once a philosopher, an artist with a highly developed visual imagination, and a visionary mystic. Her longing, as the subtitle suggests, is for: the Infinite Possibilities in All Things." In the course of her journey, this longing, which is essentially spiritual and philosophical in origin, becomes for us immediately tangible, sensuous, and fully real. Eve's longing takes her from New York City to a monastery in Assisi, Italy, the home of St. Francis, then back again to New York. Along the way her longing grows into a desire so intense that it engenders a compassion verging on the saintly and a cruelty equally as extreme. Her desires, when unfulfilled, lead to sexual excesses, hallucinations, and transformative spiritual visions. In the course of Eve's journey we meet characters both alive and dead: her sister Claire, her parents, her lovers, St. Francis, and the Virgin Mary: and two of her most intimate companions, the Spiral and the Pearl String, both creations of her own mind. Eve's Longing creates almost a new literary genre in literature. It combines the intimacy of an entrusting autobiography with the intrigue of a novel and the cool detachment of a clinical study. The consequence of Eve's Fascination with "The Infinite Possibilities in All Things"—the temptation to which the original and our Eve succumb—is both an end and a beginning.
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A Good Map of All Things
A Picaresque Novel
Alberto Álvaro Ríos
University of Arizona Press, 2020

In Alberto Álvaro Ríos’s new picaresque novel, momentous adventure and quiet connection brings twenty people to life in a small town in northern Mexico. A Good Map of All Things is home to characters whose lives are interwoven but whose stories are their own, adding warmth and humor to this continually surprising communal narrative. The stories take place in the mid-twentieth century, in the high desert near the border—a stretch of land generally referred to as the Pimería Alta—an ancient passage through the desert that connected the territory of Tucson in the north and Guaymas and Hermosillo in the south. The United States is off in the distance, a little difficult to see, and, in the middle of the century, not the only thing to think about. Mexico City is somewhere to the south, but nobody can say where and nobody has ever seen it.

Ríos has created a whimsical yet familiar town, where brightly unique characters love fiercely and nurture those around them. The people in A Good Map of All Things have secrets and fears, successes and happiness, winters and summers. They are people who do not make the news, but who are living their lives for the long haul, without lotteries or easy answers or particular luck. Theirs is the everyday, with its small but meaningful joy. Whether your heart belongs to a small town in Mexico or a bustling metropolis, Alberto Álvaro Ríos has crafted a book that is overflowing with comfort, warmth, and the familiar embrace of a tightly woven community.

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The Hour of All Things and Other Plays
Caridad Svich
Intellect Books, 2018
This book presents four plays by Caridad Svich that explore the rough waters of citizenship under the pressure of globalization and the threads of human connection—often tested, but never wholly severed—across multiple geographic landscapes. Featuring an introduction by Welsh playwright and director Ian Rowlands and essays by practitioners Zac Kline, Blair Baker, Neil Scharnick, Carla Melo, and Sherrine Azab, this wide-ranging, daring collection of plays refuses to pretend that the complex and thorny questions of existence are easily settled.
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The Sea Within
Waves and the Meaning of All Things
Peter Kreeft
St. Augustine's Press, 2006

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The Story of All Things
Writing the Self in English Renaissance Narrative Poetry
Marshall Grossman
Duke University Press, 1998
In The Story of All Things Marshall Grossman analyzes the influence of major cultural developments, as well as significant events in the lives of Renaissance poets, to show how specific narratives characterize distinctive conceptions of the self in relation to historical action. To explore these conceptions of the self, Grossman focuses on the narrative poetry in the English Renaissance of the sixteenth and seventeenth centuries.
Relating subjectivity to the nature of language, Grossman uses the theories of Lacan to analyze the concept of the self as it encounters a transforming environment. He shows how ideological tensions arose from the reorganization and "modernization" of social life in revolutionary England and how the major poets of the time represented the division of the self in writings that are suspended between lyric and narrative genres. Beginning with the portrayals of the self inherited from Augustine, Dante, and Petrarch, he describes the influence of historic developments such as innovations in agricultural technology, civil war and regicide, and the emergence of republican state institutions on the changing representation of characters in the works of Spenser, Donne, Marvell, and Milton. Furthering this psychoanalytic critique of literary history, Grossman probes the linguistic effects of social and personal factors such as Augustine’s strained relationship with his mother and the marital disharmony of Milton and Mary Powell. With its focus on these and other "literary historical events," The Story of All Things not only proposes a new structural theory of narrative but constitutes a significant challenge to New Historicist conceptions of the self.
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