Providing a useful analysis of and framework for understanding immigration and assimilation narratives, anupama jain's How to Be South Asian in America considers the myth of the American Dream in fiction (Meena Alexander's Manhattan Music), film (American Desi, American Chai), and personal testimonies. By interrogating familiar American stories in the context of more supposedly exotic narratives, jain illuminates complexities of belonging that also reveal South Asians' anxieties about belonging, (trans)nationalism, and processes of cultural interpenetration.
jain argues that these stories transform as well as reflect cultural processes, and she shows just how aspects of identity—gender, sexual, class, ethnic, national—are shaped by South Asians' accommodation of and resistance to mainstream American culture.
But the majority of women who struggle with fertility avoid treatment. The women whose interviews appear in Not Trying belong to this majority. Their attitudes vary and may change as their life circumstances evolve. Some support the prevailing cultural narrative that women are meant to be mothers and refuse to see themselves as childfree by choice. Most of these women, who come from a wider range of social backgrounds than most researchers have studied, experience deep ambivalence about motherhood and non-motherhood, never actually choosing either path. They prefer to let life unfold, an attitude that seems to reduce anxiety about not conforming to social expectations.
This volume challenges popular assumptions and academic pieties regarding religion and identity on the Iberian Peninsula during the Middle Ages. Its studies of individual works of art and architecture uncoil complex histories from this religiously plural peninsula, intertwining social, cultural, and political identities across seven centuries. Chronicling relationships between religious groups that were neither idyllic nor irreconcilable, these works of art reveal instead expressions of religious separateness balanced within ambivalent and dynamic shared visual identities.
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