front cover of Vespers
Vespers
Contemporary American Poems of Religion and Spirituality
Virgil Suarez
University of Iowa Press, 2003

At the heart of human existence lie fundamental questions that are pondered by philosophers, theologians, poets and thoughtful people from all walks of life. What is the meaning of life? Who or what is a divine being? How can a benevolent deity justify human suffering? Such questions are especially relevant to our lives in the current climate of American society. In Vespers: American Poems of Religion and Spirituality, editors Virgil Suárez and Ryan G. Van Cleave offer the reading world a timely anthology of powerful and passionate poems that cut to the heart of our contemporary theological and spiritual underpinnings.

Featuring fifty of today's most respected American poets, including Pulitzer Prize winners Stephen Dunn and Carolyn Kizer, Vespers allows us to witness and understand the challenging ideas and philosophies surrounding religion and spirituality. Through these poems, we can come to a better understanding of who, what, and why we are.

From deathbed spirituals to initiation songs, transformative ballads to transcendent sonnets, poets of myriad backgrounds—Native American, African American, Asian American, Latino, Protestant, Buddhist, Catholic, Jewish—echo the thoughts, concerns, and fears that linger in our souls. Their poems help us realize that we are not alone, that we're never truly alone, that even in the face of darkness the world is vibrant, beautiful, joyous.

More than a creative exploration of theological concerns—Vespers is a roadmap of where we've been, where we are, and where we are heading in terms of our spiritual and religious existence. It will keep you company, good company, whatever your religious or spiritual background.

[more]

front cover of Victorian and Modern Poetics
Victorian and Modern Poetics
Carol T. Christ
University of Chicago Press, 1984

front cover of Violin Playing Herself in a Mirror
Violin Playing Herself in a Mirror
Poems
David Kutz-Marks
University of Massachusetts Press, 2015
The first book of poetry from David Kutz-Marks. Guided by long and musical lines with quickly shifting forms of discourse and reference, these poems challenge our identities, our thoughts, and our quarrels with each other as they dart back and forth between interior spaces and real human relationships.
[more]

front cover of Visiting Dr. Williams
Visiting Dr. Williams
Poems Inspired by the Life and Work of William Carlos Williams
Sheila Coghill
University of Iowa Press, 2011
Loved for his decidedly American voice, for his painterly rendering of modern urban settings, and for his ability to re-imagine a living language shaped by the philosophy of “no ideas but in things,” William Carlos Williams (1883-1963) left an indelible mark on modern poetry. As each successive generation of poets discovers the “new” that lives within his work, his durability and expansiveness make him an influential poet for the twenty-first century as well. The one hundred and two poems by one hundred and two poets collected in Visiting Dr. Williams demonstrate the range of his influence in ways that permanently echo and amplify the transcendent music of his language.
 
Contributors include: Robert Creeley, David Wojahn, Maxine Kumin, James Laughlin, A. R. Ammons, Wendell Berry, Heid Erdrich, Frank O’Hara, Lyn Lifshin, Denise Levertov, Wallace Stevens, John Ashbery, Allen Ginsberg, and a host of others.

 

 
[more]

logo for University of Iowa Press
Visiting Emily
Poems Inspired by the Life and Work of Emily Dickinson
Sheila Coghill
University of Iowa Press, 2000

This unique anthology gathers work by eighty poets inspired by Emily Dickinson. Beginning with Hart Crane's 1927 poem “To Emily Dickinson” and moving forward through the century to such luminary figures as Archibald MacLeish, John Berryman, Yvor Winters, Adrienne Rich, Richard Eberhart, Richard Wilbur, Maxine Kumin, Amy Clampitt, William Stafford, and Galway Kinnell, Visiting Emily offers both a celebration of and an homage to one of the world's great poets.

If there was ever any doubt about Dickinson's influence on modern and contemporary poets, this remarkable collection surely puts it to rest. Gathered here are poems reflecting a wide range of voices, styles, and forms—poems written in traditional and experimental forms; poems whose tones are meditative, reflective, reverent and irreverent, satirical, whimsical, improvisational, and serious. Many of the poets draw from Dickinson's biography, while others imagine events from her life. Some poets borrow lines from Dickinson's poems or letters as triggers for their inspiration. Though most of the poems connect directly to Dickinson's life or work, for others the connection is more oblique.

[more]

front cover of Visiting Frost
Visiting Frost
Poems Inspired by the Life and Work of Robert Frost
Sheila Coghill
University of Iowa Press, 2005
Like Emily Dickinson and Walt Whitman, Robert Frost looms large in the American literary landscape, straddling the 19th and 20th centuries like a poetic colossus: whosoever desires passage must, at some point, contend with the monolithic presence of Robert Frost. As they did in Visiting Emily and Visiting Walt, in Visiting Frost, Sheila Coghill and Thom Tammaro once again capture the conversations between contemporary poets and a legend whose voice endures. In his introduction to the collection, Frost biographer Jay Parini likens the poet to a “great power station, one who stands off by himself in the big woods, continuously generating electricity that future poets can tap into for the price of a volume of his poems.” A four-time Pulitzer Prize winner whose work is principally associated with the landscape and life in New England, Frost (1874-1963) was a traditional, psychologically complex, often dark and intense poet. In Visiting Frost, one hundred homage-paying poets--some who knew Frost, most only acquainted through his work--celebrate and reflect that intensity, in effect tapping into his electrical current. By reacting to specific Frost poems, by reinventing others, and by remembering aspects of Frost or by quarreling with him, the contributors speak on behalf of us whose lives have been brightened by the memorization and recitation of such poems as “The Road Not Taken” or “Stopping by Woods on a Snowy Evening.” As the poets pay tribute to Frost's place in American poetry and history, they suggest--more than forty years after his death--just how alive and vital he remains in our collective memory.
[more]

front cover of Visiting Walt
Visiting Walt
Poems Inspired by the Life and Work of Walt Whitman
Sheila Coghill
University of Iowa Press, 2003

front cover of Vital signs
Vital signs
contemporary American poetry from the university presses
Ronald Wallace
University of Wisconsin Press, 1989

The selections in this anthology represent the full range and vitality of contemporary American poetry--from minimalism to epic, from free verse to traditional form, from plain conversation to richly embroidered tapestry, form passionate political utterance to intense personal drama, from light verse to tough lyricism. Since 1950 university presses have published more than 900 volumes of original poetry , opening the canon to a wide range of rich and exciting voices. Nearly 200 of the those volumes are represented here.

Vital Signs features poems by such well established poets as John Ashbery, Marge Piercy, Adrienne Rich, and James Wright. Because the presses have also played a role in discovering and promoting the work of new poets, the reader will find here poems by many younger writers as well.

[more]

front cover of Voegelin Recollected
Voegelin Recollected
Conversations on a Life
Edited by Barry Cooper & Jodi Bruhn
University of Missouri Press, 2007

Although his contributions to philosophy are revered and his writings have been collected, Eric Voegelin’s persona will inevitably fade with the memories of those who knew him. This book preserves the human element of Voegelin by capturing those valuable personal recollections.

            Barry Cooper and Jodi Bruhn conducted intensive interviews with Voegelin’s wife, his closest friends, and his first-generation students—many of whom have since passed on—in order to bring to print everything important about his life and personality. American scholars will especially appreciate the glimpses provided by Voegelin’s German colleagues into his life in Munich, as well as the thoughts of his students in Vienna. Reflections of people such as Paul Caringella, Bruno Schlesinger, and Heinz Barazon capture Voegelin’s greatness and shortcomings alike and also shed new light on his philosophical quest for truth.

By descending progressively further into the past, the book takes readers deeper into the essence of Voegelin as reminiscences become more dramatic. Ranging widely from America back to Germany—with recollections of Gestapo intimidation and eventual emigration—the accounts interweave episodes of pathos, humor, fear, rivalry, and ambition. We witness Voegelin’s persistent and partly self-imposed communication problems and impatience with administrative duties, his respect for prudent political actors and public servants, and his genuine affection not only for his colleagues and best students but also for diligent secretaries and empathetic nurses. Through these recollections, key elements of his personality repeatedly emerge: his intelligence, optimism, and integrity, combined with an acute perception of the significance of his work.

            This is the most revealing and comprehensive biographical work yet available on a man known to be captivating as a thinker—and now shown to be equally fascinating as a human being. His own publications attest to his mind and methods; Voegelin Recollected provides a deeper understanding of the man himself. 

[more]


Send via email Share on Facebook Share on Twitter