Ever since the 1963 publication of her landmark book, The Feminine Mystique, Betty Friedan has insisted that her commitment to women's rights grew out of her experiences as an alienated suburban housewife. Yet as Daniel Horowitz persuasively demonstrates in this illuminating and provocative biography, the roots of Friedan's feminism run much deeper than she has led us to believe. Drawing on an impressive body of new research—including Friedan's own papers—Horowitz traces the development of Friedan's feminist outlook from her childhood in Peoria, Illinois, through her wartime years at Smith College and Berkeley, to her decade-long career as a writer for two of the period's most radical labor journals, the Federated Press and the United Electrical Workers' UE News. He further shows that even after she married and began to raise a family, Friedan continued during the 1950s to write and work on behalf of a wide range of progressive social causes. By resituating Friedan within a broader cultural context, and by offering a fresh reading of The Feminine Mystique against that background, Horowitz not only overturns conventional ideas about "second wave" feminism but also reveals long submerged links to its past.

What could possibly impel a relatively privileged twenty-four-year-old American-serving in the U.S. Army in Germany in 1952-to swim across the Danube River to what was then referred to as the Soviet Zone? How are we to understand his decision to forsake the land of his birth and build a new life in the still young German Democratic Republic? These are the questions at the core of this memoir by Victor Grossman, who was born Stephen Wechsler but changed his name after defecting to the GDR.

A child of the Depression, Grossman witnessed firsthand the dislocations wrought by the collapse of the U.S. economy during the 1930s. Widespread unemployment and poverty, CIO sit-down strikes, and the fight to save Republican Spain from fascism-all made an indelible impression as he grew up in an environment that nurtured a commitment to left-wing causes. He continued his involvement with communist activities as a student at Harvard in the late 1940s and after graduation, when he took jobs in two factories in Buffalo, New York, and tried to organize their workers.

Fleeing McCarthyite America and potential prosecution, Grossman worked in the GDR with other Western defectors and eventually became, as he notes, the "only person in the world to attend Harvard and Karl Marx universities." Later, he was able to establish himself as a freelance journalist, lecturer, and author. Traveling throughout East Germany, he evaluated the failures as well as the successes of the GDR's "socialist experiment." He also recorded his experiences, observations, and judgments of life in East Berlin after reunification, which failed to bring about the post-Communist paradise so many had expected.

Written with humor as well as candor, Crossing the River provides a rare look at the Cold War from the other side of the ideological divide.

Mark Solomon, a distinguished historian of the American left, provides a historical afterword that places Grossman's experiences in a larger Cold War context.

The first collection of critical essays to focus specifically on the fiction produced by American novelists of the Depression era, The Novel and the American Left contributes substantially to the newly emerging emphasis on twentieth-century American literary radicalism. Recent studies have recovered this body of work and redefined in historical and theoretical terms its vibrant contribution to American letters. Casey consolidates and expands this field of study by providing a more specific consideration of individual novels and novelists, many of which are reaching new contemporary audiences through reprints.

The Novel and the American Left focuses exclusively on left-leaning fiction of the Depression era, lending visibility and increased critical validity to these works and showing the various ways in which they contributed not only to theorizations of the Left but also to debates about the content and form of American fiction. In theoretical terms, the collection as a whole contributes to the larger reconceptualization of American modernity currently under way. More pragmatically, individual essays suggest specific authors, texts, and approaches to teachers and scholars seeking to broaden and/or complicate more traditional “American modernism” syllabi and research agendas.

The selected essays take up, among others, such “hard-core"” leftist writers as Mike Gold and Myra Page, who were associated with the Communist Party; the popular novels of James M. Cain and Kenneth Fearing, whose works were made into successful films; and critically acclaimed but nonetheless “lost” novelists such as Josephine Johnson, whose Now in November (Pulitzer Prize, 1936) anticipates and complicates the more popular agrarian mythos of Steinbeck’s The Grapes of Wrath.

This volume will be of interest not only to literary specialists but also to historians, social scientists, and those interested in American cultural studies.