front cover of In Gatsby's Shadow
In Gatsby's Shadow
The Story of Charles Macomb Flandrau
Larry Haeg
University of Iowa Press, 2004

In the closing decades of the nineteenth century Minnesota produced three young men of great talent who each went east to become writers. Two of them became famous: F. Scott Fitzgerald and Sinclair Lewis. This is the story of the third man: Charles Macomb Flandrau.

Flandrau, a model of style and worldly sophistication and destined, almost everyone agreed, for greatness, was among the most talented young writers of his generation. His short stories about Harvard in the 1890s were called “the first realistic description of undergraduate life in American colleges” and sold out of the first printing in a few weeks. From 1899 to 1902 Flandrau was among the most popular contributors to the Saturday Evening Post. Alexander Woollcott rated him the best essayist in America. And Viva Mexico!, Flandrau’s account of life on a Mexican coffee plantation, is a classic, perhaps the best travel book ever written by an American. Yet Flandrau turned his back on it all. Financially independent, he chose a solitary, epicurean life in St. Paul, Mexico, Majorca, Paris, and Normandy. In later years, he confined his writing to local newspaper pieces and letters to his small circle of family and friends.

Using excerpts from these newspaper columns and unpublished letters, Larry Haeg has painstakingly recreated the story of this urbane, talented, witty, lazy, enigmatic, supremely private man who never reached the peak of literary success to which his talent might have taken him.

This very readable biography provides a detailed and honest portrayal of Flandrau and his times. It will fascinate readers interested in writers’ life stories and scholars of American literature as well as general readers interested in midwestern literary history.

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In His Own Voice
The Dramatic and Other Uncollected Works of Paul Laurence Dunbar
Paul Laurence Dunbar
Ohio University Press, 2002
Paul Laurence Dunbar, introduced to the American public by William Dean Howells, was the first native-born African American poet to achieve national and international fame. While there have been many valuable editions of his works over time, gaps have developed when manuscripts were lost or access to uncollected works became difficult. In His Own Voice brings together previously upublished and uncollected short stories, essays, and poems. This volume also establishes Dunbar’s reputation as a dramatist who mastered standard English conventions and used dialect in musical comedy for ironic effects. In His Own Voice collects more than seventy-five works in six genres. Featured are the previously unpublished play Herrick and two one-act plays, largely ignored for a century, that demonstrate Dunbar’s subversion of the minstrel tradition. This generous expansion of the canon also includes a short story never before published. Herbert Woodward Martin, renowned for his live portrayal of Dunbar, and Ronald Primeau provide a literary and historical context for this previously untreated material, firmly securing the reputation of an important American voice.
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In Kind
Maggie Queeney
University of Iowa Press, 2023
Part wunderkammer, part grimoire, Maggie Queeney’s In Kind is focused on survival. A chorus of personae, speaking into and through a variety of poetic forms, guide the reader through the aftermath of generations of domestic, gendered, and sexual violence, before designing a transformation and rebirth. These are poems of witness, self-creation, and reclamation.
 
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front cover of In Levittown’s Shadow
In Levittown’s Shadow
Poverty in America’s Wealthiest Postwar Suburb
Tim Keogh
University of Chicago Press, 2023
Named one of the best nonfiction books of 2023 by Publishers Weekly!
 
There is a familiar narrative about American suburbs: after 1945, white residents left cities for leafy, affluent subdivisions and the prosperity they seemed to embody. In Levittown’s Shadow tells us there’s more to this story, offering an eye-opening account of diverse, poor residents living and working in those same neighborhoods. Tim Keogh shows how public policies produced both suburban plenty and deprivation—and why ignoring suburban poverty doomed efforts to reduce inequality.
 
Keogh focuses on the suburbs of Long Island, home to Levittown, often considered the archetypal suburb. Here military contracts subsidized well-paid employment welding airplanes or filing paperwork, while weak labor laws impoverished suburbanites who mowed lawns, built houses, scrubbed kitchen floors, and stocked supermarket shelves. Federal mortgage programs helped some families buy orderly single-family homes and enter the middle class but also underwrote landlord efforts to cram poor families into suburban attics, basements, and sheds. Keogh explores how policymakers ignored suburban inequality, addressing housing segregation between cities and suburbs rather than suburbanites’ demands for decent jobs, housing, and schools.
 
By turning our attention to the suburban poor, Keogh reveals poverty wasn’t just an urban problem but a suburban one, too. In Levittown’s Shadow deepens our understanding of suburbia’s history—and points us toward more effective ways to combat poverty today.
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In Light of Stars
Bruce Willard
Four Way Books, 2021

Willard’s love of music combines with his love and respect for the natural world. Often rooted in, or coming out of, domestic encounters, the poems of this collection rise up (much like the clouds over his oft-traversed Rockies), as the speaker throws his attention to earth and sky, better to understand his own dynamic and shifting inner weather.

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In My Unknowing
Poems
Chard deNiord
University of Pittsburgh Press, 2020
In his new poetry collection, Chard deNiord explores the paradoxical nature of unknowing.

I WEPT WITH JOY ABOVE THE RIVER

I wept with joy above the river.
I wept with sorrow above the river.
My tears were clear, both sweet and bitter.
One leaf cried out to another,
“Empty me today of all my color.
Fill me tomorrow with a shot of sugar.”
This was the still ritual for my feet:
To stand on the earth that took of earth earth with ill and sing.
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In Parachutes Descending
Poems
Tana Jean Welch
University of Pittsburgh Press, 2024
In Parachutes Descending follows the speaker’s decision to leave her Bostonian husband for Jane, a San Franciscan artist, while charting the sensual consequences of our bodily entanglements. These poems capture personal desires fermenting among current earthly cataclysms, including climate change and global capitalism. In doing so, this collection asks us to think inclusively about the ways we become with all humans and nonhumans, all of us—past, present, and future—intimately entwined with others. 
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In Poe's Wake
Travels in the Graphic and the Atmospheric
Jonathan Elmer
University of Chicago Press, 2024
Explores how Edgar Allan Poe has become a household name, as much a brand as an author.
 
You’ll find his face everywhere, from coffee mugs, bobbleheads, and T-shirts to the cover of the Beatles’ Sergeant Pepper’s Lonely Hearts Club Band. Edgar Allan Poe is one of American culture’s most recognizable literary figures, his life and works inspiring countless derivations beyond the literary realm. Poe’s likeness and influence have been found in commercial illustration and kitsch, art installations, films, radio plays, children’s cartoons, and video games. What makes Poe so hugely influential in media other than his own? What do filmmakers, composers, and other artists find in Poe that suits their purposes so often and so variously?
 
In Poe’s Wake locates the source of the writer’s enduring legacy in two vernacular aesthetic categories: the graphic and the atmospheric. Jonathan Elmer uses Poe to explore these two terms and track some deep patterns in their use, not through theoretical labor but through close encounters with a wide sampling of aesthetic objects that avail themselves of Poe’s work. Poe’s writings are violent and macabre, memorable both for certain grisly images and for certain prevailing moods or atmospheres—dread, creepiness, and mournfulness. Furthermore, a bundle of Poe traits—his thematic emphasis on extreme sensation, his flexible sense of form, his experimental and modular method, and his iconic visage—amount to what could be called a Poe “brand,” one as likely to be found in music videos or comics as in novels and stories. Encompassing René Magritte, Claude Debussy, Lou Reed, Roger Corman, Spongebob Squarepants, and many others, Elmer’s book shows how the Poe brand opens trunk lines to aesthetic experiences fundamental to a multi-media world.
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front cover of In Praise of Black Women, Volume 1
In Praise of Black Women, Volume 1
Ancient African Queens
Simone Schwarz-Bart with Andre Schwarz-Bart
University of Wisconsin Press, 2001
    In Praise of Black Women is a magnificent tribute to women in Africa and the African diaspora from the ancient past to the present. Lavishly illustrated, with text written and selected by the celebrated Guadeloupian novelist Simone Schwarz-Bart, this four-volume series celebrates remarkable women who distinguished themselves in their time and shaped the course of culture and history.
    Volume 1: Ancient African Queens weaves together oral tradition, folk legends and stories, songs and poems, historical accounts, and travelers’ tales from Egypt to southern Africa, from prehistory to the nineteenth century. These women rulers, warriors, and heroines include Amanirenas, the queen of Kush who battled Roman armies and defeated them at Aswan; Daurama, mother of the seven Hausa kingdoms; Amina Kulibali, founder of the Gabu dynasty in Senegal; Ana de Sousa Nzinga, who resisted the Portuguese conquest of Angola; Beatrice Kimpa Vita, a Kongo prophet burned at the stake by Christian missionaries; Nanda, mother of the famous warrior-king Shaka Zulu; and many others.
    These extraordinary women's stories, narrated in the style of African oral tradition, are absorbing, informative, and accessible. The abundant illustrations, many of them rare archival images, depict the diversity among Black women and make this volume a unique treasure for every art lover, every school, and every family.
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In Praise of Falling
Cheryl Dumesnil
University of Pittsburgh Press, 2009
The poems in this collection are the proverbial spring bulbs abandoned in the basement, growing toward a slim crack of sunlight. They are both aware of the limitations of social structures and forcefully committed to breaking out of those traps, urging toward a better way of living. The characters in these poems resist the twenty-first century’s prescription for a life of emotional-spiritual bankruptcy, reaching toward an ever-elusive glimmer on the horizon.
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In Primary Light
John Wood
University of Iowa Press, 1994

John Wood is well known for his brilliant writing on the history of photography, but for many years he has also centered on his work as a poet, publishing in some of the very best magazines and gaining the deep admiration of many writers and poets. This book is testimony of his devotion to his craft – a fully realized, mature, and carefully constructed collection.

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In Pursuit of Gold
Chinese American Miners and Merchants in the American West
Sue Fawn Chung
University of Illinois Press, 2011

Both a history of an overlooked community and a well-rounded reassessment of prevailing assumptions about Chinese miners in the American West, In Pursuit of Gold brings to life in rich detail the world of turn-of-the-century mining towns in the Northwest. Sue Fawn Chung meticulously recreates the lives of Chinese immigrants, miners, merchants, and others who populated these towns and interacted amicably with their white and Native American neighbors, defying the common perception of nineteenth-century Chinese communities as insular enclaves subject to increasing prejudice and violence.

While most research has focused on Chinese miners in California, this book is the first extensive study of Chinese experiences in the towns of John Day in Oregon and Tuscarora, Island Mountain, and Gold Creek in Nevada. Chung illustrates the relationships between miners and merchants within the communities and in the larger context of immigration, arguing that the leaders of the Chinese and non-Chinese communities worked together to create economic interdependence and to short-circuit many of the hostilities and tensions that plagued other mining towns.

Peppered with fascinating details about these communities from the intricacies of Chinese gambling games to the techniques of hydraulic mining, In Pursuit of Gold draws on a wealth of historical materials, including immigration records, census manuscripts, legal documents, newspapers, memoirs, and manuscript collections. Chung supplements this historical research with invaluable first-hand observations of artifacts that she experienced in archaeological digs and restoration efforts at several of the sites of the former booming mining towns.

In clear, analytical prose, Chung expertly characterizes the movement of Chinese miners into Oregon and Nevada, the heyday of their mining efforts in the region, and the decline of the communities due to changes in the mining industry. Highlighting the positive experiences and friendships many of the immigrants had in these relatively isolated mining communities, In Pursuit of Gold also suggests comparisons with the Chinese diaspora in other locations such as British Columbia and South Africa.

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In Reunion
Transnational Korean Adoptees and the Communication of Family
Docan-Morgan, Sara
Temple University Press, 2024
“Do you know your real parents?” is a question many adoptees are asked. In In Reunion, Sara Docan-Morgan probes the basic notions of family, adoption, and parenthood by exploring initial meetings and ongoing relationships that transnational Korean adoptees have had with their birth parents and other birth family members. Drawing from qualitative interviews with adult Korean adoptees in the United States and Denmark, as well as her own experiences as an adoptee, Docan-Morgan illuminates the complexities of communication surrounding reunion.

The paradoxes of adoption and reunion—shared history without blood relations, and blood relations without shared history—generate questions: What does it mean to be “family”? How do people use communication to constitute family relationships? How are family relationships created, maintained, and negotiated over time? In Reunion details adoptive and cultural identities, highlighting how adoptees often end up shouldering communicative responsibility in their family relationships. Interviews reveal how adoptees navigate birth family relationships across language and culture while also attempting to maintain relationships with their adoptive family members.

Docan-Morgan details the challenges, rewards, and contradictions of reunion. She also offers practical recommendations for transnational adoptees in reunion, adoptees considering reunion, adoptive families, and adoption practitioners.

In tracing the stories of the intercultural dynamics inherent in adoptees’ reunions, Docan-Morgan demonstrates the effort, flexibility, empathy, self-reflection, and time required to navigate long-term relationships with birth families.
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In Search of Africa
Manthia Diawara
Harvard University Press, 2000

"There I was, standing alone, unable to cry as I said goodbye to Sidimé Laye, my best friend, and to the revolution that had opened the door of modernity for me--the revolution that had invented me." This book gives us the story of a quest for a childhood friend, for the past and present, and above all for an Africa that is struggling to find its future.

In 1996 Manthia Diawara, a distinguished professor of film and literature in New York City, returns to Guinea, thirty-two years after he and his family were expelled from the newly liberated country. He is beginning work on a documentary about Sékou Touré, the dictator who was Guinea's first post-independence leader. Despite the years that have gone by, Diawara expects to be welcomed as an insider, and is shocked to discover that he is not.

The Africa that Diawara finds is not the one on the verge of barbarism, as described in the Western press. Yet neither is it the Africa of his childhood, when the excitement of independence made everything seem possible for young Africans. His search for Sidimé Laye leads Diawara to profound meditations on Africa's culture. He suggests solutions that might overcome the stultifying legacy of colonialism and age-old social practices, yet that will mobilize indigenous strengths and energies.

In the face of Africa's dilemmas, Diawara accords an important role to the culture of the diaspora as well as to traditional music and literature--to James Brown, Miles Davis, and Salif Kéita, to Richard Wright, Spike Lee, and the ancient epics of the griots. And Diawara's journey enlightens us in the most disarming way with humor, conversations, and well-told tales.

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front cover of In Search of Belonging
In Search of Belonging
Latinas, Media, and Citizenship
Jillian M Baez
University of Illinois Press, 2018
In Search of Belonging explores the ways Latina/o audiences in general, and women in particular, make sense of and engage both mainstream and Spanish-language media. Jillian M. Báez’s eye-opening ethnographic analysis draws on the experiences of a diverse group of Latinas in Chicago. In-depth interviews reveal Latinas viewing media images through a lens of citizenship. These women search for nothing less than recognition—and belonging—through representations of Latinas in films, advertising, telenovelas, and TV shows like Ugly Betty and Modern Family. Báez's personal interactions and research merge to create a fascinating portrait, one that privileges the perspectives of the women themselves as they consume media in complex, unpredictable ways.

Innovative and informed by a wealth of new evidence, In Search of Belonging answers important questions about the ways Latinas perform citizenship in today’s America.

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front cover of In Search of Nella Larsen
In Search of Nella Larsen
A Biography of the Color Line
George Hutchinson
Harvard University Press, 2006

Born to a Danish seamstress and a black West Indian cook in one of the Western Hemisphere's most infamous vice districts, Nella Larsen (1891-1964) lived her life in the shadows of America's racial divide. She wrote about that life, was briefly celebrated in her time, then was lost to later generations--only to be rediscovered and hailed by many as the best black novelist of her generation. In his search for Nella Larsen, the "mystery woman of the Harlem Renaissance," George Hutchinson exposes the truths and half-truths surrounding this central figure of modern literary studies, as well as the complex reality they mask and mirror. His book is a cultural biography of the color line as it was lived by one person who truly embodied all of its ambiguities and complexities.

Author of a landmark study of the Harlem Renaissance, Hutchinson here produces the definitive account of a life long obscured by misinterpretations, fabrications, and omissions. He brings Larsen to life as an often tormented modernist, from the trauma of her childhood to her emergence as a star of the Harlem Renaissance. Showing the links between her experiences and her writings, Hutchinson illuminates the singularity of her achievement and shatters previous notions of her position in the modernist landscape. Revealing the suppressions and misunderstandings that accompany the effort to separate black from white, his book addresses the vast consequences for all Americans of color-line culture's fundamental rule: race trumps family.

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front cover of In Search of Our Warrior Mothers
In Search of Our Warrior Mothers
Women Dramatists of the Black Arts Movement
La Donna L. Forsgren
Northwestern University Press, 2018

The Black Arts Movement (1965–76) consisted of artists across the United States deeply concerned with the relationship between politics and the black aesthetic. In Search of Our Warrior Mothers examines the ways in which black women playwrights in the movement advanced feminist and womanist perspectives from within black nationalist discourses. La Donna L. Forsgren recuperates the careers, artistic theories, and dramatic contributions of four leading playwrights: Martie Evans-Charles, J.e. Franklin, Sonia Sanchez, and Barbara Ann Teer. Using original interviews, production recordings, playbills, and unpublished manuscripts, she investigates how these women, despite operating within a context that equated the collective well-being of black people with black male agency, created works that validated black women's aspirations for autonomy and explored women's roles in the struggle for black liberation.

In Search of Our Warrior Mothers demonstrates the powerful contributions of women to the creation, interpretation, and dissemination of black aesthetic theory, thus opening an interdisciplinary conversation at the intersections of theater, performance, feminist, and African American studies and identifying and critiquing the gaps and silences within these fields.

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front cover of In Search of the Black Panther Party
In Search of the Black Panther Party
New Perspectives on a Revolutionary Movement
Jama Lazerow and Yohuru Williams, eds.
Duke University Press, 2006
Controversy swirled around the Black Panthers from the moment the revolutionary black nationalist Party was founded in Oakland, California, in 1966. Since that time, the group that J. Edgar Hoover called “the single greatest threat to the nation’s internal security” has been celebrated and denigrated, deified and vilified. Rarely, though, has it received the sort of nuanced analysis offered in this rich interdisciplinary collection. Historians, along with scholars in the fields of political science, English, sociology, and criminal justice, examine the Panthers and their present-day legacy with regard to revolutionary violence, radical ideology, urban politics, popular culture, and the media. The essays consider the Panthers as distinctly American revolutionaries, as the products of specific local conditions, and as parts of other movements of the late 1960s and early 1970s.

One contributor evaluates the legal basis of the Panthers’ revolutionary struggle, explaining how they utilized and critiqued the language of the Constitution. Others explore the roles of individuals, looking at a one-time Panther imprisoned for a murder he did not commit and an FBI agent who monitored the activities of the Panthers’ Oakland branch. Contributors assess the Panthers’ relations with Students for a Democratic Society, the Young Lords, the Brown Berets, and the Peace and Freedom Party. They discuss the Party’s use of revolutionary aesthetics, and they show how the Panthers manipulated and were manipulated by the media. Illuminating some of the complexities involved in placing the Panthers in historical context, this collection demonstrates that the scholarly search for the Black Panthers has only just begun.

Contributors. Bridgette Baldwin, Davarian L. Baldwin, David Barber, Rod Bush, James T. Campbell, Tim Lake, Jama Lazerow, Edward P. Morgan, Jeffrey O. G. Ogbar, Roz Payne, Robert O. Self, Yohuru Williams, Joel Wilson

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In Search of the Blues
A Journey to the Soul of Black Texas
By Bill Minutaglio
University of Texas Press, 2010

The rich, complex lives of African Americans in Texas were often neglected by the mainstream media, which historically seldom ventured into Houston's Fourth Ward, San Antonio's East Side, South Dallas, or the black neighborhoods in smaller cities. When Bill Minutaglio began writing for Texas newspapers in the 1970s, few large publications had more than a token number of African American journalists, and they barely acknowledged the things of lasting importance to the African American community. Though hardly the most likely reporter—as a white, Italian American transplant from New York City—for the black Texas beat, Minutaglio was drawn to the African American heritage, seeking its soul in churches, on front porches, at juke joints, and anywhere else that people would allow him into their lives. His nationally award-winning writing offered many Americans their first deeper understanding of Texas's singular, complicated African American history.

This eclectic collection gathers the best of Minutaglio's writing about the soul of black Texas. He profiles individuals both unknown and famous, including blues legends Lightnin' Hopkins, Amos Milburn, Robert Shaw, and Dr. Hepcat. He looks at neglected, even intentionally hidden, communities. And he wades into the musical undercurrent that touches on African Americans' joys, longings, and frustrations, and the passing of generations. Minutaglio's stories offer an understanding of the sweeping evolution of music, race, and justice in Texas. Moved forward by the musical heartbeat of the blues and defined by the long shadow of racism, the stories measure how far Texas has come . . . or still has to go.

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In Search of the Great Dead
Richard Cecil
Southern Illinois University Press, 1999

With grim humor and humorous grimness, In Search of the Great Dead engages the great themes of poetry: death and fame.

The title poem of this collection records Richard Cecil's quest for the tombs of the famous dead. At first the search leads him on a tour of famous European tombstones—the grave of Chateaubriand in St. Malo, the shared tomb of Gertrude Stein and Alice B. Toklas in Pere-Lachaise cemetery in Paris, Yeats's old Celtic cross in Sligo—but gradually it expands into areas where all the tombs have been erased by time or vandalism—the tombs of Seneca and Lucan, and all of the great dead poets whose names have been lost. These once famous, now unknown poets lead Cecil to consider those graveyards full of anonymous dead—the civil war soldiers buried under tiny stones with numbers instead of names inscribed on them. Are they more anonymous than the once famous, now forgotten "great" dead?

Though Cecil is wryly aware of his own obscurity, his poems are strangely optimistic and life-affirming. His reply to Emily Dickinson's question: "I'm Nobody—are you / Nobody, too?" is an enthusiastic yes! In Search of the Great Dead conveys the joy of being Nobody and the shy, almost buried hope that someday (after death), he might become Somebody.

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front cover of In Search of the Mexican Beverly Hills
In Search of the Mexican Beverly Hills
Latino Suburbanization in Postwar Los Angeles
González, Jerry
Rutgers University Press, 2018
Residential and industrial sprawl changed more than the political landscape of postwar Los Angeles. It expanded the employment and living opportunities for millions of Angelinos into new suburbs. In Search of the Mexican Beverly Hills examines the struggle for inclusion into this exclusive world—a multilayered process by which Mexican Americans moved out of the barrios and emerged as a majority population in the San Gabriel Valley—and the impact that movement had on collective racial and class identity. Contrary to the assimilation processes experienced by most Euro-Americans, Mexican Americans did not graduate to whiteness on the basis of their suburban residence. Rather, In Search of the Mexican Beverly Hills illuminates how Mexican American racial and class identity were both reinforced by and took on added metropolitan and transnational dimensions in the city during the second half of the twentieth century.  
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front cover of In Search of the Talented Tenth
In Search of the Talented Tenth
Howard University Public Intellectuals and the Dilemmas of Race, 1926-1970
Zachery R. Williams
University of Missouri Press, 2009
From the 1920s through the 1970s, Howard University was home to America’s most renowned assemblage of black scholars. This book traces some of the personal and professional activities of this community of public intellectuals, demonstrating their scholar-activist nature and the myriad ways they influenced modern African American, African, and Africana policy studies.

In Search of the Talented Tenth tells how individuals like Rayford Logan, E. Franklin Frazier, John Hope Franklin, Merze Tate, Charles Wesley, and Dorothy Porter left an indelible imprint on academia and black communities alike through their impact on civil rights, anticolonialism, and women’s rights. Zachery Williams explores W. E. B. Du Bois’s Talented Tenth by describing the role of public intellectuals from the Harlem Renaissance to the Black Power movement, in times as trying as the Jim Crow and Cold War eras.

Williams first describes how the years 1890 to 1926 laid the foundation for Howard’s emergence as the “capstone of Negro education” during the administration of university president Mordecai Johnson. He offers a wide-ranging discussion of how the African American community of Washington, D.C., contributed to the dynamism and intellectual life of the university, and he delineates the ties that linked many faculty members to one another in ways that energized their intellectual growth and productivity as scholars. He also discusses the interaction of Howard’s intellectual community with those of the West Indies, Africa, and other places, showing the international impact of Howard’s intellectuals and the ways in which black and brown elites outside the United States stimulated the thought and scholarship of the Howard intellectuals.

In Search of the Talented Tenth marks the first in-depth study of the intellectual activity of this community of scholars and further attests to the historic role of women faculty in shaping the university. It testifies to the impact of this group as a model against which the twenty-first century’s black public intellectuals can be measured.
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In Struggle
SNCC and the Black Awakening of the 1960s, With a New Introduction and Epilogue by the Author
Clayborne Carson
Harvard University Press, 1995

With its radical ideology and effective tactics, the Student Nonviolent Coordinating Committee (SNCC) was the cutting edge of the civil rights movement during the 1960s. This sympathetic yet evenhanded book records for the first time the complete story of SNCC’s evolution, of its successes and its difficulties in the ongoing struggle to end white oppression.

At its birth, SNCC was composed of black college students who shared an ideology of moral radicalism. This ideology, with its emphasis on nonviolence, challenged Southern segregation. SNCC students were the earliest civil rights fighters of the Second Reconstruction. They conducted sit-ins at lunch counters, spearheaded the freedom rides, and organized voter registration, which shook white complacency and awakened black political consciousness. In the process, Clayborne Carson shows, SNCC changed from a group that endorsed white middle-class values to one that questioned the basic assumptions of liberal ideology and raised the fist for black power. Indeed, SNCC’s radical and penetrating analysis of the American power structure reached beyond the black community to help spark wider social protests of the 1960s, such as the anti–Vietnam War movement.

Carson’s history of SNCC goes behind the scene to determine why the group’s ideological evolution was accompanied by bitter power struggles within the organization. Using interviews, transcripts of meetings, unpublished position papers, and recently released FBI documents, he reveals how a radical group is subject to enormous, often divisive pressures as it fights the difficult battle for social change.

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In Sullivan's Shadow
The Use and Abuse of Libel Law during the Long Civil Rights Struggle
Aimee Edmondson
University of Massachusetts Press, 2019
For many years, the far right has sown public distrust in the media as a political strategy, weaponizing libel law in an effort to stifle free speech and silence African American dissent. In Sullivan's Shadow demonstrates that this strategy was pursued throughout the civil rights era and beyond, as southern officials continued to bring lawsuits in their attempts to intimidate journalists who published accounts of police brutality against protestors. Taking the Supreme Court's famous 1964 case New York Times v. Sullivan as her starting point, Aimee Edmondson illuminates a series of fascinating and often astounding cases that preceded and followed this historic ruling.

Drawing on archival research and scholarship in journalism, legal history, and African American studies, Edmondson offers a new narrative of brave activists, bold journalists and publishers, and hard­headed southern officials. These little-known courtroom dramas at the intersection of race, libel, and journalism go beyond the activism of the 1960s and span much of the country's history, beginning with lawsuits filed against abolitionist William Lloyd Garrison and concluding with a suit spawned by the 1988 film Mississippi Burning.
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In the Balance of Power
Independent Black Politics and Third-Party Movements in the United States
Omar H. Ali
Ohio University Press, 2008
Historically, most black voters in the United States have aligned themselves with one of the two major parties: the Republican Party from the time of the Civil War to the New Deal and, since the New Deal—and especially since the height of the modern civil rights movement—the Democratic Party. However, as In the Balance of Power convincingly demonstrates, African Americans have long been part of independent political movements and have used third parties to advance some of the most important changes in the United States, notably the abolition of slavery, the extension of voting rights, and the enforcement of civil rights. Since the early nineteenth century, there has been an undercurrent of political independence among African Americans. They helped develop the Liberty Party in the 1840s and have continued to work with third parties to challenge the policies of the two major parties. But despite the legal gains of the modern civil rights movement, elements of Jim Crow remain deeply embedded in our electoral process. In the Balance of Power presents a history and analysis of African American third-party movements that can help us better understand the growing diversity among black voters today.
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In the Belly
David Gewanter
University of Chicago Press, 1996
"Gewanter's poetry offers a sense of obstacles, and of obstacles not overcome but ridden and thus dealt with, and is nowhere better illustrated than in 'Conduct of Our Loves.' Read this poem in the book store and you will want to buy the book."—Thom Gunn
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In the Castle of My Skin
George Lamming
University of Michigan Press, 1992

Nearly forty years after its initial publication, George Lamming's In the Castle of My Skin is considered a classic narrative of the Black colonial experience. This poetic autobiographical novel juxtaposes the undeveloped, unencumbered life of a small Caribbean island with the materialism and anxiety of the twentieth century.

Written when Lamming was twenty-three and residing in England, In the Castle of My Skin poignantly chronicles the author's life from his ninth to his nineteenth year. Through the eyes of a young boy the experiences of colonial education, class tensions, and natural disaster are interpreted and reinterpreted, mediated through the presence of the old villagers and friends who leave for the mainland.

One of the leading Black writers of the twentieth century, George Lamming is the author of numerous works exploring the colonial experience.

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In the City of Smoking Mirrors
Albino Carrillo
University of Arizona Press, 2004
Huitzilopochtli has returned. Aztec destroyer, god of sun and war. He of the hummingbird. Son of Coatlique, Our Lady of the Serpent Skin. But you can call him H. H. is reborn in the sprawling suburbs of an American metroplex in the late twentieth century, a place where "the future is a cartoon of the future." Life in suburbia is hard for an Aztec god: H. falls in and out of love, works downtown as an oficinista, raises children, and learns to command the awesome power of modern electronic media. Then one indifferent summer's day H. is seriously wounded by the police—in a case of mistaken identity, of course—and faces death once more.

In the City of Smoking Mirrors relates H.'s adventures as he hovers between life and death, revisiting his homeland and ancestors. He issues letters and edicts—to the faithful, to his dead amigos—and chronicles his circumnavigation of the Land of the Dead and "what he saw there that made him write this book." In tantalizing verse that walks the edge of dream, Albino Carrillo takes readers on a lyrical exploration of a dark netherworld, a quest for hope in a universe overshadowed by impending doom—a place where "The demons you'll have to defeat on your inward journey / Are like so many little yellow hornets buzzing about / Window screens in summer, angry but looking / For anything sweet, any way out . . . ." Through the unforgettable persona of Huitzilopochtli, Carrillo shows us the transitory nature of our passions and wounds as he chisels a new headstone for our times.
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In the Company of Books
Literature and Its "Classes" in Nineteenth-Century America
Sarah Wadsworth
University of Massachusetts Press, 2006
A vital feature of American culture in the nineteenth century was the growing awareness that the literary marketplace consisted not of a single, unified, relatively homogeneous reading public but rather of many disparate, overlapping reading communities differentiated by interests, class, and level of education as well as by gender and stage of life. Tracing the segmentation of the literary marketplace in nineteenth-century America, this book analyzes the implications of the subdivided literary field for readers, writers, and literature itself.

With sections focusing on segmentation by age, gender, and cultural status, In the Company of Books analyzes the ways authors and publishers carved up the field of literary production into a multitude of distinct submarkets, differentiated their products, and targeted specific groups of readers in order to guide their book-buying decisions. Combining innovative approaches to canonical authors such as Nathaniel Hawthorne, Louisa May Alcott, Mark Twain, and Henry James with engaging investigations into the careers of many lesser-known literary figures, Sarah Wadsworth reveals how American writers responded to—and contributed to—this diverse, and diversified, market.

In the Company of Books contends that specialized editorial and marketing tactics, in concert with the narrative strategies of authors and the reading practices of the book-buying public, transformed the literary landscape, leading to new roles for the book in American culture, the innovation of literary genres, and new relationships between books and readers. Both an exploration of a fragmented print culture through the lens of nineteenth-century American literature and an analysis of nineteenth-century American literature from the perspective of this subdivided marketplace, this wide-ranging study offers fresh insight into the impact of market forces on the development of American literature.
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In the Company of Grace
A Veterinarian's Memoir of Trauma and Healing
Jody Lulich
University of Minnesota Press, 2023

The son of a Black mother and white father overcomes family trauma to find the courage of compassion in veterinary practice

Rising to accept a prestigious award, Jody Lulich wondered what to say. Explain how he’d been attracted to veterinary medicine? Describe how caring for helpless, voiceless animals in his own shame and pain provided a lifeline, a chance to heal himself as well? Lulich tells his story in In the Company of Grace, a memoir about finding courage in compassion and strength in healing—and power in finally confronting the darkness of his youth.

Lulich’s white father and Black mother met at a civil rights rally, but love was no defense against their personal demons. His mother’s suicide, in his presence when he was nine years old, and his sometimes brutal father’s subsequent withdrawal set Lulich on a course from the South Side of Chicago to the Tuskegee School of Veterinary Medicine in Alabama to an endowed chair at the University of Minnesota, forever searching for the approval and affection that success could not deliver. Though shadowed by troubling secrets, his memoir also features scenes of surprising light and promise—of the neighbors who take him in, a brother’s unlikely effort to save Christmas, his mother’s memories of the family’s charmed early days, bright moments (and many curious details) of veterinary practice. Most consequentially, at Tuskegee Lulich rents a room in the home of a seventy-five-year-old Black woman named Grace, whose wholehearted adoption of him—and her own stories of the Jim Crow era—finally gives him a sense of belonging and possibility.

Completing his book amid the furor over George Floyd’s murder, Lulich reflects on all the ways that race has shaped his life. In the Company of Grace is a moving testament to the power of compassion in the face of seemingly overwhelming circumstances.

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In the Garden of the Bridehouse
J. Michael Martinez
University of Arizona Press, 2014
Through lyrical procedures of self-immolation, this brave new collection by J. Michael Martinez interrogates the sundry roles language, myth, and sexuality play for the self and the other in the recoverable and irrecoverable past. Parallel to his award-winning first collection Heredities, J. Michael Martinez pushes the boundaries of poetic form, wedding historically oppositional lyrical traditions to deliver a collection unlike any other.

Turning the page into a visual field, as in the deconstructed musical score telling the tale of La Llorona, In the Garden of the Bridehouse questions the line between visual art and poetry. The work employs the vernacular, the stylized language of theory, and the blank canvas of the page in its exploration of the known and unknowable.

Throughout the work, Martinez paradoxically exercises both a lyrical minimalism and a baroque poetic, uniting Mesoamerican preconquest imaginary with the sensuality of the Biblical Song of Songs, cultivating a lyrical space wherein contrasting potentials are—as one—realized in their shared promise.
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In the Human Zoo
Jennifer Perrine
University of Utah Press, 2011

Winner of the Agha Shahid Ali Poetry Prize 

In the Human Zoo reveals encounters with a world that is both fragile and dangerous, a perilous, surreal place where not only humans but also creatures as innocuous as fireflies and owls become potential threats. Throughout the collection, speakers wrestle with human violence through a multitude of perspectives: the fear and resistance of victims, the frustration and outrage of witnesses, the regret and recognition of a global history in which so many people have participated as perpetrators. While the people who inhabit the world of this collection might yet remain caged, they nevertheless struggle to unleash themselves and each other through language.
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In the Kingdom of the Ditch
Todd Davis
Michigan State University Press, 2013
In poetry that is at once accessible and finely crafted, Todd Davis maps the mysterious arc between birth and death, celebrating the beauty and pain of our varied entrances and exits, while taking his readers into the deep forests and waterways of the northeastern United States. With an acute sensibility for language unlike any other working poet, Davis captures the smallest nuances in the flowers, trees, and animals he encounters through a daily life spent in the field. Davis draws upon stories and myths from Christian, Transcendental, and Buddhist traditions to explore the intricacies of the spiritual and physical world we too often overlook. In celebrating the abundant life he finds in a ditch—replete with Queen Anne’s lace and milkweed, raspberries and blackberries, goldenrod and daisies—Davis suggests that life is consistently transformed, resurrected by what grows out of the fecundity of our dying bodies. In his fourth collection the poet, praised by The Bloomsbury Review, Arts & Letters, and many others, provides not only a taxonomy of the flora and fauna of his native Pennsylvania but also a new way of speaking about the sacred walk we make with those we love toward the ultimate mystery of death.
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“IN THE LIGHT OF LIKENESS—TRANSFORMED”
THE LITERARY ART OF LEON FORREST
DANA A WILLIAMS
The Ohio State University Press, 2005

“In the Light of Likeness—Transformed”, by Dana A. Williams, looks critically at the work of contemporary African American author Leon Forrest. Not only does she bring to the critical table a well-known but as yet understudied modernist author—an important endeavor in and of itself—but she also explores Forrest’s novels’ cultural dialogue with black ethnic culture and other African American authors, as well as provides in-depth readings of his prose and interpretations of his narrative style. Highly touted by both his literary forebear Ralph Ellison, who wrote the foreword to Forrest’s first novel, and his literary contemporary Toni Morrison, who edited his first three novels and wrote the foreword to his third, Leon Forrest is among the most gifted African American writers of our time. Yet, he is also among our most difficult.

Forrest's highly experimental narrative style, his reinterpretation of modernism, and his transformations of black cultural traditions into literary aesthetics often pose challenges of interpretation for the reader and the scholar alike. As the first single-authored book-length study of Forrest’s novel, this book offers readers pathways into his fiction. What this culturalist approach to the novels reveals is that Forrest’s fiction was foremost concerned with investigating ways for the African American to survive in the contemporary moment. Through a variety of characters, the novels reveal the African American’s art of transformation—the ability to find ways to make the wretchedness of the past work in positive ways.

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In the Master's Eye
Representations of Women, Blacks, and Poor Whites in Antebellum Southern Literature
Susan J. Tracy
University of Massachusetts Press, 2009
This book explores the way in which literature can be used to reinforce social power. Through rigorous readings of a series of antebellum plantation novels, Susan J. Tracy shows how the narrative strategies employed by proslavery Southern writers served to justify and perpetuate the oppression of women, blacks, and poor whites.
Tracy focuses on the historical romances of six authors: George Tucker, James Ewell Heath, William Alexander Caruthers, John Pendleton Kennedy, Nathaniel Beverley Tucker, and William Gilmore Simms. Using variations on a recurring plot - in which a young planter/hero rescues a planter's daughter from an "enemy" of her class - each of these novelists reinforced an idealized vision of a Southern civilization based on male superiority, white supremacy, and class inequality. It is a world in which white men are represented as the natural leaders of loyal and dependent women, grateful and docile slaves, and inferior poor whites. According to Tracy, the interweaving of these themes reveals the extent to which the Southern defense of slavery in the years leading up to the Civil War was an argument not only about race relations but about gender and class relations as well.
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In the Name of Elijah Muhammad
Louis Farrakhan and The Nation of Islam
Mattias Gardell
Duke University Press, 1996
In the Name of Elijah Muhammad tells the story of the Nation of Islam—its rise in northern inner-city ghettos during the Great Depression through its decline following the death of Elijah Muhammad in 1975 to its rejuvenation under the leadership of Louis Farrakhan. Mattias Gardell sets this story within the context of African American social history, the legacy of black nationalism, and the long but hidden Islamic presence in North America. He presents with insight and balance a detailed view of one of the most controversial yet least explored organizations in the United States—and its current leader.
Beginning with Master Farad Muhammad, believed to be God in Person, Gardell examines the origins of the Nation. His research on the period of Elijah Muhammad’s long leadership draws on previously unreleased FBI files that reveal a clear picture of the bureau’s attempts to neutralize the Nation of Islam. In addition, they shed new light on the circumstances surrounding the murder of Malcolm X. With the main part of the book focused on the fortunes of the Nation after Elijah Muhammad’s death, Gardell then turns to the figure of Minister Farrakhan. From his emergence as the dominant voice of the radical black Islamic community to his leadership of the Million Man March, Farrakhan has often been portrayed as a demagogue, bigot, racist, and anti-Semite. Gardell balances the media’s view of the Nation and Farrakhan with the Nation’s own views and with the perspectives of the black community in which the organization actively works. His investigation, based on field research, taped lectures, and interviews, leads to the fullest account yet of the Nation of Islam’s ideology and theology, and its complicated relations with mainstream Islam, the black church, the Jewish community, extremist white nationalists, and the urban culture of black American youth, particularly the hip-hop movement and gangs.
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In the Name of the Mother
Italian Americans, African Americans, and Modernity from Booker T. Washington to Bruce Springsteen
Samuele F. S. Pardini
Dartmouth College Press, 2017
In the Name of the Mother examines the cultural relationship between African American intellectuals and Italian American writers and artists, and how it relates to American blackness in the twentieth century. Samuele Pardini links African American literature to the Mediterranean tradition of the Italian immigrants and examines both against the white intellectual discourse that defines modernism in the West. This previously unexamined encounter offers a hybrid, transnational model of modernity capable of producing democratic forms of aesthetics, social consciousness, and political economy. This volume emphasizes the racial “in-betweenness” of Italian Americans rearticulated as “invisible blackness,” a view that enlarges and complicates the color-based dimensions of American racial discourse. This strikingly original work will interest a wide spectrum of scholars in American Studies and the humanities.
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In the Neighborhood
Women's Publication in Early America
Caroline Wigginton
University of Massachusetts Press, 2016
Winner of the 2018 Early American Literature Book Prize
In this compelling and original book, Caroline Wigginton reshapes our understanding of early American literary history. Overturning long-standing connections between the male-dominated print culture of pamphlets, broadsides, and newspapers and the transformative ideas that instigated the American Revolution, Wigginton explores how women's "relational publications"—circulated texts, objects, and performances—transformed their public and intimate worlds. She argues that Native, black, and white women's interpersonal "publications" revolutionized the dynamics of power and connection in public and private spaces, whether those spaces were Quaker meeting houses, Creek talwas, trading posts, burial grounds, or the women's own "neighborhoods."

Informed by deep and rich archival research, Wigginton's case studies explore specific instances of "relational publication." The book begins with a pairing of examples—the statement a grieving Lenape mother made through a wampum belt and the political affiliations created when a salon hostess shared her poetry. Subsequent chapters trace a history of women's publication practice, including a Creek woman's diplomatic and legal procession-spectacles in the colonial Southeast, a black mother's expression of protest in Newport, Rhode Island, and the resulting evangelical revival, Phillis Wheatley's elegies that refigured neighborhoods of enslaved and free Bostonians, and a Quaker woman's pious and political commonplace book in Revolutionary Philadelphia.
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In the Path of the Storms
Bayou La Batre, Coden, and the Alabama Coast
Frye Gaillard
University of Alabama Press, 2008
The Gulf Coast villages of Bayou La Batre and Coden are two of Alabama’s most distinctive, with roots going back to the French settlements of the 18th century. For generations, the proud inhabitants of these communities have extracted their modest livings from the sea, sustained by a lesson handed down over time— that providing for the needs of one’s family is the only true measure of success. But the world has changed drastically for them. A global economy of higher gas prices and cheap imported seafood has threatened the lifeblood of the area. And in recent years a rash of hurricanes, culminating with Hurricane Katrina, has battered the hopes and dreams of these Bayou towns.
 
But they have known hard times and massive changes before. In the 1970s, refugees from Vietnam, Cambodia, and Laos flooded into the area and within a few years made up a third of the local population. Three Buddhist temples soon took their places among the Catholic, Baptist, and Pentecostal churches that predominated, and for a time the different ethnic groups coexisted in a kind of uneasy peace. But now they are learning to pull together in an uncertain struggle to rebuild their communities.
 
In the Path of the Storms is a powerful portrait in words and photographs of a unique and unforgettable place. It is a story of tradition, and forces of change, and the epic struggle of these Gulf Coast communities to survive and thrive.
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In the Shadow of Du Bois
Afro-Modern Political Thought in America
Robert Gooding-Williams
Harvard University Press, 2011

The Souls of Black Folk is Du Bois’s outstanding contribution to modern political theory. It is his still influential answer to the question, “What kind of politics should African Americans conduct to counter white supremacy?” Here, in a major addition to American studies and the first book-length philosophical treatment of Du Bois’s thought, Robert Gooding-Williams examines the conceptual foundations of Du Bois’s interpretation of black politics.

For Du Bois, writing in a segregated America, a politics capable of countering Jim Crow had to uplift the black masses while heeding the ethos of the black folk: it had to be a politics of modernizing “self-realization” that expressed a collective spiritual identity. Highlighting Du Bois’s adaptations of Gustav Schmoller’s social thought, the German debate over the Geisteswissenschaften, and William Wordsworth’s poetry, Gooding-Williams reconstructs Souls’ defense of this “politics of expressive self-realization,” and then examines it critically, bringing it into dialogue with the picture of African American politics that Frederick Douglass sketches in My Bondage and My Freedom. Through a novel reading of Douglass, Gooding-Williams characterizes the limitations of Du Bois’s thought and questions the authority it still exerts in ongoing debates about black leadership, black identity, and the black underclass. Coming to Bondage and then to these debates by looking backward and then forward from Souls, Gooding-Williams lets Souls serve him as a productive hermeneutical lens for exploring Afro-Modern political thought in America.

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In the Shadow of the Giant
The Americanization of Modern Mexico
Contreras, Joseph
Rutgers University Press, 2009
The influx of Mexican immigrants to the United States throughout the years has impacted our culture, labor force, and economy. Often these individuals are blamed for the perceived ills they bring to this country. Yet few people ever consider the profound influence that the United States has on Mexico.

In this first book to view modern Mexico in the era of NAFTA and globalization, In the Shadow of the Giant offers insight into the land on our southern border.

What we find is a nation that looks more like the United States than even Mexicans themselves could have imagined a decade ago: Rates of obesity are second only to the United States among the world's industrialized countries. Recreational drug use is soaring among young Mexicans, Citigroup owns the largest bank in Mexico Wal-Mart is the country's biggest private employer revealing a vastly different physical and cultural landscape from his days as a young journalist living in Mexico in the mid-1980s. Joseph Contreras tracks the relentless and ongoing Americanization of his ancestral home. Although these changes may seem a natural part of globalization, the country had long prided itself on the social, political, economic, and even spiritual differences that distinguished it from the United States. In addition to embracing our virtues and vices, Contreras argues that our southern neighbor has become a de facto economic colony of the United States.

At a time when immigration looms as a leading hot-button issue in American politics, the time is ripe for examining our influences, for better or worse, on our neighbor to the south.

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In the Tree Where the Double Sex Sleeps
Rob Schlegel
University of Iowa Press, 2019
With calm abandon, Rob Schlegel stands among the genderless trees to shake notions of masculinity and fatherhood. Schlegel incorporates the visionary into everyday life, inhabiting patterns of relation that do not rely on easy categories. Working from the premise that poetry is indistinguishable from the life of the poet, Schlegel considers how his relationship to the creative process is forever changed when he becomes something new to someone else. “The meaning I’m trying to protect is,” Schlegel writes, “the heart is neither boy, nor girl.” In the Tree Where the Double Sex Sleeps is a tender search for the mother in the father, the poet in the parent, the forest in the human.
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In the Volcano's Mouth
Miriam Bird Greenberg
University of Pittsburgh Press, 2016
Winner of the 2015 Agnes Lynch Starrett Poetry Prize
Winner of the 2017 Bob Bush Memorial Award for Best First Book of Poetry
from the Texas Institute of Letters
Miriam Bird Greenberg’s stunning first collection, which roves across a lush, haunting rural America both real and imagined, observed from railyards and roadsides, evokes the world of myth (“I’d spent my childhood / in a house made of bees; on hot days honey // dripped through cracks in the ceiling,” she writes). Yet these capacious, exquisitely tensioned poems are rooted in Greenberg’s experiences hitchhiking and hopping freight trains across North America, or draw from her informal interviews with contemporary nomads, hobos, and others living on society’s edges. Beneath their surface runs a current of violence, whether at the hands of fate or men: she writes “Everyone knows // what happens to women // who hitchhike, constantly // trying a door to the other world made of lake / bottom or low forest, abandoned house // even wild animals / have rejected.” The result is a queering of On the Road, a feminist Frank Stanford at once vulnerable and canny. Richly textured, In the Volcano’s Mouth is an extraordinary portrait of life on the enchanted margins.
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In the Wake of the Sun
Navigating the Southern Works of Cormac McCarthy
J. Christopher Walsh
University of Tennessee Press, 2009


Dr. Chris Walsh’s scholarship has resulted in a new study on one of America’s leading authors. In the Wake of the Sun: Navigating the Southern Works of Cormac McCarthy offers close textual analysis of all of McCarthy’s Southern works along with an overview of the notable critical responses to them. The book is designed for use by scholars, teachers, and students at all levels.

McCarthy’s works set in the desert Southwest have received substantial critical and commercial acclaim. However, his Appalachian texts—which include two short stories written as an undergraduate at the University of Tennessee, five novels (including the Pulitzer Prize winner The Road), a play, and a screenplay—rival the Southwestern works in terms of their aesthetic achievement and complexity. In the Wake of the Sun introduces readers, scholars, and students to the pertinent themes in each text while also walking them through the most significant critical dialogues surrounding the texts.

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In the Wake
On Blackness and Being
Christina Sharpe
Duke University Press, 2016
In this original and trenchant work, Christina Sharpe interrogates literary, visual, cinematic, and quotidian representations of Black life that comprise what she calls the "orthography of the wake." Activating multiple registers of "wake"—the path behind a ship, keeping watch with the dead, coming to consciousness—Sharpe illustrates how Black lives are swept up and animated by the afterlives of slavery, and she delineates what survives despite such insistent violence and negation. Initiating and describing a theory and method of reading the metaphors and materiality of "the wake," "the ship," "the hold," and "the weather," Sharpe shows how the sign of the slave ship marks and haunts contemporary Black life in the diaspora and how the specter of the hold produces conditions of containment, regulation, and punishment, but also something in excess of them. In the weather, Sharpe situates anti-Blackness and white supremacy as the total climate that produces premature Black death as normative. Formulating the wake and "wake work" as sites of artistic production, resistance, consciousness, and possibility for living in diaspora, In the Wake offers a way forward.
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In the Work of Their Hands Is Their Prayer
Cultural Narrative and Redemption on the American Frontiers, 1830-1930
Joel Daehnke
Ohio University Press, 2003

Westward expansion on the North American continent by European settlers generated a flurry of writings on the frontier experience over the course of a hundred years. Asserting that the dominant ideology of America’s Manifest Destiny embodied a tense, often contradictory union of Christian and secular republican views of social progress, In the Work of Their Hands Is Their Prayer investigates the ambivalence of the frontier as it was inscribed with redemptive, historical significance by a host of frontier writers.

Enlisting canonical and noncanonical sources, Joel Daehnke examines the manner in which the imagery of the human figure at work and play in the frontier landscape participated in the nationalist, “civilizing” project of westward expansion. While he acknowledges the growing secularization of American life, Professor Daehnke surveys the continuing claims of the Christian redemptive scheme as a powerful symbolic domain for these writers’ meditations on social progress and the potential for human perfectibility in the landscapes of the West.

Whether discussing the Edenic imagery of women’s gardens, the advocacy of an ethics of land use, or the affairs of fortune in the mining districts of Nevada, In the Work of Their Hands Is Their Prayer presents an enlightening reexamination of an American ideology of progress and its enduring fascination with mission, Manifest Destiny, and the ends of history.

In the Work of Their Hands Is Their Prayer is a welcome addition to the extended library of critical attention to the ideology, history, and literary traditions of the American frontier.

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In Visible Movement
Nuyorican Poetry from the Sixties to Slam
Urayoan Noel
University of Iowa Press, 2014
Since the 1960s, Nuyorican poets have explored and performed Puerto Rican identity both on and off the page. Emerging within and alongside the civil rights movements of the 1960s, the foundational Nuyorican writers sought to counter the ethnic/racial and institutional invisibility of New York City Puerto Ricans by documenting the reality of their communities in innovative and sometimes challenging ways. Since then, Nuyorican poetry has entered the U.S. Latino literary canon and has gained prominence in light of the spoken-word revival of the past two decades, a movement spearheaded by the Nuyorican Poetry Slams of the 1990s. Today, Nuyorican poetry engages with contemporary social issues such as the commodification of the body, the institutionalization of poetry, the gentrification of the barrio, and the national and global marketing of identity. What has not changed is a continued shared investment in a poetics that links the written word and the performing body.

The first book-length study specifically devoted to Nuyorican poetry, In Visible Movement is unique in its historical and formal breadth, ranging from the foundational poets of the 1960s and 1970s to a variety of contemporary poets emerging in and around the Nuyorican Poets Cafe “slam” scene of the 1990s and early 2000s. It also unearths a largely unknown corpus of poetry performances, reading over forty years of Nuyorican poetry at the intersection of the printed and performed word, underscoring the poetry’s links to vernacular and Afro-Puerto Rican performance cultures, from the island’s oral poets to the New York sounds and rhythms of Latin boogaloo, salsa, and hip-hop. With depth and insight, Urayoán Noel analyzes various canonical Nuyorican poems by poets such as Pedro Pietri, Victor Hernández Cruz, Miguel Algarín, Miguel Piñero, Sandra María Esteves, and Tato Laviera. He discusses historically overlooked poets such as Lorraine Sutton, innovative poets typically read outside the Nuyorican tradition such as Frank Lima and Edwin Torres, and a younger generation of Nuyorican-identified poets including Willie Perdomo, María Teresa Mariposa Fernández, and Emanuel Xavier, whose work has received only limited critical consideration. The result is a stunning reflection of how New York Puerto Rican poets have addressed the complexity of identity amid diaspora for over forty years.
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"Incantations" and Other Stories
An Important New Young Voice From India
Appachana, Anjana
Rutgers University Press, 1992
This first collection of fiction by Anjana Appachana provides stories that are beautifully written, the characters in them carefully and respectfully drawn. All the stories are set in India, but the people in them seem somehow displaced within their own society—a society in transition but a transition that does not come fast enough to help them. Appachana manages to capture the pervasive humor, poignancy, and self-delusion of the lives of the people she observes, but she does so without seeming to pass judgments on them. She focuses on unexpected moments, as if catching her characters off guard, lovingly exposing the fragile surfaces of respectability and convention that are so much a part of every society, but particularly strong in India, with its caste system, gender privileges, and omnipresent bureaucracies.

All life seems to be prescribed; these characters bravely or cautiously confront the rules and regulations or finally give in to them resignedly—any small triumphs they achieve are never clear-cut. One of the most unusual aspects of many of the stories is the way in which they are informed by but never ruled by the author's feminism. She never lectures her readers but lets us see for ourselves: a bride caught in a hopeless marriage where she has given up all rights to any life of her own, a hapless college student who is confined to campus for minor infractions just at the time when she had an appointment for an abortion, a young girl who keeps the dark secret of her sister's rape, a woman executive and a digruntled male clerk both trapped in the intricate bureaucracy of their business firm and the roles they must play to survive there. By turns warm, gullible, arrogant and bigoted, all of these characters live their lives amid contradictions and double standards, superstitions and impossible dreams. Appachana's vision is unique, her writing superb. Readers will thank her for allowing them to enter territory that is at once distant and exotic but also familiar and recognizable.
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Incarnate Grace
Moira Linehan
Southern Illinois University Press, 2015

In her collection Incarnate Grace, poet Moira Linehan explores, questions, and ultimately celebrates her attempt to live in the temple of the present.

After learning she has breast cancer, the poet struggles to live an examined life. Alienated and estranged from her own body, she turns her cancer into “these binoculars, / this new way of looking,” and uses it as a way of fixing herself firmly within the moment. As she travels Ireland and the Pacific Northwest, her busy mind moves from the knot in her breast to the knots in her knitting to the illuminated knots of The Book of Kells to the tossing, knotted surface of the sea; from the margins of her surgery—clean but not ideal—to the margins of illuminated manuscripts. She links the mundane to the mythic, intertwining connections between scripture and nature, storms and loss, winter and light, breast cancer and embroidery. As she returns to her home on a small pond in Massachusetts, she takes with her the fruits of her travels: the incarnate grace of the ordinary.  

Vivid and compelling, Incarnate Grace finds beauty in the worst of circumstances and redemption in the fabric of daily life.

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Incendiary Art
Poems
Patricia Smith
Northwestern University Press, 2017

Winner, 2017 Los Angeles Times Book Prize
Finalist, 2018 Pulitzer Prize for Poetry
Winner, NAACP Image Award for Outstanding Literary Work in the Poetry category 
Winner, 2018 Kingsley Tufts Poetry Award
Winner, 2018 BCALA Best Poetry Award
Winner, Abel Meeropol Award for Social Justice
Finalist, Neustadt International Prize for Literature
Winner, 2021 Ruth Lilly Poetry Prize

One of the most magnetic and esteemed poets in today’s literary landscape, Patricia Smith fearlessly confronts the tyranny against the black male body and the tenacious grief of mothers in her compelling new collection, Incendiary Art. She writes an exhaustive lament for mothers of the "dark magicians," and revisits the devastating murder of Emmett Till. These dynamic sequences serve as a backdrop for present-day racial calamities and calls for resistance. Smith embraces elaborate and eloquent language— "her gorgeous fallen son a horrid hidden / rot. Her tiny hand starts crushing roses—one by one / by one she wrecks the casket’s spray. It’s how she / mourns—a mother, still, despite the roar of thorns"— as she sharpens her unerring focus on incidents of national mayhem and mourning. Smith envisions, reenvisions, and ultimately reinvents the role of witness with an incendiary fusion of forms, including prose poems, ghazals, sestinas, and sonnets. With poems impossible to turn away from, one of America’s most electrifying writers reveals what is frightening, and what is revelatory, about history.

 
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Inclined to Speak
An Anthology of Contemporary Arab American Poetry
Hayan Charara
University of Arkansas Press, 2008
At no other time in American history has our imagination been so engrossed with the Arab experience. An indispensable and historic volume, Inclined to Speak gathers together poems, from the most important contemporary Arab American poets, that shape and alter our understanding of this experience. These poems also challenge us to reconsider what it means to be American. Impressive in its scope, this book provides readers with an astonishing array of poetic sensibilities, touching on every aspect of the human condition. Whether about culture, politics, loss, art, or language itself, the poems here engage these themes with originality, dignity, and an unyielding need not only to speak, but also to be heard. Here are thirty-nine poets offering up 160 poems. Included in the anthology are Naomi Shihab Nye, Samuel Hazo, D. H. Melhem, Lawrence Joseph, Khaled Mattawa, Mohja Khaf, Matthew Shenoda, Kazim Ali, Nuar Alsadir, Fady Joudah, and Lisa Suhair Majaj. Charara has written a lengthy introduction about the state of Arab American poetry in the country today and short biographies of the poets and provided an extensive list of further readings.
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Incognegro
A Memoir of Exile and Apartheid
Frank B. Wilderson III
Duke University Press, 2008
In 1995, a South African journalist informed Frank Wilderson, one of only two American members of the African National Congress (ANC), that President Nelson Mandela considered him "a threat to national security." Wilderson was asked to comment. Incognegro is that "comment." It is also his response to a question posed five years later in a California university classroom: "How come you came back?" Although Wilderson recollects his turbulent life as an expatriate during the furious last gasps of apartheid, Incognegro is at heart a quintessentially American story. During South Africa's transition, Wilderson taught at universities in Johannesburg and Soweto by day. By night, he helped the ANC coordinate clandestine propaganda, launch psychological warfare, and more. In this mesmerizing political memoir, Wilderson's lyrical prose flows from unspeakable dilemmas in the red dust and ruin of South Africa to his return to political battles raging quietly on US campuses and in his intimate life. Readers will find themselves suddenly overtaken by the subtle but resolute force of Wilderson's biting wit, rare vulnerability, and insistence on bearing witness to history no matter the cost.
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Incontinence
Susan Hahn
University of Chicago Press, 1993
Charged with sensuality, ferocity, and despair, this sequence of poems follows the progress of a central character's passionate romance. Hahn's fevered book of human emotions becomes a powerful rumination on love, aging, and mutability in general.

"Stitching together tropes about writing and technique, as well as hunting and the loss of sexual innocence, [Hahn] marks and exploits the body with surgical precision in order to explore the peripheries of the personal lyric. She wants to take poetry to the most tangible and sensual extremes. It's often uncomfortable, and yet as often results in a poetry of generous, piercing honesty, as if (to rewrite Bradford) it's by the body we are 'plainly told.'"—David Baker, Poetry

"Incontinence has an enormous, almost epic sweep."—Chicago Sun-Times
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The Incorporative Consciousness of Robert Bly
Victoria Frenkel Harris
Southern Illinois University Press, 1991

Victoria Frenkel Harris traces the aesthetic journey of poet Robert Bly from his early structured works of mystical imagery and lyrical landscapes to his recent explorations of intimate relationships and male socialization.

Examining the various ways Bly’s prose poems articulate his opposition to the Vietnam War and his recent writings manipulate more formal patterns in detailing the intricacies of human relationships, Harris labels this evolution in form, subject, and imagery the incorporative consciousness, incorporative because it assimilates Jungian psychological categories, international poetic traditions, and a compelling breadth of topics.

Harris relies in part on contemporary feminist theory to throw revealing new light on Bly’s recent works. Though sympathetic to Bly, Harris finds that—in spite of his affirmation of the interaction of psychic, creative, and intellectual energies in both sexes—the poet’s later, erotic poems tend to objectify women in counterproductive ways. Bly’s idealization of woman as a Jungian universal, Harris contends, can blind him toward actual women.

Harris is at her best as she delimits with balance and precision the full complexity of the poet’s work.

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indecent hours
James Fujinami Moore
Four Way Books, 2022

For award-winning poet James Fujinami Moore, the past is never past. In this brutal debut, sensual, political, and imagined worlds collide, tracing a history of diaspora and trauma that asks: what do we do in the aftermath of violence, and why do we long to inflict it? From Vegas boxing rings and the restless sands of Manzanar to the scrolling horrors of a Facebook feed, Moore’s poems trace over intimate details with surprising humor, fierce eroticism, and a restless eye.

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An Independent Woman
The Autobiography of Edith Guerrier
Edith Guerrier
University of Massachusetts Press
Edith Guerrier (1870-1958) embodied the ideals of the "New Women" who emerged by the thousands in turn-of-the-century America to take advantage of greater economic and educational opportunities for their sex. At the age of twenty-one, she began working with children in a settlement house in Boston's North End, where she soon maintained a reading room and a Boston Public Library delivery station. A pioneer in the new field of librarianship just opening to women, she founded many library clubs and eventually became the supervisor of branch libraries in Boston. Guerrier is perhaps best remembered for her work on behalf of young immigrant women in Boston's North End. Among the numerous "girls" clubs she founded was the Saturday Evening Girls, composed of young women of Jewish and Italian ancestry. Wanting to do more than simply "keep the girls off the street," she devised a plan to enable her charges to become financially self-sufficient. In 1908, with her lifelong companion Edith Brown, she began to develop what eventually became the Paul Revere Pottery. Potters worked an eight-hour day in an airy, healthful atmosphere, and received a decent wage, an annual paid vacation, and a daily hot lunch--all of which were virtually unheard of in the early twentieth-century workplace. Paul Revere Ware today is valued as a collector's item. Guerrier's autobiography has never been published. Her story takes us from her New England girlhood through her years on the midwestern frontier, to her education at Vermont Methodist Seminary and Female College, and finally through her odyssey in Boston, where she lived for most of her adult life. Molly Matson provides an introduction that examines Guerrier's life and several careers and discusses the history of turn-of-the-century Boston. In a substantive foreword, Polly Welts Kaufman situates Guerrier's autobiography within the context of recent scholarship on the changing roles of women during this period of American history.
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Indian Accents
Brown Voice and Racial Performance in American Television and Film
Shilpa S. Dave
University of Illinois Press, 2013


Amid immigrant narratives of assimilation, Indian Accents focuses on the representations and stereotypes of South Asian characters in American film and television. Exploring key examples in popular culture ranging from Peter Sellers' portrayal of Hrundi Bakshi in the 1968 film The Party to contemporary representations such as Apu from The Simpsons and characters in Harold and Kumar Go to White Castle, Shilpa S. Dave develops the ideas of "accent," "brownface," and "brown voice" as new ways to explore the racialization of South Asians beyond just visual appearance. Dave relates these examples to earlier scholarship on blackface, race, and performance to show how "accents" are a means of representing racial difference, national origin, and belonging, as well as distinctions of class and privilege. While focusing on racial impersonations in mainstream film and television, Indian Accents also amplifies the work of South Asian American actors who push back against brown voice performances, showing how strategic use of accent can expand and challenge such narrow stereotypes.
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Indian Given
Racial Geographies across Mexico and the United States
María Josefina Saldaña-Portillo
Duke University Press, 2016
In Indian Given María Josefina Saldaña-Portillo addresses current racialized violence and resistance in Mexico and the United States with a genealogy that reaches back to the sixteenth century. Saldaña-Portillo formulates the central place of indigenous peoples in the construction of national spaces and racialized notions of citizenship, showing, for instance, how Chicanos/as in the U.S./Mexico borderlands might affirm or reject their indigenous background based on their location.  In this and other ways, she demonstrates how the legacies of colonial Spain's and Britain's differing approaches to encountering indigenous peoples continue to shape perceptions of the natural, racial, and cultural landscapes of the United States and Mexico. Drawing on a mix of archival, historical, literary, and legal texts, Saldaña-Portillo shows how los indios/Indians provided the condition of possibility for the emergence of Mexico and the United States.
 
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Indian Giving
Economies of Power in Indian-White Exchanges
David Murray
University of Massachusetts Press, 2000
Whether they involved goods, words, or ideas, acts of giving and trading were fundamental in early Indian-white contacts. But how did these transactions function across the two cultures, and what did they mean to each? In this book, David Murray explores a range of early exchanges between Europeans and Indians, showing how they operated within a set of interlocking economies—linguistic, religious, as well as material. Murray begins by examining the crucial role of gift-giving. Like the double function of the key, which both locks and unlocks, the gift—with its simultaneous action of offering something and demanding a return—expressed the paradoxical nature of early Indian-white encounters. Because the power to give was associated with ideas of sovereignty, both sides often preferred to represent exchanges as gift-giving rather than trading or selling. To illustrate the complexities of these cross-cultural transactions, the author looks closely at the work of linguist, trader, and missionary Roger Williams, whose A Key into the Language of America at once serves the purposes of translation, conversion, and trade. Murray also examines the changing meaning and representation of wampum, the quintessential medium of exchange in the early colonial period, as well as the multiple processes of conversion taking place as Christian ideas were incorporated into Indian cultures. According to the author, only by recognizing the ways in which objects and ideas circulated and took on value in interrelated economies can we understand the contested "middle ground" between Europeans and Indians of the colonial Northeast.
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Indian Nation
Native American Literature and Nineteenth-Century Nationalisms
Cheryl Walker
Duke University Press, 1997
Indian Nation documents the contributions of Native Americans to the notion of American nationhood and to concepts of American identity at a crucial, defining time in U.S. history. Departing from previous scholarship, Cheryl Walker turns the "usual" questions on their heads, asking not how whites experienced indigenous peoples, but how Native Americans envisioned the United States as a nation. This project unfolds a narrative of participatory resistance in which Indians themselves sought to transform the discourse of nationhood.
Walker examines the rhetoric and writings of nineteenth-century Native Americans, including William Apess, Black Hawk, George Copway, John Rollin Ridge, and Sarah Winnemucca. Demonstrating with unique detail how these authors worked to transform venerable myths and icons of American identity, Indian Nation chronicles Native American participation in the forming of an American nationalism in both published texts and speeches that were delivered throughout the United States. Pottawattomie Chief Simon Pokagon’s "The Red Man’s Rebuke," an important document of Indian oratory, is published here in its entirety for the first time since 1893.
By looking at this writing through the lens of the best theoretical work on nationality, postcoloniality, and the subaltern, Walker creates a new and encompassing picture of the relationship between Native Americans and whites. She shows that, contrary to previous studies, America in the nineteenth century was intercultural in significant ways.
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Indian Summer
Musings on the Gift of Life
Sam Pickering
University of Missouri Press, 2005

 Returning to Nova Scotia every summer contributes to the illusion of smooth continuance, each summer not the first thread in a new fabric but another button on a cardigan, perhaps looser than buttons below but still familiar and comfortable. Every summer the songs of white-throated sparrows bounce from scrub like novelty tunes from the fifties. Early in the morning ravens grind woodenly. . . . No matter how slowly I jog, on the headland butterflies spring from my feet in clumps, first azures and orange crescents, then wood nymphs, and finally over the lowlands near the Beaver River outlet cabbage whites spiraling, dizzy with mating.

Indian Summer is the newest collection of personal essays by Sam Pickering. In typical Pickering fashion, he seeks to capture the gift of living. He brings to the page again his family, students, and a wealth of country characters who live in places that exist only in his imagination and who wander through the stories he tells.

            He describes how his life has been altered by his children leaving home for college, and he ponders the changes aging brings and the things that never change. The consummate teacher, he celebrates academic life and the pleasures of the classroom. Readers will roam familiar ground with Pickering as he explores the fields and small hills of eastern Connecticut and the bogs and woods on his farm in Nova Scotia.
            Indian Summer celebrates hearing and seeing. Butterflies tumble across the pages, flowers bloom and wilt, and dragonflies glitter like stained glass in the sunlight. Pickering teaches us to value our words and to laugh at the world around us. His musings mirror his desire for his readers to appreciate life a little more after exploring this book.
 
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Indianizing Film
Decolonization, the Andes, and the Question of Technology
Schiwy, Freya
Rutgers University Press, 2009
Latin American indigenous media production has recently experienced a noticeable boom, specifically in Bolivia, Ecuador, and Colombia. Indianizing Film zooms in on a selection of award-winning and widely influential fiction and docudrama shorts, analyzing them in the wider context of indigenous media practices and debates over decolonizing knowledge. Within this framework, Freya Schiwy approaches questions of gender, power, and representation.

Schiwy argues that instead of solely creating entertainment through their work indigenous media activists are building communication networks that encourage interaction between diverse cultures. As a result, mainstream images are retooled, permitting communities to strengthen their cultures and express their own visions of development and modernization. Indianizing Film encourages readers to consider how indigenous media contributes to a wider understanding of decolonization and anticolonial study against the universal backdrop of the twenty-first century.

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Indians on Indian Lands
Intersections of Race, Caste, and Indigeneity
Nishant Upadhyay
University of Illinois Press, 2024

Nishant Upadhyay unravels Indian diasporic complicity in its ongoing colonialist relationship with Indigenous peoples, lands, and nations in Canada. Upadhyay examines the interwoven and simultaneous areas of dominant Indian caste complicity in processes of settler colonialism, antiblackness, capitalism, brahminical supremacy, Hindu nationalism, and heteropatriarchy. Resource extraction in British Columbia in the 1970s–90s and in present-day Alberta offer examples of spaces that illuminate the dispossession of Indigenous peoples and simultaneously reveal racialized, gendered, and casted labor formations. Upadhyay juxtaposes these extraction sites with examples of anticolonial activism and solidarities from Tkaronto. Analyzing silence on settler colonialism and brahminical caste supremacy, Upadhyay upends the idea of dominant caste Indian diasporas as racially victimized and shows that claiming victimhood denies a very real complicity in enforcing other power structures. Exploring stories of quotidian proximity and intimacy between Indigenous and South Asian communities, Upadhyay offers meditations on anticolonial and anti-casteist ways of knowledge production, ethical relationalities, and solidarities.

Groundbreaking and ambitious, Indians on Indian Lands presents the case for holding Indian diasporas accountable for acts of violence within a colonial settler nation.

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Indigeneity in Real Time
The Digital Making of Oaxacalifornia
Ingrid Kummels
Rutgers University Press, 2023
Long before the COVID-19 crisis, Mexican Indigenous peoples were faced with organizing their lives from afar, between villages in the Oaxacan Sierra Norte and the urban districts of Los Angeles, as a result of unauthorized migration and the restrictive border between Mexico and the United States. By launching cutting-edge Internet radio stations and multimedia platforms and engaging as community influencers, Zapotec and Ayuujk peoples paved their own paths to a transnational lifeway during the Trump era. This meant adapting digital technology to their needs, setting up their own infrastructure, and designing new digital formats for re-organizing community life in all its facets—including illness, death and mourning, collective celebrations, sport tournaments, and political meetings—across vast distances. Author Ingrid Kummels shows how mediamakers and users in the Sierra Norte villages and in Los Angeles created a transborder media space and aligned time regimes. By networking from multiple places, they put into practice a communal way of life called Comunalidad and an indigenized American Dream—in real time.
 
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Individual and Community
Variations on a Theme in American Fiction
Kenneth H. Baldwin and David Kirby, eds.
Duke University Press, 1975
The contributors to Individual and Community attempt to illuminate aspects of the individual-community relationship. Though different in focus and approach, the essays themselves express a "community" of concern, a concern which includes not just the situations of characters in fictional worlds, but one which touches the relationship of both novelists and reader to a world of words.
The essays are intended to point to the continuity of an important theme in American fiction and to offer insight into the variety of philosophical and literary strategies utilized in significant works of significant authors in dealing with the question of the individual and the community.
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Indonesian Notebook
A Sourcebook on Richard Wright and the Bandung Conference
Brian Russell Roberts and Keith Foulcher, editors
Duke University Press, 2016
While Richard Wright's account of the 1955 Bandung Conference has been key to shaping Afro-Asian historical narratives, Indonesian accounts of Wright and his conference attendance have been largely overlooked. Indonesian Notebook contains myriad documents by Indonesian writers, intellectuals, and reporters, as well as a newly recovered lecture by Wright, previously published only in Indonesian. Brian Russell Roberts and Keith Foulcher introduce and contextualize these documents with extensive background information and analysis, showcasing the heterogeneity of postcolonial modernity and underscoring the need to consider non-English language perspectives in transnational cultural exchanges. This collection of primary sources and scholarly histories is a crucial companion volume to Wright'sThe Color Curtain.
 
 
 

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Industrial Poetics
Demo Tracks for a Mobile Culture
Joe Amato
University of Iowa Press, 2006
Through a dizzying array of references to subjects ranging from engineering to poetry, on-the-job experiences in academia and industry, conflicts between working-class and intellectual labor, the privatization of universities, and the contradictions of the modern environment, Joe Amato’s Industrial Poetics mounts a boisterous call for poetry communities to be less invested in artistic self-absorption and more concerned about social responsibility.s Amato focuses on the challenges faced by American poets in creating a poetry that speaks to a public engineered into complacency by those industrial technologies, practices, and patterns of thought that we cannot seem to do without, he brings readers face to face with the conflicting realities of U.S. intellectual, academic, and poetic culture.Formally adventurous and rhetorically lively, Industrial Poetics is best compared with the intellectually exploratory, speculative, risky, polemical work of other contemporary poet-critics including Kathleen Fraser, Joan Retallack, Bruce Andrews, Susan Howe, and Allen Grossman. Amato uses an exhilarating range of structural and rhetorical strategies: conventionally developed argument, abruptly juxtaposed aphorisms, personal narrative, manifesto-like polemic, and documentary reportage. With a critic’s sharply analytical mind, a poet’s verve, and a working-class intellectual’s sense of social justice, Amato addresses the many nonliterary institutions and environments in which poetry is inextricably embedded. By connecting poetry to industry in a lively demonstration against the platitudes and habitudes of the twentieth century, Amato argues for a reenergized and socially forceful poetics---an industrial poetics, rough edges and all. Jed Rasula writes, “I can’t say I pay much attention to talk radio, but this is what I imagine it might be like if the deejay were really smart, enviably well read, yet somehow retained the snarling moxie of the am format.”
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Industry and the Creative Mind
The Eccentric Writer in American Literature and Entertainment, 1790-1860
Sandra Tomc
University of Michigan Press, 2012

Industry and the Creative Mind takes a radically new look at the figure of the eccentric, alienated writer in American literature and entertainment from 1790 to 1860. Traditional scholarship takes for granted that the eccentric writer, modeled by such Romantic beings as Lord Byron and brought to life for American audiences by the gloomy person of Edgar Allan Poe, was a figure of rebellion against the excesses of modern commercial culture and industrial life. By contrast, Industry and the Creative Mind argues that in the United States myths of writerly moodiness, alienation, and irresponsibility predated the development of a commercial arts and entertainment industry and instead of forming a site of rebellion from this industry formed a bedrock for its development. Looking at the careers of a number of early American writers---Joseph Dennie, Nathaniel Parker Willis, Edgar Allan Poe, Fanny Fern, as well as a host of now forgotten souls who peopled the twilight worlds of hack fiction and industrial literature---this book traces the way in which early nineteenth-century American arts and entertainment systems incorporated writerly eccentricity in their "logical" economic workings, placing the mad, rebellious writer at the center of the industry's productivity and success.

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Inequalities of Love
College-Educated Black Women and the Barriers to Romance and Family
Averil Y. Clarke
Duke University Press, 2011
Inequalities of Love uses the personal narratives of college-educated black women to describe the difficulties they face when trying to date, marry, and have children. While conventional wisdom suggests that all women, regardless of race, must sacrifice romance and family for advanced educations and professional careers, Averil Y. Clarke’s research reveals that educated black women’s disadvantages in romance and starting a family are consequences of a system of racial inequality and discrimination. The author analyzes the accounts of black women who repeatedly return to incompatible partners as they lose hope of finding “Mr. Right” and reject unwed parenting because it seems to affirm a negative stereotype of black women’s sexuality that is inconsistent with their personal and professional identities. She uses national survey data to compare college-educated black women’s experiences of romance, reproduction, and family to those of less-educated black women and those of white and Hispanic women with degrees. She reports that degreed black women’s lives include less marriage and sex, and more unwanted pregnancy, abortion, and unwed childbearing than college-educated white and Hispanic women. Black women’s romantic limitations matter because they constitute deprivation and constraint in romance and because they illuminate important links between race, class, and gender inequality in the United States. Clarke’s discussion of the inequities that black women experience in romance highlights the connections between individuals’ sexual and reproductive decisions, their performance of professional or elite class identities, and the avoidance of racial stigma.
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Infidel Poetics
Riddles, Nightlife, Substance
Daniel Tiffany
University of Chicago Press, 2009

Poetry has long been regarded as the least accessible of literary genres. But how much does the obscurity that confounds readers of a poem differ from, say, the slang that seduces listeners of hip-hop?  Infidel Poetics examines not only the shared incomprensibilities of poetry and slang, but poetry's genetic relation to the spectacle of underground culture.

Charting connections between vernacular poetry, lyric obscurity, and types of social relations—networks of darkened streets in preindustrial cities, the historical underworld of taverns and clubs, the subcultures of the avant-garde—Daniel Tiffany shows that obscurity in poetry has functioned for hundreds of years as a medium of alternative societies.  For example, he discovers in the submerged tradition of canting poetry and its eccentric genres—thieves’ carols, drinking songs, beggars’ chants—a genealogy of modern nightlife, but also a visible underworld of social and verbal substance, a demimonde for sale.

Ranging from Anglo-Saxon riddles to Emily Dickinson, from the icy logos of Parmenides to the monadology of Leibniz, from Mother Goose to Mallarmé, Infidel Poetics offers an exhilarating account of the subversive power of obscurity in word, substance, and deed.

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Infinite Divisions
An Anthology of Chicana Literature
Tey Diana Rebolledo
University of Arizona Press, 1993
Given the explosive creativity shown by Chicana writers over the past two decades, this first major anthology devoted to their work is a major contribution to American letters. It highlights the key issues, motifs, and concerns of Mexican American women from 1848 to the present, and particularly reflects the modern Chicana's struggle for identity. Among the recurring themes in the collection is a re-visioning of foremothers such as the historical Malinche, the mythical Llorona, and pioneering women who settled the American Southwest from the sixteenth to twentieth centuries. Also included are historical documents on the lives, culture, and writings of Mexican American women in the nineteenth century, as well as oral histories recorded by the Federal Writers Project in the 1930s.

Through poetry, fiction, drama, essay, and other forms, this landmark volume showcases the talents of more than fifty authors, including Gloria E. Anzaldúa, Ana Castillo, Lorna Dee Cervantes, Denise Chávez, Sandra Cisneros, Pat Mora, Cherríe Moraga, and María Helena Viramontes.
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Infinity Pool
Jonathan Thirkield
University of Chicago Press, 2024
Moving through the realms of digital technologies, these poems cut to the core of our physical human experiences amid a virtually mediated world.
 
Diving through illusions and phantoms of virtual realms and into the human desire for boundless possibility, Infinity Pool charts the ways technologies have become embedded in our minds, bodies, and lives. Immersed in a world of data streams, neural nets, spider algorithms, and electronic terminals, Jonathan Thirkield’s poems plumb the dissonances and shrinking distances between ourselves and digital technologies, imagining what becomes of the fragile machinery of the human body amid a rapidly transforming world.
 
Thirkield turns to language as a mediator and explores infinity as a mathematical concept, a multiverse conceit, and a driver of the computational imagination. Traveling across the full spectrum of digital experience—from satellites crossing the edges of our solar system to microscopic bytes that operate beneath our perception—this collection is a testament to the future we imagine ourselves to be living through and to what happens when our escapist desires give way to the realities of birth, loss, parenthood, and sickness.
 
Through lyrical, narrative, and formal mutations, these poems cut through a decade of exponential technological growth, landing in the reality of our corporeal experiences: the isolation of chronic illness, the daunting journeys of children growing up today, and the hope that we can remain connected to each other no matter how tenuous the ties.
 
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The Infinity Room
Gary Fincke
Michigan State University Press, 2019
In The Infinity Room the reader will find polished, precise poems that are built around the author’s experiences of touring Nevada’s atomic bomb test sites, the Chernobyl disaster site, and Oak Ridge, as well as living for decades near Three Mile Island. These iconic landmarks of the threat of nuclear technology become more than talking points as they provide grounding for narratives of faith and skepticism from multiple viewpoints that employ science, religion, history, myth, politics, and popular culture, including a piece about the author’s experience as a student at Kent State at the time of the National Guard shooting. The poems here are tightly controlled but electric, dark yet vibrant with love and longing, and packed with memorable characters and places that are presented through a singular, lyrical voice that connects us to what it means to be human.
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Influenza and Inequality
One Town's Tragic Response to the Great Epidemic of 1918
Patricia J. Fanning
University of Massachusetts Press, 2010
The influenza epidemic of 1918 was one of the worst medical disasters in human history, taking close to thirty million lives worldwide in less than a year, including more than 500,000 in the United States. What made this pandemic even more frightening was the fact that it occurred when death rates for most common infectious diseases were diminishing. Still, an epidemic is not merely a medical crisis; it has sociological, psychological, and political dimensions as well. In Influenza and Inequality, Patricia J. Fanning examines these other dimensions and brings to life this terrible episode of epidemic disease by tracing its path through the town of Norwood, Massachusetts.

By 1918, Norwood was a small, ethnically diverse, industrialized, and stratified community. Ink, printing, and tanning factories were owned by wealthy families who lived privileged lives. These industries attracted immigrant laborers who made their homes in several ethnic neighborhoods and endured prejudice and discrimination at the hands of native residents. When the epidemic struck, the immigrant neighborhoods were most affected; a fact that played a significant role in the town's response—with tragic results.

This close analysis of one town's struggle illuminates how even well-intentioned elite groups may adopt and implement strategies that can exacerbate rather than relieve a medical crisis. It is a cautionary tale that demonstrates how social behavior can be a fundamental predictor of the epidemic curve, a community's response to crisis, and the consequences of those actions.
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Influx and Efflux
Writing Up with Walt Whitman
Jane Bennett
Duke University Press, 2020
In influx & efflux Jane Bennett pursues a question that was bracketed in her book Vibrant Matter: how to think about human agency in a world teeming with powerful nonhuman influences? “Influx & efflux”—a phrase borrowed  from Whitman's "Song of Myself"—refers to everyday movements whereby outside influences enter bodies, infuse and confuse their organization, and then exit, themselves having been transformed into something new. How to describe the human efforts involved in that process? What kinds of “I” and “we” can live well and act effectively in a world of so many other lively materialities? Drawing upon Whitman, Thoreau, Caillois, Whitehead, and other poetic writers, Bennett links a nonanthropocentric model of self to a radically egalitarian pluralism and also to a syntax and style of writing appropriate to the entangled world in which we live. The book tries to enact the uncanny process by which we “write up” influences that pervade, enable, and disrupt us.
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Informal Empire
Mexico And Central America In Victorian Culture
Robert D. Aguirre
University of Minnesota Press, 2004

Behind the ancient artifacts exhibited in our museums lies a secret past—of travel, desire, the quest for knowledge, and even theft. Such is the case with the objects of Mesoamerican culture so avidly collected, cataloged, and displayed by the British in the nineteenth century. Informal Empire recaptures the history of those artifacts from Mexico and Central America that stirred Victorian interest—a history that reveals how such objects and the cultures they embodied were incorporated into British museum collections, panoramas, freak shows, adventure novels, and records of imperial administrators.

Robert D. Aguirre draws on a wealth of previously untapped historical information to show how the British colonial experience in Africa and the Near East gave rise to an “informal imperialism” in Mexico and Central America. Aguirre’s work helps us to understand what motivated the British to beg, borrow, buy, and steal from peripheral cultures they did not govern. With its original insights, Informal Empire points to a new way of thinking about British imperialism and, more generally, about the styles and forms of imperialism itself.

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Infrastructures of Apocalypse
American Literature and the Nuclear Complex
Jessica Hurley
University of Minnesota Press, 2020

A new approach to the vast nuclear infrastructure and the apocalypses it produces, focusing on Black, queer, Indigenous, and Asian American literatures

Since 1945, America has spent more resources on nuclear technology than any other national project. Although it requires a massive infrastructure that touches society on myriad levels, nuclear technology has typically been discussed in a limited, top-down fashion that clusters around powerful men. In Infrastructures of Apocalypse, Jessica Hurley turns this conventional wisdom on its head, offering a new approach that focuses on neglected authors and Black, queer, Indigenous, and Asian American perspectives.

Exchanging the usual white, male “nuclear canon” for authors that include James Baldwin, Leslie Marmon Silko, and Ruth Ozeki, Infrastructures of Apocalypse delivers a fresh literary history of post-1945 America that focuses on apocalypse from below. Here Hurley critiques the racialized urban spaces of civil defense and reads nuclear waste as a colonial weapon. Uniting these diverse lines of inquiry is Hurley’s belief that apocalyptic thinking is not the opposite of engagement but rather a productive way of imagining radically new forms of engagement.

Infrastructures of Apocalypse offers futurelessness as a place from which we can construct a livable world. It fills a blind spot in scholarship on American literature of the nuclear age, while also offering provocative, surprising new readings of such well-known works as Atlas Shrugged, Infinite Jest, and Angels in America. Infrastructures of Apocalypse is a revelation for readers interested in nuclear issues, decolonial literature, speculative fiction, and American studies.

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Infrathin
An Experiment in Micropoetics
Marjorie Perloff
University of Chicago Press, 2021
Esteemed literary critic Marjorie Perloff reconsiders the nature of the poetic, examining its visual, grammatical, and sound components.
 
The “infrathin” was Marcel Duchamp’s playful name for the most minute shade of difference: that between the report of a gunshot and the appearance of the bullet hole, or between two objects in a series made from the same mold. “Eat” is not the same thing as “ate.” The poetic, Marjorie Perloff suggests, can best be understood as the language of infrathin. For in poetry, whether in verse or prose, words and phrases that are seemingly unrelated in ordinary discourse are realigned by means of sound, visual layout, etymology, grammar, and construction so as to “make it new.”
 
In her revisionist “micropoetics,” Perloff draws primarily on major modernist poets from Stein and Yeats to Beckett, suggesting that the usual emphasis on what this or that poem is “about,” does not do justice to its infrathin possibilities. From Goethe’s eight-line “Wanderer’s Night Song” to Eliot’s Four Quartets, to the minimalist lyric of Rae Armantrout, Infrathin is designed to challenge our current habits of reading and to answer the central question: what is it that makes poetry poetry?
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An Infuriating American
The Incendiary Arts of H. L. Mencken
Hal Crowther
University of Iowa Press, 2014
As American journalism shape-shifts into multimedia pandemonium and seems to diminish rapidly in influence and integrity, the controversial career of H. L. Mencken, the most powerful individual journalist of the twentieth century, is a critical text for anyone concerned with the balance of power between the free press, the government, and the corporate plutocracy. Mencken, the belligerent newspaperman from Baltimore, was not only the most outspoken pundit of his day but also, by far, the most widely read, and according to many critics the most gifted American writer ever nurtured in a newsroom—a vanished world of typewriter banks and copy desks that electronic advances have precipitously erased.

Nearly 60 years after his death, Mencken’s memory and monumental verbal legacy rest largely in the hands of literary scholars and historians, to whom he will always be a curious figure, unchecked and alien and not a little distasteful. No faculty would have voted him tenure. Hal Crowther, who followed in many of Mencken’s footsteps as a reporter, magazine editor, literary critic, and political columnist, focuses on Mencken the creator, the observer who turned his impressions and prejudices into an inimitable group portrait of America, painted in prose that charms and glowers and endures. Crowther, himself a working polemicist who was awarded the Baltimore Sun’s Mencken prize for truculent commentary, examines the origin of Mencken’s thunderbolts—where and how they were manufactured, rather than where and on whom they landed.

Mencken was such an outrageous original that contemporary writers have made him a political shuttlecock, defaming or defending him according to modern conventions he never encountered. Crowther argues that loving or hating him, admiring or despising him are scarcely relevant. Mencken can inspire and he can appall. The point is that he mattered, at one time enormously, and had a lasting effect on the national conversation. No writer can afford to ignore his craftsmanship or success, or fail to be fascinated by his strange mind and the world that produced it. This book is a tribute—though by no means a loving one—to a giant from one of his bastard sons.
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Inheriting The Land
Contemporary Voices from the Midwest
Mark Vinz
University of Minnesota Press, 1993

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Inhuman Citizenship
Traumatic Enjoyment and Asian American Literature
Juliana Chang
University of Minnesota Press, 2012

In Inhuman Citizenship, Juliana Chang claims that literary representations of Asian American domesticity may be understood as symptoms of America’s relationship to its national fantasies and to the “jouissance”—a Lacanian term signifying a violent yet euphoric shattering of the self—that both overhangs and underlies those fantasies. In the national imaginary, according to Chang, racial subjects are often perceived as the source of jouissance, which they supposedly embody through their excesses of violence, sexuality, anger, and ecstasy—excesses that threaten to overwhelm the social order.

To examine her argument that racism ascribes too much, rather than a lack of, humanity, Chang analyzes domestic accounts by Asian American writers, including Fae Myenne Ng’s Bone, Brian Ascalon Roley’s American Son, Chang-rae Lee’s Native Speaker, and Suki Kim’s The Interpreter. Employing careful reading and Lacanian psychoanalysis, Chang finds sites of excess and shock: they are not just narratives of trauma; they produce trauma as well. They render Asian Americans as not only the objects but also the vehicles and agents of inhuman suffering. And, claims Chang, these novels disturb yet strangely exhilarate the reader through characters who are objects of racism and yet inhumanly enjoy their suffering and the suffering of others.

Through a detailed investigation of “family business” in works of Asian American life, Chang shows that by identifying with the nation’s psychic disturbance, Asian American characters ethically assume responsibility for a national unconscious that is all too often disclaimed.

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The Injustice Never Leaves You
Anti-Mexican Violence in Texas
Monica Muñoz Martinez
Harvard University Press, 2020

Winner of the Caughey Western History Prize
Winner of the Robert G. Athearn Award
Winner of the Lawrence W. Levine Award
Winner of the TCU Texas Book Award
Winner of the NACCS Tejas Foco Nonfiction Book Award
Winner of the María Elena Martínez Prize
Frederick Jackson Turner Award Finalist


“A page-turner…Haunting…Bravely and convincingly urges us to think differently about Texas’s past.”
Texas Monthly

Between 1910 and 1920, self-appointed protectors of the Texas–Mexico border—including members of the famed Texas Rangers—murdered hundreds of ethnic Mexicans living in Texas, many of whom were American citizens. Operating in remote rural areas, officers and vigilantes knew they could hang, shoot, burn, and beat victims to death without scrutiny. A culture of impunity prevailed. The abuses were so pervasive that in 1919 the Texas legislature investigated the charges and uncovered a clear pattern of state crime. Records of the proceedings were soon filed away as the Ranger myth flourished.

A groundbreaking work of historical reconstruction, The Injustice Never Leaves You has upended Texas’s sense of its own history. A timely reminder of the dark side of American justice, it is a riveting story of race, power, and prejudice on the border.

“It’s an apt moment for this book’s hard lessons…to go mainstream.”
Texas Observer

“A reminder that government brutality on the border is nothing new.”
Los Angeles Review of Books

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Ink Trails II
Michigan's Famous and Forgotten Authors
Dave Dempsey
Michigan State University Press, 2016
From authors of bodice rippers and gallant figures to hometown poetry, hearty men, and tales of American originals, the history of literature in Michigan is deep and rich. The Wolverine State has been the birthplace, home, and inspiration to a tremendous number of men and women of letters, both the well-known and the obscure. Ink Trails II tells the stories of these fascinating and diverse writers whose talent is inextricably linked to Michigan.
Exploring the hidden treasures of otherwise forgotten authors while also acknowledging the Michigan-set stories of giants like Hemingway, Dave and Jack Dempsey delve into the state’s literary heritage, as robust, diverse, and inexhaustible as the natural beauty of the place that nurtured it. This second volume of “ink trails” continues to tell the story of the remarkable writers, powerful words, and sublime nature of Michigan in the same well-researched and entertaining prose as the first.
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Ink Trails
Michigan's Famous and Forgotten Authors
Dave Dempsey
Michigan State University Press, 2012

Long revered as the birthplace of many of the nation’s best-known authors, Michigan has also served as inspiration to countless others. In this entertaining and well-researched book—the first of its kind—the secrets, legends, and myths surrounding some of Michigan’s literary luminaries are explored. Which Michigan poet inspired a state law requiring teachers to assign at least one of his compositions to all students? Which young author emerged from the University of Michigan with a bestselling novel derided by some critics as “vulgar”? And from what Michigan city did Arthur Miller, Robert Frost, and Jane Kenyon draw vital inspiration? The answers to these questions and more are revealed in this rich literary history that highlights the diversity of those whose impact on letters has been indelible and distinctly Michiganian.

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Inland
Pamela Alexander
University of Iowa Press, 1997
Pamela Alexander's poetry is characterized by inventive language, scrupulous accuracy of imagery, and a winning fusion of the comic and the deeply serious. Her subjects vary as widely as her settings, which range from the New Hampshire woods to the Arizona desert. A family life eccentric to the point of chaos, close observations of wildlife, and coastal sailing are among the poet's topics.

Despite this variety, Inland has an emerging organization that suggests a kind of plot. The family is left behind in the way that families of origin always are, revealed fully only in perspective: “foghorns / in the harbor, two different pitches / at different intervals / repeating so often I didn't hear them / and their accidental harmonies / until I'd left town.” Shifting toward the subject of new relationships, in her diatribe against a past (and passing) lover Alexander gives a new twist to the fact that this subject has been fair game for poets for centuries: “...you could say hello, you canoe-footed fur-faced / musk ox, pockets full of cheese and acorns / and live fish and four-headed winds and sky...”

James Merrill, praising Alexander's first book, called it “a wonderful achievement. Her language is now simple, now playful, now extremely poignant.” This is an apt description of Inland as well, a book that shows Alexander in witty yet serious engagement with the world. The longest poem here, “Swallowing the Anchor” (the title is the sailors' term for giving up the sea), is also the most directly personal. It closes the section of the book in which the poet comes to terms with losses, including the death of the loved one. She does this with grace—and her wit is not jokes, her poignancy is not sentimentality.
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The Inordinate Eye
New World Baroque and Latin American Fiction
Lois Parkinson Zamora
University of Chicago Press, 2006
The Inordinate Eye traces the relations of Latin American painting, sculpture, architecture, and literature—the stories they tell each other and the ways in which their creators saw the world and their place in it. Moving from pre-Columbian codices and sculpture through New World Baroque art and architecture to Neobaroque theory and contemporary Latin American fiction, Lois Parkinson Zamora argues for an integrated understanding of visual and verbal forms.
 
The New World Baroque combines indigenous, African, and European forms of expression, and, in the early decades of the twentieth century, Latin American writers began to recuperate its visual structures to construct an alternative account of modernity, using its hybrid forms for the purpose of creating a discourse of “counterconquest”—a postcolonial self-definition aimed at disrupting entrenched power structures, perceptual categories, and literary forms.   

Z
amora engages this process, discussing a wide range of visual forms—Baroque façades and altarpieces, portraits of saints and martyrs (including the self-portraits of Frida Kahlo), murals from indigenous artisans to Diego Rivera—to elucidate works of fiction by Borges, Carpentier, Lezama Lima, Sarduy, Garro, García Márquez, and Galeano, and also to establish a critical perspective external to their work. Because visual media are “other” to the verbal economy of modern fiction, they serve these writers (and their readers) as oblique means by which to position their fiction culturally, politically, and aesthetically.
 
The first study of its kind in scope and ambition, The Inordinate Eye departs radically from most studies of literature by demonstrating how transcultural conceptions of the visual image have conditioned present ways of seeing and reading in Latin America.
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Inscrutable Eating
Asian Appetites and the Rhetorics of Racial Consumption
Jennifer Lin LeMesurier
The Ohio State University Press, 2023

“You are what you eat,” but what if you’re seen as a rat eater, bat lover, or MSG user? In Inscrutable Eating, Jennifer Lin LeMesurier considers how everyday assumptions about Asian food influence the perception of Asian and Asian American identity within the US racial landscape, demonstrating that beliefs about how certain people eat are inseparable from attitudes that support hierarchies around race, gender, and sexuality. 

Drawing on rhetorical theory, affect theory, and Asian American studies, LeMesurier analyzes messages in US popular culture about Asian eating to develop the concept of gut orientations: rhetorically dominant ways of interacting with food that scale upward to feelings of desire and disgust toward social groups. Looking at examples from fears around MSG to uproar over wet markets as the source of COVID-19, she argues that these “gut” reactions establish certain racial views as common-sense truths rather than cultural biases, reinforcing dominant norms about what belongs on whose plate, or who belongs at what table. In demystifying marginalizing discourse around food and eating, LeMesurier shows how exposing the tacit, felt ideas of consumption is necessary to contest broader forms of discrimination.

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Inside Colombia
Drugs, Democracy, and War
Livingstone, Grace
Rutgers University Press, 2004

The South American nation of Colombia has seen more than forty years of unrest, conflict, and civil war. It is a country in which social violence and warfare are intricately intertwined. Colombia is also notorious for its drug trade, being one of the leading producers of cocaine in the world, and for its central role as a staging ground for the U.S. “war on drugs.” Since 9/11 the Bush administration has sought to draw political links between the Colombian drug trade, guerrilla organizations, and terrorism.

Inside Colombia offers a valuable introduction and quick reference guide to this complex nation. With chapters devoted to history, human rights issues, the economy, drugs, the controversial antidrug intervention known as Plan Colombia, and relations with the United States, the book offers an easily accessible and comprehensive overview. Readers will learn about the major players in the conflicts, significant political figures, how Colombia’s economy has fared in the twentieth century, how the country’s geography influences its politics and economy, and how U.S. intervention shapes Colombia’s political scene.

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Insomnia Diary
Bob Hicok
University of Pittsburgh Press, 2004

“The most potent ingredient in virtually every one of Bob Hicok’s compact, well-turned poems is a laughter as old as humanity itself, a sweet waggery that suggests there’s almost no problem that can’t be solved by this poet’s gentle humor.”
New York Times Book Review

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Instead of Dying
Lauren Haldeman
University Press of Colorado, 2017
Invoking spiders and senators, physicists and aliens, Lauren Haldeman’s second book, Instead of Dying, decodes the world of death with a powerful mix of humor, epiphany, and agonizing grief. In the spirit of Calvino’s Invisible Cities, these poems compulsively imagine alternate realities for a lost sibling (“Instead of dying, they inject you with sunlight & you live” or “Instead of dying, you join a dog-sledding team in Quebec”), relentlessly recording the unlived possibilities that blossom from the purgative magical thinking of mourning. Whether she is channeling Google Maps Street View to visit a scene of murder (“Because / a picture of this place is / also a picture of you”) or investigating the origins of consciousness (“Yes, alien / life-forms exist / they are your thoughts”), Haldeman wrenches verse into new sublime forms, attempting to both translate the human experience as well as encrypt it, inviting readers into realms where we hover, plunge, rise again, and ascend.
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Instigations
Ezra Pound and Remy de Gourmont
Richard Sieburth
Harvard University Press, 1978

At the beginning of this century, Remy de Gourmont was the embodiment of the literary avant-garde, not only for urbane European writers but for “American imbeciles,” in Ezra Pound's term. As this book shows, Pound himself was one of the many young artists who learned from him. Gourmont was a brilliant teacher, and the breadth of his imagination and the scope of his interests had a special impact on Pound, whose “provincial” mind was moving in the same ways but without the so-called civilized places to go.

Instead of elaborately tracing influences or sources, Sieburth juxtaposes various aspects of Gourmont's and Pound's works in order to arrive at a better understanding of their individual achievements as “instigators.” In doing so, he reveals unexplored dimensions of Pound's development—from his early reading of vers fibre to his discovery, through Gourmont, of the French Enlightenment. Pound emerges as a modern-day philosophe, and Sieburth's reevaluation casts new light on Pound's complex political ideas and on difficult areas of the late Cantos.

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Institutions and Imaginaries
Edited by Stephanie Smith
School of the Art Institute of Chicago, 2014
Socially engaged art, though its transformative practice, shapes the institutions that surround it. And in a city famous for both its physical and political structures, few creative communities are as deeply intertwined with a city’s framework than those in Chicago.

This volume focuses on how artists and others have worked with, within, and sometimes in opposition to large Chicago institutions, such as public schools, universities, libraries, archives, museums, and other civic bodies. Drawing from a broad range of interdisciplinary sources, it explores the far-reaching effect of socially motivated art on urban life. It grounds recent history within a longer arc of civic self-fashioning, from the Columbian Exposition of 1893 to Jane Addams's Hull House to John Dewey's legacy in arts education. The collection also examines the relationship between the city’s image and the types of artistic work that flourish within its boundaries and resonate far beyond them.

Institutions and Imaginaries is part of the new Chicago Social Practice History series, edited by Mary Jane Jacob and Kate Zeller in the Department of Exhibitions and Exhibition Studies at the School of the Art Institute of Chicago (SAIC).
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Institutions of Reading
The Social Life of Libraries in the United States
Thomas Augst
University of Massachusetts Press, 2007
Tracing the evolution of the library as a modern institution from the late eighteenth century to the digital era, this book explores the diverse practices by which Americans have shared reading matter for instruction, edification, and pleasure. Writing from a rich variety of perspectives, the contributors raise important questions about the material forms and social shapes of American culture. What is a library? How have libraries fostered communities of readers and influenced the practice of reading in particular communities? How did the development of modern libraries alter the boundaries of individual and social experience, and define new kinds of public culture? To what extent have libraries served as commercial enterprises, as centers of power, and as places of empowerment for African Americans, women, and immigrants? Institutions of Reading offers at once a social history of literacy and leisure, an intellectual history of institutional and technological innovations that facilitated the mass distribution and consumption of printed books and periodicals, and a cultural history of the symbolic meanings and practical uses of reading in American life. In addition to the editors, contributors include Elizabeth Amann, Michael Baenen, James Green, Elizabeth McHenry, Barbara Mitchell, Christine Pawley, Janice Radway, James Raven, Karin Roffman, and Roy Rosenzweig.
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Instructions, Abject & Fuming
Julianna Baggott
Southern Illinois University Press, 2017
In this inventive collection, Julianna Baggott invites readers to reconsider basic assumptions about language, faith, motherhood, and love. With a sharply honed voice featuring parentheticals that often comment on and sometimes undercut what has come before, these poems whirl through contemporary America, engaging with topics as diverse and timely as Russian mail-order brides, Internet bullying, and school shootings.

Alongside her cultural commentary, the speaker frankly confronts love and sex, as well as the beauty and brutality of having children. Still other poems reflect questions and considerations of faith: the speaker ponders St. Thomas in a pet store and imagines Jesus explaining to God how it feels to have a body.

Baggott’s use of obsolete Old English words subverts common language and creates new ways of interrogating the world around us. There is heartache on these pages, but Baggott also offers humor, such as a complaint about a lover’s eating habits or an extended discourse on a baby’s rattle. Baggott’s latest proves to be a rollicking book sui generis.
 
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Instructions for My Mother’s Funeral
Laura Read
University of Pittsburgh Press, 2012
This collection is divided into three sections. The first opens with the speaker’s reflections on her childhood loss of her father and subsequent move to a new house and a new life, a life in which she is always alert to the absences and danger but also a life in which she begins to see language as a kind of salvation. This section also develops the speaker’s first knowledge of sex, primarily in the poems, “The Goose Girl” and “A Woman Was Raped Here.” The second section follows the speaker into adolescence and young adulthood, and these poems further explore the sexual violence in the world in which the speaker lives, and how this violence affects her own feelings toward sex and romantic love. In the third section, the book finds love, work, and family, and the poems in this section about motherhood echo back to the first section as the speaker’s own parenting is influenced by how difficult it is to love when you know people die.
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Instruments of the True Measure
Poems
Laura Da'
University of Arizona Press, 2018
Instruments of the True Measure charts the coordinates and intersections of land, history, and culture. Lyrical passages map the parallel lives of ancestral figures and connect dispossessions of the past to lived experiences of the present. Shawnee history informs the collection, and Da’s fascination with uncovering and recovering brings the reader deeper into the narrative of Shawnee homeland. Images of forced removal and frontier violence reveal the wrenching loss and reconfiguration of the Shawnee as a people. The body and history become lands that are measured and plotted with precise instruments.

Surveying and geography underpin the collection, but even as Da’ investigates these signifiers of measurement, she pushes the reader to interrogate their function within the stark atrocities of American history. Da’ laments this harsh dichotomy, observing that America’s mathematical point of beginning is located in the heart of her tribe’s homeland: “I do not have the Shawnee words to describe this place; the notation that is available to me is 40°38´32.61´´ N 80°31´9.76´´ W.”
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The Integrated Life
Essays, Sketches and Poems
Thomas P. Beyer
University of Minnesota Press, 1948

The Integrated Life was first published in 1948. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

This volume of essays and poems is representative of the work and life of their author, a professor of English at Hamline University and for any years chairman of the department.

Of the essays, some are personal, others works of literary appreciation, and still others discuss the profession of teaching, in particular the teaching of English; all reveal the man who wrote them.

At Hamlin Dr. Beyer and reading have been almost synonymous. He proposed the general reading course in 1921 and directed it for twelve years. Students alert to this form of inspiration found existing delight not only in the outside reading but in the discussions with faculty members which followed. Colleagues and off-campus friends also came under provocative influence of Dr. Beyer, and his guidance has been frequently and freely acknowledged.

When Dr. Beyer was honored in 1947 for his long fruitful association with Hamline University, a publication fund was established. It was unanimously agreed that a collection of Dr. Beyer's own essays, poems, and sketches should be the first venture. The Integrated Life is that volume. No attempt has been made to bring the material up to date. The collection appears as it was written—full of the flavor and wisdom of a truly honorable teacher and friend.

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Integrating the Gridiron
Black Civil Rights and American College Football
Demas, Lane
Rutgers University Press, 2011
Even the most casual sports fans celebrate the achievements of professional athletes, among them Jackie Robinson, Muhammad Ali, and Joe Louis. Yet before and after these heroes staked a claim for African Americans in professional sports, dozens of college athletes asserted their own civil rights on the amateur playing field, and continue to do so today.

Integrating the Gridiron, the first book devoted to exploring the racial politics of college athletics, examines the history of African Americans on predominantly white college football teams from the nineteenth century through today. Lane Demas compares the acceptance and treatment of black student athletes by presenting compelling stories of those who integrated teams nationwide, and illuminates race relations in a number of regions, including the South, Midwest, West Coast, and Northeast. Focused case studies examine the University of California, Los Angeles in the late 1930s; integrated football in the Midwest and the 1951 Johnny Bright incident; the southern response to black players and the 1955 integration of the Sugar Bowl; and black protest in college football and the 1969 University of Wyoming "Black 14." Each of these issues drew national media attention and transcended the world of sports, revealing how fans—and non-fans—used college football to shape their understanding of the larger civil rights movement.
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Integrating the Inner City
The Promise and Perils of Mixed-Income Public Housing Transformation
Robert J. Chaskin and Mark L. Joseph
University of Chicago Press, 2015
For many years Chicago’s looming large-scale housing projects defined the city, and their demolition and redevelopment—via the Chicago Housing Authority’s Plan for Transformation—has been perhaps the most startling change in the city’s urban landscape in the last twenty years. The Plan, which reflects a broader policy effort to remake public housing in cities across the country, seeks to deconcentrate poverty by transforming high-poverty public housing complexes into mixed-income developments and thereby integrating once-isolated public housing residents into the social and economic fabric of the city. But is the Plan an ambitious example of urban regeneration or a not-so-veiled effort at gentrification?

In the most thorough examination of mixed-income public housing redevelopment to date, Robert J. Chaskin and Mark L. Joseph draw on five years of field research, in-depth interviews, and volumes of data to demonstrate that while considerable progress has been made in transforming the complexes physically, the integrationist goals of the policy have not been met. They provide a highly textured investigation into what it takes to design, finance, build, and populate a mixed-income development, and they illuminate the many challenges and limitations of the policy as a solution to urban poverty. Timely and relevant, Chaskin and Joseph’s findings raise concerns about the increased privatization of housing for the poor while providing a wide range of recommendations for a better way forward.
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Integration or Separation?
A Strategy for Racial Equality
Roy L. Brooks
Harvard University Press, 1996

Integrated in principle, segregated in fact: is this the legacy of fifty years of "progress" in American racial policy? Is there hope for much better? Roy L. Brooks, a distinguished professor of law and a writer on matters of race and civil rights, says with frank clarity what few will admit--integration hasn't worked and possibly never will. Equally, he casts doubt on the solution that many African-Americans and mainstream whites have advocated: total separation of the races. This book presents Brooks's strategy for a middle way between the increasingly unworkable extremes of integration and separation.

Limited separation, the approach Brooks proposes, shifts the focus of civil rights policy from the group to the individual. Defined as cultural and economic integration within African-American society, this policy would promote separate schooling, housing, and business enterprises where needed to bolster the self-sufficiency of the community, without trammeling the racial interests of individuals inside or outside of the group, and without endangering the idea of a shared Americanness. But all the while Brooks envisions African-American public schools, businesses, and communities redesigned to serve the enlightened self-interest of the individual. Unwilling to give up entirely on racial integration, he argues that limited separation may indeed lead to improved race relations and, ultimately, to healthy integration.

This book appears at a crucial time, as Republicans dismantle past civil rights policies and Democrats search for new ones. With its alternative strategy and useful policy ideas for bringing individual African-Americans into mainstream society as first-class citizens, Integration or Separation? should influence debate and policymaking across the spectra of race, class, and political persuasion.

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