front cover of Glenway Wescott Personally
Glenway Wescott Personally
A Biography
Jerry Rosco
University of Wisconsin Press

As a writer, Glenway Wescott (1901–1987) left behind several novels, including The Grandmothers and The Pilgrim Hawk, noted for their remarkable lyricism. As a literary figure, Wescott also became a symbol of his times. Born on a Wisconsin farm in 1901, he associated as a young writer with Hemingway, Stein, and Fitzgerald in 1920s Paris and subsequently was a central figure in New York’s artistic and gay communities. Though he couldn’t finish a novel after the age of forty-five, he was just as famous as an arts impresario, as a diarist, and for the company he kept: W. H. Auden, Christopher Isherwood, Marianne Moore, Somerset Maugham, E. M. Forster, Joseph Campbell, and scores of other luminaries.
     In Glenway Wescott Personally, Jerry Rosco chronicles Wescott’s long and colorful life, his early fame and later struggles to write, the uniquely privileged and sometimes tortured world of artistic creation. Rosco sensitively and insightfully reveals Wescott’s private life, his long relationship with Museum of Modern Art curator Monroe Wheeler, his work with sex researcher Alfred Kinsey that led to breakthrough findings on homosexuality, and his kinship with such influential artists as Jean Cocteau, George Platt-Lynes, and Paul Cadmus.

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Grandmothers
A Family Portrait
With a New Introduction by Sargent Bush Jr.
University of Wisconsin Press, 1996
Glenway Wescott’s poignant story of nineteenth-century Wisconsin was first published in 1927 as the winner of the prestigious Harper Prize. Like F. Scott Fitzgerald and Ernest Hemingway, Wescott left the Midwest behind to live as a writer in 1920s Paris. In this novel, based on Wescott’s own life and family, the young Alwyn Tower leaves Wisconsin to travel in Europe, but finds himself haunted by a family of long-dead spirits—his grandparents and great-uncles and aunts, a generation whose young adulthood was shattered by the Civil War. Their images were preserved in fading family albums of daguerreotypes and in his own fragmented memories of stories told to him by his strong and enduring grandmothers. To disinter and finally lay to rest the family secrets that lingered insistently in his mind, Wescott writes, Alwyn was “obliged to live in imagination many lives already at an end.”
    The Grandmothers is the chronicle of Alwyn’s ancestors:  the bitter Henry Tower, who returned from Civil War battlefields to find his beautiful wife Serena lost in a fatal fever; Rose Hamilton, robust and eager, who yearned to leave the cabin of her bearded, squirrel-hunting brothers for the company of courteous Leander Tower; the boy-soldier Hilary Tower, whose worship of his brother made him desperate; fastidious Nancy Tower, whose love for her husband Jesse Davis could not overcome her disgust with the dirt under his fingernails; Ursula Duff, proud and silent, maligned among her neighbors by her venal husband; Alwyn’s parents, Ralph Tower and Marianne Duff, whose happiness is brought about only by the intervention of a determined spinster.
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A Gringa in Bogotá
Living Colombia's Invisible War
By June Carolyn Erlick
University of Texas Press, 2010

To many foreigners, Colombia is a nightmare of drugs and violence. Yet normal life goes on there, and, in Bogotá, it's even possible to forget that war still ravages the countryside. This paradox of perceptions—outsiders' fears versus insiders' realities—drew June Carolyn Erlick back to Bogotá for a year's stay in 2005. She wanted to understand how the city she first came to love in 1975 has made such strides toward building a peaceful civil society in the midst of ongoing violence. The complex reality she found comes to life in this compelling memoir.

Erlick creates her portrait of Bogotá through a series of vivid vignettes that cover many aspects of city life. As an experienced journalist, she lets the things she observes lead her to larger conclusions. The courtesy of people on buses, the absence of packs of stray dogs and street trash, and the willingness of strangers to help her cross an overpass when vertigo overwhelms her all become signs of convivencia—the desire of Bogotanos to live together in harmony despite decades of war. But as Erlick settles further into city life, she finds that "war in the city is invisible, but constantly present in subtle ways, almost like the constant mist that used to drip down from the Bogotá skies so many years ago."

Shattering stereotypes with its lively reporting, A Gringa in Bogotá is must-reading for going beyond the headlines about the drug war and bloody conflict.

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Guatemalan Journey
By Stephen Connely Benz
University of Texas Press, 1996

Guatemala draws some half million tourists each year, whose brief visits to the ruins of ancient Maya cities and contemporary highland Maya villages may give them only a partial and folkloric understanding of Guatemalan society. In this vividly written travel narrative, Stephen Connely Benz explores the Guatemala that casual travelers miss, using his encounters with ordinary Guatemalans at the mall, on the streets, at soccer games, and even at the funeral of massacre victims to illuminate the social reality of Guatemala today.

The book opens with an extended section on the capital, Guatemala City, and then moves out to the more remote parts of the country where the Guatemalan Indians predominate. Benz offers us a series of intelligent and sometimes humorous perspectives on Guatemala's political history and the role of the military, the country's environmental degradation, the influence of foreign missionaries, and especially the impact of the United States on Guatemala, from governmental programs to fast food franchises.

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