Death Underground: The Centralia and West Frankfort Mine Disasters examines two of the most devastating coal mine disasters in United States history since 1928. In two southern Illinois towns only forty miles apart, explosions killed 111 men at the Centralia No. 5 mine in 1947 and 119 men at the New Orient No. 2 mine in West Frankfort in 1951. Robert E. Hartley and David Kenney explain the causes of the accidents, identify who was to blame, and detail the emotional impact the disasters had on the survivors, their families, and their communities.
Politics at the highest level of Illinois government played a critical role in the conditions that led to the accidents. Hartley and Kenney address how safety was compromised when inspection reports were widely ignored by state mining officials and mine company supervisors. Highlighted is the role of Driscoll Scanlan, a state inspector at Centralia, who warned of an impending disaster but whose political enemies shifted the blame to him, ruining his career. Hartley and Kenney also detail the New Orient No. 2 mine explosion, the attempts at rescue, and the resulting political spin circulated by labor, management, and the state bureaucracy. They outline the investigation, the subsequent hearings, and the efforts in Congress to legislate greater mine safety.
Hartley and Kenney include interviews with the survivors, a summary of the investigative records, and an analysis of the causes of both mine accidents. They place responsibility for the disasters on individual mine owners, labor unions, and state officials, providing new interpretations not previously presented in the literature. Augmented by twenty-nine illustrations, the volume also covers the history, culture, and ethnic pluralism of coal mining in Illinois and the United States.
Dumbarton Oaks houses the extraordinary art collection begun by Mildred and Robert Woods Bliss. In this book the museum publishes the specialist collections in Byzantine and Pre-Columbian art, along with examples from the Blisses’ superb European collection, for the first time.
When Robert Bliss recalled handling a jade Olmec figurine in 1913, he said, “That day, the collector’s microbe took root in—it must be confessed—very fertile soil.” The Blisses’ passion for art bore fruit in a remarkably diverse collection: Flemish tapestries, Renaissance furniture, and paintings by the likes of El Greco, Renoir, and Degas. The celebrated Byzantine collection includes floor mosaics from late antique Antioch, sumptuous jewelry, carved ivory reliefs, liturgical silver, and a comprehensive coin and seals collection. The Pre-Columbian collection showcases fine jade carvings, gold jewelry, monumental sculpture, ritual weaponry, colorful ceramics, and intricately woven textiles.
The publication of this new guidebook coincides with the complete refurbishment of Dumbarton Oaks and the creative reinstallation of the galleries. The curators offer highlights of the collection, accompanied by a lucid and thought-provoking text. Dumbarton Oaks: The Collections is intended as a valuable resource and a pleasure to read for scholars and nonspecialists alike.
As she traces the lives of the Harings and their neighbors, Fabend focuses on their marriage and childbearing patterns, living conditions, agricultural methods, and relative economic position. She investigates inheritance patterns, concluding that the position of women deteriorated under English law. She is equally interested in the political and religious life of the family. The Harings formed a church fitting their Pietist beliefs, and this church became central to community life. Their theology encouraged them to question religious authority, which in turn fostered the questioning of political authority. Their community became a seedbed for revolutionary activity. Fabend examines the family's position in the Revolution--primarily patriot--and the losses they suffered in that conflict.
The Harings of colonial America were ideal yeoman farmers, a class that stood well in the social hierarchy of the day. They were industrious, they prospered, and they participated in the civic life of colonial America. But once the new republic formed, they were not very visible. Fabend argues that they maintained their "Dutchness" more consciously than ever after the Revolution, which hindered their full participation in public affairs. In some ways, the fifth and sixth generations were more Dutch than the early generations.
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