front cover of Andean Expressions
Andean Expressions
Art and Archaeology of the Recuay Culture
George F. Lau
University of Iowa Press, 2011
Flourishing from A.D. 1 to 700, the Recuay inhabited lands in northern Peru just below the imposing glaciers of the highest mountain chain in the tropics. Thriving on an economy of high-altitude crops and camelid herding, they left behind finely made artworks and grand palatial buildings with an unprecedented aesthetic and a high degree of technical sophistication. In this first in-depth study of these peoples, George Lau situates the Recuay within the great diversification of cultural styles associated with the Early Intermediate Period, provides new and significant evidence to evaluate models of social complexity, and offers fresh theories about life, settlement, art, and cosmology in the high Andes.
 
Lau crafts a nuanced social and historical model in order to evaluate the record of Recuay developments as part of a wider Andean prehistory. He analyzes the rise and decline of Recuay groups as well as their special interactions with the Andean landscape. Their  coherence was expressed as shared culture, community, and corporate identity, but Lau also reveals its diversity through time and space in order to challenge the monolithic characterizations of Recuay society pervasive in the literature today.
 
Many of the innovations in Recuay culture, revealed for the first time in this landmark volume, left a lasting impact on Andean history and continue to have relevance today. The author highlights the ways that material things intervened in ancient social and political life, rather than being merely passive reflections of historical change, to show that Recuay public art, exchange, technological innovations, warfare, and religion offer key insights into the emergence of social hierarchy and chiefly leadership and the formation, interaction, and later dissolution of large discrete polities. By presenting Recuay artifacts as fundamentally social in the sense of creating and negotiating relations among persons, places, and things, he recognizes in the complexities of the past an enduring order and intelligence that shape the contours of history.
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The Archaeology of Mural Painting at Pañamarca, Peru
Lisa Trever
Harvard University Press

The archaeological site of Pañamarca was once a vibrant center of religious performance and artistic practice within the ancient Moche world. During the seventh and eighth centuries CE, architects and mural painters created lofty temples and broad-walled plazas that were brilliantly arrayed with images of mythological heroes, monstrous creatures, winged warriors in combat, ritual processions, and sacrificial offerings.

This richly illustrated volume offers a nuanced account of the modern history of exploration, archaeology, and image making at Pañamarca; it also offers detailed documentation of the new fieldwork carried out by the authors at the site. That fieldwork led to the discoveries of 1,200-year-old mural paintings, presented here in detail for the first time. Created in a cultural context a thousand years before the use of written scripts, the art and architecture of Pañamarca cannot be studied via ancient histories or commentaries, but only through layers of physical evidence from archaeological excavations and documentation. This volume will serve as a definitive reference work on mural painting at Pañamarca, as well as a new primary resource for Pre-Columbian studies and for studies in global ancient art, architecture, and archaeology more broadly.

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From Two Republics to One Divided
Contradictions of Postcolonial Nationmaking in Andean Peru
Mark Thurner
Duke University Press, 2001
From Two Republics to One Divided examines Peru’s troubled transition from colonial viceroyalty to postcolonial republic from the local perspective of Andean peasant politics. Thurner’s reading of the Andean peasantry’s engagement and disengagement with the postcolonial state challenges long-standing interpretations of Peruvian and modern Latin American history and casts a critical eye toward Creole and Eurocentric ideas about citizenship and nationalism.
Working within an innovative and panoramic historical and linguistic framework, Thurner examines the paradoxes of a resurgent Andean peasant republicanism during the mid-1800s and provides a critical revision of the meaning of republican Peru’s bloodiest peasant insurgency, the Atusparia Uprising of 1885. Displacing ahistorical and nationalist readings of Inka or Andean continuity, and undermining the long-held notion that the colonial legacy is the dominant historical force shaping contemporary Andean reality, Thurner suggests that in Peru, the postcolonial legacy of Latin America’s nation-founding nineteenth century transfigured, and ultimately reinvented, the colonial legacy in its own image.
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