A SCHOLARLY BOOK REPOSITORY84 start with M start with M
Mansfield's aim is to discern Machiavelli's intention in writing the book: he argues that Machiavelli wanted to introduce new modes and orders in political philosophy in order to make himself the founder of modern politics. Mansfield maintains that Machiavelli deliberately concealed part of his intentions so that only the most perceptive reader could see beneath the surface of the text and understand the whole of his book. Previously out of print, Mansfield's penetrating study brings to light the hidden thoughts lurking in the details of the Discourses on Livy to inform and challenge its readers at every step along the way.
Ancient Greeks and Romans often turned to magic to achieve personal goals. Magical rites were seen as a route for direct access to the gods, for material gains as well as spiritual satisfaction. In this fascinating survey of magical beliefs and practices from the sixth century B.C.E. through late antiquity, Fritz Graf sheds new light on ancient religion.
Evidence of widespread belief in the efficacy of magic is pervasive: the contemporaries of Plato and Aristotle placed voodoo dolls on graves in order to harm business rivals or attract lovers. The Twelve Tables of Roman Law forbids the magical transference of crops from one field to another. Graves, wells, and springs throughout the Mediterranean have yielded vast numbers of Greek and Latin curse tablets. And ancient literature abounds with scenes of magic, from necromancy to love spells. Graf explores the important types of magic in Greco-Roman antiquity, describing rites and explaining the theory behind them. And he characterizes the ancient magician: his training and initiation, social status, and presumed connections with the divine world. With trenchant analysis of underlying conceptions and vivid account of illustrative cases, Graf gives a full picture of the practice of magic and its implications. He concludes with an evaluation of the relation of magic to religion. Magic in the Ancient World offers an unusual look at ancient Greek and Roman thought and a new understanding of popular recourse to the supernatural.
S. A. H. Kennell is Adjunct Professor of Classics, Memorial University of Newfoundland.
Distinguished historians of the ancient world analyze the earliest developments in human history and the rise of the first major civilizations, from the Middle East to India and China.
In this volume of the six-part History of the World series, Hans-Joachim Gehrke, a noted scholar of ancient Greece, leads a distinguished group of historians in analyzing prehistory, the earliest human settlements, and the rise of the world’s first advanced civilizations.
The Neolithic period—sometimes called the Agrarian Revolution—marked a turning point in human history. People were no longer dependent entirely on hunting animals and gathering plants but instead cultivated crops and reared livestock. This led to a more settled existence, notably along rivers such as the Nile, Tigris, Euphrates, Ganges, and Yangzi. Increased mastery of metals, together with innovations in tools and technologies, led to economic specialization, from intricate crafts to deadlier weapons, which contributed to the growth of village communities as well as trade networks. Family was the fundamental social unit, its relationships and hierarchies modeled on the evolving relationship between ruler and ruled. Religion, whether polytheist or monotheist, played a central role in shaping civilizations from the Persians to the Israelites. The world was construed in terms of a divinely ordained order: the Chinese imperial title Huangdi expressed divinity and heavenly splendor, while Indian emperor Ashoka was heralded as the embodiment of moral law.
From the latest findings about the Neanderthals to the founding of imperial China to the world of Western classical antiquity, Making Civilizations offers an authoritative overview of humanity’s earliest eras.
In his sixteen verse satires, Juvenal presents speakers who decry the breakdown in traditional Roman values and the status of Roman men as they are confronted by upstart foreigners, devious and deviant women, class traitors, the power of the imperial household, and even the body itself. The satirist castigates vice and immorality even as he revels in describing them. This book locates Juvenal’s targets among the matrices of birth, wealth, class, gender, and ethnicity and walks carefully through a number of his most arresting vignettes in order to show not only what, but how, he satirizes. Moreover, the analysis shows that Juvenal’s portraits sometimes escape his grasp, and, as often as not, he ends up undermining the voice with which he speaks and the values he claims to hold dear. Individual chapters look at the satirist himself, rebellious bodies, disgraced aristocrats, uppity (even murderous) wives, and the necessary but corrupting power of money. The conclusion considers the endurance of both the targets and the rhetoric behind them in the modern world.
Making Men Ridiculous will interest scholars and advanced students of ancient satire, later European satire, imperial Roman culture and literature, and class, gender, and sexuality in the ancient world.
Given their cultural, intellectual, and scientific achievements, surely the Greeks were able to approach their economic affairs in a rational manner like modern individuals? Since the nineteenth century, many scholars have argued that premodern people did not behave like modern businesspeople, and that the “stagnation” that characterized the economy prior to the Industrial Revolution can be explained by a prevailing noneconomic mentality throughout premodern (and nonwestern) societies. This view, which simultaneously extols the “sophistication” of the modern West, relegates all other civilizations to the status of economic backwardness.
But the evidence from ancient Athens, which is one of the best-documented societies in the premodern world, tells a very different story: one of progress, innovation, and rational economic strategies. Making Money in Ancient Athens examines in the most comprehensive manner possible the voluminous source material that has survived from Athens in inscriptions, private lawsuit speeches, and the works of philosophers like Aristotle and Plato. Inheritance cases that detail estate composition and investment choices, and maritime trade deals gone wrong, provide unparalleled glimpses into the specific factors that influenced Athenians at the level of the economic decision-making process itself, and the motivations that guided the specific economic transactions attested in the source material. Armed with some of the most thoroughly documented case studies and the richest variety of source material from the ancient Greek world, Michael Leese argues that the evidence overwhelmingly demonstrates that ancient Athenians achieved the type of long-term profit and wealth maximization and continuous reinvestment of profits into additional productive enterprise that have been argued as unique to (and therefore responsible for) the modern industrial-capitalist system.
What did it take to cause the Roman aristocracy to turn to Christianity, changing centuries-old beliefs and religious traditions? Michele Salzman takes a fresh approach to this much-debated question. Focusing on a sampling of individual aristocratic men and women as well as on writings and archeological evidence, she brings new understanding to the process by which pagan aristocrats became Christian, and Christianity became aristocratic.
Roman aristocrats would seem to be unlikely candidates for conversion to Christianity. Pagan and civic traditions were deeply entrenched among the educated and politically well-connected. Indeed, men who held state offices often were also esteemed priests in the pagan state cults: these priesthoods were traditionally sought as a way to reinforce one’s social position. Moreover, a religion whose texts taught love for one’s neighbor and humility, with strictures on wealth and notions of equality, would not have obvious appeal for those at the top of a hierarchical society. Yet somehow in the course of the fourth and early fifth centuries Christianity and the Roman aristocracy met and merged.
Examining the world of the ruling class—its institutions and resources, its values and style of life—Salzman paints a fascinating picture, especially of aristocratic women. Her study yields new insight into the religious revolution that transformed the late Roman Empire.
In this book, distinguished historian Robin Waterfield draws on his deep understanding of Greek history to bring us into the world of this complicated, splintered empire. He shows how, while Antigonus was confirming his Macedonian rule through constitutional changes, the Greeks were making moves toward independence. Two great confederacies of Greek cities emerged, forming powerful blocs that had the potential to resist the power of Macedon. The Making of a King charts Antigonus’s conflicts with the Greeks and with his perennial enemy, Ptolemy of Egypt. But Antigonus’s diplomatic and military successes were not enough to secure peace, and in his final years he saw his control of Greece whittled away by rebellion and the growing power of the Greek confederacies. Macedon’s lack of firm control over Greece ultimately made it possible for Rome to take its place as the arbiter of the Greeks’ future.
The Making of a King is Waterfield’s third volume about the Greeks in the era after Alexander the Great. Completing the story begun in his previous two books, Dividing the Spoils and Taken at the Flood, it brings Antigonus and his turbulent era to life. With The Making of a King—the first book in more than a century to tell in full the story of Antigonus Gonatas’s reign—this fascinating figure finally receives his due.
Ancient Egyptian history in Greek.
Manetho was an Egyptian of the third century BC. Born probably at Sebennytus in the Delta, he became a priest or high priest at Heliopolis. Apparently he and a Greek Timotheus did much to establish the cult of Serapis in Egypt. Eight works or parts of works were ascribed to him, all on history and religion and all apparently in Greek: Aegyptiaca, on the history of Egypt; The Sacred Book on Egyptian religion; An Epitome of Physical Doctrines; On Festivals; On Ancient Ritual and Religion; On the Making of Kyphi (an incense); The Criticisms of Herodotus; and the spurious Book of Sôthis. These survive only as quoted by other writers. This volume also contains the doubtful Kings of Thebes (in Egypt) and the Old Chronicle.
The cultural and demographic success of Christianity during this epoch lay in the ability of its leaders to recognize and respond to this crisis. Drawing on the tradition of gender ambiguity in early Christian teachings, which included Jesus's exhortation that his followers "make themselves eunuchs for the sake of the kingdom of heaven," Christian writers and thinkers crafted a new masculine ideal, one that took advantage of the changing social realities in Rome, inverted the Roman model of manliness, and helped solidify Christian ideology by reinstating the masculinity of its adherents.
In 401 B.C. the Middle East was as much the center of the world attention as it is today. Ten thousand Greeks joined the army of Cyros marching on Babylon to overthrow the great King of the Persians, Artaxerxes. Among the Greeks was an Athenian gentleman, Xenophon, who went along as a sightseer but soon found himself cast in the main role.
At Cunaxa, Cyros' forces met and resoundingly defeated the tremendous army of the King, but Cyros was killed while leading the attack. Stranded a thousand miles from home, the Greeks chose Xenophon as their new leader. The wealthy Athenian squire rose to the challenge. Using every trick of the pioneer in hostile territory, he brought his men back to safety. The March Up Country is a classic of courage and adventure.
Stoic musings of a philosopher-emperor at war.
Marcus Aurelius (AD 121–180), Roman emperor and Stoic philosopher, born at Rome, received training under his guardian and uncle emperor Antoninus Pius (reigned 138–161), who adopted him. He was converted to Stoicism and henceforward studied and practiced philosophy and law. A gentle man, he lived in agreement and collaboration with Antoninus Pius. He married Pius’ daughter and succeeded him as emperor in March 161, sharing some of the burdens with Lucius Verus.
Marcus’ reign soon saw fearful national disasters from flood, earthquakes, epidemics, threatened revolt (in Britain), a Parthian war, and pressure of barbarians north of the Alps. From 169 onwards he had to struggle hard against the German Quadi, Marcomani, Vandals, and others until success came in 174. In 175 (when Faustina died) he pacified affairs in Asia after a revolt by Avidius. War with Germans was renewed during which he caught some disease and died by the Danube in March 180.
The famous Meditations of Marcus Aurelius (not his title; he simply calls them “The matters addressed to himself”) are reflections written in periods of solitude during the emperor’s military campaigns. Originally intended for his private guidance and self-admonition, the Meditations have endured as a potent expression of Stoic belief. It is a central text for students of Stoicism as well as a unique personal guide to the moral life.
In The Mask of the Parasite, Cynthia Damon maintains that the parasite of Latin literature is a negative reflection of the cliens. In Part One she assembles a composite picture of the comic parasite using as evidence fragments of Greek comedy, works from Greek writers of the imperial period whose works reflect the comic tradition, and the ten complete plays of Roman comedy in which a parasite appears. In parts two and three she examines the ways in which Cicero and the satirists use the figure of the parasite: Cicero in belittling his opponents in court, Horace and Martial in creating a negative foil for the poeta cliens, Juvenal in painting contemporary patron/client relationships as morally and spiritually bankrupt.
The Mask of the Parasite is a fascinating study of the intersection of literature and society in ancient Rome. However, neither the parasite nor patronage is confined to the Roman world. Students of classical studies as well as students of literature and cultural studies will find this to be a work of utmost importance in understanding these complex issues of human interaction.
Cynthia Damon is Assistant Professor of Classics, Amherst College
Readers of Herodotus’s Histories are familiar with its reports of bizarre portents, riddling oracles, and striking dreams. But Herodotus draws our attention to other types of signs too, beginning with human speech itself as a coded system that can manipulate and be manipulated. Objects, gifts, artifacts, markings, even the human body, are all capable of being invested with meaning in the Histories and Herodotus shows that conventionally and culturally determined actions, gestures, and ritual all need decoding.
This book represents an unprecedented examination of signs and their interpreters, as well as the terminology Herodotus uses to describe sign transmission, reception, and decoding. Through his control and involvement in this process he emerges as a veritable “master of signs.”
The interest in the performance of ancient Greek poetry has grown dramatically in recent years. But the competitive dimension of Greek poetic performances, while usually assumed, has rarely been directly addressed. This study provides for the first time an in-depth examination of a central mode of Greek poetic competition—capping, which occurs when speakers or singers respond to one another in small numbers of verses, single verses, or between verse units themselves. With a wealth of descriptive and technical detail, Collins surveys the wide range of genres that incorporated capping, including tragic and comic stichomythia, lament, forms of Platonic dialectic and dialogue, the sympotic performance of elegy, skolia, and related verse games, Hellenistic bucolic, as well as the rhapsodic performance of epic. Further, he examines historical evidence for actual performances as well as literary representations of live performances to explore how the features of improvisation, riddling, and punning through verse were developed and refined in different competitive contexts.
Anyone concerned with the performance of archaic and classical Greek poetry, or with the agonistic social, cultural, and poetic gamesmanship that prompted one performer to achieve "mastery" over another, will find this authoritative volume indispensable.
Materialising the Roman Empire defines an innovative research agenda for Roman archaeology, highlighting the diverse ways in which the Empire was made materially tangible in the lives of its inhabitants. The volume explores how material culture was integral to the process of imperialism, both as the Empire grew, and as it fragmented, and in doing so it provides up-to-date overviews of major topics in Roman archaeology.
Each chapter offers a thorough overview of a major field within the archaeology of the Roman Empire. The book’s authors explore the distinctive contribution that archaeology and the study of material culture can make to our understanding of the key institutions and fields of activity in the Roman Empire. The opening chapters address major technologies that, at first glance, appear to be mechanisms of integration across the Roman Empire: roads, writing, and coinage. The focus then shifts to the analysis of key social structures oriented around material forms and activities found all over the Roman world, such as trade, urbanism, slavery, craft production, and frontiers. Finally, the book extends to more abstract dimensions of the Roman world: art, empire, religion, and ideology, in which the significant themes remain the dynamics of power and influence. The whole builds towards a broad exploration of the nature of imperial power and the interconnections that stimulated new community identities and created new social divisions.
These three volumes deal with the Iron Age grave materials from Magdalenska gora, excavated by the Duchess Paul Friedrich von Mecklenburg-Schwerin. The Duchess of Mecklenburg, a member of an Austrian royal family with estates in Slovenia, conducted her excavations in the early years of the twentieth century. The materials from Magdalenska gora were purchased by the Peabody Museum in the 1930s.
Volume III presents data and analysis of the horse remains and human skeletal materials.
At the temple of Kom Ombo near Aswan, an enigmatic frieze depicts the deified pharaoh Imhotep receiving a set of elaborate implements, some of which strikingly resemble modern surgical instruments: side by side with eye-of-Horus amulets one finds what surely must be forceps. Evidence of the medical practice of ancient Egypt has come down to us not only in pictorial art but also in papyrus scrolls, in funerary inscriptions, and in the mummified bodies of ancient Egyptians themselves.
Bruno Halioua and Bernard Ziskind provide a comprehensive account of pharaonic medicine that is illuminated by what modern science has discovered about the lives (and deaths) of people from all walks of life--farmers, fishermen, miners, soldiers, scribes and priests, embalmers, construction workers, bakers, prostitutes. From mummies and medical papyri we are able to recognize the aches of osteoarthritis, imagine the occupational hazards faced by press-ganged stonemasons, and learn of the gynecological complaints of courtesans. In presenting these stories Halioua and Ziskind throw light on some of the most enduring questions about life and death in antiquity: about physicians whose skills predate Hippocrates by twenty-five centuries and were first made famous by Homer; about the remedies and techniques they employed, at once strange and strangely familiar; about the men, women, and children they treated; and about the diseases and injuries they were called upon to heal.
Ancient literature features many powerful narratives of madness, depression, melancholy, lovesickness, simple boredom, and the effects of such psychological states upon individual sufferers. Peter Toohey turns his attention to representations of these emotional states in the Classical, Hellenistic, and especially the Roman imperial periods in a study that illuminates the cultural and aesthetic significance of this emotionally charged literature. His probing analysis shows that a shifting representation of these afflicted states, and the concomitant sense of isolation from one's social affinities and surroundings, manifests a developing sense of the self and self-consciousness in the ancient world.
This book makes important contributions to a variety of disciplines including classical studies, comparative literature, literary and art history, history of medicine, history of emotions, psychiatry, and psychology.
Peter Toohey is Professor and Department Head of Greek and Roman Studies at the University of Calgary, Canada.
Socrates without Plato.
Xenophon (ca. 430 to ca. 354 BC), a member of a wealthy but politically quietist Athenian family and an admirer of Socrates, left Athens in 401 BC to serve as a mercenary commander for Cyrus the Younger of Persia, then joined the staff of King Agesilaus II of Sparta before settling in Elis and, in the aftermath of the battle of Leuctra in 371 BC, retiring to Corinth. His historical and biographical works, Socratic dialogues and reminiscences, and short treatises on hunting, horsemanship, economics, and the Spartan constitution are richly informative about his own life and times.
This volume collects Xenophon’s portrayals of his associate, Socrates. In Memorabilia (or Memoirs of Socrates) and in Oeconomicus, a dialogue about household management, we see the philosopher through Xenophon’s eyes. Here, as in the accompanying Symposium, we also obtain insight on life in Athens. The volume concludes with Xenophon’s Apology, an interesting complement to Plato’s account of Socrates’ defense at his trial.
Exemplary wisdom from ancient Rome.
Valerius Maximus compiled his handbook of notable deeds and sayings during the reign of Tiberius (AD 14–37). The collection was admired in antiquity and has recently been attracting renewed scholarly attention. Yet to date there has been no modern English translation of Memorable Doings and Sayings. This work is now added to the Loeb Classical Library, in two volumes, a freshly edited Latin text facing D. R. Shackleton Bailey’s pleasing and authoritative translation.
Valerius arranges his instructive examples in short chapters, each focused on a particular virtue, vice, religious practice, or traditional custom—including Omens, Dreams, Anger, Cruelty, Bravery, Fidelity, Gratitude, Friendship, Parental Love. The moral undercurrent of this collection is readily apparent. But Valerius tells us that the book’s purpose is simply practical: he decided to select worthwhile material from famous writers so that people looking for illustrative examples might be spared the trouble of research. Whatever the author’s intention, his book is an interesting source of information on Roman attitudes toward religion and moral values in the first century.
Exemplary wisdom from ancient Rome.
Valerius Maximus compiled his handbook of notable deeds and sayings during the reign of Tiberius (AD 14–37). The collection was admired in antiquity and has recently been attracting renewed scholarly attention. Yet to date there has been no modern English translation of Memorable Doings and Sayings. This work is now added to the Loeb Classical Library, in two volumes, a freshly edited Latin text facing D. R. Shackleton Bailey’s pleasing and authoritative translation.
Valerius arranges his instructive examples in short chapters, each focused on a particular virtue, vice, religious practice, or traditional custom—including Omens, Dreams, Anger, Cruelty, Bravery, Fidelity, Gratitude, Friendship, Parental Love. The moral undercurrent of this collection is readily apparent. But Valerius tells us that the book’s purpose is simply practical: he decided to select worthwhile material from famous writers so that people looking for illustrative examples might be spared the trouble of research. Whatever the author’s intention, his book is an interesting source of information on Roman attitudes toward religion and moral values in the first century.
Concern with memory permeated Roman literature, history, rhetorical training, and art and architecture. This is the first book to look at the phenomenon from a variety of perspectives, including cognitive science. There is no orthodoxy in memory studies and the approaches are both empirical and theoretical. A central issue is: who and what preserved and shaped cultural memory in Rome, and how did that process work? Areas and subjects covered include the Romans' view of the changing physical fabric of the city, monuments (by etymology related to memory) such as the Arch of Constantine, memory and the Roman triumph, Roman copies of Greek sculpture and their relation to memory, the importance of written information and of continuing process, the creation of memory in Republican memoirs and Flavian poetry, the invention of traditions, and the connection of cultural and digital memory.
The ten chapters present original findings that complement earlier scholarship from the perspective of memory and open up new horizons for inquiry. The introduction by volume editor Karl Galinsky situates the work within current studies on cultural and social memory, and the concluding chapter by Daniel Libeskind provides the perspective of a contemporary practitioner.
Additional contributors include Richard Jenkyns, Harriet I. Flower, T. P. Wiseman, Karl-J. Hölkeskamp, Gianpiero Rosati, Diane Favro, Jessica Hughes, Anna Anguissola, Lisa Marie Mignone, and Bernard Frischer.
Menander’s Misoumenos, or The Hated Man, is one of his most popular plays to have survived from classical times. Dating to approximately 300 BCE, it tells the story of a mercenary soldier and the captive girl he acquires while on campaign in Cyprus. The play follows the soldier’s growing despair as the girl spurns his advances and slowly turns against him, culminating in his suicidal thoughts.
The play belongs to the ancient genre of New Comedy, of which Menander was the acknowledged master. This edition presents a significantly updated text and the fullest English language translation of the play to date. It aims to restore as much as possible of the action of Misoumenos, reconstructing the language, stagecraft, and theatrical dialogue of the original based on hypothesis and reconstruction. Some sections can be restored nearly in full, permitting access to brilliantly original theatrical dialogue which had been lost for over two millennia. Apart from meter and sophisticated idiom, the themes of love, despair, and sadness that Menander treats are utterly timeless.
How to write a speech in ancient Greek.
This volume contains three rhetorical treatises dating probably from the reign of Diocletian (AD 285–312) that provide instruction on how to compose epideictic (display) speeches for a wide variety of occasions both public and private. Two are attributed to one Menander Rhetor of Laodicea (in southwestern Turkey); the third, known as the Ars Rhetorica, incorrectly to the earlier historian and literary critic Dionysius of Halicarnassus. These treatises derive from the schools of rhetoric that flourished in the Roman Empire from the second through fourth centuries AD in the Greek East. Although important examples of some genres of occasional prose were composed in the fifth and fourth centuries BC by Thucydides, Xenophon, Plato, and especially Isocrates, it was with the flowering of rhetorical prose during the so-called Second Sophistic in the second half of the second century AD that more forms were developed as standard repertoire and became exemplary.
Distinctly Hellenic and richly informed by the prose and poetry of a venerable past, these treatises are addressed to the budding orator contemplating a civic career, one who would speak for his city’s interests to the Roman authorities and be an eloquent defender of its Greek culture and heritage. They provide a window into the literary culture, educational values and practices, and social concerns of these Greeks under Roman rule, in both public and private life, and considerably influenced later literature both pagan and Christian.
This edition offers a fresh translation, ample annotation, and texts based on the best critical editions.
The master of New Comedy.
Menander (?344/3–292/1 BC) of Athens, the leading playwright of the New Comedy, wrote more than 100 plays. Many of his comedies were adapted by Roman dramatists. By the middle ages, however, his works were lost. Then, at the end of the nineteenth century, papyrus texts, preserved from antiquity by the dry heat of Egypt, began to be discovered. These have yielded so far one play virtually complete (Dyskolos), large continuous portions of four more (Aspis, Epitrepontes, Perikeiromene, Samia), and sizable chunks of many others. Menander remains a paradox: artificial plots based on unlikely but conventional coincidences, enlivened by individualized characters, realistic situations, and at times deeply moving dialogue.
Volume I of Geoffrey Arnott’s three-volume edition of Menander contains six plays, including Dyskolos (The Peevish Fellow), which won first prize in Athens in 317 BC, and Dis Exapaton (Twice a Swindler), the original of Plautus’ Two Bacchises. Ten plays are in Volume II, among them the recently published fragments of Misoumenos (The Man She Hated), which sympathetically presents the flawed relationship of a soldier and a captive girl; and the surviving half of Perikeiromene (The Girl with Her Hair Cut Short), a comedy of mistaken identity and lovers’ quarrel. Volume III begins with Samia (The Woman from Samos), which has come down to us nearly complete. Here too are the very substantial extant portions of Sikyonioi (The Sicyonians) and Phasma (The Apparition), as well as Synaristosai (Women Lunching Together), on which Plautus’ Cistellaria was based.
When Apuleius wrote his Metamorphoses, the novel--indeed the very concept of fiction in prose--was new. This study argues that Apuleius' repeated allusions to earlier Latin authors such as Vergil, Ovid, and Seneca represent an exploration on his part of the relationship between the novel and more established genres of the era. Apuleius' struggle with this tradition, Finkelpearl maintains, parallels the protagonist's move from an acceptance of the dominance of traditional forms to a sense of arrival and self- discovery.
An introductory chapter includes general discussion of the theory and practice of allusion. Finkelpearl then revisits the issues of parody in Apuleius. She also includes discussion of Apuleius' use of Vergil's Sinon, the Charite episode in relation to Apuleius' African origins, and the stepmother episode. Finally a new reading of Isis is offered, which emphasizes her associations with writing and matches the multiformity of the goddess with the novel's many voices.
This book will be of interest to scholars of literature and the origins of the novel, multiculturalism, and classical literature.
Ellen D. Finkelpearl is Associate Professor of Classics at Scripps College, Claremont, California.
The ancient Middle East was the theater of passionate interaction between Phoenicians, Aramaeans, Arabs, Jews, Greeks, and Romans. At the crossroads of the Mediterranean, Mesopotamia, and the Arabian peninsula, the area dominated by what the Romans called Syria was at times a scene of violent confrontation, but more often one of peaceful interaction, of prosperous cultivation, energetic production, and commerce--a crucible of cultural, religious, and artistic innovations that profoundly determined the course of world history.
Maurice Sartre has written a long overdue and comprehensive history of the Semitic Near East (modern Syria, Lebanon, Jordan, and Israel) from the eve of the Roman conquest to the end of the third century C.E. and the dramatic rise of Christianity. Sartre's broad yet finely detailed perspective takes in all aspects of this history, not just the political and military, but economic, social, cultural, and religious developments as well. He devotes particular attention to the history of the Jewish people, placing it within that of the whole Middle East.
Drawing upon the full range of ancient sources, including literary texts, Greek, Latin, and Semitic inscriptions, and the most recent archaeological discoveries, The Middle East under Rome will be an indispensable resource for students and scholars. This absorbing account of intense cultural interaction will also engage anyone interested in the history of the Middle East.
A focused, interdisciplinary examination of a tumultuous, history-making era
The Middle Maccabees lays out the charged, complicated beginnings of the independent Jewish state founded in the second century BCE. Contributors offer focused analyses of the archaeological, epigraphic, numismatic, and textual evidence, framed within a wider world of conflicts between the Ptolemies of Egypt, the Seleucids of Syria, and the Romans. The result is a holistic view of the Hasmonean rise to power that acknowledges broader political developments, evolving social responses, and the particularities of local history. Contributors include Uzi ‘Ad, Donald T. Ariel, Andrea M. Berlin, Efrat Bocher, Altay Coşkun, Benedikt Eckhardt, Gerald Finkielsztejn, Christelle Fischer-Bovet, Yuval Gadot, Erich Gruen, Sylvie Honigman, Jutta Jokiranta, Paul J. Kosmin, Uzi Leibner, Catharine Lorber, Duncan E. MacRae, Dvir Raviv, Helena Roth, Débora Sandhaus, Yiftah Shalev, Nitsan Shalom, Danny Syon, Yehiel Zelinger, and Ayala Zilberstein.
Features
- Up-to-date, generously illustrated essays analyzing the relevant archaeological remains
- A revised understanding of how local and imperial histories overlapped and intersected
- New analysis of the book of 1 Maccabees as a tool of Hasmonean strategic interest
Many people worship not just one but many gods. Yet a relentless prejudice against polytheism denies legitimacy to some of the world’s oldest and richest religious traditions. In her examination of polytheistic cultures both ancient and contemporary—those of Greece and Rome, the Bible and the Quran, as well as modern India—Page duBois refutes the idea that the worship of multiple gods naturally evolves over time into the “higher” belief in a single deity. In A Million and One Gods, she shows that polytheism has endured intact for millennia even in the West, despite the many hidden ways that monotheistic thought continues to shape Western outlooks.
In English usage, the word “polytheism” comes from the seventeenth-century writings of Samuel Purchas. It was pejorative from the beginning—a word to distinguish the belief system of backward peoples from the more theologically advanced religion of Protestant Christians. Today, when monotheistic fundamentalisms too often drive people to commit violent acts, polytheism remains a scandalous presence in societies still oriented according to Jewish, Christian, and Muslim beliefs. Even in the multicultural milieus of twenty-first-century America and Great Britain, polytheism finds itself marginalized. Yet it persists, perhaps because polytheism corresponds to unconscious needs and deeply held values of tolerance, diversity, and equality that are central to civilized societies.
Reviews of this book:
Magnificent' Assmann asks what meaning Egyptians obtained from their own constructions of their history. How did they incorporate the legacy of the past into the present. Using three approaches - archeological, mythic, and epigraphic or iconographic - Assmann takes us a chronological journey, starting with the formation of the unified state in about 3100 BC and going through the three great kingdoms. He ends in the late period with the final whimpers of Egyptian civilization. Assmann has looked closely into the mirror of the ancient intangible with telling effect. Every student of early civilization has something to learn from these pages, which will help cure us of intellectual myopia.
--Brian Fagan, The Los Angeles Times
Reviews of this book:
Assmann is attempting something far more ambitious than all the conventional books on Egypt. What he attempts to do is pen a psychological portrait of Egyptian culture. He asks questions that are normally avoided by ancient historians: What motivated the culture? How did it view the relationship between the individual and the universe surrounding him or her? What explanations did it provide for worldly events and reversals of fortune? The result is impressive. The Mind of Egypt marks the culmination of years of questioning about the past and the ways it can be conceptualized. Jan Assmann is close in some ways to being the Beethoven of Egyptology. The Mind of Egypt is a singular book that will provoke debate for a generation to come. It is essential reading for those who wish to call themselves Egyptologists, and it is an important intellectual contribution to the whole question of what constitutes history and historiography.
--John Ray, The American Scholar
Reviews of this book:
[This book's] aim--to examine the mainsprings of Egyptian civilisation and thereby to provide a 'psychological' portrait of Egyptian culture--is truly fascinating.
--History Today
Ancient Minoan culture has been typically viewed as an ancestor of classical Greek civilization, but this book shows that Minoan Crete was on the periphery of a powerfully dynamic cultural interchange with its neighbors. Rather than viewing Crete as the autochthonous ancestor of Greece's glory, Nanno Marinatos considers ancient Crete in the context of its powerful competitors to the east and south.
Analyzing the symbols of the Minoan theocratic system and their similarities to those of Syria, Anatolia, and Egypt, Marinatos unlocks many Minoan visual riddles and establishes what she calls a "cultural koine," or standard set of cultural assumptions, that circulated throughout the Near East and the eastern Mediterranean at the time Minoan civilization reached its peak. With more than one hundred and fifty illustrations, Minoan Kingship and the Solar Goddess delivers a comprehensive reading of Minoan art as a system of thought.
Two ill-fated rhetoricians.
Antiphon of Athens, born in 480 BC, spent his prime in the great period of Athens but, disliking democracy, was himself an ardent oligarch who with others set up a violent short-lived oligarchy in 411. The restored democracy executed him for treason. He had been a writer of speeches for other people involved in litigation. Of the fifteen surviving works three concern real murder cases. The others are exercises in speechcraft consisting of three tetralogies, each tetralogy comprising four skeleton speeches: accuser’s; defendant’s; accuser’s reply; defendant’s counter-reply.
Andocides of Athens, born ca. 440 BC, disliked the extremes of both democracy and oligarchy. Involved in religious scandal in 415 BC, he went into exile. After at least two efforts to return, he did so under the amnesty of 403. In 399 he was acquitted on a charge of profaning the Mysteries and in 391–390 took part in an abortive peace embassy to Sparta. Extant speeches are: On His Return (a plea on his second attempt); On the Mysteries (a self-defense); On the Peace with Sparta. The speech Against Alcibiades (the notorious politician) is suspect.
Four rhetoricians confronting Macedonian dominance.
This volume collects the speeches of four orators involved in the ill-fated resistance of Athens to the power of Philip and Alexander the Great of Macedon.
Lycurgus of Athens (ca. 396–325 BC) concentrated on domestic affairs, especially financial, which he managed for twelve years, and naval matters. He also constructed and repaired important public buildings. Athens refused to surrender him to Alexander and honored him until his death.
Dinarchus of Corinth (ca. 361–291) as resident alien in Athens became a forensic speaker and also assailed Demosthenes and others. He was accused by Alexander’s runaway treasurer Harpalus of corruption. Dinarchus favored oligarchic government under Macedonian control. He prospered under the regency of Demetrius of Phalerum (317–307), but was exiled after the restoration of democracy, returning circa 292.
Demades of Athens (ca. 380–318) was an able seaman, then unscrupulous politician. He favored Philip, but fought for Athens at Chaeronea (338). Captured there and released by Philip, he helped to make peace, and later influenced Alexander and then Antipater in Athens’ favor. But acceptance of bribes and his tortuous policy ruined him, and he was executed by Antipater.
Hyperides of Athens (ca. 390–322) was a forensic and political speaker who was hostile to Philip and led Athens’ patriots after 325. For resistance to Antipater he ultimately met death by violence. What survives today of his speeches was discovered in the nineteenth century.
A miscellany of mostly imperial verse.
This two-volume anthology covers a period of four and a half centuries, beginning with the work of the mime-writer Publilius Syrus who flourished ca. 45 BC and ending with the graphic and charming poem of Rutilius Namatianus recording a sea voyage from Rome to Gaul in AD 416. A wide variety of theme gives interest to the poems: hunting in a poem of Grattius; an inquiry into the causes of volcanic activity by the author of Aetna; pastoral poems by Calpurnius Siculus and by Nemesianus; fables by Avianus; a collection of Dicta, moral sayings, as if by the elder Cato; eulogy in Laus Pisonis; and the legend of the Phoenix, a poem of the fourth century. Other poets complete the work.
A miscellany of mostly imperial verse.
This two-volume anthology covers a period of four and a half centuries, beginning with the work of the mime-writer Publilius Syrus who flourished ca. 45 BC and ending with the graphic and charming poem of Rutilius Namatianus recording a sea voyage from Rome to Gaul in AD 416. A wide variety of theme gives interest to the poems: hunting in a poem of Grattius; an inquiry into the causes of volcanic activity by the author of Aetna; pastoral poems by Calpurnius Siculus and by Nemesianus; fables by Avianus; a collection of Dicta, moral sayings, as if by the elder Cato; eulogy in Laus Pisonis; and the legend of the Phoenix, a poem of the fourth century. Other poets complete the work.
Weaving together literary theory, philosophy, and social history, Bartsch traces this complex notion of self from Plato’s Greece to Seneca’s Rome. She starts by showing how ancient authors envisioned the mirror as both a tool for ethical self-improvement and, paradoxically, a sign of erotic self-indulgence. Her reading of the Phaedrus, for example, demonstrates that the mirroring gaze in Plato, because of its sexual possibilities, could not be adopted by Roman philosophers and their students. Bartsch goes on to examine the Roman treatment of the ethical and sexual gaze, and she traces how self-knowledge, the philosopher’s body, and the performance of virtue all played a role in shaping the Roman understanding of the nature of selfhood. Culminating in a profoundly original reading of Medea, The Mirror of the Self illustrates how Seneca, in his Stoic quest for self-knowledge, embodies the Roman view, marking a new point in human thought about self-perception.
Bartsch leads readers on a journey that unveils divided selves, moral hypocrisy, and lustful Stoics—and offers fresh insights about seminal works. At once sexy and philosophical, The Mirror of the Self will be required reading for classicists, philosophers, and anthropologists alike.
The premier scholar-poet of the Hellenistic age.
Callimachus (ca. 303–ca. 235 BC), a proud and well-born native of Cyrene in Libya, came as a young man to the court of the Ptolemies at Alexandria, where he composed poetry for the royal family; helped establish the Library and Museum as a world center of literature, science, and scholarship; and wrote an estimated 800 volumes of poetry and prose on an astounding variety of subjects, including the Pinakes, a descriptive bibliography of the Library’s holdings in 120 volumes. Callimachus’ vast learning richly informs his poetry, which ranges broadly and reworks the language and generic properties of his predecessors in inventive, refined, and expressive ways. The “Callimachean” style, combining learning, elegance, and innovation and prizing brevity, clarity, lightness, and charm, served as an important model for later poets, not least at Rome for Catullus, Virgil, Horace, Ovid, and the elegists, among others.
This edition, which replaces the earlier Loeb editions by A. W. Mair (1921) and C. A. Trypanis (1954, 1958), presents all that currently survives of and about Callimachus and his works, including the ancient commentaries (Diegeseis) and scholia. Volume I contains Aetia, Iambi, and lyric poems; Volume II Hecale, Hymns, and Epigrams; and Volume III miscellaneous epics and elegies, other fragments, and testimonia, together with concordances and a general index. The Greek text is based mainly on Pfeiffer’s but enriched by subsequently published papyri and the judgment of later editors, and its notes and annotation are fully informed by current scholarship.
Peru’s ancient Moche culture is represented in a magnificent collection of artifacts at Harvard’s Peabody Museum. In this richly illustrated volume, Jeffrey Quilter presents a fascinating introduction to this intriguing culture and explores current thinking about Moche politics, history, society, and religion.
Quilter utilizes the Peabody’s collection as a means to investigate how the Moche used various media, particularly ceramics, to convey messages about their lives and beliefs. His presentation provides a critical examination and rethinking of many of the commonly held interpretations of Moche artifacts and their imagery, raising important issues of art production and its role in ancient and modern societies.
The most up-to-date monograph available on the Moche—and the first extensive discussion of the Peabody Museum’s collection of Moche ceramics—this volume provides an introduction for the general reader and contributes to ongoing scholarly discussions. Quilter’s fresh reading of Moche visual imagery raises new questions about the art and culture of ancient Peru.
Jack the Ripper. Jeffrey Dahmer. John Wayne Gacy. Locusta of Gaul. If that last name doesn’t seem to fit with the others, it’s likely because our modern society largely believes that serial killers are a recent phenomenon. Not so, argues Debbie Felton—in fact, there’s ample evidence to show that serial killers stalked the ancient world just as they do the modern one.
Felton brings this evidence to light in Monsters and Monarchs, and in doing so, forces us to rethink the assumption that serial killers arise from problems unique to modern society. Exploring a trove of stories from classical antiquity, she uncovers mythological monsters and human criminals that fit many serial killer profiles: the highway killers confronted by the Greek hero Theseus, such as Procrustes, who tortured and mutilated their victims; the Sphinx, or “strangler,” from the story of Oedipus; child-killing demons and witches, which could explain abnormal infant deaths; and historical figures such as Locusta of Gaul, the most notorious poisoner in the early Roman Empire. Redefining our understanding of serial killers and their origins, Monsters and Monarchs changes how we view both ancient Greek and Roman society and the modern-day killers whose stories still captivate the public today.
Eclectic essays on ethics, education, and much else besides.
Plutarch (Plutarchus), ca. AD 45–120, was born at Chaeronea in Boeotia in central Greece, studied philosophy at Athens, and, after coming to Rome as a teacher in philosophy, was given consular rank by the emperor Trajan and a procuratorship in Greece by Hadrian. He was married and the father of one daughter and four sons. He appears as a man of kindly character and independent thought, studious and learned.
Plutarch wrote on many subjects. Most popular have always been the forty-six Parallel Lives, biographies planned to be ethical examples in pairs (in each pair, one Greek figure and one similar Roman), though the last four lives are single. All are invaluable sources of our knowledge of the lives and characters of Greek and Roman statesmen, soldiers and orators. Plutarch’s many other varied extant works, about sixty in number, are known as Moralia or Moral Essays. They are of high literary value, besides being of great use to people interested in philosophy, ethics, and religion.
The Loeb Classical Library edition of the Moralia is in fifteen volumes, volume XIII having two parts. Volume XVI is a comprehensive Index.
Eclectic essays on ethics, education, and much else besides.
Plutarch (Plutarchus), ca. AD 45–120, was born at Chaeronea in Boeotia in central Greece, studied philosophy at Athens, and, after coming to Rome as a teacher in philosophy, was given consular rank by the emperor Trajan and a procuratorship in Greece by Hadrian. He was married and the father of one daughter and four sons. He appears as a man of kindly character and independent thought, studious and learned.
Plutarch wrote on many subjects. Most popular have always been the forty-six Parallel Lives, biographies planned to be ethical examples in pairs (in each pair, one Greek figure and one similar Roman), though the last four lives are single. All are invaluable sources of our knowledge of the lives and characters of Greek and Roman statesmen, soldiers and orators. Plutarch’s many other varied extant works, about sixty in number, are known as Moralia or Moral Essays. They are of high literary value, besides being of great use to people interested in philosophy, ethics, and religion.
The Loeb Classical Library edition of the Moralia is in fifteen volumes, volume XIII having two parts. Volume XVI is a comprehensive Index.
Eclectic essays on ethics, education, and much else besides.
Plutarch (Plutarchus), ca. AD 45–120, was born at Chaeronea in Boeotia in central Greece, studied philosophy at Athens, and, after coming to Rome as a teacher in philosophy, was given consular rank by the emperor Trajan and a procuratorship in Greece by Hadrian. He was married and the father of one daughter and four sons. He appears as a man of kindly character and independent thought, studious and learned.
Plutarch wrote on many subjects. Most popular have always been the forty-six Parallel Lives, biographies planned to be ethical examples in pairs (in each pair, one Greek figure and one similar Roman), though the last four lives are single. All are invaluable sources of our knowledge of the lives and characters of Greek and Roman statesmen, soldiers and orators. Plutarch’s many other varied extant works, about sixty in number, are known as Moralia or Moral Essays. They are of high literary value, besides being of great use to people interested in philosophy, ethics, and religion.
The Loeb Classical Library edition of the Moralia is in fifteen volumes, volume XIII having two parts. Volume XVI is a comprehensive Index.
Eclectic essays on ethics, education, and much else besides.
Plutarch (Plutarchus), ca. AD 45–120, was born at Chaeronea in Boeotia in central Greece, studied philosophy at Athens, and, after coming to Rome as a teacher in philosophy, was given consular rank by the emperor Trajan and a procuratorship in Greece by Hadrian. He was married and the father of one daughter and four sons. He appears as a man of kindly character and independent thought, studious and learned.
Plutarch wrote on many subjects. Most popular have always been the forty-six Parallel Lives, biographies planned to be ethical examples in pairs (in each pair, one Greek figure and one similar Roman), though the last four lives are single. All are invaluable sources of our knowledge of the lives and characters of Greek and Roman statesmen, soldiers and orators. Plutarch’s many other varied extant works, about sixty in number, are known as Moralia or Moral Essays. They are of high literary value, besides being of great use to people interested in philosophy, ethics, and religion.
The Loeb Classical Library edition of the Moralia is in fifteen volumes, volume XIII having two parts. Volume XVI is a comprehensive Index.
Eclectic essays on ethics, education, and much else besides.
Plutarch (Plutarchus), ca. AD 45–120, was born at Chaeronea in Boeotia in central Greece, studied philosophy at Athens, and, after coming to Rome as a teacher in philosophy, was given consular rank by the emperor Trajan and a procuratorship in Greece by Hadrian. He was married and the father of one daughter and four sons. He appears as a man of kindly character and independent thought, studious and learned.
Plutarch wrote on many subjects. Most popular have always been the forty-six Parallel Lives, biographies planned to be ethical examples in pairs (in each pair, one Greek figure and one similar Roman), though the last four lives are single. All are invaluable sources of our knowledge of the lives and characters of Greek and Roman statesmen, soldiers and orators. Plutarch’s many other varied extant works, about sixty in number, are known as Moralia or Moral Essays. They are of high literary value, besides being of great use to people interested in philosophy, ethics, and religion.
The Loeb Classical Library edition of the Moralia is in fifteen volumes, volume XIII having two parts. Volume XVI is a comprehensive Index.
Eclectic essays on ethics, education, and much else besides.
Plutarch (Plutarchus), ca. AD 45–120, was born at Chaeronea in Boeotia in central Greece, studied philosophy at Athens, and, after coming to Rome as a teacher in philosophy, was given consular rank by the emperor Trajan and a procuratorship in Greece by Hadrian. He was married and the father of one daughter and four sons. He appears as a man of kindly character and independent thought, studious and learned.
Plutarch wrote on many subjects. Most popular have always been the forty-six Parallel Lives, biographies planned to be ethical examples in pairs (in each pair, one Greek figure and one similar Roman), though the last four lives are single. All are invaluable sources of our knowledge of the lives and characters of Greek and Roman statesmen, soldiers and orators. Plutarch’s many other varied extant works, about sixty in number, are known as Moralia or Moral Essays. They are of high literary value, besides being of great use to people interested in philosophy, ethics, and religion.
The Loeb Classical Library edition of the Moralia is in fifteen volumes, volume XIII having two parts. Volume XVI is a comprehensive Index.
Eclectic essays on ethics, education, and much else besides.
Plutarch (Plutarchus), ca. AD 45–120, was born at Chaeronea in Boeotia in central Greece, studied philosophy at Athens, and, after coming to Rome as a teacher in philosophy, was given consular rank by the emperor Trajan and a procuratorship in Greece by Hadrian. He was married and the father of one daughter and four sons. He appears as a man of kindly character and independent thought, studious and learned.
Plutarch wrote on many subjects. Most popular have always been the forty-six Parallel Lives, biographies planned to be ethical examples in pairs (in each pair, one Greek figure and one similar Roman), though the last four lives are single. All are invaluable sources of our knowledge of the lives and characters of Greek and Roman statesmen, soldiers and orators. Plutarch’s many other varied extant works, about sixty in number, are known as Moralia or Moral Essays. They are of high literary value, besides being of great use to people interested in philosophy, ethics, and religion.
The Loeb Classical Library edition of the Moralia is in fifteen volumes, volume XIII having two parts. Volume XVI is a comprehensive Index.
Eclectic essays on ethics, education, and much else besides.
Plutarch (Plutarchus), ca. AD 45–120, was born at Chaeronea in Boeotia in central Greece, studied philosophy at Athens, and, after coming to Rome as a teacher in philosophy, was given consular rank by the emperor Trajan and a procuratorship in Greece by Hadrian. He was married and the father of one daughter and four sons. He appears as a man of kindly character and independent thought, studious and learned.
Plutarch wrote on many subjects. Most popular have always been the forty-six Parallel Lives, biographies planned to be ethical examples in pairs (in each pair, one Greek figure and one similar Roman), though the last four lives are single. All are invaluable sources of our knowledge of the lives and characters of Greek and Roman statesmen, soldiers and orators. Plutarch’s many other varied extant works, about sixty in number, are known as Moralia or Moral Essays. They are of high literary value, besides being of great use to people interested in philosophy, ethics, and religion.
The Loeb Classical Library edition of the Moralia is in fifteen volumes, volume XIII having two parts. Volume XVI is a comprehensive Index.
Eclectic essays on ethics, education, and much else besides.
Plutarch (Plutarchus), ca. AD 45–120, was born at Chaeronea in Boeotia in central Greece, studied philosophy at Athens, and, after coming to Rome as a teacher in philosophy, was given consular rank by the emperor Trajan and a procuratorship in Greece by Hadrian. He was married and the father of one daughter and four sons. He appears as a man of kindly character and independent thought, studious and learned.
Plutarch wrote on many subjects. Most popular have always been the forty-six Parallel Lives, biographies planned to be ethical examples in pairs (in each pair, one Greek figure and one similar Roman), though the last four lives are single. All are invaluable sources of our knowledge of the lives and characters of Greek and Roman statesmen, soldiers and orators. Plutarch’s many other varied extant works, about sixty in number, are known as Moralia or Moral Essays. They are of high literary value, besides being of great use to people interested in philosophy, ethics, and religion.
The Loeb Classical Library edition of the Moralia is in fifteen volumes, volume XIII having two parts. Volume XVI is a comprehensive Index.
Eclectic essays on ethics, education, and much else besides.
Plutarch (Plutarchus), ca. AD 45–120, was born at Chaeronea in Boeotia in central Greece, studied philosophy at Athens, and, after coming to Rome as a teacher in philosophy, was given consular rank by the emperor Trajan and a procuratorship in Greece by Hadrian. He was married and the father of one daughter and four sons. He appears as a man of kindly character and independent thought, studious and learned.
Plutarch wrote on many subjects. Most popular have always been the forty-six Parallel Lives, biographies planned to be ethical examples in pairs (in each pair, one Greek figure and one similar Roman), though the last four lives are single. All are invaluable sources of our knowledge of the lives and characters of Greek and Roman statesmen, soldiers and orators. Plutarch’s many other varied extant works, about sixty in number, are known as Moralia or Moral Essays. They are of high literary value, besides being of great use to people interested in philosophy, ethics, and religion.
The Loeb Classical Library edition of the Moralia is in fifteen volumes, volume XIII having two parts. Volume XVI is a comprehensive Index.
Eclectic essays on ethics, education, and much else besides.
Plutarch (Plutarchus), ca. AD 45–120, was born at Chaeronea in Boeotia in central Greece, studied philosophy at Athens, and, after coming to Rome as a teacher in philosophy, was given consular rank by the emperor Trajan and a procuratorship in Greece by Hadrian. He was married and the father of one daughter and four sons. He appears as a man of kindly character and independent thought, studious and learned.
Plutarch wrote on many subjects. Most popular have always been the forty-six Parallel Lives, biographies planned to be ethical examples in pairs (in each pair, one Greek figure and one similar Roman), though the last four lives are single. All are invaluable sources of our knowledge of the lives and characters of Greek and Roman statesmen, soldiers and orators. Plutarch’s many other varied extant works, about sixty in number, are known as Moralia or Moral Essays. They are of high literary value, besides being of great use to people interested in philosophy, ethics, and religion.
The Loeb Classical Library edition of the Moralia is in fifteen volumes, volume XIII having two parts. Volume XVI is a comprehensive Index.
Eclectic essays on ethics, education, and much else besides.
Plutarch (Plutarchus), ca. AD 45–120, was born at Chaeronea in Boeotia in central Greece, studied philosophy at Athens, and, after coming to Rome as a teacher in philosophy, was given consular rank by the emperor Trajan and a procuratorship in Greece by Hadrian. He was married and the father of one daughter and four sons. He appears as a man of kindly character and independent thought, studious and learned.
Plutarch wrote on many subjects. Most popular have always been the forty-six Parallel Lives, biographies planned to be ethical examples in pairs (in each pair, one Greek figure and one similar Roman), though the last four lives are single. All are invaluable sources of our knowledge of the lives and characters of Greek and Roman statesmen, soldiers and orators. Plutarch’s many other varied extant works, about sixty in number, are known as Moralia or Moral Essays. They are of high literary value, besides being of great use to people interested in philosophy, ethics, and religion.
The Loeb Classical Library edition of the Moralia is in fifteen volumes, volume XIII having two parts. Volume XVI is a comprehensive Index.
Eclectic essays on ethics, education, and much else besides.
Plutarch (Plutarchus), ca. AD 45–120, was born at Chaeronea in Boeotia in central Greece, studied philosophy at Athens, and, after coming to Rome as a teacher in philosophy, was given consular rank by the emperor Trajan and a procuratorship in Greece by Hadrian. He was married and the father of one daughter and four sons. He appears as a man of kindly character and independent thought, studious and learned.
Plutarch wrote on many subjects. Most popular have always been the forty-six Parallel Lives, biographies planned to be ethical examples in pairs (in each pair, one Greek figure and one similar Roman), though the last four lives are single. All are invaluable sources of our knowledge of the lives and characters of Greek and Roman statesmen, soldiers and orators. Plutarch’s many other varied extant works, about sixty in number, are known as Moralia or Moral Essays. They are of high literary value, besides being of great use to people interested in philosophy, ethics, and religion.
The Loeb Classical Library edition of the Moralia is in fifteen volumes, volume XIII having two parts. Volume XVI is a comprehensive Index.
Eclectic essays on ethics, education, and much else besides.
Plutarch (Plutarchus), ca. AD 45–120, was born at Chaeronea in Boeotia in central Greece, studied philosophy at Athens, and, after coming to Rome as a teacher in philosophy, was given consular rank by the emperor Trajan and a procuratorship in Greece by Hadrian. He was married and the father of one daughter and four sons. He appears as a man of kindly character and independent thought, studious and learned.
Plutarch wrote on many subjects. Most popular have always been the forty-six Parallel Lives, biographies planned to be ethical examples in pairs (in each pair, one Greek figure and one similar Roman), though the last four lives are single. All are invaluable sources of our knowledge of the lives and characters of Greek and Roman statesmen, soldiers and orators. Plutarch’s many other varied extant works, about sixty in number, are known as Moralia or Moral Essays. They are of high literary value, besides being of great use to people interested in philosophy, ethics, and religion.
The Loeb Classical Library edition of the Moralia is in fifteen volumes, volume XIII having two parts. Volume XVI is a comprehensive Index.
Eclectic essays on ethics, education, and much else besides.
Plutarch (Plutarchus), ca. AD 45–120, was born at Chaeronea in Boeotia in central Greece, studied philosophy at Athens, and, after coming to Rome as a teacher in philosophy, was given consular rank by the emperor Trajan and a procuratorship in Greece by Hadrian. He was married and the father of one daughter and four sons. He appears as a man of kindly character and independent thought, studious and learned.
Plutarch wrote on many subjects. Most popular have always been the forty-six Parallel Lives, biographies planned to be ethical examples in pairs (in each pair, one Greek figure and one similar Roman), though the last four lives are single. All are invaluable sources of our knowledge of the lives and characters of Greek and Roman statesmen, soldiers and orators. Plutarch’s many other varied extant works, about sixty in number, are known as Moralia or Moral Essays. They are of high literary value, besides being of great use to people interested in philosophy, ethics, and religion.
The Loeb Classical Library edition of the Moralia is in fifteen volumes, volume XIII having two parts. Volume XVI is a comprehensive Index.
Eclectic essays on ethics, education, and much else besides.
Plutarch (Plutarchus), ca. AD 45–120, was born at Chaeronea in Boeotia in central Greece, studied philosophy at Athens, and, after coming to Rome as a teacher in philosophy, was given consular rank by the emperor Trajan and a procuratorship in Greece by Hadrian. He was married and the father of one daughter and four sons. He appears as a man of kindly character and independent thought, studious and learned.
Plutarch wrote on many subjects. Most popular have always been the forty-six Parallel Lives, biographies planned to be ethical examples in pairs (in each pair, one Greek figure and one similar Roman), though the last four lives are single. All are invaluable sources of our knowledge of the lives and characters of Greek and Roman statesmen, soldiers and orators. Plutarch’s many other varied extant works, about sixty in number, are known as Moralia or Moral Essays. They are of high literary value, besides being of great use to people interested in philosophy, ethics, and religion.
The Loeb Classical Library edition of the Moralia is in fifteen volumes, volume XIII having two parts. Volume XVI is a comprehensive Index.
Eclectic essays on ethics, education, and much else besides.
Plutarch (Plutarchus), ca. AD 45–120, was born at Chaeronea in Boeotia in central Greece, studied philosophy at Athens, and, after coming to Rome as a teacher in philosophy, was given consular rank by the emperor Trajan and a procuratorship in Greece by Hadrian. He was married and the father of one daughter and four sons. He appears as a man of kindly character and independent thought, studious and learned.
Plutarch wrote on many subjects. Most popular have always been the forty-six Parallel Lives, biographies planned to be ethical examples in pairs (in each pair, one Greek figure and one similar Roman), though the last four lives are single. All are invaluable sources of our knowledge of the lives and characters of Greek and Roman statesmen, soldiers and orators. Plutarch’s many other varied extant works, about sixty in number, are known as Moralia or Moral Essays. They are of high literary value, besides being of great use to people interested in philosophy, ethics, and religion.
The Loeb Classical Library edition of the Moralia is in fifteen volumes, volume XIII having two parts. Volume XVI is a comprehensive Index.
Over the past century, exploration and serendipity have uncovered mosaic after mosaic in the Near East--maps, historical images, mythical figures, and religious scenes that constitute an immense treasure of new testimony from antiquity. The stories these mosaics tell unfold in this brief, richly informed book by a preeminent scholar of the classical world.
G. W. Bowersock considers these mosaics a critical part of the documentation of the region's ancient culture, as expressive as texts, inscriptions on stone, and architectural remains. In their complex language, often marred by time, neglect, and deliberate defacement, he finds historical evidence, illustrations of literary and mythological tradition, religious icons, and monuments to civic pride. Eloquently evoking a shared vision of a world beyond the boundaries of individual cities, the mosaics attest to a persistent tradition of Greek taste that could embrace Judaism, Christianity, and Islam in a fundamentally Semitic land, and they suggest the extent to which these three monotheistic religions could themselves embrace Hellenism.
With copious color illustrations, Bowersock's efforts return us to Syrian Antioch, Arabia, Jewish and Samaritan settlements in Palestine, the Palmyrene empire in Syria, and the Nabataean kingdom in Jordan, and show us the overlay of Hellenism introduced by Alexander the Great as well as Roman customs imported by the imperial legions and governors. Attending to one of the most evocative languages of the ages, his work reveals a complex fusion of cultures and religions that speaks to us across time.
Standing at the very foundation of monotheism, and so of Western culture, Moses is a figure not of history, but of memory. As such, he is the quintessential subject for the innovative historiography Jan Assmann both defines and practices in this work, the study of historical memory--a study, in this case, of the ways in which factual and fictional events and characters are stored in religious beliefs and transformed in their philosophical justification, literary reinterpretation, philological restitution (or falsification), and psychoanalytic demystification.
To account for the complexities of the foundational event through which monotheism was established, Moses the Egyptian goes back to the short-lived monotheistic revolution of the Egyptian king Akhenaten (1360-1340 B.C.E.). Assmann traces the monotheism of Moses to this source, then shows how his followers denied the Egyptians any part in the origin of their beliefs and condemned them as polytheistic idolaters. Thus began the cycle in which every "counter-religion," by establishing itself as truth, denounced all others as false. Assmann reconstructs this cycle as a pattern of historical abuse, and tracks its permutations from ancient sources, including the Bible, through Renaissance debates over the basis of religion to Sigmund Freud's Moses and Monotheism. One of the great Egyptologists of our time, and an exceptional scholar of history and literature, Assmann is uniquely equipped for this undertaking--an exemplary case study of the vicissitudes of historical memory that is also a compelling lesson in the fluidity of cultural identity and beliefs.
Celebrate a trailblazer in the areas of women and re
Celebrate a trailblazer in the areas of women and religion, Jews and Judaism, and earliest Christianity in the ancient Mediterranean
Ross Kraemer is Professor Emerita in the Department of Religious Studies at Brown University. This volume of essays, conceived and produced by students, colleagues, and friends bears witness to the breadth of her own scholarly interests. Contributors include Theodore A. Bergren, Debra Bucher, Lynn Cohick, Mary Rose D’Angelo, Nathaniel P. DesRosiers, Robert Doran, Jennifer Eyl, Paula Fredriksen, John G. Gager, Maxine Grossman, Kim Haines-Eitzen, Susan Ashbrook Harvey, Jordan Kraemer, Robert A. Kraft, Shira L. Lander, Amy-Jill Levine, Susan Marks, E. Ann Matter, Renee Levine Melammed, Susan Niditch, Elaine Pagels, Adele Reinhartz, Jordan Rosenblum, Sarah Schwarz, Karen B. Stern, Stanley K. Stowers, Daniel Ullucci, Arthur Urbano, Heidi Wendt, and Benjamin G. Wright.Features:
- Articles that examine both ancient and modern texts in cross-cultural and trans-historical perspective
- Twenty-eight original essays on ancient Judaism, Christianity, and women in the Greco-Roman world
Motherhood played a central role in ancient Greece and Rome, despite the virtual absence of female participation in the public spheres of life. Mothers could wield enormous influence as the reproductive bodies of society and, in many cases, of culture. Yet motherhood and acts of mothering have received relatively little focused and sustained attention by modern scholars, who have concentrated almost exclusively on analyzing depictions of ancient women more generally.
In this volume, experts from across the humanities present a wealth of evidence from legal, literary, and medical texts, as well as art, architecture, ritual, and material culture, to reveal the multilayered dimensions of motherhood in both Greece and Rome and to confront the fact that not all mothers and acts of mothering can be easily categorized. The authors consider a variety of mothers—from the mythical to the real, from empress to prostitute, and from citizen to foreigner—to expose both the mundane and the ideologically charged lives of mothers in the Classical world. Some essays focus on motherhood as a largely private (emotional, intimate) experience, while others explore the ramifications of public, oftentimes politicized, displays of motherhood. This state-of-the art look at mothers and mothering in the ancient world also takes on a contemporary relevance as the authors join current debates on motherhood and suggest links between the lives of ancient mothers and the diverse, often conflicting roles of women in modern Western society.
The present study is the fruit of years of excavation and research by the author. The manuscript was largely sketched out when Martin Harrison unexpectedly passed away, and the volume has been finished and prepared for press by his long-time assistant Wendy Young, with further guidance from friends and colleagues with whom he had discussed the project.
The resulting volume explores Martin Harrison's belief that the coastal cities of Lycia declined after the fifth century C.E., and that smaller settlements (monasteries, villages, and towns) appeared in the mountains and further inland. In addition he considered that there was a demographic shift of masons and sculptors from the cities to serve these new settlements. This beautifully illustrated study provides convincing evidence from architecture, sculpture, and inscriptional sources to support this theory. It also contains a description of Amorium in Phrygia, as revealed in survey and excavation seasons from 1987 until the author's untimely death half a dozen years later. The volume includes a preface by Stephen Hill and an appendix by Michael Ballance and Charlotte Roueché on three special inscriptions from Ovacik.
The volume will be of interest to historians of the Near East and classical antiquity, to archaeologists, and to students of architectural history.
Martin Harrison was Professor of Archaeology, University of Oxford. Wendy Young was Research Assistant to the author until his death.
Graeme D. Bird examines a small group of early papyrus manuscripts of Homer’s Iliad, known as the Ptolemaic papyri, which, although fragmentary, are the oldest surviving physical evidence of the text of the Iliad, dating from the third to the first centuries BCE.
These papyri have been described as “eccentric” or even “wild” by some scholars. They differ significantly from the usual text of the Iliad, sometimes showing lines with different wording, at other times including so-called “interpolated” lines that are completely absent from our more familiar version.
Whereas some scholars denigrate these papyri because of their “eccentricity,” this book analyzes their unusual readings and shows that in fact they present authentic variations on the Homeric text, based on the variability characteristic of oral performance.
Once interred with mummified remains, nearly a thousand funerary portraits from Roman Egypt survive today in museums around the world, bringing viewers face-to-face with people who lived two thousand years ago. Until recently, few of these paintings had undergone in-depth study to determine by whom they were made and how.
An international collaboration known as APPEAR (Ancient Panel Paintings: Examination, Analysis, and Research) was launched in 2013 to promote the study of these objects and to gather scientific and historical findings into a shared database. The first phase of the project was marked with a two-day conference at the Getty Villa. Conservators, scientists, and curators presented new research on topics such as provenance and collecting, comparisons of works across institutions, and scientific studies of pigments, binders, and supports. The papers and posters from the conference are collected in this publication, which offers the most up-to-date information available about these fascinating remnants of the ancient world.
The free online edition of this open-access publication is available at www.getty.edu/publications/mummyportraits/ and includes zoomable illustrations and graphs. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.
From an acclaimed author comes a fascinating story of the life, marriage, and death of an all but forgotten Roman woman. Born to an illustrious Roman family in 125 CE, Regilla was married at the age of fifteen to Herodes, a wealthy Greek who championed his country's values at a time when Rome ruled.
Twenty years later--and eight months pregnant with her sixth child--Regilla died under mysterious circumstances, after a blow to the abdomen delivered by Herodes' freedman. Regilla's brother charged Herodes with murder, but a Roman court (at the urging of Marcus Aurelius) acquitted him. Sarah Pomeroy's investigation suggests that despite Herodes' erection of numerous monuments to his deceased wife, he was in fact guilty of the crime.
A pioneer in the study of ancient women, Pomeroy gathers a broad, unique array of evidence, from political and family history to Greco-Roman writings and archaeology, to re-create the life and death of Regilla. Teasing out the tensions of class, gender, and ethnicity that gird this story of marriage and murder, Pomeroy exposes the intimate life and tragedy of an elite Roman couple. Part archaeological investigation, part historical re-creation, and part detective story, The Murder of Regilla will appeal to all those interested in the private lives of the classical world and in a universal and compelling story of women and family in the distant past.
Embarking on a unique study of Roman criminal law, Judy Gaughan has developed a novel understanding of the nature of social and political power dynamics in republican government. Revealing the significant relationship between political power and attitudes toward homicide in the Roman republic, Murder Was Not a Crime describes a legal system through which families (rather than the government) were given the power to mete out punishment for murder.
With implications that could modify the most fundamental beliefs about the Roman republic, Gaughan's research maintains that Roman criminal law did not contain a specific enactment against murder, although it had done so prior to the overthrow of the monarchy. While kings felt an imperative to hold monopoly over the power to kill, Gaughan argues, the republic phase ushered in a form of decentralized government that did not see itself as vulnerable to challenge by an act of murder. And the power possessed by individual families ensured that the government would not attain the responsibility for punishing homicidal violence.
Drawing on surviving Roman laws and literary sources, Murder Was Not a Crime also explores the dictator Sulla's "murder law," arguing that it lacked any government concept of murder and was instead simply a collection of earlier statutes repressing poisoning, arson, and the carrying of weapons. Reinterpreting a spectrum of scenarios, Gaughan makes new distinctions between the paternal head of household and his power over life and death, versus the power of consuls and praetors to command and kill.
How the modern world understood the ancient Greeks and why they matter today.
The study of ancient Greece has been central to Western conceptions of history since the Renaissance. The Muse of History traces the shifting patterns of this preoccupation in the last three centuries, in which successive generations have reinterpreted the Greeks in the light of their contemporary worlds. Thus, in the eighteenth century, the conflict between Athens and Sparta became a touchstone in the development of republicanism, and in the nineteenth, Athens came to represent the democratic ideal. Amid the ideological conflicts of the twentieth century, the Greeks were imagined in an age of suffering, inspiring defenses against nationalism, Nazism, communism, and capitalism.
Oswyn Murray draws powerful conclusions from this historiography, using the ever-changing narrative of ancient Greece to illuminate grand theories of human society. Analyzing the influence of historians and philosophers including Hegel, Burckhardt, Nietzsche, and Braudel, Murray also considers how coming generations might perceive the Greeks. Along the way, The Muse of History offers rare behind-the-scenes glimpses of figures who shaped the study of ancient Greece, some devotedly cited to this day and others forgotten. We sit in on a class with Arnaldo Momigliano; meet Moses Finley after his arrival in England; eavesdrop on Paul Veyne, Jean-Pierre Vernant, and Pierre Vidal-Naquet; and rediscover Michel Foucault.
A thrilling work that rewrites established scholarly traditions and locates important ideas in unexpected places, The Muse of History reminds us that the meaning of the past is always made in and for the present.
A Foreign Affairs Best Book of the Year
In the century since the Muslim Brotherhood first emerged in Egypt, its idea of “the West” has remained a key driver of its behavior. From its founding, the Brotherhood stood opposed to the British Empire and Western cultural influence. Its leaders hoped to create more pristine, authentically Islamic societies. As British power gave way to American, the Brotherhood oscillated between anxiety about the West and the need to engage with it, while American and British officials struggled to understand the group, unsure whether to shun or embrace it.
The Muslim Brotherhood and the West offers the first comprehensive history of the relationship between the world’s largest Islamist movement and the powers that have dominated the Middle East for the past hundred years. Drawing on extensive archival research in London and Washington and the Brotherhood’s writings in Arabic and English, Martyn Frampton reveals the history of this charged relationship down to the eve of the Arab Spring. What emerges is an authoritative account of a story that is crucial to understanding one of the world’s most turbulent regions.
“Rigorous yet absorbing…Fills a crucial gap in the literature and will be essential reading not just for scholars, but for anyone seeking to understand the ever-problematic relationship between religion and politics in today’s Middle East.”
—Financial Times
“Breaks new ground by examining the links between the Egyptian Brotherhood’s relations with Britain and…the United States.”
—Times Literary Supplement
Here is a vividly written and fully illustrated assessment of the figured decoration on Late Bronze Age vessels from the Greek mainland, Cyprus, and the Aegean islands. It will become a standard source on the Mycenaean imagination.
Emily Vermeuele and Vassos Karageorghis describe the hunting scenes, chariots, sphinxes and griffins, bulls and birds, people dancing or fighting, and cult scenes on Mycenaean pottery. They analyze forms and styles, sources and influences, and the development of conventions. They relate what is known about the painters and their workshops, and the overseas trade. A catalogue of the 700 remaining whole and broken examples, now in museums around the world, is appended. Over 950 illustrations provide a comprehensive view of the art.
This study tells us much about Bronze Age civilization, and it opens the way to an understanding of the relationship of Greek art to figure drawing in pre-Classical times.
In Vergil's Aeneid, the poet implies that those who have been initiated into mystery cults enjoy a blessed situation both in life and after death. This collection of essays brings new insight to the study of mystic cults in the ancient world, particularly those that flourished in Magna Graecia (essentially the area of present-day Southern Italy and Sicily).
Implementing a variety of methodologies, the contributors to Mystic Cults in Magna Graecia examine an array of features associated with such "mystery religions" that were concerned with individual salvation through initiation and hidden knowledge rather than civic cults directed toward Olympian deities usually associated with Greek religion. Contributors present contemporary theories of ancient religion, field reports from recent archaeological work, and other frameworks for exploring mystic cults in general and individual deities specifically, with observations about cultural interactions throughout. Topics include Dionysos and Orpheus, the Goddess Cults, Isis in Italy, and Roman Mithras, explored by an international array of scholars including Giulia Sfameni Gasparro ("Aspects of the Cult of Demeter in Magna Graecia") and Alberto Bernabé ("Imago Inferorum Orphica"). The resulting volume illuminates this often misunderstood range of religious phenomena.
Myths, Muses and Mortals gives new insight into a multitude of life experiences in ancient Greece. The book introduces the lives of the ancient Greeks through extracts taken from a range of sources, including poems, plays, novels, histories, lawsuits, inscriptions, and private note tablets. The voices speak for themselves in fresh translation, but in addition, William Furley gives the narratives historical context and illuminates the literary genre in which they appear. The texts are grouped around important areas of life—love relations, travel and trade, social status, divine signs, daily events, warfare, philosophies, dress code, and private and public celebration—giving voice to the variety of lives experienced by the citizens of ancient Greece and an insight into the Greek mind.
The tradition of historical literature begun by Herodotus and Thucydides molded the early Greek novel. As the genre evolved, however, Greek novels moved away from their historical roots to become more heavily influenced by mythological traditions. Edmund Cueva's new book examines the literary uses to which the ancient novelists put their mythological material. His work offers a stimulating discussion of myths and their rise to prominence as the key feature of the fully developed Greek novel. He also takes into account the impact of the Roman conquest on the development of the Greek novel, the last true literary creation of the Greek world. The Myths of Fiction will interest scholars of Greek literarure, imperial history, literary myth, intertextuality, and comparative literature.
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