Though donkeys have historically been among our most useful domesticated animals—from plowing fields to navigating difficult terrain—they have been much maligned in popular culture and given very little respect. So much so, that their perceived qualities of stupidity and stubbornness have made their way into the language of insult. But in Donkey, Jill Bough champions this humble creature, proving that after 10,000 years of domestication, this incredibly hard-working animal deserves our appreciation.

Bough reveals the animal’s historic significance in Ancient Egypt, where it was once highly regarded—even worshipped. However, this elevated status did not endure in Ancient Greece and Rome, where donkeys were denigrated, ridiculed, and abused. Since that time, donkeys have continued to be associated with the poorest and most marginalized in human societies. All that time and all over the world, donkeys continue to be used for innumerable tasks, and even today, donkeys are considered to be one of the best draught animals in developing nations, where they continue to make a vital contribution. Bough rounds out her account with a look at the variety of social, cultural, and religious meanings that donkeys have embodied, especially in literature and art.

With accounts that are both fascinating and touching, this cultural history of the donkey will inspire a new respect and admiration for this essential creature.

Both fascinating and frightening, the spider has a rich symbolic presence in the imagination. At once a representative of death, due to its fangs and dangerous poison, the spider can also represent life and creation, because of its intricate web and females who carry sacs of thousands of tiny eggs. In this wide-ranging book, Katarzyna and Sergiusz Michalskiinvestigate the natural history and cultural significance of the spider.

            From ancient Greek myth to Dostoyevsky, the authors explore the appearance of spiders in literature and their depictions in art, paying particular attention to the sculptures of Louise Bourgeois. Horror stories, science fiction, folklore, and children’s tales are also investigated, as well as the affliction of arachnophobia and the procedures used to cure it. The association of the spider with women or mothers is explored alongside the role of the spider metaphor in Freudian and Jungian psychoanalysis, and the Michalskis’ in-depth account concludes with a look at the unfavorable portrayal of the sinister spider in film.

            A thorough and engaging look at the natural and cultural history of the spider, this book will appeal to anybody who admires or fears this delicate yet dangerous creature.