Since 9/11 there has been a cultural and political blossoming among those of the Afghan diaspora, especially in the United States, revealing a vibrant, active, and intellectual Afghan American community. And the success of Khaled Hosseni's The Kite Runner, the first work of fiction written by an Afghan American to become a bestseller, has created interest in the works of other Afghan American writers. One Story, Thirty Stories (or "Afsanah, Seesaneh," the Afghan equivalent of "once upon a time") collects poetry, fiction, essays, and selections from two blogs from thirty-three men and women—poets, fiction writers, journalists, filmmakers and video artists, photographers, community leaders and organizers, and diplomats. Some are veteran writers, such as Tamim Ansary and Donia Gobar, but others are novices and still learning how to craft their own "story," their unique Afghan American voice. The fifty pieces in this rich anthology reveal journeys in a new land and culture. They show people trying to come to grips with a life in exile, or they trace the migration maps of parents. They navigate the jagged landscape of the Soviet invasion, the civil war of the 1990s and the rise of the Taliban, and the ongoing American occupation.

The editors focus on contemporary Creole poetry that reflects the struggle for human rights in Haiti. The book is divided into three sections: Pioneers of Modern Haitian Creole poetry, beginning with the founder of modern Haitian Creole literature, Felix Morisseu-Leroy (19131998); the flowering of Haitian poetry as represented by the literary movement, "Society of Butterflies," some of whose members were jailed or exiled by the bloody Duvalier dictatorship; and the New Generation featuring primarily those poets in the Diaspora whose work has been published in the last 15 years.

While the art and craft of letter writing have declined in this century, letter stories have thrived. Cast as love letters and Dear John letters, as thank-you notes and suicide notes, as memos, letters to the editor, and exchanges with the United States Post Office, examples of epistolary fiction have been published by the hundreds, among them the work of many of our most notable authors. Why has this form of fiction writing remained so popular? As Gail Pool answers, "Who, after all, is immune to the seduction of reading other people's mail?"

Although epistolary fiction enjoyed its greatest popularity in the eighteenth and nineteenth centuries, a time when letters were central to daily life, this style of writing has a decidedly postmodern air. Letter stories are about communication, and they are effective in framing our modern concerns: the struggle to find meaningful stories, relationships, and lives amid the social and moral disarray of the era and the blurred boundaries between fact and fiction, artist and audience, private and public domains. These are the themes of our time, and the themes of the stories in Other People's Mail.

Offering seventeen stories written by a culturally diverse group of authors, Other People's Mail represents what letter tales, at their best, can do. They may be written from the Canadian wilderness, a private school in Geneva, a concentration camp, or beyond the grave. They may be comic or satirical, poignant or tragic, but all are united in their distinctive format.

The first collection of its kind, Other People's Mail is a unique and important anthology. Pool's highly informative introduction explores the nature of letter fiction, and her individual preface to each story provides background information on both the author and the tale. A select listing additional letter stories rounds out the anthology. Literature and writing instructors in search of a fresh approach to stories and readers looking for an anthology with a lively theme will enjoy this collection.

As a natural outgrowth from her anthology of contemporary American farm poems,Handspan of Red Earth, editor Catherine Webster has devoted herself over the past years to gathering this collection of farm poems from writers around the world. She has done her work with great energy, thoroughness, skill, and love.

Over This Soil urges us to preserve our farmlands, to increase our responsibilities of land stewardship, and to intelligently maintain the agricultural necessities of our lives. It is an important agricultural and literary document for our planet at this time.