Benjamin A. Steere’s compelling study explores the evolution of houses and households in the southeastern United States from the Woodland to the Historic Indian period (ca. 200 BC to 1800 AD).
The Archaeology of Houses and Households in the Native Southeast contributes enormously to the study of household archaeology and domestic architecture in the region. This significant volume combines both previously published and unpublished data on communities from the Southeast and is the first systematic attempt to understand the development of houses and households as interpreted through a theoretical framework developed from broad-ranging studies in cultural anthropology and archaeology.
Steere’s major achievement is the compilation of one of the largest and most detailed architectural datasets for the Southeast, including data for 1,258 domestic and public structures from 65 archaeological sites in North Carolina, Georgia, Alabama, Tennessee, Kentucky, and the southern parts of Missouri, Indiana, and Illinois. Rare data from hard-to-find cultural resource management reports is also incorporated, creating a broad temporal and geographic scope and serving as one of many remarkable features of the book, which is sure to be of considerable value to archaeologists and anthropologists interested in comparative studies of architecture.
Similar to other analyses, Steere’s research uses multiple theoretical angles and lines of evidence to answer archaeological questions about houses and the people who built them. However, unlike other examinations of household archaeology, this project spans multiple time periods (Woodland, Mississippian, and Historic); is focused squarely on the Southeast; features a more unified approach, using data from a single, uniform database; and privileges domestic architecture as a line of evidence for reconstructing daily life at major archaeological sites on a much broader scale than other investigations.
Taking the reader on an inward journey from façades to closets, from physical to psychic space, Architectural Involutions offers an alternative genealogy of theater by revealing how innovations in architectural writing and practice transformed an early modern sense of interiority. The book launches from a matrix of related “platforms”—a term that in early modern usage denoted scaffolds, stages, and draftsmen’s sketches—to situate Alberti, Shakespeare, Jonson, and others within a landscape of spatial and visual change.
As the English house underwent a process of inward folding, replacing a logic of central assembly with one of dissemination, the subject who negotiated this new scenography became a flashpoint of conflict in both domestic and theatrical arenas. Combining theory with archival findings, Mimi Yiu reveals an emergent desire to perform subjectivity, to unfold an interior face to an admiring public. Highly praised for its lucid writing, comprehensive supplementary material, and engaging tone, Architectural Involutions was the winner of the 2016 MLA Prize for Independent Scholars.
The American suburban dream house-a single-family, detached dwelling, frequently clustered in tight rows and cul-de-sacs-has been attacked for some time as homogeneous and barren, yet the suburbs are home to half of the American population. Architectural historian John Archer suggests the endurance of the ideal house is deeply rooted in the notions of privacy, property, and selfhood that were introduced in late seventeenth-century England and became the foundation of the American nation and identity.
Spanning four centuries, Architecture and Suburbia explores phenomena ranging from household furnishings and routines to the proliferation of the dream house in parallel with Cold War politics. Beginning with John Locke, whose Enlightenment philosophy imagined individuals capable of self-fulfillment, Archer examines the eighteenth-century British bourgeois villa and the earliest London suburbs. He recounts how early American homeowners used houses to establish social status and how twentieth-century Americans continued to flock to single-family houses in the suburbs, encouraged by patriotism, fueled by consumerism, and resisting disdain by disaffected youths, designers, and intellectuals. Finally, he recognizes “hybridized” or increasingly diverse American suburbs as the dynamic basis for a strengthened social fabric.
From Enlightenment philosophy to rap lyrics, from the rise of a mercantile economy to discussions over neighborhoods, sprawl, and gated communities, Archer addresses the past, present, and future of the American dream house.
John Archer is professor of cultural studies and comparative literature at the University of Minnesota. His book The Literature of British Domestic Architecture, 1715-1842, is the standard reference on the subject, and he also contributed to the Encyclopedia of Urban America and the Encyclopedia of Twentieth-Century Architecture.
Mumbai's textile industry is commonly but incorrectly understood to be an extinct relic of the past. In The Archive of Loss Maura Finkelstein examines what it means for textile mill workers—who are assumed not to exist—to live and work during a period of deindustrialization. Finkelstein shows how mills are ethnographic archives of the city where documents, artifacts, and stories exist in the buildings and in the bodies of workers. Workers' pain, illnesses, injuries, and exhaustion narrate industrial decline; the ways in which they live in tenements exist outside and resist the values expounded by modernity; and the rumors and untruths they share about textile worker strikes and a mill fire help them make sense of the industry's survival. In outlining this archive's contents, Finkelstein shows how mills, which she conceptualizes as lively ruins, become a lens through which to challenge, reimagine, and alter ways of thinking about the past, present, and future in Mumbai and beyond.
Salt Lake City’s oldest residential historic district is a neighborhood known as the Avenues. During the late nineteenth century this area was home to many of the most influential citizens of Salt Lake City. Built from 1860 until 1930, it contains a mix of middle and upper middle class homes of varying architectural styles. This architectural diversity makes the Avenues unique among Utah's historic districts. For the past thirty years, as citizens have rediscovered the value of living in historic properties near downtown and the University of Utah, preservation efforts have soared in the area.
In 1980, the Avenues was established as a historic district and the Utah Historical Society published The Avenues of Salt Lake City. That book’s authors, Karl T. Haglund and Philip F. Notarianni, gleaned much about the area’s history by using information found on the historic district applications. This newly revised edition of The Avenues of Salt Lake City by Cevan J. LeSieur updates the original with a greatly expanded section on the historic homes in the neighborhood, including more than 600 new photos, and additional material covering the history of the Avenues since 1980.
The book is designed so that readers can take it along as a guide when exploring the neighborhoods. All the pictures of Avenues homes are accompanied with architectural information and brief histories of the properties. This volume makes a valuable resource for those interested in the history of the Avenues and its diverse architecture, and for anyone interested in Utah history, Utah architecture, and historic preservation.
In central New Mexico, tourists admire the majestic ruins of old Spanish churches and historic pueblos at Abo, Quarai, and Gran Quivira in Salinas Pueblo Missions National Monument. The less-imposing remains of the earliest Indian farming settlements, however, have not attracted nearly as much notice from visitors or from professional archaeologists. In Constructing Community, Alison E. Rautman synthesizes over twenty years of research about this little-known period of early sedentary villages in the Salinas region.
Rautman tackles a very broad topic: how archaeologists use material evidence to infer and imagine how people lived in the past, how they coped with everyday decisions and tensions, and how they created a sense of themselves and their place in the world. Using several different lines of evidence, she reconstructs what life was like for the ancestral Pueblo Indian people of Salinas, and identifies some of the specific strategies that they used to develop and sustain their villages over time.
Examining evidence of each site’s construction and developing spatial layout, Rautman traces changes in community organization across the architectural transitions from pithouses to jacal structures to unit pueblos, and finally to plaza-oriented pueblos. She finds that, in contrast to some other areas of the American Southwest, early villagers in Salinas repeatedly managed their built environment to emphasize the coherence and unity of the village as a whole. In this way, she argues, people in early farming villages across the Salinas region actively constructed and sustained a sense of social community.
Domestic Architecture, Ethnicity, and Complementarity in the South-Central Andes is a comprehensive and challenging look at the burgeoning field of Andean domestic architecture. Aldenderfer and fourteen contributors use domestic architecture to explore two major topics in the prehistory of the south-central Andes: the development of different forms of complementary relationships between highland and lowland peoples and the definition of the ethnic affiliations of these peoples.
Ranging from picturesque cottages to Romantic manor houses, this illustrated survey of British domestic architecture in the Victorian era documents styles still popular today. André Goulancourt's superb photographs of urban, suburban, and country homes are combined with Gavin Stamp's commentary to unique effect. What emerges is not only a stunning visual record but also a lesson on the creative development of national and vernacular building traditions.
Stamp suggests that the characteristic features of British domestic design in this era were symbolic and interpretive as well as functional. Reacting against modern industrialism and materialism, Victorian builders, in tandem with the Arts and Crafts Movement in Britain, revived vernacular traditions. Emphasis was placed on the proper use of building materials found locally and on elements that would later recur in the American Prairie House: the heavy pitched roof and the oversized and centrally placed chimney and fireplace. A number of domestic styles that emerged during this period, such as the Shingle style and the Queen Anne style, were imported by American architects and clients who shared the Victorian reverence for home, privacy, and the family unit.
In addition to the interpretive text and catalog of eighty-seven buildings, The English House, 1860-1914 includes brief biographies of the sixty-three architects represented, including Pugin, Butterfield, Street, and Prior. Historians of both English and American architecture, as well as practicing architects and critics, will welcome this comprehensive volume.
The kind of extraordinary domed house constructed by Chad and Cameroon’s Mousgoum peoples has long held sway over the Western imagination. In fact, as Steven Nelson shows here, this prototypical beehive-shaped structure known as the teleukhas been cast as everything from a sign of authenticity to a tourist destination to a perfect fusion of form and function in an unselfconscious culture. And in this multifaceted history of the teleuk, thought of by the Mousgoum themselves as a three-dimensional symbol of their culture, Nelson charts how a singular building’s meaning has the capacity to change over time and in different places.
Drawing on fieldwork in Cameroon and Japan as well as archival research in Africa, the United States, and Europe, Nelson explores how the teleuk has been understood by groups ranging from contemporary tourists to the Cameroonian government and—most importantly—today’s Mousgoum people. In doing so, he moves in and out of Africa to provide a window into a changing Mousgoum culture and to show how both African and Western peoples use the built environment to advance their own needs and desires. Highlighting the global impact of African architecture, From Cameroon to Paris will appeal to scholars and students of African art history and architectural history, as well as those interested in Western interactions with Africa.
It's hard to overestimate the complexity of the factors that dictate something as simple as where, and in what sorts of structures, people live. Urban planning, business, labor, ethnicity, architecture—each influences the types of structures people live in, and the sorts of lives they lead within them.
Joseph C. Bigott takes on all of these fields in From Cottage to Bungalow, a sophisticated study of domestic structures and ethnic working-class neighborhoods in Chicago during the critical period of 1869 to 1929, when the city attracted huge numbers of immigrants. Exploring the meaning of home ownership in this context, Bigott develops two case studies that combine the intimate lives of ordinary people (primarily in Chicago's Polish and German communities) with broad analysis of everything from real estate markets to the very carpentry practices used to construct houses. His progressive methods and the novel conclusions they support chronicle not only the history of housing in Chicago, but also the organizations of people's lives, and the ways in which housing has affected notions of who is—and who is not—a worthy American citizen.
Governors' Mansions of the South
Ann Liberman, Photographs by Alise O'Brien, Foreward by Governor Jeb Bush University of Missouri Press, 2008 Library of Congress F210.L53 2008 | Dewey Decimal 725.170975
From the Greek Revival architecture found in Mississippi to the Queen Anne style of North Carolina, governors’ mansions in the American South convey a passion for antiquity, as well as a regional elegance. Ann Liberman, author of Governors’ Mansions of the Midwest, spent much of her life in Texas and admires the remarkable architecture of the antebellum South—a respect that she now brings to her newest book.
Governors’ Mansions of the South is devoted to the eleven states of the old Confederacy, plus Kentucky and West Virginia, and offers a brick-and-mortar reflection of the region’s rich history. It includes the country’s oldest governor’s mansion in continuous use, in Virginia, plus two built as recently as the 1960s, in Louisiana and Georgia. These mansions reflect an architectural cohesiveness found throughout the South, as Georgian, Federal, and Greek Revival styles imbue antebellum houses with a classical aura, while others built in the first quarter of the twentieth century reflect the monumental eclectic styles of the Beaux Arts era.
Liberman provides readers with a room-by-room guided tour of each of the buildings as she comments on their architecture, symbolism, and lore. She places the mansions in historical context, describing how their locations were chosen, how they were designed and decorated, and how they have been preserved, lost, or transformed over the years. While focusing primarily on the buildings themselves, she also highlights those governors and their wives who played significant roles in the mansions’ maintenance or renovation. Alise O’Brien’s accompanying color photographs capture the lavish interiors and furnishings as well as the dignified exteriors and landscapes.
“Living in the Governor’s Mansion is a remarkable honor,” writes former governor of Florida Jeb Bush in his foreword, “but it is also a constant, humbling reminder that the people who occupy the mansions are, indeed, the public’s servants.” For site visitors or architecture buffs, Governors’ Mansions of the South is an enlightening introduction to these historic executive homes, reminding us that, however opulent, they provide a personal connection between the public and its government—and connect past generations to the present.
Author Caroline Seebohm and photographer Peter C. Cook bring readers an exclusive look at some of New Jersey's most magnificent private homes and gardens. From a centuries-old farm to modern glass houses, from woodlands planted with native plants to formal French and English-style gardens, the book celebrates the rich diversity of architectural and gardening styles found in the state. More than 200 gorgeous color photographs, accompanied by inspired accounts, celebrate the beauty of New Jersey homes and gardens.
New Jersey is called the Garden State with good reason- some of the nation's most strikingly beautiful homes and gardens can be found within its borders. Caroline Seebohm and Peter C. Cook have captured them gloriously in Great Houses and Gardens of New Jersey.
No other book has so beautifully presented the architectural story of the state, stunningly documented in more than 200 color photographs- from a centuries-old farm to modern glass houses, from woodlands planted with native plants to formal French and English-style gardens. Each house and garden is privately owned, and many have never before been photographed. Readers are given an exclusive peek at some of New Jersey's greatest treasures.
Seebohm and Cook take us on a private tour of a pre-revolutionary Dutch farmhouse that could have sprung from the coast of Devon in England; a brick-patterned house that vividly expresses the originality and exuberance of the region's early builders and craftsmen; a collection of native stone buildings reminiscent of Bucks County, Pennsylvania; and an Arts and Crafts house with contributions by New Jersey's innovative Gustav Stickley. The twentieth century is equally well represented with works by masters such as Frank Lloyd Wright, Robert Venturi, Michael Graves, and Richard Meier.
The book showcases gardens of dazzling splendor and variety- woodlands ablaze with native azaleas and dogwoods; a charming sunken garden by well-known English garden designer Penelope Hobhouse; a stunning water garden on the Navesink River; a tiny formal garden surrounded by a picket fence in Somerset County; a garden in Alpine carpeted with bluebells in the spring, scented with roses in the summer, and with orchids on display all year round.
Making Home in Havana
Pietropaolo, Vincenzo Rutgers University Press, 2002 Library of Congress F1799.H343P54 2002 | Dewey Decimal 972.9124
Havana is a city that rarely fails to captivate. But much of the unique beauty and culture of this historic city is rapidly disappearing. As Cuban society finds itself at a crossroads, Havana is more than ever a city on the edge, for although frozen in time as a consequence of Fidel Castro’s revolution, it has certainly not been well preserved. Time, climate, and neglect have eroded a rare architectural legacy, making the need to document this heritage even more pressing than ever before.
Making Home in Havana is an elegant book of photographs and testimonies, recording, questioning, and evoking the meaning of place — in particular, the meaning of home. The combination of fine photography and the words of residents of former palaces, humble apartments, and other dwellings offer us an irresistible portrait of Havana that might otherwise be lost forever.
Vincenzo Pietropaolo and Cecelia Lawless have made numerous visits to Havana in order to fully understand and convey the essence of what home means to the inhabitants of the dwellings of the El Vedadoand Centro Habana neighborhoods. Together, they—and we—explore how a building becomes a home through its human history as well as its architectural features. With some renovation already underway in colonial Havana, they concentrate on largely unexplored and unrecognized sections that continue to fall into ruin. The intimacy of their connection with the buildings and people offers us a rare combination of documentary realism and high art. Buildings and people speak their histories to us in classic humanistic style. Residents of Havana tell their stories of lifelong efforts to turn decay into beauty, while the photographer’s evocative pictures enable us to feel exactly what they are talking about — a creation of time and space called home.
Eastern European prefabricated housing blocks are often vilified as the visible manifestations of everything that was wrong with state socialism. For many inside and outside the region, the uniformity of these buildings became symbols of the dullness and drudgery of everyday life. Manufacturing a Socialist Modernity complicates this common perception. Analyzing the cultural, intellectual, and professional debates surrounding the construction of mass housing in early postwar Czechoslovakia, Zarecor shows that these housing blocks served an essential function in the planned economy and reflected an interwar aesthetic, derived from constructivism and functionalism, that carried forward into the 1950s.
With a focus on prefabricated and standardized housing built from 1945 to 1960, Zarecor offers broad and innovative insights into the country’s transition from capitalism to state socialism. She demonstrates that during this shift, architects and engineers consistently strove to meet the needs of Czechs and Slovaks despite challenging economic conditions, a lack of material resources, and manufacturing and technological limitations. In the process, architects were asked to put aside their individual creative aspirations and transform themselves into technicians and industrial producers. Manufacturing a Socialist Modernity is the first comprehensive history of architectural practice and the emergence of prefabricated housing in the Eastern Bloc. Through discussions of individual architects and projects, as well as building typologies, professional associations, and institutional organization, it opens a rare window into the cultural and economic life of Eastern Europe during the early postwar period.
During the nineteenth century, the Keweenaw Peninsula of Northern Michigan was the site of America’s first mineral land rush as companies hastened to profit from the region’s vast copper deposits. In order to lure workers to such a remote location—and work long hours in dangerous conditions—companies offered not just competitive wages but also helped provide the very infrastructure of town life in the form of affordable housing, schools, health-care facilities, and churches.
The first working-class history of domestic life in Copper Country company towns during the boom years of 1890 to 1918, Alison K. Hoagland’s Mine Towns investigates how the architecture of a company town revealed the paternal relationship that existed between company managers and workers—a relationship that both parties turned to their own advantage. The story of Joseph and Antonia Putrich, immigrants from Croatia, punctuates and illustrates the realities of life in a booming company town. While company managers provided housing as a way to develop and control a stable workforce, workers often rejected this domestic ideal and used homes as an economic resource, taking in boarders to help generate further income.
Focusing on how the exchange between company managers and a largely immigrant workforce took the form of negotiation rather than a top-down system, Hoagland examines surviving buildings and uses Copper Country’s built environment to map this remarkable connection between a company and its workers at the height of Michigan’s largest land rush.
This richly illustrated volume tells the story of thehome that has served as Ohio’s executive residence since 1957, and of the nine governors and their families who have lived in the house. Our First Family’s Home offers the first complete history of the residence and garden that represent Ohio to visiting dignitaries and the citizens of the state alike. Once in a state of decline, the house has been lovingly restored and improved by itsresidents. Development of the Ohio Heritage Garden has increased the educational potential of the house and has sparked an interest in the preservation of native plant species. Looking toward the future, the Residence is also taking the lead in promoting environmental issues such as solar powerand green energy.
Photographs by award-winning environmental photographer Ian Adams and botanical art by Dianne McElwain showcase the beauty of the home’s architecture and the myriad of native plants that grace the three acres on which the Residence stands. Dianne McElwain is a member of the American Society of Botanical Artists in New York. Her botanical paintings have won numerous awards and are found in prestigious collections throughout the United States.
Essays highlight the Jacobethan Revival architecture and the history of the home. The remaining pieces cover the garden and include an intimate tour of the Heritage Garden, which was inspired by Ohio’s diverse landscape. Finally, Governor Ted Strickland and First Lady Frances Strickland discuss the increasing focus on green energy at the Governor’s Residence and First Lady Emerita Hope Taft explains how native plants can help sustain the environment.
From sash windows and ceramic tiles to barracks and warehouses, industrialized building has thrived since the nineteenth century in Europe and America. Yet architects have neglected this area of practical construction in favor of historical, theoretical, and artistic analyses, resulting in the emergence of an influential building industry with architects on the far margins. Colin Davies explores in The Prefabricated Home how the relationship between architecture and industrialized building has now become an urgent issue for architects.
The Prefabricated Home outlines the methods and motives of prefabricated buildings and assesses their architectural implications. Davies traces the origins of the branded building phenomenon with examples ranging from the Dymaxion bathroom to IKEA's "Bo Klok" house. He also analyzes the use of industrialized buildings worldwide—including McDonald's drive-through restaurants and contrasts the aesthetic concerns of architects against the economic ones of industrialized building manufacturers. Ultimately, The Prefabricated Home proposes a partnership of architects and industrialized building that could potentially produce an exciting new type of humane and eco-conscious architecture.
Offering a broad analysis of the complex developments in rural habitation of the northern provinces of the Roman Empire, Settling in a Changing World reconstructs the colonial villa from social and economic perspectives to create a broad geographical and chronological framework that sheds light on both local and regional patterns. Considering data from the Netherlands, Belgium, Germany, and France, Diederick Habermehl analyzes, visualizes, and reconstructs the developments in settlement space and architecture. Applying theoretical concepts from both archaeology and cultural studies, this groundbreaking book ultimately offers a new perspective on the Roman villa as an architectural and cultural phenomenon.
With its distinctive gables and arches, Tudor-style architecture is recognized around the world as a symbol of British culture; it represents the idea of home to British citizens in the United Kingdom and abroad. Some love it, others hate it, but the Tudoresque is still being built—to give a house an old-fashioned air or to create a sense of exotica. Yet few people know anything about how Tudor Revival buildings came to be. To fill this gap is Tudoresque, an insightful book that explores the origin of the style, tracing its roots to the antiquarian enthusiasms of the eighteenth century.
It looks at the Tudoresque cottage style, which later influenced 1930s architecture, and the Tudor-style manor house, particularly favored in the nineteenth century. While the style has been discouraged since the 1920s (and is especially reviled by modernists) it continues to be a popular choice—particularly when the architect doesn’t have the upper hand. The authors here show how the style is the mainstream of twentieth-century British architecture and explore how it has travelled abroad. From Tudor Village in Queens to Stan Hywet Hall in Akron to Malaysia, Shanghai, and Singapore, Tudor Revival has found a comfortable home across the globe. These black and white gabled buildings are important not so much because they are great architecture, but because they are everywhere.
Illustrated with images from more than 200 years of the Tudor Revival, and including examples from Britain, America, India and East Asia, this knowledgable and entertaining book will be an indispensable guide to the one of the world’s most iconic architectural styles.
Within the picturesque borders of Jefferson County, West Virginia remain the vestiges of a history filled with Civil War battles and political rebellion. Yet also woven into the historical landscapeof this small county nestled within the Shenandoah Valley is an unusual collection of historic homes.
In this fascinating architectural exploration, John C. Allen, Jr. details his expansive seven-year survey of Jefferson County’s historic residences. By focusing on dwellings built from the mid-eighteenth century to the arrival of the railroad and canal in 1835, Allen unfolds the unique story of this area’s early building traditions and architectural innovations. The 250 buildings included in this work—from the plantation homes of the Washington family to the log houses of yeomen farmers—reveal the unique development of this region, as Allen categorizes structures and establishes patterns of construction, plan, and style.
Allen’s refreshing perspective illuminates the vibrant vernacular architecture of Jefferson County, connecting the housing of this area to the rich history of the Shenandoah Valley. Varying features of house siting, plan types, construction techniques, building materials, outbuildings, and exterior and interior detailing illustrate the blending of German, Scots-Irish, English, and African cultures into a distinct, regional style.
Adorned with over seven hundred stylish photographs by Walter Smalling and elegant drawings, floor plans, and maps by Andrew Lewis, Uncommon Vernacular explores and preserves this historic area’s rich architectural heritage.
This anthology presents a synthesis of recent research on villas and villa landscapes in the northern provinces of the Roman world. It offers an original, multidimensional perspective on the social, economic, and cultural functioning of the Roman villa, locating it as the dual core of a rural estate and of cultural activity in the post-conquest landscapes of the Gaul and southeastern Britain. Themes discussed include the economic basis of villa-dominated landscapes, rural slavery, town-country dynamics, the role of monumental burials in villa landscapes, as well as self-representation and lifestyles of villa owners. This study also offers a new interpretation of mortuary evidence found in Roman villas of the region.
Pierre de la Ruffinière du Prey traces the influence of Pliny the Younger as a continuous theme throughout the history of architecture. First he looks at what Pliny considered to be the essential qualities of a villa. He then discusses the many buildings Pliny inspired: from the Renaissance estates of the Medici, to papal summer residences near Rome, to Thomas Jefferson's Monticello, and the home of former Canadian prime minister Pierre Elliott Trudeau. Equally important to du Prey's study are the many designs by architects past and present that remain on paper. These imaginary restitutions of Pliny's villas, each representative of its own epoch, trace in microcosm the evolution of the classical tradition in domestic architecture. In analyzing each project, du Prey illuminates the work of such great masters as Michelozzo, Raphael, Palladio, and Schinkel, as well as such well-known modern architects as Léon Krier, Jean-Pierre Adam, and Thomas Gordon Smith.
In the summer of 1927, in a suburb of Stuttgart, an exhibition housing settlement built by sixteen of the leading architects of the Modern Movement opended to the public. Greeted as a major event by advocates and opponents of the new architecture, the Weissenhof Siedling continues to excite strong interest. This unusally cohesive yet varied group of apartment buildings, row houses, and single-family houses—hailed by Philip Johnson as "the most important group of buildings in modern architecture"—remains a critical project in the history of twentieth-century architecture. Richard Pommer and Christian F. Otto offer a comprehensive account of Weissenhof in relation to the emergence and reception of modern architecture in the 1920s.
Recipient of the Award for Excellence in Professional and Scholarly Publishing
Take an intimate journey through the family, history, and architecture of 20 residential treasures in Wisconsin’s Own by M. Caren Connolly and Louis Wasserman. Richly illustrated with the photography of Zane Williams and complemented by historical images and watercolors and line drawings, Wisconsin’s Own profiles the architectural history of state’s most remarkable residences built between 1854 and 1939. The houses are a mix of public and private homes that are representative of varied architectural styles, from an Italianate along the Mississippi River and an interpretation of a sixteenth-century northern Italian villa overlooking Lake Michigan to an Adirondack-style camp in the North Woods and a fourteen-bedroom Georgian Revival mansion on Lake Geneva. Frank Lloyd Wright’s Prairie School is, of course, represented as well with examples by Wright and his mentor Louis Sullivan.
Wisconsin’s Own tells the story of the considerable contribution that each of these historic homes have made to American residential architecture. It also answers the questions who built the house, what brought them to Wisconsin, why they selected that particular style, and how it is that this historic home still stands—and shines—today.