front cover of Getting Used to Being Shot At
Getting Used to Being Shot At
Mark K. Christ
University of Arkansas Press, 2002
This collection of letters bears witness to the Civil War of the common soldiers and junior officers of the Army of Tennessee. Brothers Alex and Tom Spence described to their family in detail not only the many battles in which they served, but the hardship of campaigning (they marched literally thousands of miles), the pride of serving in battle-proven units, and the pain of losing comrades to bullets and disease. The Spences were a wealthy family who owned land, slaves, and the main hotel in Arkadelphia, Arkansas. With their successful careers and extensive property, they were among Clark County's most prominent families when the shadow of secession fell across Arkansas. Four years later, Arkansas would be ravaged by war, and Tom and Alex Spence would lie in soldiers' graves, far from home. Mark Christ has assembled their powerful letters from a collection in the Old State House Museum, weaving in other letters from their extended family and friends, brief but thorough introductions to each chapter, and evocative photographs. The story moves chronologically from the outset of war to the final letter from Alex's grieving fiancée.
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Ghost of the Ozarks
Murder and Memory in the Upland South
Brooks Blevins
University of Illinois Press, 2012
In 1929, in a remote county of the Arkansas Ozarks, the gruesome murder of harmonica-playing drifter Connie Franklin and the brutal rape of his teenaged fiancée captured the attention of a nation on the cusp of the Great Depression. National press from coast to coast ran stories of the sensational exploits of night-riding moonshiners, powerful "Barons of the Hills," and a world of feudal oppression in the isolation of the rugged Ozarks. The ensuing arrest of five local men for both crimes and the confusion and superstition surrounding the trial and conviction gave Stone County a dubious and short-lived notoriety.
 
Closely examining how the story and its regional setting were interpreted by the media, Brooks Blevins recounts the gripping events of the murder investigation and trial, where a man claiming to be the murder victim--the "Ghost" of the Ozarks--appeared to testify. Local conditions in Stone County, which had no electricity and only one long-distance telephone line, frustrated the dozen or more reporters who found their way to the rural Ozarks, and the developments following the arrests often prompted reporters' caricatures of the region: accusations of imposture and insanity, revelations of hidden pasts and assumed names, and threats of widespread violence. Locating the past squarely within the major currents of American history, Ghost of the Ozarks: Murder and Memory in the Upland South paints a convincing backdrop to a story that, more than 80 years later, remains riddled with mystery.
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Ghost Signs of Arkansas
Cynthia Haas
University of Arkansas Press, 1997

From the late 1800s to the early 1950s, painted wall signs were a major mode of advertisement for both national companies and local businesses across America. Many of these artistic messages, now faded, peeling, and partially covered, still peek out from the storefronts, barns, alleyways, warehouses, theaters, and even stagecoach stops they once decorated.

Photographer Jeff Holder and author Cynthia Haas explore this often overlooked art form in Arkansas and show us signs that appear mysteriously in the rain, signs that are curiously painted in remote places, images and words now only half decipherable. From Coca-Cola, Dr. Pepper, and Grapette Soda to Kis-Me-Gum, Uneeda Biscuit, and Snowdrift Flour, the logos and slogans are at once familiar and enigmatic. Archival photographs reference the time
when these brightly colored messages covered the facades of downtown buildings. Of particular interest in this book are the profiles of three “wall dogs,” or sign painters, who remember the difficulties and joys of their unusual profession.

Ghost Signs of Arkansas ties us to a gentler past, a time when Main Street was the center of a community’s life, before mass media forced grand-scale advertising from brick walls to the television screen. In documenting a fading but valuable traditional art form, this book fills a gap in both the cultural fabric of Arkansas towns and the history of American art.

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The Governors of Arkansas
Essays in Political Biography
Jr. Gatewood
University of Arkansas Press, 1995
Updated to include a biography of the three latest governors, one of whom is United States president Bill Clinton, this new edition includes fascinating individual profiles of the state's forty-three consecutive leaders since 1836. From Conway to Tucker, the biographical sketches are filled with valuable personal and political data detailing each governor's origin, family, education, occupation, and accomplishments and failures while in and out of office. By examining the issues confronting Arkansas's governors, the contributors have provided a provocative portrait of the state's political leadership and have explored a whole range of social and economic questions.
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The Gudge Creek and Wad Chronicles
Richard Allin
University of Arkansas Press, 1989


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