Originally published in 1907 and now reprinted for the first time, this is the only account published by a Union guerrilla in the border region of the central Ozarks, where political and civil violence lasted from the Civil War well into the 1880s.
There were probably many people who wanted to shoot Billy Monks. He was a Union patriot and skilled guerrilla fighter to some, but others called him a bushwhacker, a murderer, and a thief. His was a very personal combat: he commanded, rallied, arrested, killed, quarreled with, and sued people he knew. His life provides a striking example of the cliché that the war did not end in 1865, but continued fiercely on several fronts for another decade as partisan factions settled old scores and battled for local political control.
This memoir was Monks’s last salvo at his old foes, by turns self-defense and an uncompromising affirmation of the Radical Union cause in the Ozarks. The editors include a new biographical sketch of the author, fill in gaps in his narrative, identify all the people and places to which he refers, and offer a detailed index. Monks himself illustrated the volume with staged photographs of key events re-created by aged comrades who appear to have been just barely able to hoist the muskets they hold as props.
Brooks Blevins tells the cultural history of the Ozarks as a regional variation of an American story. As he shows, the experiences of the Ozarkers have not diverged from the currents of mainstream life as sharply or consistently as the mythmakers would have it. If much of the region seemed to trail behind by a generation, the time lag was rooted more in poverty and geographic barriers than a conscious rejection of the modern world and its progressive spirit. In fact, the minority who clung to the old days seemed exotic largely because their anachronistic ways clashed against the backdrop of the evolving region around them. Blevins explores how these people’s disproportionate influence affected the creation of the idea of the Ozarks, and reveals the truer idea that exists at the intersection of myth and reality.
The conclusion to the acclaimed trilogy, The History of the Ozarks, Volume 3: The Ozarkers offers an authoritative appraisal of the modern Ozarks and its people.
On September 11, 1857, some 120 men, women, and children from the Arkansas hills were murdered in the remote desert valley of Mountain Meadows, Utah. This notorious massacre was, in fact, a mass execution: having surrendered their weapons, the victims were bludgeoned to death or shot at point-blank range. The perpetrators were local Mormon militiamen whose motives have been fiercely debated for 150 years.
In House of Mourning, Shannon A. Novak goes beyond the question of motive to the question of loss. Who were the victims at Mountain Meadows? How had they settled and raised their families in the American South, and why were they moving west once again? What were they hoping to find or make for themselves at the end of the trail? By integrating archival records and oral histories with the first analysis of skeletal remains from the massacre site, Novak offers a detailed and sensitive portrait of the victims as individuals, family members, cultural beings, and living bodies.
The history of the massacre has often been treated as a morality tale whose chief purpose was to vilify (or to glorify) some collective body. Resisting this tendency to oversimplify the past, Novak explores Mountain Meadows as a busy and dangerous intersection of cultural and material forces in antebellum America. House of Mourning is a bold experiment in a new kind of history, the biocultural analysis of complex events.
Winner of the Society for Historical Archaeology James Deetz Book Award.
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