front cover of Aby Warburg and America
Aby Warburg and America
The Art Historian as Ethnographer
Horst Bredekamp
Bard Graduate Center, 2021
To a greater extent than still widely assumed, the German scholar Aby Warburg drew, throughout his life, on the lessons of two of its early episodes: his travels of 1895–96 among Pueblo Indian communities in the North American Southwest, and his residence of 1896–97 in Berlin, which he prized as a center for the study of ethnography, ethnology, and anthropology. Over the next three decades, this pioneering thinker was able to affect a fruitful amalgamation of those disciplines with that of art history (in which he had himself been trained): the origin of a form of cultural studies that continues to exert an extraordinary intellectual allure. Quoting from Warburg’s diaries, notebooks, and correspondence, this newly translated study throws fresh light on a most eventful journey through the realm of ideas.
 
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front cover of Reading Medieval Images
Reading Medieval Images
The Art Historian and the Object
Elizabeth Sears and Thelma K. Thomas, Editors
University of Michigan Press, 2002
What is it that art historians do when they approach works of art?

What kind of language do they use to descibe what they see? How do they construct arguments using visual evidence? What sorts of arguments do they make? In this unusual anthology, eighteen prominent art historians specializing in the medieval field (European, Byzantine, and Islamic) provide answers to these fundamental questions, not directly but by way of example. Each author, responding to invitation, has chosen for study a single image or object and has submitted it to sustained analysis. The collection of essays, accompanied by statements on methodology by the editors, offers an accessible introduction to current art-historical practice.
 
Elizabeth Sears is George H. Forsyth Jr. Collegiate Professor of Art at the University of Michigan.  She has received numerous fellowships and awards, including a John Simon Guggenheim Foundation fellowship, a Research Fellowship at the American Academy in Berlin, and a Paul Mellon Centre Fellowship at the British School in Rome.

Thelma K. Thomas is Associate Professor of the History of Art and Associate Curator of the Kelsey Museum, University of Michigan.


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