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Artifacts from the Cenote of Sacrifice, Chichen Itza, Yucatan
Textiles, Basketry, Stone, Bone, Shell, Ceramics, Wood, Copal, Rubber, other Organic Materials, and Mammalian Remains
Clemency Chase Coggins
Harvard University Press, 1992
In this abundantly illustrated third and final volume on the artifacts found by Edward H. Thompson in the Well of Sacrifice, specialists analyze the great variety of objects and debate whether they represent evidence of dateable prehistorical ritual. The collection includes the rare remains of hundreds of textiles, wooden objects, and copal incense offerings that were preserved in the waters of this limestone sinkhole, as well as the lithics, ceramics, and bone and shell artifacts commonly found in Maya burials and caches, and about 250 mammalian remains. These objects are remarkable for having been cut, torn, broken, and burned before they were thrown into the green waters of the sacred well at Chichen Itza.
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The Artifacts of Altar de Sacrificios
Gordon R. Willey
Harvard University Press, 1972
This volume is one of seven in a series about the 1959–1963 excavations at Altar de Sacrificios, Department of Petén, Guatemala. Here, project director Gordon Willey describes the artifacts recovered and reviews them in the context of a general comparison of Maya lowland archaeology.
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Artifacts of Loss
Crafting Survival in Japanese American Concentration Camps
Dusselier, Jane E
Rutgers University Press, 2008
From 1942 to 1946, as America prepared for war, 120,000 people of Japanese descent were forcibly interned in harsh desert camps across the American west.

In Artifacts of Loss, Jane E. Dusselier looks at the lives of these internees through the lens of their art. These camp-made creations included flowers made with tissue paper and shells, wood carvings of pets left behind, furniture made from discarded apple crates, gardens grown next to their housingùanything to help alleviate the visual deprivation and isolation caused by their circumstances. Their crafts were also central in sustaining, re-forming, and inspiring new relationships. Creating, exhibiting, consuming, living with, and thinking about art became embedded in the everyday patterns of camp life and helped provide internees with sustenance for mental, emotional, and psychic survival.

Dusselier urges her readers to consider these often overlooked folk crafts as meaningful political statements which are significant as material forms of protest and as representations of loss. She concludes briefly with a discussion of other displaced people around the globe today and the ways in which personal and group identity is reflected in similar creative ways.

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Ceramics and Artifacts from Excavations in the Copan Residential Zone
Gordon R. Willey, Richard M. Leventhal, Arthur A. Demarest, and William L. Fash
Harvard University Press, 1994
This is the first of two volumes addressing the Harvard University excavations in an outlying residential zone of the Copan in Honduras. The book offers detailed descriptions of ceramics and all other artifacts during 1976–1977. The materials pertain largely to the Late Classic Period. Ceramics are presented according to the type-variety system.
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Curing Season
Artifacts
Kristine Langley Mahler
West Virginia University Press, 2022
“An exquisite, aching memoir of adolescent girlhood. . . . Treasures await.” —Minneapolis Star Tribune

“A lovely and rapturous excavation and examination of the past, a lesson in writing oneself into history when it doesn’t offer you a space.” —Jenny Boully, author of Betwixt-and-Between: Essays on the Writing Life


After spending four years of adolescence in suburban North Carolina, Kristine Langley Mahler, even as an adult, is still buffeted by the cultural differences between her pioneer-like upbringing in Oregon and the settled southern traditions into which she could never assimilate. Collecting evidence of displacement—a graveyard in a mall parking lot, a suburban neighborhood of white kids bused to desegregate public schools in the 1990s, and the death of her best friend—Curing Season is an attempt to understand her failed grasp at belonging.

Mahler’s yearning for acceptance remains buried like a splinter, which she carefully tweezes out in the form of artifacts from her youth. But it isn’t until she encounters a book of local family histories that she takes inhabitation and truth apart, grafting and twisting and imprinting her history on theirs, until even she can no longer tell the difference between their truth and her own. Using inventive essay forms, Mahler pries apart the cracks of exclusion and experiments with the nature of belonging, memory, and place. Curing Season is a coming-of-age memoir for anyone who grew up anywhere but home.
 
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Documents
Artifacts of Modern Knowledge
Edited by Annelise Riles
University of Michigan Press, 2006
Documents reflects on the new challenges to humanistic social science in a world in which the subjects of research increasingly share the professional passions and problems of the researcher.

Documents are everywhere in modern life, from the sciences to bureaucracy to law; at the same time, fieldworkers document social realities by collecting, producing, and exchanging documents of their own. Capping off a generation of reflection and critique about the promises and pitfalls of ethnographic methods, the contributors explore how ethnographers conceive, grasp, appreciate, and see patterns, demonstrating that the core of the ethnographic method now lies in the way ethnographers respond to, and increasingly share the professional passions and problems of, their subjects.

"Sophisticated and provocative. The original and unique focus of this volume effectively opens up a new arena of critique that will move ethnography and qualitative inquiry forward in a way that few other works do."
—George Marcus, Department of Anthropology, Rice University

"This edited collection asks how an understanding of documentary forms sheds light on the creation and circulation of modern forms of knowledge, expertise, and governance. This is a major intervention in how we understand the everyday practice and techne of the documentary impulse and documentary apparatuses of law, bureaucratic review, and other institutions of modernity, as well as linguistic anthropology, literary theory, and law. The topic of Documents is not just of interest because of epistemological quandaries in the human sciences over textualization and interpretation, but also because the domains to which we increasingly turn our attention are themselves auto-documentary."
—William M. Maurer, Chair and Associate Professor, Anthropology, University of California, Irvine

Contributors: Mario Biagioli, Donald Brenneis, Carol Heimer, Hirokazu Miyazaki, Adam Reed, Annelise Riles, and Marilyn Strathern.

Annelise Riles is Professor of Law and Anthropology at Cornell University.
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Framing Power in Visigothic Society
Discourses, Devices, and Artifacts
Eleonora Dell' Elicine
Amsterdam University Press, 2020
This volume examines how power was framed in Visigothic society and how a diverse population with a complex and often conflicting cultural inheritance was thereby held together as a single kingdom. Indeed, through this dynamic process a new, early medieval society emerged. Understanding this transformation is no simple matter, as it involved the deployment of an array of political and cultural resources: the production of knowledge, the appropriation of Patristic literature, controlling and administering rural populations, reconceptualizing the sacred, capital punishment and exile, controlling the manufacture of currency, and defining Visigothic society in relation to other polities such as the neighbouring Byzantine state. In order to achieve an analysis of these different phenomena, this volume brings together researchers from a variety of disciplines. This interdisciplinary approach therefore expands the available sources and reformulates topics of traditional scholarship in order to engage with a renewal of Visigothic Studies and reformulate the paradigm of study itself. As a result, this volume rethinks frameworks of power in the Peninsula along not only historical and archaeological but also anthropological terms, presenting the reader with a new understanding of Iberian society as a whole.
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Life and Politics at the Royal Court of Aguateca
Artifacts, Analytical Data, and Synthesis
Takeshi Inomata
University of Utah Press, 2014
Aguateca is a Classic Mayan site located in the Petexbatun region of Guatemala. In this volume, Takeshi Inomata, Daniela Triadan, and their team examine the life of the Mayan royal family, nobles, and their retainers through the analysis of numerous complete and reconstructible artifacts left in this site’s elite residential area. Aguateca was unexpectedly attacked around AD 810, its central part was burned and its residents fled or were taken captive.
 
Because of the surprise nature of the attack, most artifacts were left in their original locations, providing unprecedented views of the daily life of the Classic Maya. Detailed analyses of these objects and their distribution has shown that Mayan elites stored some of their food in their residences and that they also conducted various administrative duties there. The presence of numerous precious ornaments indicates that many of the Maya elite were also skilled craft producers.
 
Life and Politics at the Royal Court of Aguateca is the third and final volume of the monograph series on Aguateca.  It presents the analyses of items not covered in the first two volumes, including figurines, ceramic laminates and masks, spindle whorls, ground stone, and bone artifacts, as well as hieroglyphic texts and plant and animal remains. It discusses the broad implications of this remarkable data set and provides a summation of the project.
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