front cover of Between Market and Myth
Between Market and Myth
The Spanish Artist Novel in the Post-Transition, 1992-2014
Katie J. Vater
Bucknell University Press, 2020
In its early transition to democracy following Franco’s death in 1975, Spain rapidly embraced neoliberal practices and policies, some of which directly impacted cultural production. In a few short years, the country commercialized its art and literary markets, investing in “cultural tourism” as a tool for economic growth and urban renewal. The artist novel began to proliferate for the first time in a century, but these novels—about artists and art historians—have received little critical attention beyond the descriptive. In Between Market and Myth, Vater studies select authors—Julio Llamazares, Ángeles Caso, Clara Usón, Almudena Grandes, Nieves Herrero, Paloma Díaz-Mas, Lourdes Ortiz, and Enrique Vila-Matas—whose largely realist novels portray a clash between the myth of artistic freedom and artists’ willing recruitment or cooptation by market forces or political influence. Today, in an era of rising globalization, the artist novel proves ideal for examining authors' ambivalent notions of creative practice when political patronage and private sector investment complicate belief in artistic autonomy.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press. 
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The Modernist Nation
Generation, Renaissance, and Twentieth-Century American Literature
Michael Soto
University of Alabama Press, 2007

The Modernist Nation examines why America's modern literary movements have come to be characterized as "generations" and "renaissances," such as the Lost Generation and the Beat Generation or the Harlem, Southern, and San Francisco Renaissances. The metaphor of rebirth, Michael Soto argues, offered and continues to offer American writers a kind of shorthand for imagining American cultural history, especially as a departure from Old World (English) trappings.

Soto highlights the interracial dynamics of American literary movements, touching on authors as varied as James Weldon Johnson, Malcolm Cowley, W. E. B. DuBois, Gertrude Stein, Ernest Hemingway, Zora Neale Hurston, and Jack Kerouac. After assessing the origins of the Lost Generation and the Harlem Renaissance, Soto traces the rise of the "bohemian artist" narrative, and demonstrates how a polyethnic cast of writers and critics constructed American literary production in terms of symbolic rebirth.


 

 

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Thomas Mann's Artist-Heroes
Jeffrey Meyers
Northwestern University Press, 2014
Jeffrey Meyers has written acclaimed biographies of many of the most influential authors of the twentieth century, but none has affected him as deeply as Thomas Mann. From his first youthful encounter with Death in Venice, Meyers has cultivated a lifetime obsession with Mann’s elegant style, penetrating irony, and insight into the life of the artist. Thomas Mann’s Artist-Heroes follows Mann’s own obsession with the artistic life through his characters: from the fiction of Gustav von Aschenbach in Death in Venice and the music of Adrian Leverkühn in Doctor Faustus, to Tonio Kröger’s life as a writer, to the artistically minded patient Hans Castorp in The Magic Mountain, and finally to Mann’s time in America and later memoirs by his family. Mann probes deeper than perhaps any other author into questions of how an artist is formed, why he must defy conventional society, and how suffering and disease affect his work. Admirers of Thomas Mann and of Jeffrey Meyers’s biographies will find in this remarkable book the best introduction to one of the greatest writers of the modern age.
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