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Yellow Future
Oriental Style in Hollywood Cinema
Jane Chi Hyun Park
University of Minnesota Press, 2010
Yellow Future examines the emergence and popularity of techno-oriental representations in Hollywood cinema since the 1980s, focusing on the ways East Asian peoples and places have become linked with technology to produce a collective fantasy of East Asia as the future. Jane Chi Hyun Park demonstrates how this fantasy is sustained through imagery, iconography, and performance that conflate East Asia with technology, constituting what Park calls oriental style.

Park provides a genealogy of oriental style through contextualized readings of popular films-from the multicultural city in Blade Runner and the Japanese American mentor in The Karate Kid to the Afro-Asian reworking of the buddy genre in Rush Hour and the mixed-race hero in The Matrix. Throughout these analyses Park shows how references to the Orient have marked important changes in American popular attitudes toward East Asia in the past thirty years, from abjection to celebration, invisibility to hypervisibility.
 
Unlike other investigations of racial imagery in Hollywood, Yellow Future centers on how the Asiatic is transformed into and performed as style in the backdrop of these movies and discusses the significance of this conditional visibility for representations of racial difference.
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The Yellow River
The Problem of Water in Modern China
David A. Pietz
Harvard University Press, 2015

Flowing through the heart of the North China Plain—home to 200 million people—the Yellow River sustains one of China’s core regions. Yet this vital water supply has become highly vulnerable in recent decades, with potentially serious repercussions for China’s economic, social, and political stability. The Yellow River is an investigative expedition to the source of China’s contemporary water crisis, mapping the confluence of forces that have shaped the predicament that the world’s most populous nation now faces in managing its water reserves.

Chinese governments have long struggled to maintain ecological stability along the Yellow River, undertaking ambitious programs of canal and dike construction to mitigate the effects of recurrent droughts and floods. But particularly during the Maoist years the North China Plain was radically re-engineered to utilize every drop of water for irrigation and hydroelectric generation. As David A. Pietz shows, Maoist water management from 1949 to 1976 cast a long shadow over the reform period, beginning in 1978. Rapid urban growth, industrial expansion, and agricultural intensification over the past three decades of China’s economic boom have been realized on a water resource base that was acutely compromised, with effects that have been more difficult and costly to overcome with each passing decade. Chronicling this complex legacy, The Yellow River provides important insight into how water challenges will affect China’s course as a twenty-first-century global power.

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The Yenan Way in Revolutionary China
Mark Selden
Harvard University Press, 1971

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Yenching University and Sino-Western Relations, 1916–1952
Philip West
Harvard University Press, 1976

Yenching University was perhaps the most impressive example of Sino-Western cooperation in the twentieth century. From its founding in 1916 by Western missionaries until the Communist victory, Yenching mirrored the colorful and frustrating efforts of Chinese and Western liberals to find solutions to China's overriding preoccupation with national salvation. In charting the ebb and flow of university life, this definitive work sheds light on the intellectual, social, and diplomatic forces at work in this transitional period in Chinese history.

Philip West's analysis of the Yenching episode is carefully placed within the political context, both domestic and foreign, of the Republican years (1912–1949). But the author sees intercultural history as being more than an extension of politics and diplomacy. The early bond between Chinese and Westerners at Yenching, despite its fame as an educational institution, was a religious one. Rising national consciousness, student radicalization, and China's unending experience of war weakened that religious tie. And yet religious purposes are a part of the Yenching story to the end.

In his handling of intercultural history, West has a keen appreciation for the interplay of political forces and individuals. The demise of Yenching and the breakdown of Sino-Western relations generally are seen in terms of the individual behavior of Yenching personalities, the pressures of Communist ideology, and also Western diplomacy surrounding the Korean War. Throughout this study major attention is given to the pivotal role of that towering personality in Sino-Western relations, John Leighton Stuart, Yenching's longtime president and the last American Ambassador to China prior to the Communist takeover.

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The Yogaśāstra of Hemacandra
A Twelfth Century Handbook on Śvetāmbara Jainism
Olle Qvarnström
Harvard University Press

The Yogaśāstra and its voluminous auto-commentary, the Svopajnavrtti, is the most comprehensive treatise on Śvetāmbara Jainism. Written in the twelfth century by the polymath Hemacandra, it was instrumental in the survival and growth of Jainism in India as well as in the spreading of Sanskrit culture within Jaina circles. Its influence extended far beyond confessional and geographical borders and it came to serve as a handbook for the Jain community in Gujarat and overseas.

It is a systematic presentation of a set of ideas and practices originally belonging to the Śvetāmbara canonical scriptures and traditions molded into a coherent whole with the help of a long row of scholastic thinkers. Hemacandra integrates innovations of his own as well as non-Jain elements of pan-Indian and Saiva provenance, attesting to a strong Tantric influence on medieval Jainism. Some of these elements came to be perpetually included within Śvetāmbara orthopraxy and orthodoxy due to the normative status acquired by the Yogaśāstra.

The present translation is the first of its kind in a Western language.

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Young China
National Rejuvenation and the Bildungsroman, 1900–1959
Mingwei Song
Harvard University Press, 2015
The rise of youth is among the most dramatic stories of modern China. Since the last years of the Qing dynasty, youth has been made a new agent of history in Chinese intellectuals’ visions of national rejuvenation through such tremendously popular notions as “young China” and “new youth.” The characterization of a young protagonist with a developmental story has also shaped the modern Chinese novel. Young China takes youth as a central literary motif that was profoundly related to the ideas of nationhood and modernity in twentieth-century China. A synthesis of narrative theory and cultural history, it combines historical investigations of the origin and development of the modern Chinese youth discourse with close analyses of the novelistic construction of the Chinese Bildungsroman, which depicts the psychological growth of youth with a symbolic allusion to national rejuvenation. Negotiating between self and society, ideal and action, and form and reality, such a narrative manifests as well as complicates the various political and cultural symbolisms invested in youth through different periods of modern Chinese history. In this story of young China, the restless, elusive, and protean image of youth both perpetuates and problematizes the ideals of national rejuvenation.
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