BiblioVault - Books about Asian American & Pacific Islander Studies

The Obligation Mosaic

Race and Social Norms in US Political Participation

Allison P. Anoll

University of Chicago Press, 2022

Many argue that “civic duty” explains why Americans engage in politics, but what does civic duty mean, and does it mean the same thing across communities? Why are people from marginalized social groups often more likely than their more privileged counterparts to participate in high-cost political activities?

In The Obligation Mosaic, Allison P. Anoll shows that the obligations that bring people into the political world—or encourage them to stay away—vary systematically by race in the United States, with broad consequences for representation. Drawing on a rich mix of interviews, surveys, and experiments with Asian, Black, Latino, and White Americans, the book uncovers two common norms that centrally define concepts of obligation: honoring ancestors and helping those in need. Whether these norms lead different groups to politics depends on distinct racial histories and continued patterns of segregation.

Anoll’s findings not only help to explain patterns of participation but also provide a window into opportunities for change, suggesting how activists and parties might better mobilize marginalized citizens.

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The Ocean in the School

Pacific Islander Students Transforming Their University

Rick Bonus

Duke University Press, 2020

In The Ocean in the School Rick Bonus tells the stories of Pacific Islander students as they and their allies struggled to transform a university they believed did not value their presence. Drawing on dozens of interviews with students he taught, advised, and mentored between 2004 and 2018 at the University of Washington, Bonus outlines how, despite the university's promotion of diversity and student success programs, these students often did not find their education to be meaningful, leading some to leave the university. As these students note, they weren't failing school; the school was failing them. Bonus shows how students employed the ocean as a metaphor as a way to foster community and to transform the university into a space that valued meaningfulness, respect, and critical thinking. In sharing these students' insights and experiences, Bonus opens up questions about measuring student success, the centrality of antiracism and social justice to structurally reshaping universities, and the purpose of higher education.

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Ocean Passages

Navigating Pacific Islander and Asian American Literatures

Erin Suzuki

Temple University Press, 2021

In her pathbreaking book, Ocean Passages, Erin Suzuki explores how movement through—and travel across—the ocean mediates the construction of Asian American and Indigenous Pacific subjectivities in the wake of the colonial conflicts that shaped the modern transpacific. Ocean Passages considers how Indigenous Pacific scholars have emphasized the importance of the ocean to Indigenous activism, art, and theories of globalization and how Asian American studies might engage in a deconstructive interrogation of race in conversation with this Indigenous-centered transnationalism.

The ocean passages that Suzuki addresses include the U.S. occupation and militarization of ocean space; refugee passage and the history and experiences of peoples displaced from the Pacific Islands; migratory circuits and the labors required to cross the sea; and the different ways that oceans inform postcolonial and settler colonial nationalisms. She juxtaposes work by Indigenous Pacific and Asian American artists and authors including James George, Maxine Hong Kingston, Kathy Jetñil-Kijiner, lê thi diếm thúy, Ruth Ozeki, and Craig Santos Perez. In Ocean Passages, Suzuki explores what new ideas, alliances, and flashpoints might arise when comparing and contrasting Asian and Pacific Islander passages across a shared sea.

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Of Orphans and Warriors

Inventing Chinese American Culture and Identity

Chun, Gloria Heyung

Rutgers University Press, 1999

"We were as American as can be," states Jadin Wong in recalling the days when she used to dance at a San Francisco nightclub during the 1940s. Wong belonged to an all-Chinese chorus line at a time when all East Asians were called "Orientals." In this context, then, what did it mean for Wong, an American-born Chinese, to say that she thought of herself as an "American"? Of Orphans and Warriors explores the social and cultural history of largely urban, American-born Chinese from the 1930s through the 1990s, focusing primarily on those living in California. Chun thus opens a window onto the ways in which these Americans born of Chinese ancestry negotiated their identity over a half century.

Past scholarship has portrayed these individuals as desiring to assimilate into mainstream American culture, but being prevented from doing so by the immigrant parent generation. Taking a new approach, Chun uses memoirs, autobiographies, and fictional writings to unravel complex issues of ethnic identity as both culturally defined and individually negotiated. She concludes that, while indeed many Chinese Americans were caught between the lures of mainstream American culture and their parents' old-world values, this liminal position offered them unprecedented opportunities to carve out new identities for themselves from a position of strength.

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Old China Through the Eyes of a Storyteller

Julie Moss Herrera

Parkhurst Brothers, Inc., 2012

An American storyteller’s immersion In the Chinese folktale tradition

“Having traveled on the same People to People Ambassador journey to China with Julie, I have seen Julie's anthology from inception to fruition. It is a masterful, engaging, informative and scholarly addition to our understanding and appreciation of Chinese culture, particularly storytelling and folk traditions, from ancient days to today. Practicing storytellers will especially appreciate her tips for telling and context clues at the end of each story.”
--Judith Heineman, storyteller, producer and Illinois Humanities Road Scholar

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On Becoming Filipino

Selected Writings of Carlos Bulosan

E. San Juan

Temple University Press, 1995

Organizing Asian-American Labor

The Pacific Coast Canned-Salmon Industry, 1870-1942

Chris Friday

Temple University Press, 1995

Between 1870 and 1942, successive generations of Asians and Asian Americans—predominantly Chinese, Japanese, and Filipino—formed the predominant body of workers in the Pacific Coast canned-salmon industry.

This study traces the shifts in the ethnic and gender composition of the cannery labor market from its origins through it decline and examines the workers' creation of work cultures and social communities. Resisting the label of cheap laborer, these Asian American workers established formal and informal codes of workplace behavior, negotiated with contractors and recruiters, and formed alliances to organize the workforce.

Whether he is discussing Japanese women workers' sharing of child-care responsibilities or the role of Filipino workers in establishing the Cannery and Field Workers Union, Chris Friday portrays Asian and Asian American workers as people who, while enduring oppressive restrictions, continually attempted to shape their own lives.

In the series Asian American History and Culture, edited by Sucheng Chan, David Palumbo-Liu, Michael Omi, K. Scott Wong, and Linda Trinh Võ.

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The Oriental Obscene

Violence and Racial Fantasies in the Vietnam Era

Sylvia Shin Huey Chong

Duke University Press, 2011

The Oriental Obscene is a sophisticated analysis of Americans’ reactions to visual representations of the Vietnam War, such as the photograph of the “napalm girl,” news footage of the Tet Offensive, and feature films from The Deer Hunter to Rambo: First Blood Part II. Sylvia Shin Huey Chong combines psychoanalytic and film theories with U.S. cultural history to explain what she terms the oriental obscene: racialized fantasies that Americans derived largely from images of Asians as the perpetrators or victims of extreme violence. Chong contends that these fantasies helped Americans to process the trauma of the Vietnam War, as well as the growth of the Asian American population after the Immigration and Nationality Act of 1965 and the postwar immigration of Southeast Asian refugees. The oriental obscene animated a wide range of political narratives, not only the movements for and against the war, but causes as diverse as the Black Power movement, law-and-order conservatism, second-wave feminism, and the nascent Asian American movement. During the Vietnam era, pictures of Asian bodies were used to make sense of race, violence, and America’s identity at home and abroad.

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Orientals

Robert Lee

Temple University Press, 1999

Sooner or later every Asian American must deal with the question, "Where do you come from?" It is probably the most familiar is least aggressive form of racism. It is a tip off to the persistent notion that people of Asian ancestry are not real Americans, that "Orientals" never really stop being loyal to a foreign homeland, no matter how long they or their family have been in this country. Confronting the cultural stereotypes that have been attached to Asian Americans over the last 150 years, Robert G. Lee seizes the label "Oriental" and asks where it came from.

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Outside the Paint

When Basketball Ruled at the Chinese Playground

Kathleen S. Yep

Temple University Press, 2009

This fascinating book reveals that Chinese Americans began “shooting hoops” nearly a century before Chinese superstar Yao Ming turned pro. Drawing on interviews with players and coaches, Outside the Paint takes readers back to San Francisco in the 1930s and 1940s, when young Chinese American men and women developed a new approach to the game—with fast breaks, intricate passing and aggressive defense—that was ahead of its time.

Every chapter tells a surprising story: the Chinese Playground, the only public outdoor space in Chinatown; the Hong Wah Kues, a professional barnstorming men’s basketball team; the Mei Wahs, a championship women’s amateur team; Woo Wong, the first Chinese athlete to play in Madison Square Garden; and the extraordinarily talented Helen Wong, whom Kathleen Yep compares to Babe Didrikson.

Outside the Paint chronicles the efforts of these highly accomplished athletes who developed a unique playing style that capitalized on their physical attributes, challenged the prevailing racial hierarchy, and enabled them, for a time, to leave the confines of their segregated world. They learned to dribble, shoot, and steal.

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